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FALL 2013 taBLE OF CONTENTS: taBLE OF CONTENTS: GIRLS IN THE VIVIAN MAIER THERE BUT NOT THERE BUT NOT ONE FOOT KODACHROME WINDOWS SELF-PORTRAITS by Jose Dávila FORWARD MEMORY AND OTHER STORIES By Vivian Maier STORIES AND FACES OF AMERICAN PICTURES By Ormond Gigli Edited by John Maloof WIDOWS 1972–1990 POWERHOUSE BOOKS Texts by Christopher Essay by pg. 30-31 AND WIDOWERS by Nathan Benn Sweet Elizabeth Avedon By Judith Fox Introduction by FALL 2013 CatalOG Foreword by Paul M Farber JOSE DÁVILA Joanne Lynn, MD Contribution by pg. 2-3 pg. 4-5 Essay by Richard Buckley Michele Reiss, PhD pg. 34-35 pg. 32-33 INTERIORS HOOP BLOW ME A KISS M NYPH JOURNAL By Sandra Nunnerley By Robyn Layton By Alice Harris THE CIVILIZED MAN, THE FUTURE OF Foreword by Jerry West 1983-1989 CONTEMPORARY by John Tinseth PHOTOGRAPHY by New York Photo Festival pg. 10-11 pg. 6-7 pg. 8-9 pg. 35-37 pg. 38-39 POPLIPPS CAFFÈ LENA THE BOOK OF NERF: ALMOST PLUS ONE INSIDE AMERICA’S DOLORES ULTIMATE AN ANIMAL By Scott Lipps LEGENDARY By William Vollmann ALPHABET Introduction by FOLK MUSIC BLASTER BOOK by Katie Viggers Courtney Love COFFEEHOUSE pow! by Nathaniel Marunas Edited by Jocelyn Arem in collaboration with pg. 16-17 FALL 2013 CatalOG Caffè Lena pg. 42-43 pg. 44-45 pg. 12-13 pg. 14-15 BODIES BODIES OF DEALERS PIN-UP PUT ON YOUR PATCHWORK THERE ARE NO By Peter Madsen of SUBVERSION INTERVIEWS SHOES! HELPS A FRIEND ANIMALS IN THIS SUBVERSION Originally published in 1997, BODIES OF SUBVERSION was the first history Margot Mi in is an author and of Western women’s tattoo art, providing a fascinating excursion into journalist who has written for The New A SECRET HISTORY OF By PIN-UP By Dan Stiles by Jacqueline Schmidt a subculture that dates back to the nineteenth century. Now revised York Times, ARTnews, Entertainment BOOK and expanded, it remains the only book to chronicle the history of Weekly, The Believer, and Salon.com. both tattooed women and women tattooists. The new edition features She is an associate professor in the expanded historical chapters and an added chapter on the new English Department of Lehman College millennium, introducing dozens of artists, including Kat Von D, the most of the City University of New York WOMEN AND TAttOO, Text by Felix Burrichter illustrated by Gail famous tattooist, male or female, in the world. It chronicles the impact (CUNY) and directs the Arts and Culture ONLY FEELINGS) of reality shows on women’s tattoo culture; breast cancer survivors who program at CUNY’s Graduate School of tattoo their mastectomy scars or reconstructions; and therapeutic uses Journalism, where she also teaches. Her of tattooing for women leaving gangs, prisons, or situations of domestic book, The Blue Tattoo: The Life of Olive abuse. With nearly two hundred photos, BODIES OF SUBVERSION is an essential Oatman (University of Nebraska Press) guide to the culture of tattooed women. was published in 2009. THIRD EDITION Greiner Hirst, Alex Katz by Chani Sanchez “In this provocative work full of “Bodies of Subversion is a “In Bodies of Subversion, Margot Mi in by intriguing female characters from comprehensive and clear-eyed insightfully chronicles the saga of SUBVERSION tattoo history, Margot Mi in makes account of tattooing and women in skin as signage. Through compelling MIFFLIN MARGOT pg. 20-21 By Margot Mifflin pg. 46-47 a persuasive case for the tattooed Western society over the past century. anecdote and cleverly astute analysis, contributions by Jeff woman as an emblem of female self- This ancient practice has historically she shows and tells us private parts. expression. A woman getting a tattoo been demonized in Judeo-Christian It’s an indelible account of an indelible is the opposite of a woman undergoing cultures. Now ubiquitous worldwide, piece of cultural history.” of cosmetic surgery: one carves into her much of its documentation has been skin her own idiosyncratic identity, the other extreme: reactionary and —Barbara Kruger, artist A SECRET HISTORY OF WOMEN AND TATTOO pg. 22-23 Koons, Takashi the other erases all signs of the self in simplistic. Margot Mi in avoids either submission to a commercial ‘identity.’” stance and furthers understanding by MARGOT MIFFLIN of this complex art as it exists among New Hardcover Edition —Susan Faludi, author of women. It is essential reading for 52395 Backlash: The Undeclared War anyone interested in the subject.” pg. 48-49 Against American Women Murakami, Damien —Ed Hardy, artist, tattooist, and tattoo historian 9781576 876138 Hirst, Alex Katz pg. 18-19 BODIES REVISED EDITION WITH NEW FULL COLOR PHOTOGRAPHS pg. 50-51 THE FUN THE FUN THE FUN THE FUN THE FUN THE FUN SPANK SPANK FRONT COVER: THE FUN THE FUN THE FUN THE FUN THE FUN THE FUN SPECTRUM THE FUN PAPER PUPS ADVANCED STYLE SHADOWVILLE RECENT HIGHLIGHTS ....54-55 THE FUN THE FUN THE FUN THE FUN THE FUN THE FUN THE HO_SE THE FUN THE FUN THE FUN THE FUN Photo by Vivian Maier THE FUN THE FUN dANCES OF VICE THE SOCIAL PRACTICE By Michael Bartalos THE FUN THE FUN THE FUN THE FUN COLORING BOOK BACKLIST ....56-80 THE FUN THE FUN FCKNLZ FCKNLZ THE FUN THE FUN ESIGN/POWERHOUSE THE FUN THE FUN d d from VIVIAN MAIER: SELF-PORTRAIT THE FUN THE FUN JUdY JUdY JUdY THE FUN THE FUN THE FUN THE FUN By PaperMade By Ari Seth Cohen and THE FUN THE FUN LAUREN dEVINE OF NIGHTLIFE DISTRIBUTION INFO ....82 THE FUN THE FUN & & & & & & & & & & & & TOP 8 TOP 8 PATRICK SANdBERG (pg. 4-5) THE FUN THE FUN THE FUN THE FUN Ilan Schraer dANCES OF VICE THE FUN THE FUN MUSEUM OF ART AN IN NYC THE FUN THE FUN THE FUN THE FUN FCKNLZ FCKNLZ THE FUN THE FUN THE FUN THE FUN THE FUN THE FUN JUdY JUdY JUdY THE FUN THE FUN THE FUN THE FUN THE FUN THE FUN pg. 52-53 THE FUN THE FUN By Jake Yuzna LAUREN dEVINE & & & & & & & & & & & & THE FUN THE FUN BACK COVER: PATRICK SANdBERG THE FUN THE FUN THE FUN THE FUN THE FUN THE FUN ROB ROTH THE FUN THE FUN In Collaboration with THE FUN THE FUN THE FUN THE FUN SOPHIA SOPHIA THE FUN THE FUN Bob Dylan from CAFFÈ LENA (pg. 14-15) THE FUN THE FUN THE FUN THE FUN pg. 26-27 pg. 28-29 WHOAHMONE ROB ROTH THE FUN THE FUN THE FUN THE FUN The Museum of Arts XTAPUSSY SOPHIA SOPHIA THE FUN THE FUN THE FUN THE FUN BABYCASTLES WHOAHMONE THE FUN THE FUN THE FUN THE FUN and Design CHERYL CHERYL XTAPUSSY THE FUN THE FUN THE FUN THE FUN dESI SANTIAGO BABYCASTLES THE FUN THE FUN THE FUN THE FUN PENdU PENdU CHERYL CHERYL THE FUN THE FUN THE FUN THE FUN S!CK S!CK S!CK CITY OF NIGHTLIFE IN NEW YORK THE SOCIAL PRACTICE dESI SANTIAGO THE FUN THE FUN THE FUN THE FUN SECRET PROJECT PENdU PENdU ROBOT THE FUN THE FUN pg. 24-25 POWERHOUSE BOOKS FALL/WINTER 2012 WWW.POWERHOUSEBOOKS.COM 2 FALL 2013 WWW.POWERHOUSEBOOKS.COM WWW.POWERHOUSEBOOKS.COM FALL 2013 3 GIRLS IN THE WINDOWS And Other Stories By Ormond Gigli Texts by Christopher Sweet Ormond Gigli had an illustrious career as a photojournalist over the course of some 40 years and took many magnificent photographs—but one photograph has eclipsed all the others. It was a photograph he conceived for himself, without an editorial assignment. It is the incomparable “Girls in the Windows” of 1960. GIRLS IN THE WINDOWS: AND OTHER STORIES is the first book to survey the work of Ormond Gigli and looks behind the façade of that extraordinary photograph to understand its genesis and to celebrate its beauty and pathos as well as to open the window onto the rest of Gigli’s brilliant career. The book focuses primarily on Gigli’s celebrity and fashion photographs and on his work in the theater, film, and dance worlds, but it also offers examples of his PHOTOGRAphy/FASHION Hardcover, 11.25 x 13.25 inches, 200 pages travel photography and straight photojournalism. Gigli 90 four-color photographs was a master of his medium and was always able to ISBN 978-1-57687-660-2 $65.00 US/CAN get his shot, managing his shoots—and subjects—like a film director. His portraits are intimate and revealing, Ormond Gigli was born in New York City in 1925. He while also often inventive and at times even playful. He achieved success for his images of theater, celebrities, consistently achieved a compelling complicity with his dance, and exotic people and places. His work appeared subjects, among whom are included Sophia Loren, Gina prominently on covers and in the pages of magazines such Lollobrigida, Anna Moffo, Anita Ekberg, Marcel Duchamp, as Life, Time, Paris Match, The Saturday Evening Post, Willem de Kooning, John F. Kennedy, Halston, Diana Colliers, and elsewhere. Gigli was welcomed backstage on Vreeland, Marlene Dietrich, Leslie Caron, Judy Garland, Broadway and into the private lives of celebrities owing Liza Minnelli, Barbra Streisand, Laurence Olivier, Alan to his ability to earn the trust of his subjects in his vision. Bates, Richard Burton, Louis Armstrong, Miles Davis, and During the 1970s and 1980s, Gigli turned to advertising photography, while continuing his editorial work. His many more. assignments took him around the world many times. Today, prominent galleries represent his work internation- Many of these images have not been widely seen since ally. He lives in western Massachusetts. they were first published decades ago.
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