Contemporary Opera Newsletter

Total Page:16

File Type:pdf, Size:1020Kb

Contemporary Opera Newsletter Leporello Contemporary Opera Newsletter Nr. 1 September 2011 World Première Performances In September 2011, 4 new operas are to be presented, in Paris, San Francisco, Strasbourg and Torino. Reinhardt Wagner is a newcomer on the opera stage. The 3 other composers have already composed operas : The Cows of Apollo and The Thirteen Clocks (Theofanidis), Il carro e I canti (Solbiati), 60 e Parallèle , K… and La Frontière (Manoury). Reinhardt Wagner : René l’énervé Christopher Theofanidis : Heart of a Soldier Opéra bouffe et tumultueux Libretto : Jean-Michel Ribes Opera (130’) Paris, Théâtre du Rond-Point Libretto : Donna di Novelli, after James B. Stewart’s September 7, 2011 book and the life stories of Susan Rescorla, Rick Rescorla and Daniel J. Hill San Francisco, War Memorial Opera House September 10, 2011 Large orchestra Orchestra : 5 (keyboards, guitar and percussion, Cast : 12 singers clarinet and baritone saxophone, cello, flute and accordion) With baritone Thomas Hampson, tenor William Burden Cast : 20 actors-singers and soprano Melody Moore In Paris until October 29th, then in Nancy, from Conductor : Patrick Summers March 14 to March 18, 2012 Director : Francesca Zambello « It’s a funny romp that crosses the ever parading « On September 11, 2001, Rick Rescorla, former political Barnum » Vietnam soldier, head of security, led all of the 2700 The text is to be published by Actes Sud Papiers on people under his care to safety, before heading back September 7, 2011 into the burning building. He never emerged. » more on p. 2 DVD (New release) John Adams : Doctor Atomic , Sony, 88697806659 The second production of John Adams’ last opera, first performed in San Francisco on October 1, 2005, and revived in Chicago and Amsterdam. Taped in October 2008 at the Metropolitan Opera. With Gerald Finley, Sasha Cooke, Roger Honeywell, Meredith Arwady. Alan Gilbert conducts and Penny Woolcock directs the birth of the atomic bomb. more on p. 2 Leporello - Nr. 1 - September 2011 page 1 World Première Performances Alessandro Solbiati : Leggenda Philippe Manoury : La Nuit de Gutenberg Opera in 1 act (prologue, 4 scenes and epilogue) Libretto : composer after Fyodor Dostoyevsky’s Opera in 1 prologue and 12 scenes Brothers Karamazov Libretto : Jean-Pierre Milovanoff Torino, Teatro Regio (Teatro Carignano) Strasbourg, Opéra (Festival Musica) Festival MITO SettembreMusica September 24, 2011 September 20, 2011 Orchestra and Chorus Cast : 6 singers, including tenor Mark Milhofer, soprano Alda Caiello and baritone Urban Malmberg Orchestra and Chorus Conductor : Gianandrea Noseda Cast : 3 singers and 6 soloists from the chorus, Director : Stefano Poda including bass baritone Marc Cavallier and mezzo Eve-Maud Hubeaux « The challenge was to put on stage and in the music Conductor : Daniel Klajner the three levels of narration used in the chapter The Director : Yoshi Oida Grand Inquisitor : the dialogue between Ivan and Aliocha, the dialogue between the Inquisitor and the « A character appears suddenly and claims to be heretics and the confrontation in the desert between Gutenberg. He enters violently into today’s world of Jesus and the Devil. » communication, ruled by the Internet. » Publisher : Éditions Durand - Universal Music Publishing Group New Releases DVD Michael Daugherty : Jackie O , Dynamic, 33605 Premiered in Houston on March 14, 1997, this opera focuses on the relationship between Jacqueline Kennedy Onassis, Aristotle Onassis and Maria Callas, also featuring Grace Kelly, Andy Warhol and John F. Kennedy. With Fiona McAndrew, Nora Sourouzian, Simone Alberghini, Paul Carey Jones. Christopher Franklin conducts and Damiano Michieletto directs Mark-Anthony Turnage : Anna Nicole , Opus Arte, OA1054D The world première production of Mark-Anthony Turnage’s last opera, first performed in London (Royal Opera House, Covent Garden), on February 17, 2011. With Eva-Maria Westbroek, Alan Oke, Gerald Finley, Susan Bickley. Antonio Pappano conducts and Richard Jones directs this new work inspired by the life of American model, actress and television personality Anna Nicole Smith CD André Previn : Brief Encounter , Deutsche Grammophon, 477 9351 with Elizabeth Futral, Nathan Gunn and Kim Josephson Premiered in Houston on May 1, 2009, this opera relates the passion shared by two married characters, until they have to decide between love and honor. Recording of the first production, conducted by Patrick Summers. Leporello - Nr. 1 - September 2011 page 2 In my collection Below are listed parts of my collection. There will be more in the next issues. 1) Program books : - Georges Aperghis : Les Boulingrin , Paris, May 12, 2010 - Jörn Arnecke : Kryos , Bremen, May 14, 2011 - Oscar Bianchi : Thanks to my Eyes , Aix-en-Provence, July 5, 2011 - Daniel Catan : Il Postino , Paris, Théâtre du Châtelet, June 20, 2011 - Pascal Charpentier : L’Homme qui s’efface , Grand Quevilly, March 29, 2011 - Nuno Côrte-Real : Banksters, Lisbon, March 18, 2011 - Pascal Dusapin : Passion , Paris, Théâtre des Champs-Élysées, October 6, 2010 - John Estacio : Lillian Alling , Vancouver, October 16, 2010 - Lorenzo Ferrero : Risorgimento !, Modena, March 25, 2011 - Jonas Forssell : Hemligheter , Malmö, February 12, 2011 - Will Gregory : Piccard in Space , London, March 31, 2011 - Georg Friedrich Haas : Bluthaus , Schwetzingen, April 29, 2011 - Toshio Hosokawa : Matsukaze , Brussels, May 3, 2011 - Pilar Jurado : La página en blanco , Madrid, February 11, 2011 - Volker David Kirchner : Savonarola , Kiel, April 30, 2011 - René Koering : Die Marquise von O , Monte-Carlo, April 22, 2011 - Michael Levinas : La Métamorphose , Lille, March 7, 2011 - Jukka Linkola : Robin Hood , Helsinki, January 14, 2011 - Bruno Mantovani : Akhmatova , Paris, Opéra Bastille, March 28, 2011 - Balduin Sulzer : Kaspar H. , Linz, January 29, 2011 - Bramwell Tovey : The Inventor , Calgary, January 29, 2011 - Mark-Anthony Turnage : Anna Nicole , London, Royal Opera House, February 17, 2011 - Marco Tutino : Senso , Palermo, January 20, 2011 - Judith Weir : Achterbahn , Bregenz, July 21, 2011 2) Libretti : - Don Davis / Kate Gale : Rio de Sangre , Milwaukee, October 22, 2010 - Toshio Hosokawa / Hannah Dübgen : Matsukaze , Brussels, May 3, 2011 - Michael Levinas / Emmanuel Moses and Benoit Meudic : La Métamorphose , Lille, March 7, 2011 3) Full scores : - Georges Aperghis : Avis de Tempête , [Paris] : Georges Aperghis, 2004 - David Farquhar : Enchanted Island , Wellington : Sounz, 2001 - Ralph Middenway : The Tempest , Hobart : Ralph Middenway, 2010 - Mark Richards : Hamlet , [Toronto] : Mark Richards, 2008 - Alan Schmitz : Julius Caesar, New York : Alan Schmitz, 1977 - Bernd Alois Zimmermann : Die Soldaten , Mainz : B. Schott’s Söhne, 1975 4) Vocal scores : - David Amram : Twelfth Night , New York : C. F. Peters Corporation, 1972 - Marcel Delannoy : Puck , [Paris] : André Boll and Marcel Delannoy, 1950 - Georges Hüe : Titania , Paris : Choudens, 1903 - Alfred Loeffler : Love’s Labour’s Lost , Chico : Avera Music Press, 1999 - Stephen Oliver : Timon of Athens , London : Novello, 1992 - Sergei Slonimsky : Hamlet , St. Petersburg : Kompozitor, 1997 - Sergei Slonimsky : King Lear , St. Petersburg : Kompozitor, 2010 5) Books : - Damien Colas, Alessandro Di Profio : D’une scène à l’autre - l’opéra italien en Europe (2 vol.), Wavre : Mardaga, 2009 - Quaintance Eaton : Opera Production - A Handbook (2 vol.), Minneapolis : University of Minnesota Press, 1962-1974 - Harry Halbreich : L’Œuvre d’Olivier Messiaen , Paris : Fayard, 2008 - Rebecca Hodell Kornick : Recent American Opera - A Production Guide , New York : Columbia University Press, 1991 - W. Franklin Summers : Operas in One Act - A Production Guide , Lanham : The Scarecrow Press, 1997 Leporello - Nr. 1 - September 2011 page 3 6) DVD : Nicholas Maw : Sophie’s Choice , Opus Arte, OA 1024 D The world première production of Nicholas Maw’s opera, with a libretto based on the novel by William Styron : a young American Southerner befriends the Jewish Nathan Landau and his lover Sophie, a Polish survivor of the Nazi concentration camps. With Angelika Kirchschlager, Gordon Gietz, Rod Gilfry and Dale Duesing. Simon Rattle conducts and Trevor Nunn directs. Einojuhani Rautavaara : Aleksis Kivi , Ondine, ODV 4009 Premiered in Helsinki on September 12, 2009, this opera relates the Finnish poet’s life, mixing it together with excerpts of his works. With Jorma Hynninen, Janne Reinkainen, Riikka Rantanen, Paulina Linnosaari. Mikko Franck conducts and Pekka Milonoff directs. Aribert Reimann : Medea , Arthaus Musik, 101 551 Premiered in Vienna on February 28, 2010, it is a new musical version of the Medea story, with Jason, Creusa and Creon. With Marlis Petersen, Michaele Selinger, Elisabeth Kulman, Michael Roider Michael Boder conducts and Marco Arturo Marelli directs. 7) CD : Kris Defoort : The Woman Who Walked Into Doors , Fuga Libera, FUG709 with Claron McFadden, Jacqueline Blom. Etienne Siebens conducts. Premiered in Antwerp on November 7, 2001. Based on Roddy Doyle’s book, it tells the gripping story of Paula Spencer, a housewife whose life is ruled by alcohol and physical violence. Recorded live in Bruges, on September 23, 2006. Jonathan Dove : Tobias and the Angel , Chandos, CHAN 10606 with Omar Ebrahim, Hyacinth Nicholls, Darren Abrahams and James Laing Premiered in London in 1999, this community opera is based on the Book of Tobit from the Biblical Apocrypha. Recorded during the 2006 revival for the reopening of the Young Vic Theatre. Philip Glass : Kepler , OMM 0071 with Martin
Recommended publications
  • Parsifal and Canada: a Documentary Study
    Parsifal and Canada: A Documentary Study The Canadian Opera Company is preparing to stage Parsifal in Toronto for the first time in 115 years; seven performances are planned for the Four Seasons Centre for the Performing Arts from September 25 to October 18, 2020. Restrictions on public gatherings imposed as a result of the Covid-19 pandemic have placed the production in jeopardy. Wagnerians have so far suffered the cancellation of the COC’s Flying Dutchman, Chicago Lyric Opera’s Ring cycle and the entire Bayreuth Festival for 2020. It will be a hard blow if the COC Parsifal follows in the footsteps of a projected performance of Parsifal in Montreal over 100 years ago. Quinlan Opera Company from England, which mounted a series of 20 operas in Montreal in the spring of 1914 (including a complete Ring cycle), announced plans to return in the fall of 1914 for another feast of opera, including Parsifal. But World War One intervened, the Parsifal production was cancelled, and the Quinlan company went out of business. Let us hope that history does not repeat itself.1 While we await news of whether the COC production will be mounted, it is an opportune time to reflect on Parsifal and its various resonances in Canadian music history. This article will consider three aspects of Parsifal and Canada: 1) a performance history, including both excerpts and complete presentations; 2) remarks on some Canadian singers who have sung Parsifal roles; and 3) Canadian scholarship on Parsifal. NB: The indication [DS] refers the reader to sources that are reproduced in the documentation portfolio that accompanies this article.
    [Show full text]
  • Doctor Atomic
    John Adams Doctor Atomic CONDUCTOR Opera in two acts Alan Gilbert Libretto by Peter Sellars, PRODUCTION adapted from original sources Penny Woolcock Saturday, November 8, 2008, 1:00–4:25pm SET DESIGNER Julian Crouch COSTUME DESIGNER New Production Catherine Zuber LIGHTING DESIGNER Brian MacDevitt CHOREOGRAPHER The production of Doctor Atomic was made Andrew Dawson possible by a generous gift from Agnes Varis VIDEO DESIGN and Karl Leichtman. Leo Warner & Mark Grimmer for Fifty Nine Productions Ltd. SOUND DESIGNER Mark Grey GENERAL MANAGER The commission of Doctor Atomic and the original San Peter Gelb Francisco Opera production were made possible by a generous gift from Roberta Bialek. MUSIC DIRECTOR James Levine Doctor Atomic is a co-production with English National Opera. 2008–09 Season The 8th Metropolitan Opera performance of John Adams’s Doctor Atomic Conductor Alan Gilbert in o r d e r o f v o c a l a p p e a r a n c e Edward Teller Richard Paul Fink J. Robert Oppenheimer Gerald Finley Robert Wilson Thomas Glenn Kitty Oppenheimer Sasha Cooke General Leslie Groves Eric Owens Frank Hubbard Earle Patriarco Captain James Nolan Roger Honeywell Pasqualita Meredith Arwady Saturday, November 8, 2008, 1:00–4:25pm This afternoon’s performance is being transmitted live in high definition to movie theaters worldwide. The Met: Live in HD series is made possible by a generous grant from the Neubauer Family Foundation. Additional support for this Live in HD transmission and subsequent broadcast on PBS is provided by the Alfred P. Sloan Foundation. Ken Howard/Metropolitan Opera Gerald Finley Chorus Master Donald Palumbo (foreground) as Musical Preparation Linda Hall, Howard Watkins, Caren Levine, J.
    [Show full text]
  • Doctor Atomic
    What to Expect from doctor atomic Opera has alwayS dealt with larger-than-life Emotions and scenarios. But in recent decades, composers have used the power of THE WORK DOCTOR ATOMIC opera to investigate society and ethical responsibility on a grander scale. Music by John Adams With one of the first American operas of the 21st century, composer John Adams took up just such an investigation. His Doctor Atomic explores a Libretto by Peter Sellars, adapted from original sources momentous episode in modern history: the invention and detonation of First performed on October 1, 2005, the first atomic bomb. The opera centers on Dr. J. Robert Oppenheimer, in San Francisco the brilliant physicist who oversaw the Manhattan Project, the govern- ment project to develop atomic weaponry. Scientists and soldiers were New PRODUCTION secretly stationed in Los Alamos, New Mexico, for the duration of World Alan Gilbert, Conductor War II; Doctor Atomic focuses on the days and hours leading up to the first Penny Woolcock, Production test of the bomb on July 16, 1945. In his memoir Hallelujah Junction, the American composer writes, “The Julian Crouch, Set Designer manipulation of the atom, the unleashing of that formerly inaccessible Catherine Zuber, Costume Designer source of densely concentrated energy, was the great mythological tale Brian MacDevitt, Lighting Designer of our time.” As with all mythological tales, this one has a complex and Andrew Dawson, Choreographer fascinating hero at its center. Not just a scientist, Oppenheimer was a Leo Warner and Mark Grimmer for Fifty supremely cultured man of literature, music, and art. He was conflicted Nine Productions, Video Designers about his creation and exquisitely aware of the potential for devastation Mark Grey, Sound Designer he had a hand in designing.
    [Show full text]
  • Opera Colorado Announces 2018-19 Season: Verdi’S La Traviata and Mozart’S the Marriage of Figaro in Grand, Traditional Productions at the Ellie Caulkins Opera House
    FOR IMMEDIATE RELEASE: February 21, 2018 Media Contact: Tamara Vallejos, Director of Marketing & Audience Development 303.778.0214 | [email protected] Opera Colorado Announces 2018-19 Season: Verdi’s La Traviata and Mozart’s The Marriage of Figaro in grand, traditional productions at the Ellie Caulkins Opera House Plus, a double-bill of Tom Cipullo’s After Life and Josephine at the new Kirkland Museum of Fine & Decorative Art Now in his 10th year of leading the company, Greg Carpenter to take on new title of General & Artistic Director DENVER—Opera Colorado is pleased to announce its 2018-19 season, anchored by two of the most beloved works in the repertoire: Verdi’s stunning and heartbreaking La Traviata and Mozart’s effervescent comedy The Marriage of Figaro, both to be performed at the Ellie Caulkins Opera House at the Denver Performing Arts Complex. The season is rounded out by the 2018-19 Scene Change offering: a contemporary double-bill of After Life and Josephine by composer Tom Cipullo, for which Opera Colorado will transform a gallery of the new Kirkland Museum of Fine & Decorative Art into a 100-seat theater. “The 2018-19 season is particularly exciting in its contrasts,” says Opera Colorado General & Artistic Director Greg Carpenter. “Both La Traviata and The Marriage of Figaro are iconic operas, and both are masterpieces of music and theater. But the former offers us the intensity of tragic passion, while the latter is the height of sophisticated comedy.” “And, of course, there is the delightful contrast of presenting
    [Show full text]
  • Lectures and Community Engagement 2017­–18 About the Metropolitan Opera Guild
    Lectures and Community Engagement 2017 –18 About the Metropolitan Opera Guild The Metropolitan Opera Guild is the world’s premier arts educa- tion organization dedicated to enriching people’s lives through the magic and artistry of opera. Thanks to the support of individuals, government agencies, foundations, and corporate sponsors, the Guild brings opera to life both on and off the stage through its educational programs. For students, the Guild fosters personal expression, collaboration, literacy skills, and self-confidence with customized education programs integrated into the curricula of their schools. For adults, the Guild enhances the opera-going experience through intensive workshops, pre-performance talks, and community outreach programs. In addition to educational activities, the Guild publishes Opera News, the world’s leading opera magazine. With Opera News, the Guild reaches a global audience with the most insightful and up-to-date writing on opera available anywhere, helping to maintain opera as a thriving, contemporary art form. For more information about the Metropolitan Opera Guild and its programs, visit metguild.org. Additional information and archives of Opera News can be found online at operanews.com. How to Use This Booklet This brochure presents the 2017–18 season of Lectures and Community Programs grouped into thematic sections—programs that emphasize specific Met performances and productions; courses on opera and its history and culture; and editorial insights and interviews presented by our colleagues at Opera News. Courses of study are arranged chronologically, and learners of all levels are welcome. To place an order, please call the Guild’s ticketing line at 212.769.7028 (Mon–Fri 10AM–4PM).
    [Show full text]
  • TURANDOT Cast Biographies
    TURANDOT Cast Biographies Soprano Martina Serafin (Turandot) made her San Francisco Opera debut as the Marshallin in Der Rosenkavalier in 2007. Born in Vienna, she studied at the Vienna Conservatory and between 1995 and 2000 she was a member of the ensemble at Graz Opera. Guest appearances soon led her to the world´s premier opera stages, including at the Vienna State Opera where she has been a regular performer since 2005. Serafin´s repertoire includes the role of Lisa in Pique Dame, Sieglinde in Die Walküre, Elisabeth in Tannhäuser, the title role of Manon Lescaut, Lady Macbeth in Macbeth, Maddalena in Andrea Chénier, and Donna Elvira in Don Giovanni. Upcoming engagements include Elsa von Brabant in Lohengrin at the Opéra National de Paris and Abigaille in Nabucco at Milan’s Teatro alla Scala. Dramatic soprano Nina Stemme (Turandot) made her San Francisco Opera debut in 2004 as Senta in Der Fliegende Holländer, and has since returned to the Company in acclaimed performances as Brünnhilde in 2010’s Die Walküre and in 2011’s Ring cycle. Since her 1989 professional debut as Cherubino in Cortona, Italy, Stemme’s repertoire has included Rosalinde in Die Fledermaus, Mimi in La Bohème, Cio-Cio-San in Madama Butterfly, the title role of Manon Lescaut, Tatiana in Eugene Onegin, the title role of Suor Angelica, Euridice in Orfeo ed Euridice, Katerina in Lady Macbeth of Mtsensk, the Countess in Le Nozze di Figaro, Marguerite in Faust, Agathe in Der Freischütz, Marie in Wozzeck, the title role of Jenůfa, Eva in Die Meistersinger von Nürnberg, Elsa in Lohengrin, Amelia in Un Ballo in Machera, Leonora in La Forza del Destino, and the title role of Aida.
    [Show full text]
  • BAM and New York City Opera Present US Premiere of Anna Nicole, an Opera by Mark-Anthony Turnage with Libretto by Richard Thomas—September 17 to 28
    BAM and New York City Opera present US premiere of Anna Nicole, an opera by Mark-Anthony Turnage with libretto by Richard Thomas—September 17 to 28 Anna Nicole launches BAM 2013 Next Wave Festival American Express is the BAM 2013 Next Wave Festival Sponsor BAM and New York City Opera present Anna Nicole Composed by Mark-Anthony Turnage Libretto by Richard Thomas Directed by Richard Jones Conducted by Steven Sloane Scenic design by Miriam Buether Costume design by Nicky Gillibrand Lighting design by Mimi Jordan Sherin & D.M. Wood Choreography by Aletta Collins Line producer and Soloist Casting by Elaine Padmore Additional Casting by Telsey + Company, Tiffany Little Canfield, CSA Anna Nicole was commissioned by the Royal Opera House, Covent Garden, London, and premiered there in February 2011 BAM Howard Gilman Opera House (30 Lafayette Ave) Sep 17–28 at 7:30pm Tickets: $25, 50, 75, 100, 125, 150 (weekday); $35, 60, 85, 115, 145, 175 (weekend) Master Class: Lyrics, Libretto, and Luck with Richard Thomas Sep 12 at 3pm, BAM Fisher Leavitt Workshop (321 Ashland Pl) Tickets: $25 Talk: The Making of Anna Nicole, with Mark-Anthony Turnage, Richard Thomas, and Richard Jones, moderated by Elaine Padmore. Sept 16 at 7pm, BAMcafé (30 Lafayette Ave) Tickets: $15 ($7.50 for Friends of BAM) Anna Nicole: An Opening Affair, Sep 17, post-show celebration Tickets: BAM Patron Services, 718.636.4182 or [email protected] Brooklyn, NY/Aug 8, 2013—The 2013 Next Wave Festival launches with the Brooklyn Academy of Music (BAM) and New York City Opera co-production of Anna Nicole, an opera by composer Mark- Anthony Turnage and librettist Richard Thomas based on the flamboyant life and tragic death of Anna Nicole Smith.
    [Show full text]
  • Simone Alberghini
    Simone Alberghini - Debutta nel 1993 al Teatro Regio di Torino e da allora si esibisce nei più importanti teatri internazionali, collaborando con celebri direttori quali Chailly, Jurowsky, Mehta, Muti, Ozawa, Thomas. Il suo repertorio comprende soprattutto ruoli mozartiani, rossiniani e opere del repertorio francese. Al Glyndebourne Festival del 2005 interpreta Dandini nella Cenerentola di Rossini con la regia di Peter Hall e la direzione di Vladimir Jurowski, ruolo che riprende anche al Kennedy Center a Washington e al Metropolitan Opera di New York. Sempre negli Stati Uniti, all’Opera Company di Philadelphia è il Conte nelle Nozze di Figaro di Mozart. È ospite regolare al Rossini Opera Festival di Pesaro, dove canta nella Donna del Lago, Zelmira, Otello, Tancredi, Torvaldo e Dorliska e La Scala di Seta ed interpreta Don Simone in Adelina di Pietro Generali. Veste i panni di Athanael in Thaïs di Massenet alla Royal Opera House di Londra diretto da Davis a fianco di Renée Fleming e successivamente al Teatro La Fenice di Venezia ed al Teatro Regio di Torino. Nel 2008 è Guglielmo nel Così Fan Tutte di Mozart al Festival Mozart de La Coruña, Escamillo in Carmen di Bizet al Teatro dell’Opera di Roma ed allo Sferisterio di Macerata; interpreta Nick Shadow in The Rake’s progress di Stravinskij alle Settimane Musicali di Stresa diretto da Noseda; canta nel ruolo di Mustafà nell’Italiana in Algeri di Rossini al Teatro di San Carlo di Napoli, interpreta per la prima volta i quattro ruoli ne Les Contes d’Hoffmann di Offenbach diretto da Emmanuel Villaume e debutta il Figaro rossiniano alla Washington National Opera.
    [Show full text]
  • Metropolitan Opera 19-20 Season Press Release
    Updated: November 12, 2019 New Productions of Porgy and Bess, Der Fliegende Holländer, and Wozzeck, and Met Premieres of Agrippina and Akhnaten Headline the Metropolitan Opera’s 2019–20 Season Yannick Nézet-Séguin, in his second season as Music Director, conducts the new William Kentridge production of Wozzeck, as well as two revivals, Met Orchestra concerts at Carnegie Hall, and a New Year’s Eve Puccini Gala starring Anna Netrebko Sunday matinee performances are offered for the first time From Roberto Alagna to Sonya Yoncheva, favorite Met singers return Debuting conductors are Karen Kamensek, Antonello Manacorda, and Vasily Petrenko; returning maestros include Valery Gergiev and Sir Simon Rattle New York, NY (February 20, 2019)—The Metropolitan Opera today announced its 2019–20 season, which opens on September 23 with a new production of the Gershwins’ classic American opera Porgy and Bess, last performed at the Met in 1990, starring Eric Owens and Angel Blue, directed by James Robinson and conducted by David Robertson. Philip Glass’s Akhnaten receives its Met premiere with Anthony Roth Costanzo as the title pharaoh and J’Nai Bridges as Nefertiti, in a celebrated staging by Phelim McDermott and conducted by Karen Kamensek in her Met debut. Acclaimed visual artist and stage director William Kentridge directs a new production of Berg’s Wozzeck, starring Peter Mattei and Elza van den Heever, and led by the Met’s Jeanette Lerman-Neubauer Music Director Yannick Nézet-Séguin. In another Met premiere, Sir David McVicar stages the black comedy of Handel’s Agrippina, starring Joyce DiDonato as the conniving empress with Harry Bicket on the podium.
    [Show full text]
  • KING FM SEATTLE OPERA CHANNEL Featured Full-Length Operas
    KING FM SEATTLE OPERA CHANNEL Featured Full-Length Operas GEORGES BIZET EMI 63633 Carmen Maria Stuarda Paris Opera National Theatre Orchestra; René Bologna Community Theater Orchestra and Duclos Chorus; Jean Pesneaud Childrens Chorus Chorus Georges Prêtre, conductor Richard Bonynge, conductor Maria Callas as Carmen (soprano) Joan Sutherland as Maria Stuarda (soprano) Nicolai Gedda as Don José (tenor) Luciano Pavarotti as Roberto the Earl of Andréa Guiot as Micaëla (soprano) Leicester (tenor) Robert Massard as Escamillo (baritone) Roger Soyer as Giorgio Tolbot (bass) James Morris as Guglielmo Cecil (baritone) EMI 54368 Margreta Elkins as Anna Kennedy (mezzo- GAETANO DONIZETTI soprano) Huguette Tourangeau as Queen Elizabeth Anna Bolena (soprano) London Symphony Orchestra; John Alldis Choir Julius Rudel, conductor DECCA 425 410 Beverly Sills as Anne Boleyn (soprano) Roberto Devereux Paul Plishka as Henry VIII (bass) Royal Philharmonic Orchestra and Ambrosian Shirley Verrett as Jane Seymour (mezzo- Opera Chorus soprano) Charles Mackerras, conductor Robert Lloyd as Lord Rochefort (bass) Beverly Sills as Queen Elizabeth (soprano) Stuart Burrows as Lord Percy (tenor) Robert Ilosfalvy as roberto Devereux, the Earl of Patricia Kern as Smeaton (contralto) Essex (tenor) Robert Tear as Harvey (tenor) Peter Glossop as the Duke of Nottingham BRILLIANT 93924 (baritone) Beverly Wolff as Sara, the Duchess of Lucia di Lammermoor Nottingham (mezzo-soprano) RIAS Symphony Orchestra and Chorus of La Scala Theater Milan DEUTSCHE GRAMMOPHON 465 964 Herbert von
    [Show full text]
  • Rossini Propició El Futuro De La Ópera
    www.proopera.org.mx • año XXVI • número 1 • enero – febrero 2018 • sesenta pesos ENTREVISTAS Andeka Gorrotxategi Óscar Martínez ENTREVISTAS EN LÍNEA Mojca Erdmann Nancy Fabiola Herrera Willy Anthony Waters FESTIVALES Cervantino XLV OBITUARIO Dmitri Hvorostovsky JohnJohn OsbornOsborn “Rossini“Rossini propiciópropició el futuro de la ópera”pro opera¾ DIRECTORIO REVISTA COMITÉ EDITORIAL Adriana Alatriste índice Luis Gutiérrez Ruvalcaba Andrea Labastida Charles H. Oppenheim 3 Carta del Presidente FUNDADOR Y DIRECTOR EMÉRITO CONCIERTOS Xavier Torres Arpi 4 Juan Diego Flórez: Canto a México EDITOR Charles H. Oppenheim 6 En breve 6 [email protected] CORRECCIÓN DE ESTILO CRÍTICA Darío Moreno 8 Otello en Bellas Artes COLABORAN EN ESTE NÚMERO 10 Ópera en México Othón Canales Treviño Carlos Fuentes y Espinosa Luis Gutiérrez Ruvalcaba PROTAGONISTAS Ingrid Haas 12 Andeka Gorrotxategi: Ramón Jacques “Me encantaría tener puestas José Noé Mercado todas las óperas de Puccini” David Rimoch Vladimiro Rivas Iturralde RESEÑA Gamaliel Ruiz 15 Arreglo de bodas en el Cenart José Andrés Tapia Osorio David Josué Zambrano de León 16 Ópera en los estados 15 www.proopera.org.mx. FESTIVALES CORRESPONSALES EN ESTE NÚMERO 20 Cervantino XLV Eduardo Benarroch Francesco Bertini Abigaíl Brambila ENTREVISTA Jorge Binaghi 22 Óscar Martínez: John Koopman Un cantante versátil Daniel Lara y un maestro ecléctico Gregory Moomjy Maria Nockin OBITUARIO Gustavo Gabriel Otero 25 Dmitri Hvorostovsky (1962-2017) Joel Poblete Roberto San Juan Ximena Sepúlveda PORTADA Massimo Viazzo 26 John Osborn: “Rossini propició el futuro de la ópera” FOTOGRAFIA Ana Lourdes Herrera ESTRENO 25 DISEÑO GRAFICO 32 La degradación de la burguesía: Ida Noemí Arellano Bolio The Exterminating Angel, desde Nueva York DISEÑO PÁGINA WEB TESTIMONIAL Christiane Kuri – Espacio Azul 34 Pro Ópera en Los Ángeles DISEÑO LOGO 36 México en el mundo Ricardo Gil Rizo IMPRESION ÓPERA EN EL MUNDO Grupo Gama.
    [Show full text]
  • Mona Lisa LEON BOTSTEIN, Conductor
    Friday Evening, February 20, 2015, at 8:00 Isaac Stern Auditorium/Ronald O. Perelman Stage Conductor’s Notes Q&A with Leon Botstein at 7:00 presents Mona Lisa LEON BOTSTEIN, Conductor MAX VON SCHILLINGS Mona Lisa ACT I Intermission ACT II Foreigner/Francesco del Giocondo: MICHAEL ANTHONY MCGEE, Bass-baritone Woman/Mona Fiordalisa: PETRA MARIA SCHNITZER, Soprano Lay Brother/Giovanni de Salviati: PAUL MCNAMARA, Tenor Pietro Tumoni: JUSTIN HOPKINS, Bass-baritone Arrigo Oldofredi: ROBERT CHAFIN, Tenor Alessio Beneventi: JOHN EASTERLIN, Tenor Sandro da Luzzano: CHRISTOPHER BURCHETT, Baritone Masolino Pedruzzi: MICHAEL SCARCELLE, Bass-baritone Mona Ginevra: ILANA DAVIDSON, Soprano Dianora: LUCY FITZ GIBBON, Soprano Piccarda: KATHERINE MAYSEK, Mezzo-soprano Sisto: JOHN KAWA, Tenor BARD FESTIVAL CHORALE JAMES BAGWELL, Director This evening’s concert will run approximately two hours and 20 minutes including one 20-minute intermission. Used by arrangement with European American Music Distributors Company, sole U.S. and Canadian agent for Universal Edition Vienna, publisher and copyright owner. American Symphony Orchestra welcomes the many organizations who participate in our Community Access Program, which provides free and low-cost tickets to underserved groups in New York’s five boroughs. For information on how you can support this program, please call (212) 868-9276. PLEASE SWITCH OFF YOUR CELL PHONES AND OTHER ELECTRONIC DEVICES. FROM THE Music Director The Stolen Smile DVDs or pirated videos. Opera is the by Leon Botstein one medium from the past that resists technological reproduction. A concert This concert performance of Max von version still represents properly the Schillings’ 1915 Mona Lisa is the latest sonority and the multi-dimensional installment of a series of concert perfor- aspect crucial to the operatic experi- mances of rare operas the ASO has pio- ence.
    [Show full text]