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Lectures and Community Engagement 2017–18 About the Metropolitan Opera Guild
Lectures and Community Engagement 2017 –18 About the Metropolitan Opera Guild The Metropolitan Opera Guild is the world’s premier arts educa- tion organization dedicated to enriching people’s lives through the magic and artistry of opera. Thanks to the support of individuals, government agencies, foundations, and corporate sponsors, the Guild brings opera to life both on and off the stage through its educational programs. For students, the Guild fosters personal expression, collaboration, literacy skills, and self-confidence with customized education programs integrated into the curricula of their schools. For adults, the Guild enhances the opera-going experience through intensive workshops, pre-performance talks, and community outreach programs. In addition to educational activities, the Guild publishes Opera News, the world’s leading opera magazine. With Opera News, the Guild reaches a global audience with the most insightful and up-to-date writing on opera available anywhere, helping to maintain opera as a thriving, contemporary art form. For more information about the Metropolitan Opera Guild and its programs, visit metguild.org. Additional information and archives of Opera News can be found online at operanews.com. How to Use This Booklet This brochure presents the 2017–18 season of Lectures and Community Programs grouped into thematic sections—programs that emphasize specific Met performances and productions; courses on opera and its history and culture; and editorial insights and interviews presented by our colleagues at Opera News. Courses of study are arranged chronologically, and learners of all levels are welcome. To place an order, please call the Guild’s ticketing line at 212.769.7028 (Mon–Fri 10AM–4PM). -
Rossini Propició El Futuro De La Ópera
www.proopera.org.mx • año XXVI • número 1 • enero – febrero 2018 • sesenta pesos ENTREVISTAS Andeka Gorrotxategi Óscar Martínez ENTREVISTAS EN LÍNEA Mojca Erdmann Nancy Fabiola Herrera Willy Anthony Waters FESTIVALES Cervantino XLV OBITUARIO Dmitri Hvorostovsky JohnJohn OsbornOsborn “Rossini“Rossini propiciópropició el futuro de la ópera”pro opera¾ DIRECTORIO REVISTA COMITÉ EDITORIAL Adriana Alatriste índice Luis Gutiérrez Ruvalcaba Andrea Labastida Charles H. Oppenheim 3 Carta del Presidente FUNDADOR Y DIRECTOR EMÉRITO CONCIERTOS Xavier Torres Arpi 4 Juan Diego Flórez: Canto a México EDITOR Charles H. Oppenheim 6 En breve 6 [email protected] CORRECCIÓN DE ESTILO CRÍTICA Darío Moreno 8 Otello en Bellas Artes COLABORAN EN ESTE NÚMERO 10 Ópera en México Othón Canales Treviño Carlos Fuentes y Espinosa Luis Gutiérrez Ruvalcaba PROTAGONISTAS Ingrid Haas 12 Andeka Gorrotxategi: Ramón Jacques “Me encantaría tener puestas José Noé Mercado todas las óperas de Puccini” David Rimoch Vladimiro Rivas Iturralde RESEÑA Gamaliel Ruiz 15 Arreglo de bodas en el Cenart José Andrés Tapia Osorio David Josué Zambrano de León 16 Ópera en los estados 15 www.proopera.org.mx. FESTIVALES CORRESPONSALES EN ESTE NÚMERO 20 Cervantino XLV Eduardo Benarroch Francesco Bertini Abigaíl Brambila ENTREVISTA Jorge Binaghi 22 Óscar Martínez: John Koopman Un cantante versátil Daniel Lara y un maestro ecléctico Gregory Moomjy Maria Nockin OBITUARIO Gustavo Gabriel Otero 25 Dmitri Hvorostovsky (1962-2017) Joel Poblete Roberto San Juan Ximena Sepúlveda PORTADA Massimo Viazzo 26 John Osborn: “Rossini propició el futuro de la ópera” FOTOGRAFIA Ana Lourdes Herrera ESTRENO 25 DISEÑO GRAFICO 32 La degradación de la burguesía: Ida Noemí Arellano Bolio The Exterminating Angel, desde Nueva York DISEÑO PÁGINA WEB TESTIMONIAL Christiane Kuri – Espacio Azul 34 Pro Ópera en Los Ángeles DISEÑO LOGO 36 México en el mundo Ricardo Gil Rizo IMPRESION ÓPERA EN EL MUNDO Grupo Gama. -
Alvin Ailey Dance Foundation
2006 Spring Opera Season is sponsored by Cadillac Copyright 2010, Michigan Opera Theatre LaSalle Bank salutes those who make the arts a part of our lives. Personal Banking· Commercial Banking· Wealth Management Making more possible LaSalle Bank ABN AMRO ~ www. la sal lebank.com t:.I Wealth Management is a division of LaSalle Bank, NA Copyright 2010,i'ENm Michigan © 2005 LaSalle Opera Bank NTheatre.A. Member FDIC. Equal Opportunity Lender. 2006 The Official MagaZine of the Detroit Opera House BRAVO IS A MICHI GAN OPERA THEAT RE P UB LI CATION Sprin",,---~ CONTRI BUTORS Dr. David DiChiera Karen VanderKloot DiChiera eason Roberto Mauro Michigan Opera Theatre Staff Dave Blackburn, Editor -wELCOME P UBLISHER Letter from Dr. D avid DiChiera ...... .. ..... ...... 4 Live Publishing Company Frank Cucciarre, Design and Art Direction ON STAGE Bli nk Concept &: Design, Inc. Production LES GRAND BALLETS CANADIENS de MONTREAL .. 7 Chuck Rosenberg, Copy Editor Be Moved! Differently . ............................... ... 8 Toby Faber, Director of Advertising Sales Physicians' service provided by Henry Ford AIDA ............... ..... ...... ... .. ... .. .... 11 Medical Center. Setting ................ .. .. .................. .... 12 Aida and the Detroit Opera House . ..... ... ... 14 Pepsi-Cola is the official soft drink and juice provider for the Detroit Opera House. C INDERELLA ...... ....... ... ......... ..... .... 15 Cadillac Coffee is the official coffee of the Detroit Setting . ......... ....... ....... ... .. .. 16 Opera House. Steinway is the official piano of the Detroit Opera ALVIN AILEY AMERICAN DANCE THEATER .. ..... 17 House and Michigan Opera Theatre. Steinway All About Ailey. 18 pianos are provided by Hammell Music, exclusive representative for Steinway and Sons in Michigan. SALOME ........ ... ......... .. ... ... 23 President Tuxedo is the official provider of Setting ............. .. ..... .......... ..... 24 formal wear for the Detroit Opera House. -
Contemporary Opera Newsletter
Leporello Contemporary Opera Newsletter Nr. 1 September 2011 World Première Performances In September 2011, 4 new operas are to be presented, in Paris, San Francisco, Strasbourg and Torino. Reinhardt Wagner is a newcomer on the opera stage. The 3 other composers have already composed operas : The Cows of Apollo and The Thirteen Clocks (Theofanidis), Il carro e I canti (Solbiati), 60 e Parallèle , K… and La Frontière (Manoury). Reinhardt Wagner : René l’énervé Christopher Theofanidis : Heart of a Soldier Opéra bouffe et tumultueux Libretto : Jean-Michel Ribes Opera (130’) Paris, Théâtre du Rond-Point Libretto : Donna di Novelli, after James B. Stewart’s September 7, 2011 book and the life stories of Susan Rescorla, Rick Rescorla and Daniel J. Hill San Francisco, War Memorial Opera House September 10, 2011 Large orchestra Orchestra : 5 (keyboards, guitar and percussion, Cast : 12 singers clarinet and baritone saxophone, cello, flute and accordion) With baritone Thomas Hampson, tenor William Burden Cast : 20 actors-singers and soprano Melody Moore In Paris until October 29th, then in Nancy, from Conductor : Patrick Summers March 14 to March 18, 2012 Director : Francesca Zambello « It’s a funny romp that crosses the ever parading « On September 11, 2001, Rick Rescorla, former political Barnum » Vietnam soldier, head of security, led all of the 2700 The text is to be published by Actes Sud Papiers on people under his care to safety, before heading back September 7, 2011 into the burning building. He never emerged. » more on p. 2 DVD (New release) John Adams : Doctor Atomic , Sony, 88697806659 The second production of John Adams’ last opera, first performed in San Francisco on October 1, 2005, and revived in Chicago and Amsterdam. -
Dean Hamlet at Glyndebourne & Beyond
October 2017 Dean Hamlet at Glyndebourne & beyond Brett Dean’s new opera Hamlet won acclaim at its Glyndebourne premiere in June, tours in the UK this autumn and travels to the Adelaide Festival in March. Shakespeare’s classic play has been successfully put it on” – discussions are already underway recast by composer Brett Dean as a powerful with leading opera houses in Europe and North and multi-layered opera, attracting acclaim from America to schedule territorial premieres. press and public alike at its premiere in June. The Glyndebourne staging of Hamlet by Neil Armfield Matthew Jocelyn’s libretto for Hamlet is a masterly featured a starry cast led by Allan Clayton in the title distillation of the various versions of Shakespeare’s role, Barbara Hannigan, Sarah Connolly, Rod Gilfry text, reduced from 30,000 words into a two-act and John Tomlinson, with the London Philharmonic opera. The dramatic focus points towards family Orchestra under the baton of Vladimir Jurowski. dynamics rather than affairs of state, allowing Dean to probe characters and inner conflicts while walking the tightrope between tragedy “…it rises to the challenge and comedy. set by Shakespeare’s great “A magnificent new opera on Hamlet... Forget play…” The Guardian Cumberbatch. Forget even Gielgud. I haven’t seen a more physically vivid, emotionally affecting or psychologically astute portrayal of the Prince of Denmark The production was webcast, screened in than Allan Clayton gives in this sensational production. UK cinemas and returns this autumn on Dean’s skill at creating a supercharged orchestral subtext Glyndebourne’s tour, visiting Canterbury, Norwich, to each scene is matched by his immense theatricality. -
77Th Season Of
77TH SEASON OF CONCERTSnational gallery of art | september 16, 2018 PROGRAM Living Art Collective Ensemble ( LACE ) With Elisa Monte Dance Carla Dirlikov Canales, mezzo-soprano Michele Cober, soprano Danielle DeSwert Hahn, piano Rosalind Leavell, cello Jacqueline Saed Wolborsky, violin Tiffany Rea-Fisher, choreography Ashley LaRosa, JoVonna Parks, Daniela Funicello, and Thomas Varvaro, dancers InterLACEd: Music in Corot’s World Presented in celebration of Corot: Women September 16, 2018 | 3:30 West Building, West Garden Court Maria Malibran (1808 – 1836) Rataplan Christoph Willibald Gluck (1714 – 1787) Arr. Hector Berlioz (1803 – 1869) “J’ai perdu mon Eurydice,” from Orphée et Eurydice Gluck Arr. Fritz Kreisler (1875 – 1962) Mélodie Louise Farrenc (1804 – 1875) Piano Trio no. 1, op. 33 Allegro Adagio sostenuto Minuetto; Allegro Finale; Vivace 2 Frédéric Chopin (1810 – 1849) Arr. Pauline Viardot (1821 – 1910) From Douze Mazurkas “Seize ans” (Mazurka no. 31, op. 50, no. 2) “L’oiselet” (Mazurka no. 47, op. 68, no. 2) “La fête” (Mazurka no. 4, op. 6, no. 4) Intermission Clara Schumann (1819 – 1896) Three Romances for Violin and Piano, op. 22 Andante molto Allegretto Leidenschaftlich schnell Viardot “Havanaise” Camille Saint-Saëns (1835 – 1921) Piano Trio no. 1 in F Major, op. 18 Allegro vivace Andante Scherzo: Presto Allegro 3 THE MUSICIANS The Living Art Collective Ensemble ( LACE ) is a versatile group of musicians, com- mitted to contextualizing the human journey through vivid and engaging performances of classical music. Curated by Jacqueline Saed Wolborsky and Danielle DeSwert Hahn, each performance incorporates multiple facets of the arts and culture, including poetry, politics, fashion, and food, and tells the stories of individuals who broke through gender, social, and cultural barriers that continue to challenge us today. -
FY13 Annual Report View Report
ANNUAL REPORT 2012–13 3 Introduction 5 Metropolitan Opera Board of Directors 7 2012–13 Season Repertory & Events 14 2012–13 Artist Roster 15 The Financial Results 46 Patrons Introduction The Metropolitan Opera’s 2012–13 season featured an extraordinary number of artistic highlights, earning high praise for new productions, while the company nevertheless faced new financial challenges. The Met presented seven new stagings during the 2012–13 season, including the Met premieres of Thomas Adès’s The Tempest and Donizetti’s Maria Stuarda, the second of the composer’s trilogy of Tudor operas (with the third installment planned for a future season). All seven new productions, plus five revivals, were presented in movie theaters around the world as part of the Met’s groundbreaking Live in HD series, which continued to be an important revenue source for the Met, earning $28 million. Combined earned revenue for the Met (Live in HD and box office) totaled $117.3 million. This figure was lower than anticipated as the company continued to face a flat box office, complicated by the effects of Hurricane Sandy, the aftermath of which had a negative impact of approximately $2 million. As always, the season featured the talents of the world’s leading singers, conductors, directors, designers, choreographers, and video artists. Two directors made stunning company debuts: François Girard, with his mesmerizing production of Parsifal on the occasion of Wagner’s bicentennial, and Michael Mayer, whose bold reimagining of Verdi’s Rigoletto in 1960 Las Vegas was the talk of the opera world and beyond. Robert Lepage returned to direct the highly anticipated company premiere of Thomas Adès’s The Tempest, with the composer on the podium. -
David Dichiera
DAVID DICHIERA 2013 Kresge Eminent Artist THE KRESGE EMINENT ARTIST AWARD HONORS AN EXCEPTIONAL ARTIST IN THE VISUAL, PEFORMING OR LITERARY ARTS FOR LIFELONG PROFESSIONAL ACHIEVEMENTS AND CONTRIBUTIONS TO METROPOLITAN DETROIT’S CULTURAL COMMUNITY. DAVID DICHIERA IS THE 2013 KRESGE EMINENT ARTIST. THIS MONOGRAPH COMMEMORATES HIS LIFE AND WORK. CONTENTS 3 Foreword 59 The Creation of “Margaret Garner” By Rip Rapson By Sue Levytsky President and CEO The Kresge Foundation 63 Other Voices: Tributes and Reflections 4 Artist’s Statement Betty Brooks Joanne Danto Heidi Ewing The Impresario Herman Frankel Denyce Graves 8 The Grand Vision of Bill Harris David DiChiera Kenny Leon By Sue Levytsky Naomi Long Madgett Nora Moroun 16 Timeline of a Lifetime Vivian R. Pickard Marc Scorca 18 History of Michigan Opera Theatre Bernard Uzan James G. Vella Overture to Opera Years: 1961-1971 Music Hall Years: 1972-1983 R. Jamison Williams, Jr. Fisher/Masonic Years: 1985-1995 Mayor Dave Bing Establishing a New Home: 1990-1995 Governor Rick Snyder The Detroit Opera House:1996 Senator Debbie Stabenow “Cyrano”: 2007 Senator Carol Levin Securing the Future By Timothy Paul Lentz, Ph.D. 75 Biography 24 Setting stories to song in MOTown 80 Musical Works 29 Michigan Opera Theatre Premieres Kresge Arts in Detroit 81 Our Congratulations 37 from Michelle Perron A Constellation of Stars Director, Kresge Arts in Detroit 38 The House Comes to Life: 82 A Note from Richard L. Rogers Facts and Figures President, College for Creative Studies 82 Kresge Arts in Detroit Advisory Council The Composer 41 On “Four Sonnets” 83 About the Award 47 Finding My Timing… 83 Past Eminent Artist Award Winners Opera is an extension of something that By David DiChiera is everywhere in the world – that is, 84 About The Kresge Foundation 51 Philadelphia’s “Cyranoˮ: A Review 84 The Kresge Foundation Board the combination of music and story. -
Covina City Los Angeles County California, U
COVINA CITY LOS ANGELES COUNTY CALIFORNIA, U. S. A. Covina, California Covina, California Covina is a city in Los Angeles County, California, about 22 miles (35 km) Covina es una ciudad en el condado de Los Ángeles, California, a unas 22 east of downtown Los Angeles, in the San Gabriel Valley. The population was millas (35 km) al este del centro de Los Ángeles, en el valle de San Gabriel. La 47,796 at the 2010 census, up from 46,837 at the 2000 census. The city's población era 47.796 en el censo de 2010, frente a 46.837 en el censo de 2000. El slogan, "One Mile Square and All There", was coined when the incorporated eslogan de la ciudad, "One Mile Square and All There", fue acuñado cuando el area of the city was only (some say slightly less than) one square mile. área incorporada de la ciudad era solo (algunos dicen un poco menos de) una milla cuadrada. Covina is bordered by West Covina, to its south and westside. Irwindale Covina limita con West Covina, al sur y al oeste. Irwindale se encuentra al lies to the west, as well as the unincorporated area of Vincent, and the city of oeste, así como el área no incorporada de Vincent y la ciudad de Baldwin Park. Baldwin Park. Azusa and Glendora are to the north, the unincorporated Azusa y Glendora están al norte, la comunidad no incorporada de Charter Oak al community of Charter Oak to the northeast, San Dimas to the east, the noreste, San Dimas al este, las áreas no incorporadas de Ramona y Via Verde, y la unincorporated areas of Ramona and Via Verde, and the city of Pomona to the ciudad de Pomona al sureste. -
Reservations Donations
Reservations Donations ■ I/We will attend the Gala to celebrate with Francesca. ■ I/We cannot attend, but wish to honor Francesc a’s 10 Anniversar y by supporting The Glimmerglass Festival with a gift of $ __________ . For tickets an d/or donations, please provide name(s) as you wish to appear on all printed materials. FESTIVAL TABLE BENEFITS* Tables of10 & Single Tickets • Co-sponsorship of Francesca during her Please indicate the number of tables and/or tickets 10 TH anniversary season, plu s… you wish to reserve. Also see guest list section below. PLATINUM TABLE BENEFITS* • Opportunity to sponsor a ___________________ FESTIVAL TABL E ............................ $ 50,000 2020 Glimmerglass guest artist Honoring Francesca’s 10 TH anniversary (director, designer, principal singer) • Reserved preferred seating at dinner ___________________ PLATINUM TABLE ........................... $25,000 • Opportunity to have a principal guest artist at your table ___________________ GOLD TABLE ................................... $ 1 5,000 • Primary r ecognition in the evening’s program • Continued recognition in the 2020 Glimmerglass Festival program book ___________________ SILVER TICKE T................................ $ 2, 500 GOLD TABLE BENEFITS* ___________________ BRONZE TICKE T .............................. $1,500 • Opportunity to sponsor a 2020 Glimmerglass Young Artist or two Interns • Reserved prime seating at dinner Amount enclosed for tickets an d/or tables ................ $ ________________________ • Opportunity to have an artist at your -
Concerts and Master Classes June 30-July 19, 2014
Concerts and Master Classes June 30-July 19, 2014 1 About the Program In its ninth year, Westminster’s CoOPERAtive Program provides three weeks of intensive opera training for young singers. The program is presented in cooperation and consultation with professionals in the field of opera and is designed to help young singers prepare for the essential next step toward acceptance into an advanced young artist or summer apprentice program. The CoOPERAtive offers three levels of training: 1. CoOPERAtive Fellows - singers who are either current graduate students or post graduates, working toward a professional singing career. 2. CoOPERAtive Young Artists - singers who are current undergraduates in music conservatories around the country, who are preparing for graduate school. 3. CoOPERAtive Pianists - pianists who are working toward careers as coaches and conductors in opera and art song. CoOPERAtive is designed to assess the strengths of all participants, nurture their talents and assist in their skill development. Participants receive private coaching focusing on operatic style, performance techniques, dramatic presentation, language and diction, and body awareness, as well as résumé and application advice. CoOPERAtive features unique auditions in which singers are evaluated by professionals in the field of opera – advisors involved with regional opera and/or young artist programs. With their guidance, the program is customized to each singer’s needs to help improve his or her skills. Graduates of the program have been finalists in the Metropolitan Opera Council’s National Auditions and have gone on to work with opera companies throughout the United States. The public is welcome to attend master classes and concerts presented by participants at no charge. -
Verdi Chorus to Present Spring Concert in April
Verdi Chorus To Present Spring Concert In April broadwayworld.com/los-angeles/article/Verdi-Chorus-To-Present-Spring-Concert-In-April-20190321 by BWW News Desk Mar. 21, 2019 Tweet Share March 20, 2019 This Spring marks the start of the 36th season of the Verdi Chorus, who will present their Spring Concert, L'Amore e la Vita (Love and Life) for two performances only at the First United Methodist Church in Santa Monica on April 6 and 7. Led by Founding Artistic Director Anne Marie Ketchum, the Verdi Chorus is the only choral group in Southern California that focuses primarily on the dramatic and diverse music for opera chorus. This program, which Ketchum humorously calls the Rom-Com of opera, will feature selections from two Verdi operas I vespri siciliani and Ernani, three Donizetti operas - Don Pasquale, La fille du r giment and L'elisir d'amore, as well as operatic sequences from Bizet's Les p cheurs de perles (The Pearl Fishers), Delibes' Lakm , and Puccini's La rondine. The program will feature four guest soloists: critically acclaimed Los Angeles Opera favorite Jamie Chamberlin, praised for her shimmering tones and star-struck vulnerability by Opera News; her equally acclaimed husband, tenor Nathan Granner, one of the original The American Tenors (Sony Classical), and known for his vibrant and flexible voice (The Boston Globe) and for possessing utter control of a ravishing mixed head sound (Opera News), celebrated mezzo soprano Danielle Marcelle Bond, who was hailed by the Los Angeles Times with a Brava! for her performance in Long Beach Opera's production of John Adams' Death of Klinghoffer ; and renowned baritone Roberto Perlas G mez who, with over 100 roles to his credit, has performed extensively throughout the United States.