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Salt Lake Tribune - Mapping out Our Emotional World
Salt Lake Tribune - Mapping out our emotional world http://www.sltrib.com/entertainment/ci_5827241 WEDNESDAY, May 16, 2007 Search Home News Sports Features Entertainment Business Opinion Close-Up Obituaries Classifieds More Sites Help Desk More Entertainment: del.icio.us Digg Reddit YahooMyWeb Google What's this? Geico cavemen seek respect in ABC's new fall lineup Print Email 'Spring Awakening' receives 11 Tony nods; 'Coast of Utopia,' 'Grey Gardens' get 10 each Mapping out our emotional world These are the major nominations for the 61st annual Tony Awards People Plus London-based artist uses polygraph and GPS to chart peaks, valleys in urban areas Hax: Boyfriend's disclosures raise a warning flag By Lisa Leff Summer Festival Guide: Festivals The Associated Press Summer Guide Festival: Performances Article Last Updated: 05/05/2007 10:45:54 AM MDT Summer Festival Guide: Concerts Culture Vulture: Firing blindsides longtime deejays Click photo to enlarge Pop Top SAN FRANCISCO - As cartography projects People Plus go, Christian Nold's approach to charting the NBC re-imagines 'Bionic Woman' as part of fall lineup peaks and valleys of urban landscapes is Cole: We would be better off following the golden rule TV: 24 is running out of time decidedly unconventional. People Plus First, he outfits volunteers with global HAX: Address and resolve your distrust Review: Nickel Creek thrills audience positioning system devices and the sensors Review: 'The Grapes of Wrath' bears rich operatic fruit used in polygraph tests. Then, he sends his Sandy musicians embrace lesser-known Verdi subjects out to wander their neighborhoods. Return of Plan-B's 'Slam' and a fundraising roast for Rocky Talent pool When they return, Nold asks them to recount Artist Christian Nold demonstrates his system for.. -
EUGENIA LIM B
EUGENIA LIM b. 1981. Lives and works in Melbourne, Australia. SELECTED SOLO & COLLABORATIVE EXHIBITIONS 2017 Artificial Islands (forthcoming), Firstdraft, Sydney 2016 The People's Currency (forthcoming), 4A Centre for Contemporary Asian Art offsite 2015 Shelter, Grey Gardens Projects 2015 Yellow Peril, Metro Arts Brisbane 2015 Yellow Peril, Bus Projects 2015 Rare Earth, flag commission, John Wardle Architects 2014-15 NIMBYism, Schoolhouse Studios 2012 Sunfade: a room of one's own, Schoolhouse Studios, Melbourne Festival 2012 Narcissus, live commission, Flash Night, Kings ARI 2012 Stay Home Sakoku: The Hikikomori Project, West Space and www.stayhomesakoku.com 2011 Oasis, Dianne Tanzer Gallery + projects 2011 The Fraternal Daughters of the Aurumic Order, with Tape Projects, Sugar Mountain 2010 Territorial, Manningham Gallery 2010 100 Proofs the Earth is Not a Globe, with Tape Projects, Victorian Space Science Education Centre, Next Wave, 2010 NOWHERELAND: the Paris Human Flesh Incident, Blindside ARI 2010 Australian Landscapes, KINGS ARI 2009 Loose lips sink ships, collaboration with Nic Whyte at Platform ARI 2005 Young American, Alice Euphemia & Barberella Hair 2004 Tulle Love, Performance and 'mock wedding'at Clubs Project Inc. SELECTED GROUP & CURATORIAL EXHIBITIONS/SCREENINGS 2016 Between a Thought and a Feeling, performance lecture at MPavilion 2015 Video Contemporary, Sydney Contemporary 2015 La Movida, Bibliotheque Municipal de Barranco, Lima, Peru 2014 Forever Now, Aphids 'interstellar golden record' project 2013-14 Put Up a Signal, -
SOUL of the DOCUMENTARY , Ilona Hongisto Stirs Current Thinking About
Ilona Hongisto Documentary does not simply document what is; it presses reality to reveal what is to come. This thrillingly original and well-argued book brings a shot of energy to studies of documentary cinema, film theory, and the philos ophy of Gilles Deleuze. Ilona Hongisto shows that documentary cinema is an active space of becoming, whose power lies not in indexicality but in capture, the OF THE selection of certain aspects of the real to actualize. Her anal ysis of the aesthe- SOUL tics of the documentary frame, which captures and expresses according to the distinct operations of imagination, fabulation, and affection, will inspire scholars and filmmakers alike. DOCUMENTARY Laura U. Marks, School for the Contemporary Arts, Simon Fraser University FRAMING, EXPRESSION, ETHICS SOUL In SOUL OF THE DOCUMENTARY , Ilona Hongisto stirs current thinking about documentary cinema by suggesting that the work of documentary films is not reducible to representing what already exists. By close-reading a diverse OF THE OF THE body of films – from The Last Bolshevik to Grey Gardens – Hongisto shows how documentary cinema intervenes in the real by framing it and creatively contributes to its perpetual unfolding. The emphasis on framing brings new urgency to the documentary tradition and its objectives, and provokes significant novel possibilities for thinking about the documentary’s ethical DOCUMENTARY and political potentials in the contemporary world. Ilona Hongisto is an Academy of Finland Postdoctoral Fellow in the department of Media Studies at The University of Turku, Finland, and an Honorary Fellow at the Victorian College of the Arts, The University of Melbourne, Australia. -
Title of Dissertation
SETTING UP CAMP: IDENTIFYING CAMP THROUGH THEME AND STRUCTURE A Dissertation Submitted to the Temple University Graduate Board In Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy By Michael T. Schuyler January, 2011 Examining Committee Members: Cornelius B. Pratt, Advisory Chair, Strategic Communication John A. Lent, Broadcasting, Telecommunications & Mass Media Paul Swann, Film & Media Arts Roberta Sloan, External Member, Theater i © Copyright 2010 by Michael T. Schuyler All Rights Reserved ii ABSTRACT Camp scholarship remains vague. While academics don’t shy away from writing about this form, most exemplify it more than define it. Some even refuse to define it altogether, arguing that any such attempt causes more problems than it solves. So, I ask the question, can we define camp via its structure, theme and character types? After all, we can do so for most other genres, such as the slasher film, the situation comedy or even the country song; therefore, if camp relies upon identifiable character types and proliferates the same theme repeatedly, then, it exists as a narrative system. In exploring this, I find that, as a narrative system, though, camp doesn’t add to the dominant discursive system. Rather, it exists in opposition to it, for camp disseminates the theme that those outside of heteronormativity and acceptability triumph not in spite of but because of what makes them “different,” “othered” or “marginalized.” Camp takes many forms. So, to demonstrate its reliance upon a certain structure, stock character types and a specific theme, I look at the overlaps between seemingly disperate examples of this phenomenon. -
Sheila Hancock and Jenna Russell to Star in The
SHEILA HANCOCK AND JENNA RUSSELL TO STAR IN THE EUROPEAN PREMIÈRE OF ACCLAIMED MUSICAL GREY GARDENS, WINNER OF 3 TONY AWARDS & NOMINATED FOR A FURTHER 7, ALONG WITH 12 DRAMA DESK AWARDS ON BROADWAY, FROM THE TEAM BEHIND TITANIC AND GRAND HOTEL Olivier Award-winning West End stars, Sheila Hancock and Jenna Russell, are to star in the eagerly awaited European première of Grey Gardens. Based on an iconic 1975 documentary, Grey Gardens, with Book by Doug Wright, Music by Scott Frankel, Lyrics by Michael Korie, tells the spectacular real life rise and fall of Jacqueline Kennedy Onassis’s aunt and cousin, Edith and Edie Bouvier Beale. Starting in 1941 at an engagement party at Grey Gardens, the Bouvier’s mansion in East Hampton, Long Island, the musical tracks the progression of the two women’s lives from American aristocrats to reclusive social outcasts living in such squalid conditions, in a home overrun by cats, that the Health Department deemed the mansion ‘unfit for human habitation’. Grey Gardens, produced by Danielle Tarento and directed by Thom Southerland, the award-winning team behind Grand Hotel, Titanic, Parade and Mack & Mabel, will open for a 6-week season in The Large at Southwark Playhouse from Saturday 2 January, 2016. “The best argument I can think of for the survival of the American musical” Press night is Thursday 7 January at 7.30pm. Ben Brantley, New York Times More cast to be announced. Press contact: Kevin Wilson at KWPR Tel: 07884 368697 [email protected] 49 Western Lane London SW12 8JS T: 020 8673 0658 M: 07884 368697 E: [email protected] www.kevinwilsonpublicrelations.co.uk Sheila Hancock (Edith “Big Edie” Ewing Bouvier Beale) Sheila’s extensive career spans theatre, radio, television and film, LISTINGS INFO and she is also now enjoying a career as a features presenter and as a writer including The Two of Us which won the British Book Danielle Tarento Award for Author of the Year, and her debut novel Miss Carter’s presents the European Premiére of War. -
Persã¶Nlichkeit Der Gesellschaft Personen Liste
Persönlichkeit Der Gesellschaft Personen Liste Carmen Ordóñez https://de.listvote.com/lists/person/carmen-ord%C3%B3%C3%B1ez-4895658 Michèle Renouf https://de.listvote.com/lists/person/mich%C3%A8le-renouf-458339 Nayla Moawad https://de.listvote.com/lists/person/nayla-moawad-1395651 Charles Swann https://de.listvote.com/lists/person/charles-swann-2960274 Odette https://de.listvote.com/lists/person/odette-3349167 Mona von Bismarck https://de.listvote.com/lists/person/mona-von-bismarck-6897746 Paul Moss https://de.listvote.com/lists/person/paul-moss-7152631 Pauline Karpidas https://de.listvote.com/lists/person/pauline-karpidas-7155044 Uma Padmanabhan https://de.listvote.com/lists/person/uma-padmanabhan-7881023 Ardeshir Cowasjee https://de.listvote.com/lists/person/ardeshir-cowasjee-146291 Blanchette Ferry Rockefeller https://de.listvote.com/lists/person/blanchette-ferry-rockefeller-4924916 Ava Lord https://de.listvote.com/lists/person/ava-lord-2873226 Emily Gilmore https://de.listvote.com/lists/person/emily-gilmore-1153186 Tongsun Park https://de.listvote.com/lists/person/tongsun-park-7821144 Fulco di Verdura https://de.listvote.com/lists/person/fulco-di-verdura-2602710 Wafaa Sleiman https://de.listvote.com/lists/person/wafaa-sleiman-674366 Kojo Tovalou Houénou https://de.listvote.com/lists/person/kojo-tovalou-hou%C3%A9nou-6426501 Jacques de Bascher https://de.listvote.com/lists/person/jacques-de-bascher-30332144 Hans https://de.listvote.com/lists/person/hans-16251007 Linda Lee Thomas https://de.listvote.com/lists/person/linda-lee-thomas-6551749 -
Cabaret Playbill Richard Hopkins, Producing Artistic Director
Cabaret Playbill Richard Hopkins, Producing Artistic Director Lyrics by Sammy Cahn, Music by Jule Styne & Jimmy Van Heusen Samantha Dunn, Perry Lambert, Mindy Montavon, and David Zack. Photo by FST. Sponsored in part by the State of Florida, Department of State, Division of Cultural Affairs and the Florida Council on Arts and Culture. “COME FLY WITH ME!” THE SAMMY CAHN SONGBOOK lyrics by Sammy Cahn, music by Jule Styne & Jimmy Van Heusen CAST Samantha Dunn Perry Lambert Mindy Montavon David Zack Music Director/Accompanist Lighting Designer Sound Engineer Wayne Moore Tom Hansen John Valines “The Performers in this show are represented by the American Guild of Variety Artists (AGVA), the AFL-CIO union of variety, comedy, and revue performers in the United States. “Come Fly With Me!” will be performed in 75 minutes with a 15 minute intermission. The video and/or audio recording of this performance by any means whatsoever is strictly prohibited. Florida Studio Theatre is a Constituent of Theatre Communications Group (TCG), the national organization for the American Theatre. ARTIST PROFILES SAMANTHA DUNN is Charity, Kiss Me Kate, and honored to join the cast the original production of “Come Fly With Me!” of Forbidden Hollywood. Regional and touring He has shared the stage credits include: Main Street with such notables as Caroler at Hong Kong Debbie Reynolds, Bob Disneyland, Cindy in Suds, Hope, Rosemary Clooney, Shy in Best Little Whorehouse in Texas, Janet Liza Minnelli, Natalie Cole, Chita Rivera, Tony in The Drowsy Chaperone, Hope in Urinetown, Bennett and many other celebrities. He has and the Narrator in Joseph and the Amazing headlined for Crystal Cruises, Holland America, Technicolor Dreamcoat. -
Cabaret Playbill Richard Hopkins, Producing Artistic Director
Cabaret Playbill Richard Hopkins, Producing Artistic Director Sponsored in part by the State of Florida, Department of State, Division of Cultural Affairs and the Florida Council on Arts and Culture. THE GIGI’S by The GiGi’s CAST Lauren Anselm* Brittany Cheek Lindsay Flick Safia Hudson Shannon Pawlak* Lighting Designer Sound Engineer Tom Hansen John Valines *Denotes those actors who will perform as an alternate during the run of the show. The GiGi’s will be performed in 75 minutes with a 15 minute intermission. The video and/or audio recording of this performance by any means whatsoever is strictly prohibited. Florida Studio Theatre is a Constituent of Theatre Communications Group (TCG), the national organization for the American Theatre. ARTIST PROFILES LAUREN ANSELM (Swing) BRITTANY CHEEK studied Musical Theatre earned her BA in Theatre and Dance at Lindenwood Performance at Marymount University and began her Manhattan College in New professional career singing York. She joined Actors and dancing at Six Flags St. Equity Association in 2007. Louis. Other past credits As a performer with the include: Universal Studios Japan, Wizarding Walt Disney World company, she is often heard World of Harry Potter Japan, and Walt Disney saying or singing the phrases: “May the Force be World. She now resides in Orlando where she with you,” “Let It Go,” and “Part of Your World.” spends most days singing with the Hogwarts Brittany also performs at Universal Studios School Choir, Sing It!, and the Banshees at Orlando (Frog Choir, Bill and Ted’s Excellent Universal Studios Orlando. Halloween Adventure, Grinchmas). ARTIST PROFILES LINDSAY FLICK has TOM CASEY (Pianist) has performed as a singer starred in numerous and musician for decades, performing across productions including the U.S. -
To View the Program from the Evening!
SATURDAY, MAY 15, 2021 | 8:00 PM PRESENTS Divas!Divas! UnderUnder thethe StarsStars Directed by Alison Lawrence Musical Director: Michael Santangelo Event Chair: Georgia Donaldson PLAYBILL 1 Welcome Letter from Divas! Committee Chair ear Friends, Welcome to Divas! Under the Stars, where some of RLT’s most talented performers will be entertaining you tonight.D Who will win the crown? That depends on you! Please show your love by opening your hearts and wallets, as each dollar counts as a vote for your favorite Diva. There are many people involved in this production, both on and off the stage. I would like to thank our talented and energetic director, Alison Lawrence, who never loses her enthusiasm or creativity; musical director Michael Santangelo, who brings out the best in the singers; stage manager Alex Gromo – after all, there wouldn’t be entrances and exits without him! And a huge thank you goes to the volunteers, who are the backbone of RLT, for helping us put on a show tonight. I would also like to thank the wonderful staff at RLT, the Board of Directors, and the Divas Committee. Every dollar that you spend tonight acknowledges their hard work. Please be generous. Lastly, a standing ovation for the Divas who have given of their time, talent, and fundraising skills. Each and every one of you is a winner. Break a leg tonight. Warm regards, Georgia Donaldson, Chair 2 Divas! 2021 UNDER THE STARS Letter from the Director Welcome Home! “When I think of home, I think of a place where there’s Love overflowing.” These lyrics from the song “Home” from The Wiz, always come to mind when I think of what home means to me. -
THAT SUMMER Göran Hugo Olsson
THAT SUMMER Göran Hugo Olsson 2017 - Sweden/US/Denmark – 80 minutes – English EUROPEAN PREMIERE Panorama Berlin Film Festival 2018 INTERNATIONAL SALES CONTACT ANA VICENTE WORLD PREMIERE Ana Vicente Telluride Film Festival [email protected] 2017 PRESS WOLF Consultants Gordon Spragg, Laurin Dietrich, Michael Arnon T: +49 157 7474 9724 [email protected] SYNOPSIS DIRECTOR’S STATEMENT IN CONVERSA- TION WITH PETER BEARD IN CONVER- SATION WITH GÖRAN HUGO OLSSON ABOUT THE FILM- MAKERS CREDITS INDEX That Summer is a feature documentary centered on the film project artist Peter Beard initiated in 1972 with Lee Radziwill about her relatives, the Beales of Grey Gardens. Lost for decades, this extraordinary footage re-emerges in a film that focuses on Beard and his family of friends, who formed an enormously influential and vibrant SYNOPSIS creative community in Montauk, Long Island (NY) in the 1970s. Featuring Peter Beard, Lee Radziwill, Edith Ewing Bouvier Beale, Edith Bouvier Beale, Andy Warhol. Including footage directed by Peter Beard, Jonas Mekas, Andy Warhol and with additional cinematography by Albert Maysles and Vincent Fremont. “To me, this film is very much a love story. The This is after all a cast who made an epic original footage reflects Peter Beard’s and Lee contribution to the narrative of culture, and Radziwill’s relationship and the love and respect who were also prescient about the future – who they had for their friends, including Big and Little understood how the commodification of images Edie Beale. I hope it also reflects our own love and was changing our relationship to ourselves and DIRECTOR’S respect for the characters and the time.” the world – and who responded to this creatively. -
Christine Ebersole
CHRISTINE EBERSOLE Christine grew up in Winnetka, Illinois, where she discovered her passion for acting in high school. Upon graduation, Christine attended MacMurray College in Jacksonville, Illinois, before moving to New York to study acting for another two years at the famed American Academy of Dramatic Arts. In 1976, she appeared in her first Broadway play, Angel Street. She went on to star in such Broadway hits as I Love My Wife with Joanna Gleason and James Naughton; Hal Prince’s On the 20th Century with Kevin Kline and comic legend Imogene Coca and put her indelible imprint on the role of Ado Annie, the girl who “Cain’t Say No,” in Agnes de Mille’s revival of Oklahoma! She starred Camelot opposite Richard Burton and in Stephen Sondheim’s non-musical mystery, Getting Away With Murder, as well as The Paper Mill Playhouse’s production of “Paper Moon.” Off-Broadway, she starred in a critically acclaimed production of Chekhov’s Three Sisters with Dianne Wiest and Sam Waterson. At a time when a single critic’s bad review could close a show, that was exactly what befell the ill-fated Harrigan n’ Hart, which closed after three days and propelled Christine to Hollywood to pursue her burgeoning film and television career full-time. Christine’s feature film credits include the Academy Award-winning Best Picture of 1984, Amadeus, Tootsie, Thief of Hearts, Bill Cosby’s Ghost Dad, Dead Again with Kenneth Branagh and Emma Thompson, Folks! with Tom Selleck and Don Ameche, My Girl 2, Richie Rich with Macauley Culkin, Black Sheep with Chris Farley and David Spade, the romantic comedy ‘Til There Was You with Jeanne Tripplehorn and Dylan McDermott, and Disney’s My Favorite Martian, opposite Jeff Daniels and Christopher Lloyd. -
Represented by MARS Gallery Editor-At-Large at Running Dog Gallery Manager at SEVENTH (Or
Represented by MARS Gallery Editor-at-large at Running Dog Gallery Manager at SEVENTH www.diegois.monster (or www.diego-ramirez.net) [email protected] SOLO EXHIBITIONS 2019 Signs of the Undead, [MARS] Gallery, Melbourne 2018 IMPERI❍: el borde de las tieneblas, Deslave, Tijuana Once More, With Diversity Feeling, Recess, Melbourne Postcard eXotica, PhotoAccess, Manuka Arts Centre, Canberra 2017 The Umbral Empire: Prologue, [MARS] Gallery, Melbourne Postcard eXotica, Perth Centre for Photography, Perth Postcard eXotica, Adelaide College of the Arts, Adelaide Delegated Performance (Radish), Melbourne Central Art Loop, Shopping Mall, Melbourne 2016 Postcard eXotica, [MARS] Gallery, Melbourne 2015 My Material World, [MARS] Gallery, Melbourne aXolotl’s Happiness, FELTspace, Adelaide aXolotl’s Happiness, Sawtooth ARI, Launceston aXolotl’s Happiness, Interior 2.1, Guadalajara 2014 aXolotl’s Smile, [MARS] Gallery, Melbourne Digimaster: The Ultimate Dream, The Substation, Melbourne Happy Summer Tank, BLINDSIDE ARI, Melbourne sPICY, Trocadero Art Space (billboard), Melbourne 2013 Radish, SEVENTH Gallery, Melbourne GROUP EXHIBITIONS 2021 Multiverse curated by Charlotte Christie, Bundoora Homestead, Melbourne No Show, Runway section curated by Nathan Beard, Carriageworks, Sydney April Fool, MARS Gallery, Melbourne Spring1883, Art fair with MARS Gallery, Melbourne 2020 Strange Uncertain Times, Grey Gardens Gallery, Melbourne 2019 Those Monuments Don’t Know Us curated by Andy Butler, Bundoora Homestead, Melbourne Sydney Contemporary (NEXT), Art