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MAY 1824, 2018 VOL. 40 / NO. 26 LAWEEKLY.COM

CAMILLE ROSE GARCIA HAS REALIZED A FANTASTIC UNIVERSE THROUGH LITERATURE, PAINTING AND ANIMATION, Enter The Cabinet of Dr. Deekay BY SHANA NYS DAMBROT

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www.laweekly.com // May 18 - 24, 2018 // LA WEEKLY I MAY| // , //VOL. NO. C 12 Wallis. RIEFE JORDAN CU winner Caroline Styne. STUEVEN MICHELE EAT DAM BY fantastic andzany universe. animation, CamilleRose Garcia hasrealized a Through literature, painting andstop-motion FE BY MARGOLIN. MADISON about PTSD, andcannabisplays astarring role. Veteran Korey Rowe hasmade adocumentary NEWS... and more thisweek. to doandseeinL.A. Deadturns50 theLiving folks to town, Night of Titanique, Litfest Pasadena brings 200-plusbook Celine Diongoeson(andon)inmusicalparody LA... GO W CONTRACTORS SINGLE WEEKLYLA ENTIRE IN , LA WEEKLYPUBLISHER, LA P F 90015. PERIODICALS L.A REE OSTMASTER: SEND EEKLY, PART . WEEKLY BROT. O A F CHARGE L

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www.laweekly.com // May 18 - 24, 2018 // LA WEEKLY Ukraine On” has beaten us into submission. In crazy, Celine Dion’s “My Heart Will Go After more than 20 years of driving us UnsinkableAn Production COMEDY The 150-year-old From Ukraine With Love DANCE phenom. One such is variety shows that gave rise to the cultural appreciating the charms of the intimate the deservedly epic DragCon, it’s worth But under the radar of moments like ness these days, and with good reason. Drag-friendly variety shows are big busi- L.A.’s Take Club ontheSupper DRAG fri eventbrite.com. May 18, 8-10 p.m.; $20-$35. omeroshow. Lac L.A., 710 W. First St., downtown; Fri., host Âu Lac L.A. instead — for variety. option to grab tasty raw/vegan bites from old-school mixology dinner, but there’s the style: Your two-item minimum could be an camp. One update to the night’s old-timey exotic hooping, bellydancing, comedy and experience with a night of magic, music, dent foray into the classic supper-club of Assortment com/events. Sat., May 19, 7 p.m.; $38-$153. laorpheum. Broadway, downtown; Fri., May 18, 8 p.m.; to at home. grand opera house the company is used old movie palaces, is in keeping with the Theater, one of downtown’s magnificent — until now. The choice of the Orpheum Europe but has never made it stateside rovenko. The company frequently tours hov, Maxim Beloserkovsky and Irina Dvo- Ballet Theater veterans Vladimir Malak- Cojocaru (the Royal Ballet) and American ing international stars such as Alina than 150 dancers and a history of produc- of Russian classical ballet boasting more Based in Kiev, the company is a bastion (Friday) and length performances, with two technically demanding full- I Zulu Lounge) makes her first indepen- P. 6 GO» CELINE DION BE OF MUSIC opens its 11-city debut U.S. tour FRI , as Isabel Omero (producer Orpheum Theatre, 842 S. —Ann Haskins Don Quixote (Saturday). AL PAROD —Shana —Shana Nys Dambrot National Ballet of National of Ballet C Omeroshow: Deluxe OMES FOC Sleeping Beauty Y TITANIQUE US US 5/18

Âu Âu P. 6 TO STREETS OFPASAD LITFEST BRINGS AUTHORS SAT 18, 8-10 p.m.; $40. dynastytypewriter.com. 2511 Wilshire Blvd., Westlake; Fri., May Day Has Come.” Coming Back to Me Now” and “A New including “The Power of Love,” “It’s All gest hit, as well as other familiar tunes, by a live band, the cast sings Dion’s big- the most historic disasters ever? Backed chanteuse was a passenger for one of the show. Who knew Canada’s greatest the spoof but pops up everywhere in (Marla Mindelle), who not only narrates (Alex Ellis), with the addition of Dion (Constantine Rousouli) and Rose DeWitt from the plot and features Jack Dawson Connell, her. With musical direction by Nicholas musical parody completely inspired by blockbuster singer and her theme song to the 1997 fact, director Tye Blue is so fond of the the — now bring your hard-earned wisdom to You’ve been around the block a few times Letting theKids Lead theWay FESTIVAL sat —Siran Babayan friendly festival of kindness and creation, Voices” is the theme of today’s family- Sleeping Beauty Sleeping National Ballet of Ukraine dances Pico BlockParty Titanique Titanic that he created a ENA ENA : See Friday. : See Dynasty Typewriter, re-enacts key moments

. “Empowering Youth P. 6 AMERIC D 5/19

ANC S E AND AN MUSIC LA UN SWING AT C FESTIVAL youth-voices/. event/pico-block-party-empowering- required). (310) 453-3711, 18thstreet.org/ Monica; Sat., May 19, 3-6 p.m.; free (RSVP Street Arts Center, 1639 18th St., Santa view, live music and food trucks. 18th artists’ open studios, exhibitions on them. Activities include art workshops, do to better your community alongside the kids are these days, and what you can shows you just how involved in activism initiative, CultureMapping90404.org, it bilingual neighborhood oral history adjunct to the 18th Street Arts Center’s changes rocking your world lately. An you what’s what when it comes to the bing food trucks and otherwise showing workshops, giving performances, mob- and there’s a plethora of kids leading Skateboarding DIY: ofCreative eHistory Culture in From theStreets ART/CULTURE of the culture, and “do it yourself” is not pits and athletic courses. That’s the spirit empty pools transformed into painting ality in the use of architecture, such as engineering and adaptive re-function- ing, design and a kind of crazy-inventor along with aspects of fashion, zine-mak- realms of street art and photography, beyond deck art and into the adjacent artistic side of skate culture that goes way UBAN UBAN PHOTO COURTESY NATION —David Cotner presents a survey of the AL BALLET OFU NE KRAI litfestpasadena.org. May 19-20, 1-10 p.m.; free. (626) 590-1134, S. El Molino Ave., Pasadena; Sat.-Sun., Levy Redzepi. About Home Cooking” with chef Nadine Jonathan Gold, who discusses “Writing food critic — and Pasadena resident — male Sexuality.” A highlight is Shape” and “Getting O¨: Sex, Porn & Fe- About Fences, Walls and the People They “The Border as a Character: Storytelling izing Natural Hair Through Literature,” on such topics as “Combchella: Normal- fiction writers. There will be panel talks Roswell Award, which honors science its, walking tours, kids activities and the store include readings, poetry, art exhib - Pasadena Playhouse and Vroman’s Book- and around landmark venues such as the Tornek. Daylong activities taking place in Friedman and Pasadena Mayor Terry Adam Schi¨, Assemblymember Laura Kilmartin, Sholeh Wolpe, Congressman Aubry Kaplan, Michelle Huneven, Laurie Descanso Gardens has been a fascinat- The Sturt Haaga Gallery inside the Avant-Garden ART/NATURE sun Fitch, Lisa Teasley, Naomi Hirahara, Erin appear this year are Jerry Stahl, Janet writers and performers scheduled to scribes and others. Among the 200-plus past seven years, spotlighting local munitywide literary gathering for the LitFest Pasadena Literary Heaven BOOKS diy/. free. subliminalprojects.com/exhibitions/ Wed.-Sat., noon-6 p.m., through June 16; Reception Sat., May 19, 7-10 p.m.; exhibit Projects, 1331 W. Sunset Blvd., Echo Park; ing Hall of Fame, and FACT. Huber of Skatelab and the Skateboard- the Skateboard Museum (Berlin), Todd Blümlein of FauxAmi Exhibitions and “DIY” is curated and created by Jürgen expect to find in such an amped-up world. independence and resourcefulness you’d something of a motto, celebrating the only an emblematic creative impulse, it’s —Shana —Shana Nys Dambrot P. 9 NEW S NEW N GETS GETS IGHT OFTHELIVINGDEAD THU C Pasadena Playhouse, 39 ORE FOR 50THBIRTHD ⁄⁄ has been a free, com- —Siran Babayan 18-24 Week of MAY Subliminal 5/20 L.A. L.A. Times AY AY

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com 10 p.m.; free. (323) 258-8800, hihokaraoke. Colorado Blvd., Eagle Rock; Mon., May 21, out for his lost love! sad because you realize that he’s calling You,” because he yodels at the end and it’s That Gavin DeGraw song “Not Over what song really works with yodeling? weirdness than ever before. You know pret those songs with more laughs and karaoke bars, because now you can inter and wide — more so than with ordinary caterwauling. The songbook runs deep with this carefree night of creativity and you on to an entirely new way of singing registered karaoke therapists — turns Evening Concerts closing performance of the formal structures, but tonight’s season- noise or atonality and the dismantling of that avant-garde music is only about Many people are under the impression Finishing Strong MUSIC Yodel Eclipse oftheHeart Karaoke ...butBetter MUSIC mon 4500, skirball.org. seniors & students, $7 children. (310) 440- Brentwood; Sun., May 20, 2 p.m.; $12, $9 Cultural Center, 2701 N. Sepulveda Blvd., homeless artists from Skid Row. John Wesley Health Centers, comprises oration between the Colburn School and L.A., while Urban Voices Project, a collab- an Universal Values? VirtuesMore PowerfulAre Ordinary Parsing andUnity Schism BOOKS tue of politeness, trust and forgiveness are of human rights and ordinary virtues abstract, platonically idealistic concepts answer this paltry civic dilemma in which nual Zócalo Book Prize Lecture aims to org. (213) 260-1632, monday Ave., downtown, Mon., May 21, 8 p.m.; $27. recognition. vocative work is finally receiving serious African-American iconoclast whose pro- Eastman, the once-overlooked gay tonal variations of ing and epically evolving telephone-like Players ring up the circular, ever-expand - Meredith Monk. Then the MEC Chamber vocalist-filmmaker-choreographer hypnotic piano interludes by composer- tive, rippling waters of several idyllic, Oppens stir their hands in the medita Cheng and new-music champion Ursula dies. Grammy-winning pianist Gloria with poignant, overtly beautiful melo- est passages are nonetheless twined strikingly bold composers whose strang - . —Falling James —David Cotner Zipper Hall, 200 S. Grand series focuses on two —Siran Babayan Femenine by Julius The Old Chalet, 1630 The eighth an- eveningconcerts. — hosted by Monday 5/22 5/21 Skirball Skirball - - T:5.23 in

| 9 | LA WEEKLY // May 18 - 24, 2018 // www.laweekly.com Project Manager Rosa Almodovar (212) 929-9130 ext:1123 RND: 1 RND: VER: 1 VER: 122269.KRIST.18M257.V1R1 4.48" X 5.23" T:4.48 in T:4.48 FILE NAME: SIZE: LAYOUT Discussion / Book Signing

160 AUTHORS: 1 NUMBER OF TOTAL Tuesday, May 22nd, 7pm 22nd, May Tuesday, 5/18/18 All events subject to change, so please contact the store to confirm. please contact the store so subject to change, All events Get more info and get to know your favorite writers at BN.COM/events favorite your and get to know info Get more and ideas that turned California farmland into the and ideas that turned California century. City of Angels in the first half of the 20th 189 Grove Drive, Los Angeles (323) 525-0270 Los Angeles Drive, Grove 189 RUN DATE: RUN DATE: MEDALLION #: 122269 CHARACTER COUNT: CHARACTER COUNT: The bestselling author explores the people, industries, industries, the people, The bestselling author explores

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, Alien Night 5/24 5/23 —Falling —Falling —Siran Babayan —Siran is so subtle subtle so is The Ordinary Ordinary The , and sound sound and X, Occam is still the greatest greatest the still is The Breakfast Club Breakfast The —David Cotner —David LAXART, 7000 Santa Monica Santa 7000 LAXART, , L.A. garage-punk four- garage-punk L.A. , Éliane Radigue Éliane LACMA, 5905 Wilshire Blvd., Blvd., Wilshire 5905 LACMA, Night of Night the Noise: Bring the . For For . Dollhouse the to Welcome piece The Paranoyds play their unique their play Paranoyds The piece classic the of screening a to soundtrack hiding strangers of group a about film kill to trying while farmhouse a in out from risen who’ve ghouls flesh-eating dead. the $25. p.m.; 7:30 24, May Thu., Mid-Wilshire; . lacma.org 857-6010, (323) Living Dead of the Living Dead Living the of director as Just time. all of flick zombie horror- the changed Romero A. George Independent Film has so genre, movie changed Noise the Bring LACMA’s at Launched movies. to listen we way the invited has series museum’s the 2016, in Kinky, Antono, Jack as such artists and Ash Daniel Bogart, Seth YACHT, perform and create to Haskins Kevin as titles such to scores original , Science Weird and tonight’s thu FILM Tunes New Same Zombies, 1968’s and later century a Half wed wed MUSIC Sonic Swarm electronic-music French of work The visionary somehow mutually exclusive. Central Central exclusive. mutually somehow Michael president University European year’s this of winner the also — Ignatie for Prize Book Zócalo Virtues: Moral Order in a Divided World World Divided a in Order Moral Virtues: it lays — Press) University Harvard ($28, - dis cognitive your massages and you on - com pleasant that you show to sonance save just might really standards munity times. fractious fractured, these in us De- of Preservation the for Center tional Tue., downtown; St., First E. 369 mocracy, required). (RSVP free p.m.; 7:30 22, May zocalopublicsquare.org/ 625-0414, (213) - event/ordinary-virtues-powerful-univer . sal-values/ and slowly shifting that it sometimes sometimes it that shifting slowly and an as importance outsized her masks - inven sonic and composer influential created she though even Ironically, tor. synthesizers on music experimental has Radigue else, anybody before years acoustic for pieces more composing been This decades. two past the in instruments Concerts Evening Monday a in evening, sea special “a as billed presentation Wooley Nate trumpeter postlude,” son foreboding momentously the up calls Radigue’s of cloud the unfolds Pisaro Michael projectionist as known sound of swarm wallowing . re-sonante 8 23, May Wed., Hollywood; West Blvd., 260-1632, (213) required). (RSVP free p.m.; mondayeveningconcerts.org. James EHOUSE L Ask for Chris Lic No. 11481830 *CERTIFIED APPRAISERS All rights Reserved Call Now for Cash for Pasadena, CA Pasadena, *CONSIGNMENTS WELCOME Parti Boxer Parti Pasadena, CA 91104

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Sign up now at laweekly.com/newsle ers at Sign up now to the biggest outdoor festivals, our top picks for the for picks top our festivals, outdoor the biggest to Pictures and Videos COPYRIGHT and Videos Pictures IN REMEMBERANCE week’s best events will always keep you in on the action. you keep will always events best week’s What’s happening in town? From underground club nights underground From in town? happening What’s Winter 2015 - Spring 2017 2015 Winter [email protected] PASADENA ANTIQUE WAR PASADENA Email: [email protected] Email: We Buy Antiques Antiques Buy We TOBIAHUS Illegally Exploited & Murdered Exploited & Murdered Illegally EVENTS PROMOTIONS NEWSLETTER PROMOTIONS EVENTS

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CONTACT (310) 652-4202 BE A GUIDE | 11 | LA WEEKLY // May 18 - 24, 2018 // www.laweekly.com - - - - The cannabis flower itself, which flower itself, Sisley The cannabis will community medical the fears Sisley So So far, research from the - Multidisci In short, cannabis might be able to - re Many states around the even country, While Rowe’s family once judged him the goal of getting to 76. The veterans in the in veterans The 76. to getting of goal the flower of grams 1.8 to up given are program a so can they self-titrate, day or as smoke need. they feel they as little as or much bemoans is of is poor grown quality, by a government facility at the of University Mississippi. “I don’t have any hope that this administration will take initiative to license other growers for research, even years two over announced DEA the though in “So says. Sisley that,” do would they ago really this with stuck we’re meantime, the that is beef Our material. plant suboptimal cannabis.” real-world represent doesn’t it never embrace whole-plant cannabis as a medicine until it’s been put through an even But process. development drug FDA ef- decent observed already has Sisley so, main “The e©ects. side minimal with ficacy assure I “But says. she anxiety,” is e©ect side you the side e©ects are still considerably enrolled their 61st vet in the program, with program, the in vet 61st their enrolled in my life, I rolled a joint in front of my mom my of front in joint a rolled I life, my in didn’t she and it, about bad feel didn’t and over started this of all And it. about bad feel shwag.” of dimebag a less than the prescriptions that I write for for write I that prescriptions the than less day.” every patients Stud- Psychedelic for Association plinary ies (MAPS) has shown that patients with also anandamide, of levels lower have PTSD known as the body’s “bliss molecule,” an com chemical or cannabinoid, endogenous - Anan cannabis. in found normally pound are that receptors same the triggers damide cannabis other and CBD THC, by activated Mar researcher to according compounds, by characterized is PTSD Because Lee. tin can cannabis anandamide, of deficiency a helpful. especially be plenish the body’s receptor sites for - can nabinoids, where PTSD causes deficien- the suppresses pot time, same the At cies. dreams when cycle, sleep the of phase REM this By happen. nightmares traumatic and pa PTSD help also could cannabis token, better. sleep tients marijuana medical conservative with those programs, have sanctioned cannabis for of “One the PTSD. things we had to over been had that stigmas irrational were come people in some when decades; for around - can of think elsewhere and legislature the they think nabis, of hippies and the ‘60s,” says Pennsylvania state senator Daylin - mari medical state’s his passed who Leach, juana bill. “Vets were hugely helpful [in passing the bill]. One guy who had never smoked pot in his life said that when meds he and PTSD with su©ering after it, tried felt he suicidal, and zombie a him made that endorsement The back. life his had he like of think wouldn’t you demographic a from helpful hugely was pro-cannabis being as minds.” changing in come they’ve says he a “stoner,” being for a long way in recognizing that cannabis is truly his medicine. “My mother kicked me out for smoking cannabis, but when I made this movie, for the first time she and through going was I what understood time first the “For says. he it,” smoke I why - - COURTESY KOREY ROWE KOREY COURTESY , tried to get treat get to tried , Marker Mile Currently, there Currently, are no clinical studies Today, 11 percent of the adult homeless Today, medica particular any that clear not “It’s who Phoenix from veteran a Taylor, Chris ment; ment; he made an appointment with the six in was get could he soonest the but VA, months. So when he returned six months he him told they appointment, his for later put and months, three another wait to had interim, the In list.” waiting “secret a on him de- He worse: the for turn a took life Taylor’s - painkill opioid the to tolerance a veloped he injury back a for prescribed been he’d ers sustained in Afghanistan, and eventually around floundered He heroin. to switched for nearly two years until the VA finally but — program PTSD a into him get helped unique. isn’t story Taylor’s unfortunately, PTSD, for cannabis examining America in FDA- Sisley’s Sue Dr. of exception the with program double-blind research approved interviewed is also who Sisley, Arizona. in in the and documentary, her cohort just - symp those weeks, or days Within people. for persist they if but subside, should toms PTSD. as qualify may that month, a least at “What that means for individuals is that they and changed, also are themselves they of it their that find aspects all a©ects may says. Schnurr functioning,” and well-being of percent 51 while veterans, are population disabilities have veterans homeless those - whop A illness. mental have percent 50 and - prob abuse substance have percent 70 ping lems. Not PTSD surprisingly, increases a whether suicide, by death of risk veteran’s not. or homeless they’re doesn’t that but symptoms, with helps tion self-medicate,” to trying from people stop - treat holistic e©ective, With says. Schnurr can symptoms substantial however, ment, adds. she mitigated, be in featured is Mile Mile Marker at , Rowe , Marker Mile , shedding light shedding , Marker Mile TSD “I had no idea what I had signed up for. finished recently vet 35-year-old now The - traumat a after when, diagnosed is PTSD For Rowe, the number 22 carries a lot oflot a carries 22 number the Rowe, For happened. - tiptoe was I old, years 19 even was I Before a holding grenade landmines, ing around day every pants my shitting and launcher, four After says. Rowe done,” had I what for to army the from home returned he years, him- getting eventually York, New upstate whatever using drugs, for trouble into self spiraled life His self-medicate. to could he downward so quickly that his only hope was legal weed where he could medicate now goal “My trouble. into getting without ben- and acceptable an cannabis make to is eficial part of healing humanity because says. Rowe me,” for done it’s what that’s trip to a a road make - cross-country docu called mentary showing and stories buddies’ battle his on they’re that PTSD with struggle who those 22, May there will not On alone. Tuesday, be an 8 p.m. screening of says, he film, The veterans. 22 interviewed is for No. 23, “for the one who’s thinking doing him from stop to and suicide about it.” person’s a stressor, life-threatening often ic, recovery process is interrupted, explains Dr. Paula Schnurr, executive director at After a car for PTSD. Center the National - experi to typical it’s example, for accident, un- sudden, as such symptoms PTSD ence self-blame, nightmares, memories, wanted other from o© cut or numb alert, feeling and the Pacific Theaters at the Grove, with free free with Grove, the at Theaters Pacific the entry for vets. (To RSVP, they can email [email protected].) to According significance. the most - com cited monly statistic, 22 commit veterans in So day. every suicide

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spotlights cannabis’ benefit for vets for benefit cannabis’ spotlights Marker Mile documentary Rowe’s Korey

Mile Marker The Rollup The Rollup His story began in 1999 at the age of 16, of age the at 1999 in began story His Of course, Rowe opts to carry ganja over over ganja carry to opts Rowe course, Of “I have to ask myself, is someone going is someone to myself, ask “I have “I turn into an asshole,” says Rowe, whose Rowe, says asshole,” an into turn “I BY MADISON MARGOLIN

| POT AND P POT military. military. It was August 2001. Then 9/11 he he was 18, his only option was to join the more than a dozen apartments. By the time the By apartments. dozen a than more over over the next two years got evicted from unwelcome unwelcome at home. He moved out and shwag. Labeled shwag. a Rowe “stoner,” became free access to cannabis to treat his PTSD. his treat to cannabis to access free when he got busted for two dimebags of calls himself a “medical refugee,” seeking seeking refugee,” “medical a himself calls guns. That’s why he moved to California. He California. to moved he why That’s guns. the tra‡c.” the helps helps me relax, calm down and deal with when when I get aggravated and the cannabis option is a cannabis pen. I can hit that pen that hit can I pen. cannabis a is option a weapon to protect myself. And the other the And myself. protect to weapon a is a .45 — if I get angry and in a fight, I need I fight, a in and angry get I if — .45 a is in my car to deal with tra‡c. One of them of One tra‡c. with deal to car my in he says. “So there are two things I can carry can I things two are there “So says. he No, they’re not, I’m in a safe environment,” environment,” safe a in I’m not, they’re No, has identified tra‡c as a trigger. a as tra‡c identified has me? at shoot and AK-47 an with out pop to PTSD and 10 percent from tinnitus, Rowe tinnitus, Rowe from 10 percent and PTSD Diagnosed Diagnosed as 70 percent disabled from tic filmmaker than any kind of actual jerk. actual of kind any than filmmaker tic sends his mind into fight-or-flight mode. fight-or-flight into mind his sends personality is more that of a sweet, - artis even even 15 years later in sunny L.A., tra‡c during war when stuck in tra‡c — so now, now, so — tra‡c in stuck when war during Iraq, he has memories of being ambushed ambushed being of memories has he Iraq, been deployed to both Afghanistan and Jeep Wrangler. As a trained soldier, having having soldier, trained a As Wrangler. Jeep

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www.laweekly.com // May 18 - 24, 2018 // LA WEEKLY and zany universe animation, Camille Rose Garcia has realized afantastic Through literature, painting and stop-motion Dr. Deekay of Cabinet Enter By Shana Nys Dambrot Nys Shana By

The The A It needed to include actual, built actual, include to needed It computer-generated. not is process tion motion, of course that design and produc- ideas. But one thing was that, since it’scrazy of stop- lot a have to free was I “Sosays. it’s going to be epic. to a series format than a feature. Either way, places and persons is perhaps better suited fiof arraya snaking,nesting-doll Its lm. stop-motion feature to become more than book that telegraph Garcia’s vision for the one of several unresolved plot points in the only her.is Thiswith reunite to termined de- and lover her Sandoval,once named is invoked by a brave and brilliant lobster actually meet her in the book. Instead, she tasma — her whole look and story. We never jestic and seductive figure of La Sirena Fan- adore.Takework her ma-of the fans that folklores disco-lit and evocative,visceral the into storylines literary schematic her stop-motion animation. the book into the object-based universe of of worlddrawings-based the translating grew directly out of the ongoing process of moment in Garcia’s career, these paintings tion and animation that are central to this publica-the forgoal the or point starting “world” in “Wonderful World.” the puts it exhibition, gallery a As realm. animation stop-motion the designing of came to life as part of the parallel process accoutrements and personas nuanced protagonistsmorewhoseand points plot scenarios, key depict drawings and ings traits and narrative vignettes, these paint- sive, folkloric paintings. Fever-dream por- goopy,shadowy,neon-infl expres- ected, sparkling,textured, richly large-scale, of suiteimpressive an executed Garcia 12, WorldDr.of Deekay,” Mayopened which studio where her vision becomes a reality. er L.A. gallery and the bustling El Segundo from youthful Disney dreaming to a top-ti- indie sensibility. an of service the in technology lutionary the Giant Peach and pany’s Oscar-winning work in com- his for known best Films, Meunier of Meunier Martin with collaboration in that’s been going on for the last two years. filming animated the by informed last, at the Corey Helford Gallery actually came alarming experience with dentistry. particularly one and industry publishing by years of work in the visual arenas of the begun more than six years ago, influenced came first, in an original narrative project book, the a bit cattywampus. For Garcia, this time it’s mille Rose Garcia, the order of things gets “I had no idea what I was doing,” Garcia parlay deftly and utilize paintings The Remarkably, rather than being either the Wonderful “The exhibition, her For 47,Garcia, for journey long a been It’s produced being is itself animation The show solo current her in paintings The The Cabinet of Dr.Cabinetof The that Deekay, Coraline and its revo- the case of Ca- of case the in But movies. into turned get any hardly and exhibitions, self-contained and works ized real- fully nal, fi- on focus to tend books rt James and ( 14 » | | 13 LA WEEKLY // May 18 - 24, 2018 // www.laweekly.com » 14 ( James and James rt books tend to focus on fi- nal, fully real- ized works and self-contained exhibitions, and hardly any get turned into movies. But in the case of Ca- and its revo- its and Coraline The Cabinet of Dr. , Deekay that The of Cabinet Dr. The The paintings in her current solo show The animation itself is being produced It’s been a long journey for Garcia, 47, For her exhibition, “The Wonderful the either being than rather Remarkably, The paintings utilize and deftly parlay Garcia doing,” was I what idea no had “I mille Rose Garcia, the order of things gets things of order the Garcia, Rose mille it’s time this Garcia, For cattywampus. bit a the book, project narrative original an in rst, fi came uenced infl ago, years six than more begun the of arenas visual the in work of years by publishing industry and one particularly dentistry. with experience alarming came actually Gallery Helford Corey the at last, informed by the animated filming years. two last the for on going been that’s in collaboration with Martin Meunier of Meunier Films, best known for his com- in work Oscar-winning pany’s and Peach Giant the lutionary technology in the service of an sensibility. indie top-ti- a to dreaming Disney youthful from Segundo El bustling the and gallery L.A. er reality. a becomes vision her where studio which opened May Deekay,” of Dr. World 12, Garcia executed an impressive suite of large-scale, richly textured, sparkling, ected, expres- neon-infl shadowy, goopy, por- Fever-dream paintings. folkloric sive, paint- these vignettes, narrative and traits ings and drawings depict key scenarios, plot points and whose more protagonists nuanced personas and accoutrements process parallel the of part as life to came of designing the stop-motion animation realm. As a gallery exhibition, it puts the World.” “Wonderful in “world” starting point or the goal for the publica- this to central are that animation and tion paintings these career, Garcia’s in moment of process ongoing the of out directly grew translating the drawings-based world of of universe object-based the into book the animation. stop-motion her schematic literary storylines into the visceral evocative, and disco-lit folklores that fans of the ma- her work Take adore. Fan- Sirena La of gure fi seductive and jestic never We story. and look whole her — tasma she Instead, book. the in her meet actually lobster brilliant and brave a by invoked is named once Sandoval, her lover and de- termined to reunite with This is her. only the in points plot unresolved several of one the for vision Garcia’s telegraph that book than more become to feature stop-motion lm. Its nesting-doll snaking, a array of fi suited better perhaps is persons and places way, Either feature. a than format series a to epic. be to going it’s says. “So I was free to have a lot stop- of crazy it’s since that, was thing one But ideas. produc- and design that course of motion, tion process is not computer-generated. It needed to include actual, built A The

By By Shana Nys Dambrot Enter Cabinet of Deekay Dr. Through literature, painting and stop-motion stop-motion and painting literature, Through a fantastic realized has Garcia Rose Camille animation, universe zany and

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www.laweekly.com // May 18 - 24, 2018 // LA WEEKLY |

» Thisincludes vasta warehouse shrink-of book. the in at hinted and mapped both is it as says,universe,” Garcia known World of Disney aesthetic. Wonderfulold the on based mural interior an and film stop-motion the from clips first the puppets, illustrations, of dozens on close World of Dr. Deekay” will get up get to a place before you left.” backwards you could sometimes over started you “If storybook, studios. As it says early on in the painting and movie the in out be flavored by the details worked will doubtless — now fruition to complete but the design is coming Cabinet of Dr. Deekay — the story is turn, In paintings.new the be to came what of spaces expanded to fully develop the look and feel and thing else.” needed a color story as much as every as much as story color a needed drawings,we inkso in book the did I too! palette, the And frame.every of atom ery took place there. Every single element, ev of scenes, locations and all the things that I had to figure out the logistics and details chitectural and environmental settings. ... 13 “It’ll basically be a map of the whole Wonderful “The of Viewers And that’s exactly how Garcia came ) objects, plus costumes, props, ar props, costumes, plus objects, The The - - - prepare children and adolescents for the for adolescents and children prepare Brothers Grimm versions, are intended to same way our world does.” Fairy tales, especially the super-dark the especially tales, Fairy make sense,” Garcia says, “not in the in “not says,sense,”Garcia make a feral albatross. “It doesn’t have to to have doesn’t “It albatross. feral a thralls and rebels, giant crickets and rayed parts of the earth and sky; all creatures of air and ocean, both ocean, and air of creatures the planet’s natural inhabitants; a a inhabitants;planet’snatural the wormholes, populated by hybrid by populated wormholes, hallways, cellars, false doors and doors false hallways,cellars, of hulk Escher-esque sprawling oners; and its surreal labyrinth of hospital’s monstrous patient/pris- the cliˆ; seaside a on hospital a PHOTO BY DANNY LIAO ibly personal scenario at the root, so root, the at scenario personal ibly of an atypical drug reaction.” the prolonged quasi-psychosis bungled dental surgery and violently say,a of, horror the for you “prepares laughs, Garciaone,” no empathy.“But and esty giveness, patience, hon- for as such behaviors rewardable encourage alsoand — to death,lies heartbreak, injustice, crime, — life adult of mas trauarchetypal,- inevitable That’s the real-life and incred - and real-life the That’s Camille Rose Garcia Rose Camille - il to wt a re spoiler- brief a with too, will, ings are how it felt to be there. tion of tion tal issues. So right after her illustrated edi- life, and suˆered from hard-to-fix periodon- worst nightmare.” my than worse happen, could that thing worst the washappened what finally and of terrible dentistry. I feared my whole life autobiography,”Garcia says. story a is “It obfuscated it call“I’d continuum. mation book/canvas/anientire the of speak,- to became a became what it looked like, and in a way, the paint- Since Garcia started with the book, we we book, the with started Garcia Since She’d been afraid of the dentist her whole 2010, she took her money and called a a called and money her took she 2010, story of what she saw. The drawings are specialist, determined to get her issues saw through the veil.” This book is the sorted out for good. this happenedthisher, to Garciasays, “I tion in our medical system. When system. medical our in tion when it was time for gum surgery,gum for time was it when Alice’sAdventures Wonderlandin on pills and prescription dysfuncprescription- and pills on things went oˆ the rails. She re She rails. the oˆ went things ness of the rampant over-reliance One week and 11 root canals later, members saying “I’m not OK,” not “I’m saying members modern world•…•.” as her eyes split between two fo- beingtampered fearwith, the of generalthings in calplanesand “I’ve always had this fear. Fear of break. cognitive psychedelic rather and temporary a action, re- drug bad a having was She dimensions. multiple into split It’s a medical phobia, and a wari- best-seller in in best-seller YorkTimes New ( 16 » -

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LAA4811902-1 » than in Sandoval’sop - memory,Garcia’sin than we meet don’t her (yet) in the story, other Though back. claw his get to has he first Well,dwellers. surface us among plight firsthe has to raise awareness theof sea’s but back, girlfriend mermaid his wants politicalactivistof subplot.Hesort a and thing going on, involving both a love story Montoya Inigo an of kind has character much as Alex misses his face. The lobster an owner, Sandoval, who misses it almost as that is now Alex’s right hand used to have claw the that learn we which in location build for the animation. its own rewarding challenge to design and and hospital, the of sprawlsinnumerable the of wing one just is hidden is cabinet this where vault The storyline. separate sentient, own its hasdesirable, less thing some well, with, replaced and removed been hadAlex’sface,that which learn we that. Its introduction is the scene in which assumed by others. But it’s also nothing like of those whose identities are waiting to be Thrones of part that like of sort It’s like. sounds it what just isFaces, which of net the architecture of the story is called a Cabi- near the iron lung machine.” the head of a baby giggled from somewhere boy Alex, as “a human-sized centipede with clear that this is not going to go well for our Future Tomorrow.” By page 10 it’s already a for“Project thecalledsomething for ed and lobster claws, in order to be better suit jects/anatomical anomalies such as whisks ob- random with replacedsystematically kid was there to have every part of his body only get weirder from there. It turns out the doctor with a giant molar for a head. Things ministered to by a team of medics led by a mysterioussurgicalbeing procedureand a recoveringfrom himself find awakesto younghero our which scene,in room ing Cabinet of Dr. Deekay opens on an operat - —artist Camille Rose Garcia on her creation 14 Likewise the Sea Prison, the under One major element of both the plot and ) sense, not in the same way free summary of the premise. where we see arrayed the faces the arrayed see we where “It doesn’t have to make our worlddoes.” Game of Game water The The - - such as Roald Dahl, George Orwell, Aldous authors of works the in interestGarcia’s tasy and fear, control and creativity reflects able, and that much easier to control. making the populace pliable and imprint- thus amnesia, masscreate to is Party the it for six years, remember), the end goal of Trump per se (Garcia has been working on Tale cal reassignment. It’s a little bit all the children for experiments in anatomi- plete outlawing of all cats, then with taking comthe- with spiracystarted explained.It political allegory for our times, a fascist con- veiled thinly FutureTomorrow.a a It’s for construction, under the aegis of the Project orders of something called the Party of De- are being carried out by Dr. Deekay on the hospital the Frankensteinianat goings-on arresting in the gallery. most the among Fantasma,is Sirena La eratic painting of this mermaid character, wistfulness in perilous Smith’sWinston evoking relics, the Doctor’s secret stash of illegal old-world also introduced to the Collection, which is He’s actually pretty terrible, but readers are cia, “a middleman between evil and good.” character of the Doctor is, according to Gar times before Orwell found a publisher.” o—ered as a fairy tale? It was rejected a few “that says, Garcia know,”you “Did children. for though as world of dystopian fiction, often presented worked in the allegorical, symbolism-rich whom of all — Ka•aFranz and Huxley and they all contained fragile and extinct andfragilecontained theyall and within the boxes there were entire worlds, and cabinets the of inside boxes tained filled with even more cabinets, which con- there were doorways leading to other rooms between in “and scene, the readsinets,” an endless collection of glass-doored cab- This tumult of nature and science, fan- science, and nature of tumult This While it doesn’t have anything to do with At a certain point, it is revealed that all the Like the antagonists of those novels, the “Flanking the walls of the long hall were and a little bit 1984. Willy Wonka. was first first Farmwas Animal

PHOTO BY DANNY LIAO Handmaid’s Handmaid’s - | | 17 LA WEEKLY // May 18 - 24, 2018 // www.laweekly.com

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TO LEARN MORE ABOUT THIS STUDY. - - - - - Yellow Yellow - Sub Meunier explains explains Meunier inspired by the psy the by inspired chedelic chedelic qualities of her post-dental She hallucinations. looked for inspira color iconic to tion ists such as Peter Max, that all and marine, psychedelic, 1960s candy- fluorescent, glitter-bomb store, goodness. shape only not that and palette but, as itself, painting with lighting makes a huge diœerence in the emotional and of impact cognitive “In imagery. - com puter-generated worlds,” he says, “to re-create the Tue.-Sat., noon-6 p.m.; through June 16 noon-6 p.m.; through Tue.-Sat., THE WONDERFUL WORLD OF DR. DEEKAY OF DR. DEEKAY WORLD THE WONDERFUL - exhibi the in drawings and paintings The Influenced by the phantasmagorical ar phantasmagorical the by Influenced “The “The appeal of miniatures is obvious,” The book, like the show, has an open- Heights | (310) 287-2340 | coreyhelfordgallery.com | coreyhelfordgallery.com 287-2340 | (310) Heights | Corey Helford Gallery, 571 S. Anderson St., Boyle St., Boyle S. 571 Anderson Gallery, Helford | Corey chitectural chitectural visions of Gaudí and Geiger, feeling buildings, organic designed Garcia but hospital metastasizing the only not that Struc- alive. is story the of world entire the hospital the doll, nesting of kind a as tured is made of an untold number of nesting rooms “cabinets,” within rooms, shrunk- down continents in boxes on shelves. It’s - the on string based half a multiverse like ory, emblematic of the way mixed reality between boundaries the blurs increasingly real and fake. Garcia’s challenge was to Meunier’s worry,” “Don’t tangible. it make can you anything build can “we said, team accepted. Challenge draw.” objects, sculptural by accompanied are tion the as functioned also cases many in which animation. the for sets and puppets props, There is actually a huge amount of loca example, for book; the in description tional draped hallway emerald green cavernous “a with moss and twinkling with an almost was palette Garcia’s sheen.” imperceptible It’s It’s not the real world, it doesn’t need to sense!”make architecture architecture of light is impossible — it’s of one That’s thing.” real the light to better - produc the enjoys so he reasons main the calls he what stop-motion, of process tion the “toy an factor,” economy of scale not life. to coming dollhouse a unlike Garcia says. “Tiny real objects evoke a of texture the and play of nostalgia, sense world.” made-up a - infi the telegraphs that conclusion ended But of story. her nature nitely expandable the fact of it at being published all is also a kind of happy ending for Garcia. Long lowbrow famous/infamous the John, Gone as now books out putting is champion, art Sympathetic Press, and will publish hers want,’¢” you whatever ‘Do said, “He fall. this I one the It’s world. my “It’s laughs. Garcia make.” to wanted

, City Dark The . Prisoner The Cavern of Cabinets “When we first started plotting this out,” out,” this plotting started first we “When Animation pioneer Meunier was instantly was Meunier pioneer Animation Garcia Garcia was born These These rescuers are the Cats of the Mid- One imagines this corridor of tiny worlds tiny of corridor this imagines One do you need straight lines?’ Of course not! not! course Of lines?’ straight need you do were no straight lines, and they said, ‘Well, ‘Well, said, they and lines, straight no were drawings, drawings, there were sketches but there rooms, compared to the characters?’ In my my In characters?’ the to compared rooms, ‘How ‘How big is this world?’ ‘How big are its artist) long before attending art school. art attending before long artist) Garcia says, “there were questions. Like, of being an animator (specifically a Disney Disney a (specifically animator an being of into the medium, though she had dreamed dreamed had she though medium, the into This stop-motion video is Garcia’s first foray foray first Garcia’s is video stop-motion This attracted to the potential for Garcia’s project. Garcia’s for potential the to attracted born from that Disney/punk rock hybrid. hybrid. rock Disney/punk that from born animations, definitely evince a sensibility sensibility a evince definitely animations, which formed the basis for the stop-motion the for basis the formed which pital pital denizens portrayed in the drawings, - hos and cats these of All attracted. equally dom with the punk scene to which she was was she which to scene punk the with dom the the juxtaposition of the Enchanted King- child. What was interesting to Garcia was was Garcia to interesting was What child. be influenced be by influenced the world of as Disney a you you didn’t need that kind of proximity to mother. She grew up near Disneyland, but Disneyland, near up grew She mother. filmmaker filmmaker father and a muralist/painter geles, where her parents were an activist in 1970 in Los An- face is at.” at.” is face know know where your together together again. ... I here to put you back you put to here reunion, reunion, “and I’m Alex Alex at their first not not dead,” he tells since. since. “Well, I’m natural natural order ever the the restoration of ting ting revenge and he’s he’s been plot- laws laws came down; the the cat-banning when when word of who had scrammed had who Pierre Pierre St. Claire, presumed dead cat dead presumed Alex’s missing and Alex’s This crew is lead by lead is crew This tance tance to rule. Party leading leading the - resis and a dedication to dedication a and ceptional knitting skills, a knack for burglary for knack a skills, knitting ceptional - ex thinking, strategic military-grade nerves, to find an exit.” exit.” an find to night Moon, a band of felines with steely ers admit at one point, “but we can’t seem can’t we “but point, one at admit ers - rescu would-be Alex’s doors,” many great the the city streets each night. “There are a transplanting transplanting memories and rearranging in which aliens experiment on humans by by humans on experiment aliens which in retro-futurist sci-fi masterpiece masterpiece sci-fi retro-futurist world to trick its inhabitants, on the order of order the on inhabitants, its trick to world of a false diorama replicating the known of the human mind, with the look and feel feel and look the with mind, human the of is a model of the universe, or else perhaps perhaps else or universe, the of model a is plots, another reason this book should of , pocket universe kind of way. way. of kind universe pocket Who, Doctor as an endless source of imagery and of , with a of edgelittle the Voyage Fantastic virtue of molecular in shrink-rays, a very of order the on series, television a be really These worlds were stored in their boxes by by boxes their in stored were worlds These ordered by the Party. He loved the place.” the place.” He loved by ordered the Party. saved from futile and senseless destruction senseless and futile from saved remnants saved from a disappearing world, disappearing a from saved remnants

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19 LA WEEKLY // May 18 - 24, 2018 // www.laweekly.com » 20 ( PHOTO BY DANNY LIAO DANNY BY PHOTO WINGS WINGS That work ethic started early. Her Her early. started ethic work That own her have mother my watched “I · - busi restaurant the glamorous how toilet, It’s spill. a up cleaning there be I’ll is. ness what and experience guest the about all that. in part active an take I and see, they me.” for not me, with works Everybody … pioneering a Styne, Mimi mother, single raised Angeles, Los in Realtor female of died She siblings. three her and Styne 17. was Caroline when cancer that’s assumed just and business REPEAT - ·

26 TVs PING PONG & SHUFFLE BOARD 26 TVs COCKTAILS BOTTLES & CANS PUB GRUB BOTTLES & CANS PUB GRUB BOTTLES & CANS PUB GRUB BOTTLES & CANS PUB GRUB BOTTLES & CANS PUB GRUB BOTTLES & CANS PUB GRUB COCKTAILS COCKTAILS COCKTAILS COCKTAILS COCKTAILS . “I can’t can’t “I . Weekly L.A. GARAGEMOTORAVE.COM • 310.559.3400 3387 MOTOR AVE, LOS ANGELES, CA 90034 BEER SLIDERS #SQUADGOALS Caroline Styne Caroline Styne oversees every detail of her em- her of detail every oversees Styne di- the tables,” bussing always “I’m EVERY FIGHT EVERY GAME, Sweet Shop. Sweet includes Lucques from aside which pire, as well as restaurants Tavern and A.O.C. iconic The Company. Baking Larder the anniver 20th its celebrate will Lucques September. in sary tells Styne minutive and it on dishes dirty with table a by walk them clean to good too I’m that pretend a plunging I’m when joke my That’s up.

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BY MICHELE STUEVEN

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A A WINNINGA with Paul Simon’s farewell tour. farewell Simon’s Paul with new concert season, which begins May 22 May begins which season, concert new preview the diverse menu for the Bowl’s Bowl’s the for menu diverse the preview onstage at the Bowl again Tuesday to Tuesday again Bowl the at onstage Philharmonic’s season. Styne will be will Styne season. Philharmonic’s at the party, celebrating the Los Angeles Angeles Los the celebrating party, the at taurants, was busy bussing dirty dishes dishes dirty bussing busy was taurants, - res of group Lucques the of co-owner all empty. all milled about, but the audience seats were were seats audience the but about, milled wine as the sun set over the hills. Guests hills. the over set sun the as wine L

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SIGNUPANDRECEIVEAWEEKLYLISTOFTHE TOPDRINKSPECIALSRIGHTINYOURAREA SIGN UP AT laweekly.com/newsle ers L and beyond. I feel so lucky to have all of line cooks, servers, runners, managers house, busters, dishwashers, prep cooks, the front of the house to the back of the that everyone in our group puts in, from testament to the hard work and sacrifice and restaurant families. This is really a to bring the award home to my home expected this and am just so thrilled about this win,” she says. “I really hadn’t Restaurateur at a ceremony in Chicago. the James Beard Award for Outstanding rant history. Last week Styne took home Chef in 2016, and the rest is L.A. restau- winner of a James Beard Award for Best idea,” Styne says. called Barbara’s Bakery and sold the connected with a health food company dollhouse, but to us it was perfect. We ment, they would have thought it was a person would have gone into this apart- in Santa Monica. If any normal-sized in my tiny rent-controlled apartment noa tortillas (unheard of at the time). her own line of flavored tortillas and qui- Styne says. wanted to be in a cubicle somewhere,” » 19 “I am just completely over the moon She later met and connected with Goin, “My partner then and I did this all A trip to Mexico inspired her to develop Caroline Styne CAROLINE STYNE RESTAURATEUR ONE AT ATIME.” YEARS’ PLAN. WEGO RESTAURANTS IN  DON’T HAVE THAT ‘  OTHER PEOPLE ISWE DIFFERENT FROM “WHAT MAKES US ) what I was going to do. I never

United States?’” here waiting to meet the president of the you ever think you would be standing there looking at each other saying, ‘Did Styne remembers. “We were standing Obama when he did a fundraiser there,” to have our picture taken with President when we were standing at Tavern waiting looked at each other in disbelief was tions. of one of L.A.’s biggest culinary institu - tortillas never imagined she’d be the head dollhouse kitchen formulating quinoa lemonade. her own fight raising funds by selling who died of cancer at age 8 and started campus in the name of Alexandra Scott, ners across the country on the UCLA brings together the best chefs and vint- for cancer research. The massive event hood cancers; they’ve raised millions food festival to raise funds to fight child- produce the L.A. Loves Alex’s Lemonade at an early age. Each year she and Goin battle cancer, which took her mother her community, children and e“orts to time with her than my husband.” have had our growing pains. I spend more We’ve been together over 20 years and we are in a really good place right now. We’ve had our ups and our downs, but ed but she is a chef. It’s like a marriage. taurant soulmates. She is very level-head- dream restaurant,” says Styne. “We’re res- — we never thought beyond that, our time. We just thought we’d have Lucques rants in 20 years’ plan. We go one at a people is we don’t have that ‘20 restau- ments they’ve had on one hand. be. Styne says she can count the disagree- phy about what the Lucques group should Goin and their united vision and philoso- unique relationship she has with partner award is really all about them. “ these incredible people on my team. This “One of our big moments when we The young woman in her Santa Monica Styne feels a strong connection to “What makes us di“erent from other That team e“ort is grounded in the PHOTO BY DANNY LIAO | | 21 LA WEEKLY // May 18 - 24, 2018 // www.laweekly.com

Baby It’s You Baby PHOTO BY LAWRENCE K. HO LAWRENCE BY PHOTO , Night the in Blues (310) 716-4000 | thewallis.org/blues (310) Blvd., Beverly Hills | Through May 27 27 May Hills | Through Beverly Blvd., NMLS ID 252229 Branch Manager Branch 951-212-7161 (cell) 626-699-0990 (offi ce) 626-699-0990 (offi for the Performing Arts, the Performing N. Santa Monica 9390 for . Returning to to Returning . Looped [email protected] | Wallis Annenberg Center Center Annenberg IN THE NIGHT | Wallis BLUES No doubt it’s the result of instincts honed honed instincts of result the it’s doubt No Angelica Nunez Vargas be inhabited to be properly interpreted, with narratives living to them transforming bare. laid souls and hearts over 40 years in the half For theater. that the of director artistic as served Epps time budget-challenged Pasadena Playhouse, from 1997 to 2017, spawning the original productions of eventual nominees Tony Musical The, Act: Sister like and and articulating fully more and dialogue adding his characters based on the comments of critics, Epps just might have found some truth in quote, Holiday’s “Blues is to jazz been he’s because bread,” to is yeast what it. read first he day the since ever rising Shout Sister Shout Sister Shout Blues Blues in the Night more of home Your dream Your Call me today to learnCall about to today me ownership is ownership programs that could help you! help could that programs within reach! Paulette Ivory renders Benny Goodman’s Goodman’s Benny renders Ivory Paulette Paulette Ivory, left, left, Ivory, Paulette Bryce Charles and Cason Yvette stretching stretching the innuendo with “Kitchen Man,” a song rife with allusions to meat, of rendition Her clams. and sausages heat, Life Blues” in the “Wasted Bessie Smith’s down the house. brings act nearly second Cason stage, Angeles Los the of veteran A demonstrated substantial musical range in the Pasadena Jackson Mahalia playing of production Playhouse - tal and force similar a brings and year, last here. work her to ent “Stompin’ at the in Savoy” a silky mezzo, with it imbuing and pace the down slowing ensemble in others the joins She emotion. Night” the in “Blues titular the like numbers Smith’s Bessie as well as Arlen, Harold by Down,” Come Love My Makes “It raunchy them. singing than rather songs the living It’s what makes than a concert. Epps is savvy enough to must and stories are songs these recognize - The Book of of Book The UES As As expected, the set list is loaded with In “Take Me for a Buggy Ride,” a - rib turing flute, muted horn and piano. Charles piano. and horn muted flute, turing of company touring the in was cupy cupy separate rooms in a 1938 Chicago hotel, conjured by scenic designer John A Iacovelli. moody parlor stage right is occupied by of “The Woman the World” stage center a bedroom Ivory), (Paulette belongs to “The Lady From the Road” and table practical a and Cason), (Yvette Girl “The of home the are left stage chair a has Each Charles). (Bryce Date” a With similar story to tell through song about played no-good a Saloon,” the in Man “The big- his employs who Gregory, Chester by on voice like songs gest Duke Broadway “I’m a So-and-So” Just Lucky Ellington’s Blues” the Have Don’t Women “Wild and Cox. Ida by Weep “Willow like standards unforgettable for Me,” in which newbie Bryce Charles seamlessly blends her delicate soprano fea arrangement with voice an evocative Mormon and holds only a few TV credits, the at debut remarkable her makes which auspicious. more the all Wallis ald Yvette Cason implores her driver to it,” it swerve and curve Daddy, “giddy-up,

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BY JORDAN R BY JORDAN | the Wallis in Beverly Hills. Beverly in Wallis the Epps Epps at the intimate Theater Lovelace at is back in the ever-loving hands of creator creator of hands ever-loving the in back is next year, but until then then until but year, next Another revival Another is revival scheduled for London Della Reese and Eartha Kitt to the marquee. marquee. the to Kitt Eartha and Reese Della and subsequent tours attracted names like names attracted tours subsequent and ivier nominations, including best musical, musical, best including nominations, ivier - Ol two earned 1987 in revival End West A garner a Tony nomination for best musical. musical. best for nomination Tony a garner only 53 performances but still managed to managed still but performances 53 only years years later starring Leslie It Uggams. ran before before moving to the Rialto Theater two tribulations of three women and one way one and women three of tribulations premiere o†-Broadway at Playhouse 46 a musical revue exploring the romantic songs. American classic through man ward his his directorial debut, choreographer Gregory Hines, assembled assembled Hines, Gregory choreographer that phrase to heart and, along with dancer- with along and, heart to phrase that is is to jazz what yeast is to He took bread.” quote from Billie Holiday that read, “Blues “Blues read, that Holiday Billie from quote

LADIES

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M IN UP TIME’S tion for her lead role in received a Best Actress Oscar nomina intrigue. players caught in Annie’s sinister web of ers, Dexter Fletcher and Max Irons are City. Co-stars Simon Pegg, Mike My of hard-boiled edge reminiscent of Adventures in Wonderland, with a touch gleefully ri„s on Lewis Carroll’s playful debut feature, released May 11, out of carrying out sadistic pleasures.” depravity. She gets immense enjoyment unquenchable bloodlust of darkness and “As she says [in the film], she has an several aces up her crimson sleeve. duplicitous character, Annie, who holds Robbie tells fascination with death,” actress-producer ronistic film noir setting. shadowy characters in a neon-lit, anach- an agenda taking on hired assassins and she plays a vengeful femme fatale with | BY DAVID As the film’s producer, Robbie, who Writer-director Vaughn Stein’s darkly “She’s a quirky waitress with a morbid Film Margot Robbie in in Robbie Margot with aplan inher new thriller Actress-producer Margot Robbie is afemme fatale WEINER L.A. L.A. Weekly about her // TERMINAL

Terminal Terminal, in which of the new thriller behind the scenes onscreen and runs the show Margot Robbie ake no mistake: , was a a I, Tonya was , Alice’s Sin Sin - - signage and costume design to pointed tive conscious.” are sort of totemic things in the collec- Hatter, the smoking Caterpillar — these knows and everyone recognizes the Mad within he tells stitched it into the DNA of the film,” a really elegant way of doing it; we really [ convey the urban fairy tale, and I think the fable, “I really wanted to be able to script, it’s so good!’”” And I was like, ‘Well, put that in the and he had these incredible answers. [regarding] backstory and motivation, wasn’t expecting him to have an answer minal. “I started asking questions, but I recalls of her first read-through of filmmaking. given the challenges of indie-budget be proud of pulling o„ her latest project, the Australian-born star has a right to to the races,” she says, beaming. Indeed, a fine-tuned hum. “And then we were o„ and proactively cast the story to achieve up the ideal crew, hunt down locations develop the script, secure financing, line production company, she worked to life. With her LuckyChap Entertainment key architect in bringing Stein’s story to Alice’s Adventures in Wonderland was ] Packed with “Easter eggs” — from the As Stein says of the film’s version of “Vaughn had so many great ideas,” she Alice is so universal — everyone L.A. L.A. Weekly. “The iconography

COURTESY Ter R LJ E FILMS - the role. … And with most things on this who really incorporates physicality into ing we want a character actor, someone Stein recalls. Robbie adds, “We kept say unique, someone totally o„ the wall,” felt like a long shot. Austin Powers The prospect of getting the former ture since 2009’s Myers had not appeared in a major fea host of TV’s updated ment as Tommy Maitland, the quirky pest,” Robbie chimes in with a laugh. them outside his place in New York.” the film? “Bananas,” Pegg jokes. “We left What was the trick to luring Myers to heart of janitor who may just hold the key to the woodwork to play a mysterious, limping sively lured Mike Myers out of the out to be someone you wouldn’t.” character you’d see me play, but he turns Maybe he starts out to be the kind of contrast to other things that I’ve done. ing something which was very much in universe. I really loved the idea of play not detonating bombs or saving the exposition. I wasn’t just running around, subtlety and plot twists. “It wasn’t just of physicality, he applauds have required heavy emoting and lots and As his projects of late — the like theater,” Pegg tells that, you feel even more deceived.” the rug torn out from under your feet like when Simon’s onscreen. And then to have tain comfort level, I think, with audiences guy,” Robbie says, “and there’s this cer of loving Bill and thinking he’s this nice a saint in narrative misdirection, as no character is schoolteacher, Bill, also lends itself to the made sense.” ements to it, so weaving it into of surreal hypnosis and kaleidoscopic el- world well,” Stein says. “It has that sense they seem — including Annie. “It fits the roll tale, as most characters are not what who reflects whom from the classic Car watching film by Newton Faulkner — the trick to derland –themed songs written for the dialogue and five original “We were trying to find someone really Despite his recent in-disguise experi - “And then a trail all the way to Buda Robbie’s eye for casting also impres- “The script was very artful and it felt The casting of Pegg as the sickly SI RECENTLY.” RIGHTLY INSOCIETY THAT’S HAPPENED TO EVERYTHING YEAR AS AREACTION BEEN WRITTENLAST LIKE ITCOULD HAVE “TERMINAL FEELS Mission: Impossible franchises— M Terminal’s labyrinthine plot. Terminal. “You fall into the trap Terminal is trying to determine ON PEGG comedian to do the film Inglourious Basterds. The Gong Show, L.A. L.A. Weekly. Alice in Won- Terminal ’s Star Trek Terminal

------on and o„ screen. the star’s trajectory is clear: It’s her time why don’t we’re like, ‘If that’s not going to happen, your project. And then [at LuckyChap] you wait until someone says they’ll do matter-of-factly, “I guess the idea is that ing-gained, can-do mindset, Robbie says thriller a fugitive bank robber in the Dust Bowl twists the Robin Hood legend in a revisionist take on Maid Marian that artist Lillian Leitzel in Rourke’s that include Queen Elizabeth in Josie — Robbie is also taking on juicy roles tiple other in-the-works Quinn projects — along with her attachment to mul- Prey with Kathy Yan attached to direct Guiding Quinn’s return for DC’s slate of projects in film and television. gressively moving forward with a diverse rabbit hole with LuckyChap, she’s ag- blowing up these days. Going down the to fall in her lap — even if her phone is satisfied simply to wait for great projects has demonstrated that she will not be skater Tonya Harding in her acclaimed turn as disgraced figure as Harley Quinn in her head-spinning bad-girl performance rightly in society recently.” reaction to everything that’s happened could have been written last year as a of 2016, Pegg opines, “This feels like it and filmed in Budapest in the summer ‘Wow, this is really on point.’”” and taking revenge. It just feels like, a woman terrorizing a perverse society by a perverse society, this film is about land through her life. And if toxic masculinity that’s a„ected her all about a woman taking revenge on all the like a ‘Time’s Up’ film,” Pegg says. “It’s timely film in that it’s essentially kind of and #TimesUp movements. “It’s a very ing voice to the empowering #MeToo perceives tion of filmmakers to explore their craft.” providing a platform for a new genera strong female talent and stories, while mara, is a dedication “to championing partners Tom Ackerley and Josey McNa which Robbie founded in 2014 with around.” the best it could be. It’s amazing to be him as hard as he can, all in pursuit of pushes and pushes everyone around prepared when he comes to set, and he for his character. “He is impeccably intense, developing an entire backstory board, his devotion to the role was want to dive inside it.” a world in front of your eyes, that you just way of explaining his vision and building director has “such a way with words, a the deal with Myers because the writer- it a go.’”” film, we thought, ‘Why not just try? Give After seeing the results of Explaining her nothing-ventured-noth- On a high-speed career climb thanks to Though In that vein, Pegg, for his part, The mission statement of LuckyChap, Stein says that once Myers was on Robbie fully credits Stein with sealing is about a woman being terrorized Dreamland and others. Mary Queen of Scots , trapeze Terminal to be a contribut- we Terminal was written in 2015 just do it?’”” and Suicide Squad and Queen of the Air, Alice in Wonder- I, Tonya, Robbie Terminal, Marian, Birds of - - | | LA WEEKLY // May 18 - 24, 2018 // www.laweekly.com 23 -

- is2 Deadpool Deadpool’s blinks. blinks. 2 Deadpool . War Infinity Avengers: joke.) Our hero, of hero, Our joke.) Terminator | Directed by David Leitch Leitch David by DEADPOOL 2 | Directed Written by Rhett Reese, Paul Wernick and Wernick Paul Reese, Rhett by Written never dares assail the the assail dares never Deadpool Ryan Reynolds | 20th Century Fox | Citywide | 20th Century Reynolds Fox Ryan ’s Zazie Beetz, who deserves much deserves who Beetz, Zazie ’s The conversation about about conversation The between dierence The its in earnest entirely is film Leitch’s (surprise nonsense inspired some After never who hero the that telling It’s –style heist plan; a dada dada a plan; heist –style Furious & Fast time-traveling killer Cable, also played played also Cable, killer time-traveling in Thanos Reynolds with movie, the into right baked Marvelphiles that joke every cracking Again, themselves. tweet normally might own his acknowledges even Deadpool - writ lazy just “That’s deficiencies. film’s learning after exclaims Deadpool ing!” That’s complication. arbitrary one of us asking of way cheap a also it’s but true, can I hook. the o production the let to I’m but laugh, might fans why understand writing lazy less Wouldn’t ask: to obliged prove joke self-exonerating a without satisfying? more or Brooks Mel what and itself of parody have might Zucker-Abrahams-Zucker irrev funny!) 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D T ER Gardens More Edie and Edie or called been havehelpfully more billionaires, Mick Jagger rather than mere ka celebrities like Andy Warhol and York,drew New Montauk, when daysinnocent the aboutfootage alluring some and photos old over reflects Beard Peter artist the Maysles’ of Beale Edie Little and Big sive documentary favorites, the reclu- perennial those of footage to-us its running time, consists of new- heart of the film, about an hour of The WeFound!What Look Hey, saw one, they made ognizing a great story when they to the footage they shot in ’72; rec- and the Maysles never got access sputtered, documentary family Bouvier- The legend. become eventually would that mansion raccoon-infested overgrown, crumbling, the entered David) and (Albert brothers Maysles and a film crew that included the a few songs? So, Radziwill, Beard her life, and maybe get her to sing scandalous Havisham squalor of the filming participate, to Edie — that’s Radziwell’s term — Aunt “eccentric” their invite not why O; Jackie sister, her including family,her and her of life Island Long the about documentary a Hampton with the idea of making Southampton,NewYork, East to from shlepped Bouvier) née will mer Princess Caroline Lee Radzi- | BY ALA In 1972, Lee Radziwill (as in for Film SQUALOR OFGREY GARDENS THAT SUMMERINVITESUS BACK INTO THEMYSTERIOUS in in with “Little” Edie right, Radziwill, Lee That Summer That or or N SCHERS A Very Edie Prequel or could could Summer That Grey Gardens. //

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azwl ad er sek in speak Beard and Radziwill the cake that made them vomit.” on icing the was it think “I tion: inspire this for-the-ages observa and them toss Edies the scraps the and roof the at eat raccoons eyetrouble.”has Meanwhile, the says,“That’s Tedsy Kennedy. He tabby,she golden a to Pointing us. tells Edie Bigelow,”Little cat male Maltese that named I so Allen, Bigelow Horace to gaged en- was “Mother cats: many too far including critters, about ado Hacienda.” There is, again, much Adobe“Mycalls she number ret headscarves, improvising a caba black turtlenecks and marvelous younger,theEdie wearingagain include Highlights together.) 1967-1975 Mixtape of director son, Ols- Hugo (Goran priceless. it makes which Edies, the of more than in tal, less mysterious and revelatory garbage. of bags and furniture rotting of all while making plans to dispose restore hot water to the property, and electricians to come out and plumbers for arranged Co. and welcoming.Radziwill more and sunnier getting Gardens Grey of confines dark dank, the finds fact,Beard.and In Radziwill of company the in ior behav best their on mode, itors Beales are often in receiving-vis- dižerence:Here,the crucial The just a touch more self-conscious. them, remember we as sentially adult daughter. They are, here, es- Edie’s “Big” Beale, Edie “Little” and — O Jackie and Radziwill itants, “Big” Edie Beale — aunt to lost reels of Grey Gardens’ inhab- a year later. cainly present-day Occasionally, inciden- more is footage This Now, Grey Gardens . But, still, it’s That Summer reveals four The Black PowerBlack The That Summer That , put the film film the put , - - -

body can do.” anything cruel most theabout is think, I past, the up “[To]dig moments alone with the camera. her of one during phenomenon wholethe coreof the to cuts Edie fault, Little a to o£anded is itself that movie a O£andedly,clean.in feels this watching that dependency.Not co- comforting yet filthy their fered would truly be better than of- lives their options other the whether consider to them, with to seed, here we’re invited to ache Hamptons royalty gone proudly of spectacle the at gaping just than Rather project. the of ness skeevivoyeuristic- the through pierces moment this Gardens, replies. found out about men,” Little Edie with your uncle,” Big Edie snaps. eral untrustworthiness of men. turns the conversation to the gen- Edie Little portrait, own her for time spent on Big Edie’s fondness clutter.much theAfter studying room, sitting Edie’s Big around each other while the Maysles pan hind. Soon the Edies are picking at Gardens, leaving the film crew be- Grey departs cohort Radziwill in a stairwell. Late in the film, the of booze every day,” she confides bottles eight my consuming be crew.drinker,werea I “If couldI the with alonewhen Edie of role more comfortable performing the much she’s — her to mother her face when the camera moves from her covers often She sighs. she never feel right in this place, ever,” “I’ll escape: to desperate seems But in stray moments, Little Edie it’s the most a person could want. OK with curious significance, as if it was OK,” Beard says, investing “They were in a dream world, and EdieslivedGreyGardens.the in livesprivateintensely the about footage this over terms warm s fe hpes in happens often As just I — incest have didn’t “I “You shouldn’t have had incest THAT SUMMER |Directed by Goran Hugo Selects Olsson |Sundance COURTESY GreyGardens S UNDANC E S Grey ELEC TS -

ALWAYS AT THE CARLYLE ANGELS WEAR WHITE JIANIANHUAANGELS WEAR OPENING THISWEEK of of lost treasuresvaguely lamentsthat“the abruptly cutsaway. (S Jersey,” free stay atthe hotel. “[H the bar’s walls just so he couldprolong his spent 18monthshand-painting murals on residents aswhenself-absorbed, formerlongtime makes the little peoplelookpetty and with “family.” B K and guests who, inthe words of E lights someof the unsung hotel employees heretype of conversation skimpily high- they’re actuallynearthem.” T sanguineaboutthe royals until be very at the C about bumping into the B noted star-fucker PiersM withcelebrities,bing shoulders like when S line [atthe M billion peoplefrom K shabbier over timesincethere are now“a that S C celebrationtone-deaf of M documentary obnoxiously superficialhotel commercial/ of inthe on-camera interviews sorts bygone era of classiness:F about howthe C to pseudo-pithyhead experts soundbites M writer/director/off-camera interviewer T emplifies the C guests whosepatronage, we’re told, ex- Q M sight of anabsurdly tallstatue of M an approach thatemphasizesthe surreal with the telling simplicityof neorealism, ebb andflowof aC V that matters inA that matters valuable commodity. Q manipulation andyouthful bodiesasa M her daughter’s alluring femininity, and also disquieting: Wen’s mother blames attorney. initially trust the girls’compassionate a resilient teen working illegally, don’t stunned, Wen ashamed andhesitant M interest rulerather thanjustice, sothe the families.C buy off the sexual charge, assault andtriesto uses hispoliticalconnectionsto suppress revealing T itsimpact. but spendsthe rest of thisdelicate drama Wen (Zhou M Q Writer-directorprominent localofficial. cious glossy Warmness M the 12-year-olds encounters later atthe by giggling schoolgirlstaking and selfies, painted areflective red. S held onby delicate straps, the toenails (Wen keep the camera atground level as M his gossipyapproach reveals little, as ivian everal alsogloataboutrub- interviewees uzanne arlyle itt, makeitt, guests feel asifthey’re staying u andcinematographer B u (Trap Street ) doesn’t showthe rape of onroe inher iconicsubway grate pose. atthew ia’s co-workerasstrategic viewsflirting N ew M Q M adeline creator L Q i) marvels at towering high heels attowering highheels i) marvels H Y arlyle: “N ia checks in their companion, a ia checks intheir companion,a u’s S ork” have mysteriously become otel. H O M uzanne cacklesbefore M M uyot ther women’s responses are iele usuallyreducesiele histalking- A arilise ngels Wear White followsthe etropolitan eijun) andXin(Jiangeijun) Xinyue) A T arlyle’s upscale character. he first catalog the notable catalogthe notable he first , a lways attheCarlyle,a ut M arlyle epitomizes a arlyle epitomizes a ngels Wear White, includ- ew atthau cattily suggest M H hinese coastal town hinese coastal town iele often needlessly ofteniele needlessly otel, where asuspi- uyot Y ansas ahead of you in ahead ofansas youin orkers pretend to orruption andself- he commissioner he commissioner imon u unpacks much u unpacksmuch udwig T M F e] moved to N organ raves ritish royal family ritish royal family he’s interrupted here are two lusser and lusser and anhattan’s ritzy useum of A ran enoit A brams) B he second he second L emelmans emelmans ebowitz ebowitz D artha artha ervaux ervaux iele iele arilyn arilyn

ia ia rt].” rt].” ew ew ia, ia, DARK CRIMES THE ESCAPE C tell youaboutallthe other stuff. U real pleasure, soinstead I artistry. genuinely surprising bitof cinematic because it’s poignantand astartlingly , and-sex-dungeons thrillerDarkCrimes ending of A can bemore sullen.(A seem to beinapissing contest to seewho passages of dialogue.C this alltogether inlong, buried slogging with the cluesthe to audienceneeds piece S truecrimeintoturned afictionalcliché. thatB a bitbaffling nating was thatitwas real. sofasci- What made thatoriginalarticle detailing amurder he actuallycommitted. novelist book whopublished a“fiction” C New Yorker from “T 2015called article written by Jeremy B the crimehe’s to solve. 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T her most thoughtful,- observa nuanced status andwealth inC of ing the abuseof power andimportance H her loss of identity outside familialduties. far into the movie,achoicethatsuggests kitchen. her children to school,cleaning the off nextup inbed to her husband,sending that’s clearlywearing her down —waking activities of adomestic life inL to for Gemma A mostly asaperformancevehicle serves more the else, endresult thananything day wife disgruntled andmother, but “T study ennui to screaming “F face. at allaroused, before falldown her tears blankly stares atthe ceiling during sex, not pain–especially inthenumbed way she classes.A art activities outside of housework,like taking sistance to the idea of T of perceptiveness and hisinexplicable re they’re both let downby hissevere lack way, to make the relationship work,but cenes are often obliqueandconfusing, arrey plays T rime,” the real-life of anarcissistic story ozlow (M er husband(D erena he he T ara (A Y T The ellow Wallpaper”ellow forthe modern- ara’s moodoscillates from solitary B D T rterton) through the mundane through the mundane rterton) ut thatmight ruinthe film’s one ara’s nameisn’t revealed until E onadoni) arton arton D lexandros scape seemsintended as I arilyn’s delightful abandon- ominic rterton. We’rerterton. introduced rterton masters the look of the masters lookof rterton want to tell youaboutthe adek, a gruff and disgraced anddisgraced adek, agruff ominic C sokas). rock andA rock, is based on a rock, ona isbased S avage’s character A uck you” at her kids uck you”at her kids pril Wolfe) hinese society, but adek islooking for vranas’ dirty-cop- C ara doing creative arrey andC ooper) tries, in his ooper) tries,inhis T have to just he acerbic, he acerbic, ozlow; T hat makes it ozlow’s new vranas have ondon ondon he script, he script, he women he women T gh. Jim gh. Jim adek adek lavic lavic sokas sokas he he rue rue - | | LA WEEKLY // May 18 - 24, 2018 // www.laweekly.com 25 - The structure of After of structure The reporter Tony Bartelme, who cov- Tony reporter an enabling culture. “There’s a saying in a saying “There’s culture. an enabling ‘too paint poor to that we’re Charleston & Post says whitewash,’” to proud but too Courier story “Make the nearly 20 years ago. ered house looks good but the of front the sure … everything and it is peeling, else around on heavily relies apart.”falling Tolmach story the and the of knowledge Bartelme’s lawyers, to talking is thorough, But she city. least victims (not and, crucially, classmates things who finally broke Glover, Guerry inter current potent open), adding wide a It’s depositions. video archived views to #MeToo of painfully familiar story era in the abuse scandal, Catholic Church’s and the - teach that parents, agony added with the ers varying to officials and school were, complicit. Howland) degrees, (Daphne may be simple (talking heads be simple (talking Auschwitz may cumula- but the footage), and archival the effect six women revealing tive of and emotional psychological physical, survivors on Holocaust toll is a powerful - individual humanity emerg to testament Jon inhuman horrors. from Director ing adolescence spent their chronicled Kean camps in his 2007 concentration in Nazi Swimming in Auschwitz . His documentary, follow-up startsenlightening in 1945, in women (ranging young these when comprehend to 23) began 16 to from age known they’d Jewish life prewar that the Hungary Czechoslovakia, in Poland, They and Holland had been obliterated. perspectives on different markedly have starting experiences, with shared their fleeting the recalls Jacoby Erika liberation. camp’s her under digging of exhilaration - ex Drexler Rena fence. barbed wire fury powerless occupants of when presses acknowledge to home refused family’s her was Sherman Linda ownership. Tremulous labor at a Russian forced only after freed Beckmann Eva hospital, and resolute work for a displaced persons to went rage women describe The organization. marriages and rock-solid and resignation, bone-deepbuilt from loneliness. All would but Angeles, Los sunny in booming, settle the begin reconciling to decades it took Renee fashion designer two worlds. When with hand- a dress displays Firestone verticalpainted in eye-popping stripes campcolors, Nazi the its faint echoes of joy of her by overpowered uniform are from is fading Holocaust If the creation. because survi not - it’s memory, collective ONGOING AFTER AUSCHWITZ West L.A., CA 90025 CA L.A., West - - ❖ - ❖ Daily at 12:45PM An Animated Short At the Landmark Regent Landmark At the Laemmle’s Royal Theatre Royal Laemmle’s nearly four de It took IAN 310-478-3836 ❖ laemmle.com May 18 - 24, 2018 May 18 - 24, Swelling, does, toward as it 1045 Broxton Ave, Los Angeles, CA 90024 Los Angeles, Ave, 1045 Broxton May 22nd and 23rd, 12:30 PM and 2:30 PM 23rd, 12:30 PM and and May 22nd 11523 Santa Monica Blvd. KILL THE BABYSITTER cades, but in 1989, a teacher and coach at but in 1989, a teacher cades, prestigious SouthCharleston, Carolina’s School to admitted at last Porter-Gaud and 1970s boys in the dozens of molesting parts confession, which are of ’80s. That pol- Tolmach’s Goldberg shown in Paige , rocked documentaryished Us What Haunts But for too Southern city. picturesque the alum Tolmach including children, many no surprise. They’d truth was the herself, with palled around Fischer known Eddie and drink, enjoined smoke them boys, let treat when drawers” their “drop to them minor injury any theming — and brought survivor a rape home. It took come for to this young as an adult; years before, ward have only to expelled, get out to man acted show up at his new school after Fischer uncloaks Tolmach firing. his own quiet an exquisite climactic monologue on climactic monologue an exquisite Anton itself, endurance subject of the comedy The what’s-it-all-for? Chekhov’s a bit ofSeagull can afford demand to sunnilypatience. But Michael Mayer’s squirms through bleak all-star film, I fear, masterpiece first Chekhov’s the acts of cousin 8-year-old member’s a cast way the seat. in a theater (who wonmight Mayer ) has Spring for directing Awakening a Tony Seagull, restless whipped up a tiresomely its first for much of and edited, half, shot seized the had been by crew as if the speak one actor conviction that seeing same in the shot respond and another very the cinema. to of idea is antithetical up Chekhov’s break to one thing It’s shorter scenes into drawing-room lengthy the and outside encounters through set ennui gets house in which everyone’s lake Stephen Karam as screenwriter aired, us the deny to another it’s does here; actors the respond watching of pleasure characters the seeing of one another, to and confessions each other’s process editing The insults and blasé indifference. as cut tight shots many too is aggressive, the from breath the a corset, strangling the to is fidgety camerawork scenes. The push-in rapid — the distraction point of a and into a room across zipping shots, you thing of kind the face, are speaker’s a cartoonsee when a or a comedy traces calms a lit fuse. Mayer along race spark’s superb second half and showcases in the and Saoirse Bening Annette turns from worth waiting that’s — but whether Ronan you. (Alan Scherstuhl) to I leave for, ’s bracing ’s One October is This non-wealthy: Scherstuhl) (Alan context. WHAT HAUNTS US HAUNTS WHAT THE SEAGULL

- - LACMA, 5905 LACMA, 5905 —Nathaniel Bell —Nathaniel the New York of the fall of 2008 into a 2008 into fall of the of New York the a time that revealing permanent record, all history culmination of the as like felt moment — and showcasing another just lost years 10 ago as already city of the film restless sprightly, us. Shuman’s to WFMU host restless sprightly, the trails as boroughs the through Pigeon Clay meets. people he in with the checks he and accompanied a microphone Wielding opens his Pigeon a small film crew, by like, questions with interviews warmly, and “Do here?” you lived have “How long specific. gets he city?” Then the you love in weigh to Harlemites invites Pigeon go to even can’t (“You on gentrification same the doing they ’cause Brooklyn, how explain to bro Street a Wall thing!”), art finance, and a mixed-race school led to former cab drivers, couple, both longtime Square Park in Washington meets he election. A upcoming in on the weigh to who once managed man named David the truth of sees the Hopkins Lightnin’ start: their Obama yearsBarack before is never“In American politics, change thorough. never says. “It’s he complete,” go- not Obama’s enough. Even never It’s election, the us enough.” The give to ing the sense that the 2008 financial crash, less habitable for thecity is becoming Drive Hannah Beachler, moderated by Michael Allen Glover. Michael Allen Glover. by moderated Hannah Beachler, Hollywood; Sun., Hollywood Blvd., Egyptian 6712 eatre, american $12. (323) 466-3456, May 20, 5:30 p.m.; . cinemathequecalendar.com 22 May Tuesday, 1920 ver the Beach will screen Art in Long e eatre score musical with a live Hyde and Mr. Jekyll Dr. sion of Jack performed Curtis the by See Dubowsky Ensemble. a classic silent can be ing without a canned soundtrack as this one especially film is as good — if the revelatory, is the performance physical intensely Barrymore’s John won an March until Fredric character on the take best later. a decade scientist ill-fated the Oscar for playing in is achieved versions, most transformation the Unlike to Barrymore allowing without makeup, take a single epic facial contortions.his show o Art 2025 E. eatre, $11.50. May 22, 7:30 p.m.; Beach; Tue., St., Long Fourth arttheatrelongbeach.org. (562) 438-5435, 24 May ursday, of Night Living Dead — one the A. Romero’s George films — is 50 horror modern first the of and greatest has teamed LACMA anniversary, mark the years old. To a host Association to Press Hollywoodwith the Foreign Paranoyds, e by with a new score special screening ensemble. Come rock psych-punk own four-piece L.A.’s reception. for the movie, stay for the $25. 7:30 p.m.; u., May 24, Mid-Wilshire; Wilshire Blvd., lacma.org. (323) 857-6000,

This moment, will pass too, This and become history, just as the moment as the just and become history, Shuman’s has. Rachel it already before etches One October city study 55-minute shake the souls of sympathetic viewers. sympathetic souls of the shake portentously the by is invited named Toller Mary (Amanda Seyfried), a pregnant husband, with her meet to parishioner, an environmental Ettinger), Michael (Philip His question: despair. grip of in the activist a bring and Mary to do he right have What to even a world that,child into according will soon be models, conservative forecast discus- Their change? climate by ravaged sion is electric. Schrader specializes in a terrible to brought men whose minds get around world gone wrong the boil by shocking. final scenes are and the them, to an answer dutifully so, But I found them Schrader end a Paul how to of problem the with knowl- live than how to movie rather But I fully itself. life killing that we’re edge trying Toller in sequences of myself lost Christ’s honor his understanding of to in which fallen reality with the teachings , Ingmar Reformed In First trapped. he’s meet Bresson and Robert Bergman cartooning editorial theoutraged meet pulp sensibility it-always-builds-to-violence mix is volatile, en- The movie brats. the of (Alan Scherstuhl) entrancing. raging, T ONE OCTOBER IS - Schrader’sPaul MOVIE TO-DO L TO-DO MOVIE Y , starring the stoic Ryan Gosling as a as a Gosling Ryan stoic the , starring Drive WEEKL FIRST REFORMED

franchise, this violent action flick came ready-made for for flick came ready-made this violent action franchise, 6000 Cemetery, Cinespia,cult status. Hollywood Forever Hollywood; Sat.,Santa Monica Blvd., p.m.; May 19, 8:30 $16 (plus $12 for on-site parking). cinespia.org. 20 May Sunday, an aesthetic was e Conformist Bertolucci’s Bernardo Italian di- its young it thrust when in 1970, breakthrough it remains spotlight. international the into Today, rector decade’s the some of to precursor an impossibly stylish thrillers. Art stimulating - intellectually e most Direc Society has partnered American with the Film tors Guild by sponsored for a special screening Cinematheque will crisp digital screening . e e Hollywood Reporter designer a discussion with production by be followed Silents Shine at Old Town Music Music Silents Shine Town at Old Hall, ArtTheatre 18 May Friday, Hardy and Oliver Stan of farces slow-burn Laurel e they why at’s silliness. timeless exuberant in their are other the of than some today kids to better play seem to Old Town e Comedy. of Age Golden the from geniuses appeal, as their Segundo El comprehends Music Hall in , a Festival & Hardy its annual Laurel by evidenced fun- comic duo’s the some of featuring romp weekend short will begin with an niest show likely e subjects. pipe Wurlitzer Mighty the featuring audience sing-along been in business since 1968 has and theater e organ. cash, though, bring to charm. Be sure has plenty of still take old-fashionedbecause this place is so it doesn’t St., Richmond El Music Hall, 140 Old Town cards. credit $10. (310) 322-2592, May 18, 8:15 p.m.; Segundo; Fri., oldtownmusichall.org. 19 May Saturday, summer with of days hotter the into Cinespia heads Hollywood of headstones the among screening another Refn’s Nicolas Winding it’s is week, Cemetery. Forever uber-cool for bargained than he more gets who driver getaway Mul- door (Carey intervenes he girl next when for the the of some pop colors in hot and featuring Shot ligan). and the Furious e Fast of outside stuntwork fanciest YOUR YOUR comes freighted with expec comes freighted Reformed First tations. At last, one of the living American living last, the tations. At one of Ways dissect The to has returned greats in a preacher Mad Today, Going We’re hair-shirted so rigorously drama that you shot time that it’s of guess ahead might ratio. old-fashioned Academy boxy, in the Our preacher, is thematic: asceticism That in, is boxed Hawke), (Ethan Toller Ernst for viewers only polite to you see, so it’s ourselves denying by him halfway meet Schrader our screens. full use of the colloquy up in the Toller quickly catches will seize and one that likely a lifetime, of in a moment of rage. So Tara does what So rage. in a moment of Tara escapes, She title promises: film’s the a train buying impulsively after Paris, to stranger a French meets she ticket. There and assumes a temporary persona as an unmarried, childless woman, before others, like that this vacation, realizing Savage Director-writer fleeting. is all too in rationality understands lack of the seems — especially since Tara depression lead such a well-balanced, privilegedto Tara of montages so many — but after life and muttering around aimlessly walking think The one begins to happy,” “I’m not served been better as would have Escape Kim) a short. Yoonsoo (Kristen GO

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www.laweekly.com // May 18 - 24, 2018 // LA WEEKLY |

Avenue (213)388-9000 (323) 692-0829 189 TheGroveDr.,Third&Fairfax Palmas Avenue(323)924-1644 at Vine(323)464-4226 Hollywood Blvd.(323)461-3331 7674 Blvd., westofHighland(323)467- (323) 664-2169 6639 South MainStreet(213)617-1033 (844)462-7342 4046 other programs. to confirmshowtimes.SeeFilm&VideoEventsfor Schedules aresubjecttochange;pleasecallahead Deadpool 2 Harry &Meghan-TheRoyal Wedding Porco Rosso-StudioGhibli Fest2018 Godspeed: TheRaceAcrossAmerica Solo: AStarWarsStoryOpeningNightFan Solo: AStarWarsStory3D Solo: AStarWarsStory 14 REGAL CINEMASL.A.LIVESTADIUM Solo: AStarWarsStory3D CGV CINEMASLA Calltheaterforschedule. DOWNTOWN INDEPENDENT Calltheaterforschedule. VISTA Deadpool 2 Book Club Solo: AStarWarsStoryOpeningNightFan Solo: AStarWarsStory3D Solo: AStarWarsStory PACIFIC’S THEGROVESTADIUM14 Avengers: InfinityWar Solo: AStarWarsStoryOpeningNightFan Solo: AStarWarsStory PACIFIC’S ELCAPITAN Deadpool 2:TheIMAX2DExperience Solo: AStarWarsStoryTheIMAX2D Solo: AStarWarsStoryAnIMAX3DExperience TCL CHINESETHEATREIMAX Animalympics Deadpool 2 Harry &Meghan-TheRoyalWedding Solo: AStarWarsStory TCL CHINESE6THEATRES Calltheaterforschedule. LOS FELIZ3 My NameisMyeisha Birds withoutFeathers Rashomon (1950) 2001: ASpaceOdyssey First Reformed Deadpool 2 Book Club Solo: AStarWarsStory3D Solo: AStarWarsStory ARCLIGHT HOLLYWOOD Calltheaterforschedule. ARENA CINEMA Incoming One FlewOvertheCuckoo’sNest Amadeus: TheDirector’sCut Getting Grace Grace Jones:BloodlightandBami Ghost Stories The Escape ARENA CINELOUNGESUNSET Hollywood Blvd.(323)461-3331 (323)924-1644 Sunset Boulevard-LobbyLevel

HOLLYWOOD &VICINITY DOWNTOWN, LOS S. ANGELES | Thurs., 9:50,11:40p.m. 11:05 a.m.,5:05,7:20,9:50p.m. 10 p.m. 9:15 p.m.;Mon.,7Tues.,4:05Wed.,9p.m. Thurs., 10:30p.m. 7:30, 11p.m.;Sun.,a.m.;Wed.,7p.m. p.m.; Mon.-Wed.,7p.m. 10:30, 11p.m. 7, 10:15p.m. p.m.; Wed.,4:45Thurs.,9:55p.m. Sat., 9:45p.m.;Sun.,7Mon.,2:45Tues.,9:55 10:40 p.m. 12:30, 3:30p.m. p.m.; Mon.-Wed.,1:30,4:30,7:30,10:30Thurs., 1:30, 4:30,7:30,10:30p.m.;Sun.,12:30,3:30,6:30,9:30 10:50 p.m. 1, 4:20,7:40,11p.m.;Mon.-Tues., 12:50,4:10,7:30, Mon.-Tues., 11a.m.,2,5,8:10, 11:20p.m.;Fri.-Sun., Fri., 11:45a.m.,2:30,5:15,8,10:45p.m. 4, 7,10p.m.;Mon.-Wed.,1:15,4:15,7:15,10:15p.m. 10:30, 11:30p.m.,12mid. 10, 11:30a.m.,12:30,2,3,4:30,5:30,6,7,8:30,9:30, 3, 4,5,6,7,8,9:30,10:30,11:15p.m.,12mid.;Sun.,9, 10:30, 11:15p.m.,12mid.;Sat.,9,10,11a.m.,12:30,2, Event Event Event Experience p.m.; Tues.,2Wed.,7Thurs.,3:30p.m. 2:15, 4:45,7:45,10:15p.m. Sat., 11:45a.m.,4:45,7:45,10:15p.m.;Sun., 1000 West Olympic Blvd. 1000WestOlympicBlvd.

Neighborhood Movie Guide 4473SunsetDr.(323)660- Thurs.,6p.m. Thurs.,6p.m. Thurs.,6p.m. Fri.,9:30p.m. Fri., 11:10 a.m., 5:05, 7:20, 9:50 p.m.; Sat.-Sun., Fri.,11:10a.m.,5:05,7:20,9:50p.m.;Sat.-Sun., Fri.-Sun., 10 a.m., 12:20, 2:45, 5:05, 7:30, Fri.-Sun.,10a.m.,12:20,2:45,5:05,7:30, Fri., 5:15 p.m.; Sat., 4:30 p.m.; Sun.-Mon., 5 Fri.,5:15p.m.;Sat.,4:30Sun.-Mon.,5 Fri.-Sun., 11 a.m., 2, 5:10, 8:20, 11:30 p.m.; Fri.-Sun.,11a.m.,2,5:10,8:20, 11:30p.m.; Fri.-Sun.,10:45a.m.,1:30,4:15,7,9:40p.m.; Fri.,1:15,4:15,7:15,10:15p.m.;Sat.-Sun.,1, Fri.,9:15,11a.m.,12:30,2,4,5,6,7,8,9:30, Fri.,11:15p.m. Tues.,8p.m. Sun.,2p.m. Thurs.,7p.m. Fri., 11:45 a.m., 2, 4:45, 7:45, 10:45 p.m.; Fri.,11:45a.m.,2,4:45,7:45,10:45p.m.; 1822 N. Vermont Ave. 1822N.VermontAve. Mon.,7:30p.m. 1625 North Las 1625NorthLas Sun.,8p.m. 621 South Western 621SouthWestern Fri.-Sun., 11:40 a.m., 3:20, 7, Fri.-Sun.,11:40a.m.,3:20,7, Mon.,8p.m. Fri.-Sun., 9 a.m., 12:30, 4, Fri.-Sun.,9a.m.,12:30,4, Thurs., 7:30, 8, 8:30, 9, 9:30, Thurs.,7:30,8,8:30,9,9:30, Thurs.,7:50p.m. Thurs.,8,11:15p.m.; Thurs.,9:45p.m. Thurs.,7:15,10:45p.m. Thurs.,7,10p.m. Thurs.,9:15p.m. Thurs.,7p.m. Thurs., 7, 10:20 p.m.; Thurs.,7,10:20p.m.; Sat., 6:30 p.m.; Sun., Sat.,6:30p.m.;Sun., Hollywood Hollywood Sunset Blvd. SunsetBlvd. Thurs.,5:30p.m. 6801 6801 Fri., 7:15 p.m.; Fri.,7:15p.m.; 251 251 Tues.,7p.m. 6925 6925 Fri.-Sat., Fri.-Sat., Sat.,10a.m. Sat.,10a.m. 6464 6464 Sun., 12:55 Sun.,12:55

1005 4020 MarltonAvenue (323)296- Texting Allowed Pico Blvd.(310)470-0492;No Wilshire Blvd.(310)274-6869 Monica Blvd.(888)AMC-4FUN 473-8530; NoTextingAllowed 11272 SantaMonicaBlvd.(310) Ave. (310)208-3250;NoTextingAllowed Hoover St.(213)748-6321 Porco Rosso(Kurenainobuta) THEATRE LAEMMLE’S AHRYAFINEARTS Deadpool 2 Solo: AStarWarsStory AMC SUNSET5 Calltheaterforschedule. UNIVERSITY VILLAGE3 Solo: AStar WarsStory CRENSHAW PLAZA 15+XTREME RAVE CINEMASBALDWIN HILLS Deadpool 2 Harry &Meghan-TheRoyalWedding Porco Rosso-StudioGhibliFest2018 Godspeed: TheRaceAcrossAmerica Solo: AStarWarsStory3D Solo: AStarWarsStory CINEMARK 18&XD Avengers: InfinityWar Life oftheParty Breaking In Deadpool 2 Book Club Solo: AStarWarsStory IPIC WESTWOOD Pope Francis-AManOfHisWord Solo: AStarWarsStory LANDMARK WESTL.A. Isle ofDogs LANDMARK’S REGENT Barry Lyndon The RockyHorrorPictureShow Full MetalJacket Eyes WideShut Filmworker LANDMARK’S NUARTTHEATER Oscar WildeSeason:AWomanofNo LAEMMLE’S ROYALTHEATER Deadpool 2:TheIMAX2DExperience Deadpool 2 Book Club Harry &Meghan-TheRoyalWedding Solo: AStarWarsStoryTheIMAX2DOpening Solo: AStarWarsStoryTheIMAX2D Solo: AStarWarsStory3D Solo: AStarWarsStory AMC CENTURYCITY15 Welcome totheMen’sGroup The Gardener(Bagheban) LAEMMLE’S MUSICHALL3 One October (310)478-3836 Santa MonicaBlvd.(310)477-5581 Boulevard (323)654-2217 Drive (310)568-3394 Blvd (310)307-7003 WEST HOLLYWOOD, BEVERLY HILLS WESTWOOD, WEST L.A. CULVER CITY, MARINA DELREY LAX, Thurs., 4:30,7,9:30p.m. 9:30 p.m.;Mon.,4:30,7,Tues.,4Wed.- 10:05 p.m. Mon., 1:40,4:25,7:15,10:20p.m.;Wed.,1:25,4:10,7, 4:20, 7:30,10:15p.m.;Sun.,1:50,4:35,7:25,10:30 Mon., 7p.m. 6:50, 9:55p.m. 1:45, 4:45,7:45,10:55p.m.;Mon.-Wed.,12:40,3:50, p.m.; 7p.m. 1:10, 4,7:40,10:45p.m. 6:50, 9:55p.m.;Mon.,1:20,4:25,7:35,10:45Wed., Sat., 12:50,4,7:15,10:30p.m.;Sun.,11:30a.m.,3:45, 11:05 p.m. 11:50 p.m.;Thurs., 8:30,9,11:50p.m.,12:15 a.m. p.m., 12:10a.m. 10:50 p.m.;Thurs.,7:35,8:35,8:55 p.m.; Wed.,11:30a.m.,3:35,7:20,11:10p.m. 2:30, 6:20,10:10p.m.;Mon.,11:20a.m.,3:15,7,10:45 Sat., 11:10a.m.,2:55,6:50,10:50p.m.;Sun., a.m., 1,4,7,10p.m. p.m.; Mon.,2,5,8Tues.-Wed.,2:30,p.m. 11 a.m.,2,5,8,p.m.;Sun.,11:302:15,10 11 p.m. 7:10, 10:30p.m. 3, 3:25,6:30,7:10,9:50,10:30p.m.;Thurs.,12:15,3:35, 7:10, 9:50,10:30p.m.;Sun.-Wed.,11:40a.m.,12noon, 10:20, 11:05p.m.;Sat.,11:40a.m.,12:05,3,3:25,6:30, 10:45 a.m.,1:45,4:45,7:45,p.m. Mon.-Wed., 11:15a.m.,2:15,5:15,8:15,11p.m.;Fri.-Wed., p.m.; Sun.,11:30a.m.,2:30,5:30,8:30,11:15 2:40, 5,7:20,9:40p.m.;Fri.-Sat.,7:20p.m. p.m.; Sun.,2:40,5,7:20,9:40Mon.-Thurs.,12:20, Importance Night FanEvent Experience Fri., 12:20, 3:35, 7, 10:05 p.m.; Sat.-Sun., Fri.,12:20,3:35,7,10:05p.m.;Sat.-Sun., Fri.-Sun.,7p.m. Fri., 12:20, 2:40, 5, 9:50 p.m.; Sat., 3, 5, 9:50 Fri.,12:20,2:40,5,9:50p.m.;Sat.,3, Fri., 12 noon, 3, 5:45, 8:30, 11:15 p.m.; Sat., Fri.,12noon,3,5:45,8:30,11:15p.m.;Sat., Fri.-Sun., 11 a.m., 2, 5 p.m.; Fri.-Sun., 8, Fri.-Sun.,11a.m.,2,5p.m.;8, Fri.,12noon,12:50,3:20,4:15,7,7:45, Fri.-Sat.,11:30a.m.,2:30,5:30,8:30, Fri., 1:55, 4:40, 7:50, 10:55 p.m.; Sat., 1:35, Fri.,1:55,4:40,7:50,10:55p.m.;Sat.,1:35, 8556 Wilshire Boulevard 8556WilshireBoulevard Fri., 4:30, 7, 9:30 p.m.; Sat.-Sun., 2, 4:30, 7, Fri.,4:30,7,9:30p.m.;Sat.-Sun.,2, Tues.,7:30p.m. Sat.,11a.m. Thurs.,10p.m. Mon.,7:30p.m.;Tues.,1p.m. Sun.,11a.m. Fri., 12 noon, 3:15, 7:20, 10:20 p.m.; Fri.,12noon,3:15,7:20,10:20p.m.; Fri.,11:59p.m. Thurs.,6p.m. 8000 West Sunset 8000WestSunset 10840 Wiltshire 10840Wiltshire Fri., 11:10 a.m., 3, 10:40 p.m.; Fri.,11:10a.m.,3,10:40p.m.; Thurs.,7:15,10:15p.m. Thurs., 7, 7:30, 10:35, Thurs.,7,7:30,10:35, Thurs.,7:20,10:15p.m. Thurs.,7:30,9,11p.m. Thurs., 7 p.m.; Thurs., 8:30, Thurs.,7p.m.; Thurs.,8:30, Thurs.,7p.m.;7:35, 6081 Center 6081Center 12noon,7:30p.m. Thurs.,10:15p.m. Thurs.,8p.m. 10850 W. 10850W. 1045 Broxton 1045Broxton 12noon,4:45p.m. 10250 Santa 10250Santa 3323 S. 3323S. Sun., 12:55 p.m.; Sun.,12:55p.m.; Sat.,11:59p.m. Sun.,2:45p.m. 9036 9036

// Tues.,7p.m. Fri.-Wed., 10 Fri.-Wed.,10 Sat.,10a.m. Sat.,10a.m. 11523 11523 Sun., 12:55 Sun.,12:55

Suite 73(310)289-4262 326-3264 706 1441 ThirdStreetPromenade(800) (800) 326-3264704 Culver Blvd.(310)360-9565 422 Blvd., RedondoBeach777-FILM South BayGalleria,1815Hawthorne Avengers: InfinityWar Overboard Breaking In Deadpool 2 Book Club Solo: AStarWarsStoryOpeningNightFan Solo: AStarWarsStory AMC SANTAMONICA7 Ben-Hur (1959) Deadpool 2 Book Club Solo: AStarWarsStory3D Solo: AStarWarsStory PACIFIC CULVERSTADIUM12 Deadpool 2 Solo: AStarWarsStory3D MARKETPLACE AMC LOEWSCINEPLEXMARINA Deadpool 2 Porco Rosso-StudioGhibliFest2018 Godspeed: TheRaceAcrossAmerica Solo: AStarWarsStory3D Godspeed: TheRaceAcross America Solo: AStarWarsStory OpeningNightFan Solo: AStarWarsStory 3D Solo: AStarWarsStory AMC GALLERIAATSOUTHBAY16 Deadpool 2:TheIMAX2DExperience Deadpool 2 Book Club Porco Rosso-StudioGhibliFest2018 Godspeed: TheRaceAcrossAmerica Solo: AStarWarsStoryTheIMAX2DOpening Solo: AStarWarsStoryTheIMAX2D Solo: AStarWarsStory3D Solo: AStarWarsStory AMC DELAMO18 Calltheaterforschedule. NEW MALIBUTHEATER I FeelPretty Avengers: InfinityWar Life oftheParty Deadpool 2 Solo: AStarWarsStory AMC LOEWSCINEPLEXBROADWAY Calltheaterforschedule. LAEMMLE’S MONICA4-PLEX Calltheaterforschedule. AERO THEATER A QuietPlace (323) 466-FILM Creek Road(310)456-6990 Street Promenade(310)395-3030 Second St.(310)478-3836 Santa Monica,Malibu Santa BEACHES South BaySouth 7:45, 11:10p.m. Mon.-Wed., 1:15,3:45,6:15,10p.m. p.m.; Mon.-Wed.,11:15a.m.,2,4:35,7:15,10p.m. p.m.; Mon.-Wed.,11:45a.m.,2:15,4:45,7:30,10p.m. Wed., 11:15a.m.,2,4:30,7:30,10:15p.m. p.m.; 7p.m. p.m.; Mon.-Wed.,7p.m. p.m.; Mon.-Wed.,11:15a.m.,1:45,4:15,7,9:45p.m. p.m.; Thurs.,9:30p.m. 11:30, 11:45p.m.,12mid,12:15,12:30a.m. 8:15, 8:30,8:45,9,9:45,10,10:30,10:45,11,11:15, Mon.-Wed., 12:15,3,6,9p.m. Wed., 11:55a.m.,3:15,6:40,9,9:45p.m. 11:15 p.m.;Sun.,11:45a.m.,3:15,7,9:45Mon.- p.m.; Mon.-Wed.,2:15,6,9:15p.m. 7:15, 10p.m.;Sun.-Wed.,12noon,2:45,5,7:15p.m. 7:45, 10:45p.m. 3:15, 6:15,9:15p.m.;Mon.-Wed.,10:45a.m.,1:45,4:45, 12:15, 3:15,6:15,9:15p.m.,12:15a.m.;Sun., a.m., 12:30,2:30,3:30,5:30,6:30,8:30,9:30p.m. 6:30, 8:30,9:30,10:45,11:30p.m.;Sun.-Wed., a.m., 1:15,3:30,5:45,8,10:15p.m. 10:15 p.m.;Sat.,11a.m.,1:15,3:30,5:45,8Sun., 10 p.m.;Mon.-Wed.,1,4,7,p.m. 3:15, 5:30,6:15,8:30,9:15p.m.;Fri.-Sun.,10a.m.,1,4,7, 8:30, 10:45p.m.;Mon.-Wed.,11:30a.m.,12:15,2:30, Sun., 10:45,11:30a.m.,1:45,2:30,4:45,5:30,7:45, 1:45, 2:30,4:45,5:30,7:45,8:30,10:45,11:30p.m.; 7:45, 8:45,10:45,11:45p.m.;Sat.,11:30a.m., p.m.; Mon.-Wed.,1:30,4:30,7:30,10:15p.m. 2, 3:15,5:20,6:40,8:20,9:50p.m. 5:20, 6:40,8:20,9:50p.m.;Mon.-Wed.,11a.m.,12noon, 9:50, 11:30p.m.;Sun.,9,10:50a.m.,12noon,2,3:15, Fri.-Sat., 9,10:50a.m.,12noon,2,3:15,5:20,6:40,8:20, 5:20, 8:20p.m.;Mon.-Wed.,11a.m.,2, 10:50 a.m.,2,5:20,8:20,11:30p.m.;Sun., Mon.-Wed., 10a.m.,1,4:15,7:30,10:40p.m.;Fri.-Sat., Event Event Night FanEvent Experience Thurs.,6p.m. Thurs.,6p.m. Fri.-Sun., 11:15 a.m., 1:45, 4:15, 6:45, 9:15 Fri.-Sun.,11:15a.m.,1:45,4:15,6:45,9:15 Sat.,11:45a.m.;Sun.,5p.m. Fri.,11:15a.m.,2,4:45,7:30,10:30p.m.;Sat.- Fri.-Sun., 11:10 a.m., 2, 4:45, 7:30, 10:15 p.m.; Fri.-Sun.,11:10a.m.,2,4:45,7:30,10:15p.m.; Fri.-Sat., 11:30 a.m., 12:30, 2:30, 3:30, 5:30, Fri.-Sat.,11:30a.m.,12:30,2:30,3:30,5:30, Fri.,3:30p.m.;11a.m.,1:15,5:45,8, Fri., 10:45, 11:15 a.m., 1:45, 2:30, 4:45, 5:45, Fri.,10:45,11:15a.m.,1:45,2:30,4:45,5:45, Fri.-Sun.,10:30a.m.,1:30,4:30,7:30, Fri.-Sun.,12noon,3:20,7,10:45p.m. Fri.-Sun.,9:50a.m.,1,4:15,7:30,10:40p.m.; Fri.-Sun., 11 a.m., 1:15, 3:45, 6:15, 9 p.m.; Fri.-Sun.,11a.m.,1:15,3:45,6:15,9p.m.; Fri.-Sun., 11:05 a.m., 1:40, 4:15, 7:15, 9:15 Fri.-Sun.,11:05a.m.,1:40,4:15,7:15,9:15 Sun., 10:15 p.m.; Fri.-Sat., 12 noon, 2:45, 5, Sun.,10:15p.m.;Fri.-Sat.,12noon,2:45,5, Thurs.,9:15p.m.,12:45a.m. Tues.,7:30p.m. Fri.-Sun., 10:45 a.m., 1:15, 4, 6:45, 9:15 Fri.-Sun.,10:45a.m.,1:15,4,6:45,9:15 Thurs.,6p.m. 13455 Maxella Ave. 13455MaxellaAve. 1328 Montana Ave. 1328MontanaAve. Fri.-Sat., 11:45 a.m., 3:15, 7, Fri.-Sat.,11:45a.m.,3:15,7, Fri.-Sun., 11 a.m., 2:15, 6, 10 Fri.-Sun.,11a.m.,2:15,6,10 3525 Carson St., 3525CarsonSt., Thurs.,7,10p.m. Thurs.,7,9:45,10:15p.m. Thurs., 7:30, 10:30, 11:15 Thurs.,7:30,10:30,11:15 Thurs.,7,7:15,7:30,7:45, Thurs.,8,11p.m. Thurs.,7:30p.m. Thurs.,7,10:30p.m. Thurs.,10:20p.m.; Thurs.,7p.m. Thurs.,8p.m. 1310 Third 1310Third 3822 Cross 3822Cross 1332 1332 Tues.,7p.m. Tues.,7p.m. Tues.,7p.m. Fri.-Sat., Fri.-Sat., Sun., 12:55 Sun.,12:55 Sun., 12:55 Sun.,12:55 9500 9500

3836 Lankershim Boulevard(310)478- Ventura Blvd.(818)501-0753 Canyon Ave.(818)508-6004 Long Beach(562)438-5435 Pacific CoastHwy.(310)289-4262 Harry &Meghan-TheRoyalWedding Porco Rosso-StudioGhibliFest2018 Deadpool 2 Book Club Solo: AStarWarsStory3D Solo: AStarWarsStory REGAL THEAVENUE13 Calltheaterforschedule. GARDENA CINEMA The RockyHorrorPictureShow ART THEATER RBG Deadpool 2:TheIMAX2DExperience Deadpool 2 Book Club Harry &Meghan-TheRoyalWedding Porco Rosso-StudioGhibliFest2018 Godspeed: TheRaceAcrossAmerica Solo: AStarWarsStoryTheIMAX2D Solo: AStarWarsStory3D Solo: AStarWarsStory AMC ROLLINGHILLS20 Deadpool 2 Book Club Porco Rosso-StudioGhibliFest2018 Calltheaterforschedule. LAEMMLE’S TOWNCENTER5 The DarkCrystal Tommy (1975) Deadpool 2 Book Club Solo: AStarWarsStoryOpeningNightFan Solo: AStarWarsStory3D Solo: AStarWarsStory ARCLIGHT SHERMANOAKS Deadpool 2:TheIMAX2DExperience Deadpool 2 Book Club Godspeed: TheRaceAcrossAmerica Solo: AStarWarsStoryTheIMAX2DOpening Solo: AStarWarsStoryTheIMAX2D Solo: AStarWarsStory3D Solo: AStarWarsStory STUDIOS CINEMA AMC LOEWSCINEPLEXUNIVERSAL Deadpool 2 Porco Rosso-StudioGhibliFest2018 Solo: AStarWarsStory3D Solo: AStarWarsStory CENTURY 8 Jack Herer’sTheEmperorWearsNoClothes Stripes Deadpool 2 Solo: AStarWarsStory LAEMMLE’S NOHO7 Crenshaw Blvd.(310)217-0505 544-FILM Valley Dr.,RollingHillsEstates(310) 9811 Ventura Blvd.,Encino(818)981- 3264 707 Dr. atUniversalCityWalk(800)326- Panorama City, Oaks, Sherman Encino No. Hollywood, Universal City S.F. VALLEY 10:10, 10:30,11:15p.m. 10:30 p.m.,12mid. Thurs., 11:30a.m.,2,4:30,7,9:30p.m. Mon.-Thurs., 11:30a.m.,2:10,4:50,7:30,10:15p.m. p.m. p.m.; Sun.,12:55Wed.,7p.m. p.m.; 7p.m. p.m.; Wed.,7p.m. 7, 10p.m. 7:45, 10:15,10:25,10:35,10:45,11p.m. p.m.; Thurs.,7:30,10:45p.m. 4:30, 7:30,10:30p.m. 10:30 a.m.,1:30,4:30,7:30,p.m.;Mon.-Wed., Mon.-Wed., 12noon,3,6,9p.m. a.m., 2,5,8,11p.m.;Sun.,10:55 Mon.-Wed., 1,4,7,10p.m. 2, 4:30,5,7:30,8p.m.;Fri.-Sun.,10a.m.,1,4,7, 6, 7:30,9,10:30p.m.;Mon.-Wed.,10:30,11a.m.,1:30, 5, 6:30,7:30,8,9:30,10:30,11p.m. 11 p.m. 9:30 p.m. p.m.; Mon.-Wed.,1,4,7,10Thurs.,3:50,6:40, Sat., 12mid. 12 mid.;Sat.-Sun.,11:45a.m.,2:30,5:15,8,10:30p.m.; 10 p.m. a.m., 1:20,4:10,7,10p.m.;Mon.-Thurs., Sat.-Sun., 11a.m. Experience Event Night FanEvent Experience Fri.-Sun.,9:30a.m.,2:20,4:40,7:05,9:50p.m.;Mon.- Thurs.,7:30p.m. Thurs.,6p.m. Fri.-Sun., 10:50 a.m., 1:35, 4:20, 7, 9:50 p.m.; Fri.-Sun.,10:50a.m.,1:35,4:20,7,9:50p.m.; Fri.-Sun.,7:10p.m. Fri.-Sat.,6:20p.m.;Sun.,7:20p.m. Fri.,4:45,7:15,9:45p.m. Fri.-Wed.,11:15a.m.,1:50,4:30,7:15,9:45 Fri.-Sun., 10:30 a.m., 12 noon, 1:30, 3, 4:30, Fri.-Sun.,10:30a.m.,12noon,1:30,3,4:30, Fri.-Wed., 11 a.m., 12:30, 1:30, 2, 3:30, 4:30, Fri.-Wed.,11a.m.,12:30,1:30,2,3:30,4:30, Fri.-Sun.,10,11a.m.,1,2,4,5,7,8, Fri.-Sun., 11 a.m., 1:50, 4:40, 7:30, 10:20 Fri.-Sun.,11a.m.,1:50,4:40,7:30,10:20 Fri.-Sun.,9:30a.m.,12:45,4,7:15,10:30p.m. Fri., 11:45 a.m., 2:30, 5:15, 8, 10:30 p.m., Fri.,11:45a.m.,2:30,5:15,8,10:30p.m., Fri.,1:20,4:10,7,10p.m.;Sat.-Sun.,10:30 Thurs.,7,10p.m. Thurs.,9:15p.m.,12:30a.m. Tues.,7:30p.m. Victory Blvd. & Coldwater VictoryBlvd.&Coldwater Mon.,7:30p.m. 2025 E. Fourth St., 2025E.FourthSt., Thurs.,6p.m. 100 Universal City 100UniversalCity Thurs., 8, 11 p.m.; Thurs., Thurs.,8,11p.m.; Thurs.,7,7:10,7:20,7:30, Thurs.,12:10a.m. Thurs.,7,10:15p.m. Thurs.,7,8,10:10p.m. Thurs.,7,8,9,10:15,11:15 14948 S. 14948S. 5240 5240 Thurs.,9:30p.m. Thurs.,7:05,7:15,8, Thurs.,7,9,10:10p.m. Thurs.,7:30,10:40p.m. Thurs.,7:15,8:30,9:30, 550 Deep 550Deep Crenshaw & Crenshaw& Sat.,11:55p.m. 15301 15301 Tues.,7p.m. Tues.,7p.m. Fri.-Sun., Fri.-Sun., Fri.-Sat.,11 Sat.,10a.m. Sat.,10a.m. 17200 17200 Mon.,7p.m. Mon., 7 Mon.,7 Sun.,12:55 Sun.,12:55

(888) AMC-4FUN (818) 340-8710 Mall, 6731FallbrookAve.,WestHills 7342 122 501-5121 of VanNuysBlvdandMilbank(818) 5353 Magnolia Boulevard(323)404- Deadpool 2:TheIMAX2D Experience Deadpool 2 Book Club Harry &Meghan-TheRoyal Wedding Porco Rosso-StudioGhibli Fest2018 Godspeed: TheRaceAcrossAmerica Solo: AStarWarsStoryTheIMAX2DOpening Solo: AStarWarsStoryTheIMAX2D Solo: AStarWarsStory3D Solo: AStarWarsStory AMC BURBANK16 Calltheaterforschedule. THEATER BANSHEE Deadpool 2 Book Club Solo: AStarWarsStory3D Solo: AStarWarsStory 21 PACIFIC’S WINNETKAALLSTADIUM Deadpool 2 Book Club Solo: AStarWarsStory3D Solo: AStarWarsStory CENTER ALLSTADIUM10 PACIFIC’S NORTHRIDGEFASHION Deadpool 2 Solo: AStarWarsStoryOpeningNightFan Solo: AStarWarsStory3D LAEMMLE’S FALLBROOK7 Deadpool 2 Book Club Solo: AStarWarsStory3D Solo: AStarWarsStory 6 EDWARDS GRANDPALACESTADIUM Black Panther A QuietPlace I FeelPretty Disobedience Avengers: InfinityWarinDisneyDigital3D Avengers: InfinityWar Tully RBG Overboard Life oftheParty Breaking In Show Dogs Deadpool 2:TheIMAX2DExperience Deadpool 2 Book Club Harry &Meghan-TheRoyalWedding Porco Rosso-StudioGhibliFest2018 Godspeed: TheRaceAcrossAmerica Solo: AStarWarsStoryTheIMAX2D Solo: AStarWarsStory3D Solo: AStarWarsStory AMC PROMENADE16 Deadpool 2 Solo: AStarWarsStory PACIFIC’S SHERMANOAKS5 (818) 501-5121 Shirley Ave.(818)501-5121 St., WoodlandHills(818)883-2AMC BURBANK Chatsworth, GranadaNorthridge, Hills West Valley 4767CommonsWay(844)462- 6:45 p.m. Fri., 6:45p.m.;Sat.-Sun.,12:15,Mon.-Wed., a.m., 1:40,4:35,7:20,9:55p.m.;Sat.,10:40p.m. 10:55 a.m.,1:40,4:35,7:20,10:20p.m.;Wed., p.m.; Mon.,10:55a.m.,1:40,4:45,7:20,9:55Tues., Sat., 1:40,2:15,7:20p.m.;Sun.,10:10a.m., 9:55 p.m. Sat., 4:55,7:25p.m.;Sun.,11:40a.m.,2:25,7:25, p.m. 9:15 p.m.;Fri.-Wed.,11:15a.m.,1:45p.m. a.m., 1:45,4:15,6:45,9:15p.m.;Mon.-Wed., p.m.; 7p.m. p.m.; Mon.-Wed.,7p.m. a.m.; Thurs.,7,10:30p.m. 8:50, 9:15,10:10,10:50,11:10,11:30p.m.,12:10,12:30 p.m.; Thurs.,7,10:15p.m. 10:55 p.m. Wed., 1:15,7:10p.m. a.m., 1:20,3:15,4:45,8:30,10:10p.m. 3:45, 4:45,7:15,8:30,10:10,10:45p.m.;Wed.,10,11:45 10:45 p.m.;Mon.-Tues.,10,11:45a.m.,12:15,1:20,3:15, 10, 11:45a.m.,1:20,3:15,3:45,4:45,7:15,8:30,10:10, 3:15, 3:45,4:45,7:15,8:30,10:10,10:45p.m.;Sat.-Sun., 5:10, 10:50p.m. 10:40 a.m.,5:10,10:50p.m.;Mon.-Wed.,11:40 10:45 a.m.,1:45, 4:45,7:45,10:45p.m. noon, 3,6,9p.m. p.m.; Fri.-Sun.,10a.m.,11:15p.m. 10:05 p.m. 10 a.m.,1,4,7,p.m. Mon.-Wed., 11a.m.,1:30,2,5,8,10:30,p.m.;Fri.-Wed., p.m.; Sat.-Sun.,11a.m.,2,4:30,5,7:30,8,10:30, Night FanEvent Experience Event Experience 9201 Winnetka Ave., Chatsworth 9201WinnetkaAve.,Chatsworth Fri.-Wed.,10:50a.m.,4:20,9:45p.m. Fri.-Wed.,1:35,6:55p.m. Thurs.,6p.m. Fri.-Sun.,6:30p.m. Fri.,11:40a.m.,2:25,4:55,7:25,9:55p.m.; Fri.,4:50p.m.;Sat.,4:45p.m. 1:45,4:40,7:30,10:15p.m. Fri.-Wed.,10:45a.m.,1:45,4:30,7:15,10:15 Fri.-Wed.,10:15a.m.,4:05,10:05p.m.;Fri.- Fri., 4:15, 6:45, 9:15 p.m.; Sat.-Sun., 11:15 Fri.,4:15,6:45,9:15p.m.;Sat.-Sun.,11:15 Fri.-Sun.,10a.m.,1,4,7,p.m. Fri.-Sun.,11a.m.,1,3:45,6:30,7:15,9:15 Fri.,4,7p.m.;Sat.,4p.m. Fri.-Wed.,1,4,7,10p.m. Fri.-Wed.,1,4,7,10p.m.;Thurs.,7:05, Fri.,11a.m.,1:30,2,5,7:40,8,10:30, Sat.,2:15p.m. Fri., 10:55 a.m., 1:40, 4:45, 7:20, 10:40 p.m.; Fri.,10:55a.m.,1:40,4:45,7:20,10:40p.m.; Fri.-Wed.,2:20,7:50p.m. Fri., 11:40 a.m., 5:10, 10:50 p.m.; Sat.-Sun., Fri.,11:40a.m.,5:10,10:50p.m.;Sat.-Sun., Fri.-Wed.,10:40a.m.,1:40,4:40,7:40p.m. Thurs.,9:30p.m.,12:45a.m. Thurs.,7,10:45p.m. Fri.-Wed.,10:25a.m.,4:10,9:50p.m. Fri.-Wed., 11:20 a.m., 2:15, 5:15, 8:10, Fri.-Wed.,11:20a.m.,2:15,5:15,8:10, Thurs.,6p.m. Fri., 10, 11:45 a.m., 12:15, 1:20, Fri.,10,11:45a.m.,12:15,1:20, Thurs., 7, 7:20, 7:45, 8:10, Thurs.,7,7:20,7:45,8:10, Thurs.,7:20,8,10:30,11p.m. Thurs.,7,10,10:30p.m. Thurs.,7,10:15p.m. Thurs.,8,8:30,9:15,11:30 Thurs.,7,10p.m. 125 E. Palm Ave. 125E.PalmAve. 3435 West 3435West Thurs.,8:30,11:45p.m. Thurs.,7,10:15p.m. Thurs.,7:30p.m. Thurs.,7,10:15p.m. Thurs.,7p.m. Thurs.,7:30,11p.m. 21801 Oxnard 21801Oxnard 9400 N. 9400N. Fallbrook Fallbrook Tues.,7p.m. Tues.,7p.m. Fri.-Sun., Fri.-Sun., Fri.-Wed.,12 Corner Corner Sat.,10a.m. Sat.,10a.m. Sun., 12:55 Sun.,12:55 Sun.,12:55

| | LA WEEKLY // May 18 - 24, 2018 // www.laweekly.com 27

BRIAN DENNEHY MARE (2007) and Juno (2007) AND PASADENA Playhouse 7 Laemmle’s (626) 844-6500 WINNINGHAM WWW.SONYCLASSICS.COM (2011), Cody and Jason Diablo Following Following BILLY BILLY HOLLYWOOD ArcLight Cinemas At Sunset & Vine (323) 615-2550 arclightcinemas.com HOWLE TULLY

MOSS IRVINE 8 Edwards Westpark (844) 462-7342 #144 , Zakopané to Train watching time enough join Semyon to he want when you might that she wails she after — Katia answers like doesn’t “just she Jews, hate doesn’t certain certain — in attitudes, behaviors” “Stop! Stop! Stop!screaming, Stop!” (Simon Abrams) Young Adult Young trilogy their complete self- of Reitman look sardonic , a gently with Tully delusion woman who finds herselfat a 40-year-old house, with a clueless in a cluttered child. a third have to spouse, preparing Theron) (Charlize suburbia Marlo staid The conformity but by not inhabits is defined deliberate left unsaid. This all that’s by for laughs, suchsilence can be played (Ron husband, Drew boring her as when his number- describe tries to Livingston), job and no one can mustercrunching - explana a decent get to enough interest him. But everyonetion out of functions postpartum like words uttering as if not depression or autism spectrum will keep Marlo realized. being from fears their sinks further birth the isolation after into succinctly leave maternity Mia, her of of cycle as a groaning onscreen rendered onesie snaps.fatigue with contrapuntal (Mackenzie nurse night of Tully arrival The - tex on the tapping figure a ghostly Davis), middle-class modest their glass of tured - percep house, signals a shift in Marlo’s of make know what to doesn’t tion. She jeans in high-waisted this boho caregiver with enthusiasm bubbling top, and crop Tully life. Marlo’s into dive to and ready and soundingsoon becomes a confidante supportive friend of kind female the board, mom didn’t working this overextended Cody often been missing. she’d realize Tully surprise, but with employs a third-act Shyamalanian a downright reveals she an audience with acapacity for alienating calculated the twist. major plot takes She story the ofrisk that viewers will treat with the life her a woman re-evaluating same seriousness as a mathematician equation — and it an unsolvable tackling works. (Serena Donadoni) ELISABETH GO MICHAEL MAYER ZEGEN DIRECTED BY MICHAEL STOLL COREY LA WEEKLY -Dana Schwartz, ENTERTAINMENT WEEKLY WEEKLY -Dana Schwartz, ENTERTAINMENT 2X3.5 THUR 5/17 THE SEAGULL LAUGH OUT LOUD FUNNY. STOLL IS PERFECT. LAUGH OUT LOUD FUNNY. ENCINO Center 5 Town Laemmle’s (818) 981-9811 laemmle.com STEPHEN KARAM BENING IS THE BEST SHE HAS EVER BEEN. MOSS IS BENING IS THE BEST SHE HAS EVER BEEN. MOSS IS BENING IS THE BEST SHE HAS EVER BEEN. MOSS IS BENING IS THE BEST SHE HAS EVER BEEN. MOSS IS BENING IS THE BEST SHE HAS EVER BEEN. MOSS IS EVERY SINGLE ACTOR DAZZLES.” SINGLE ACTOR DAZZLES.” SINGLE ACTOR DAZZLES.” EVERY EVERY EVERY WEST LOS ANGELES Pico & Westwood The Landmark at W. (310) 470-0492 landmarktheatres.com GLENN RONAN Writer-director Henry Writer-director “LUSH AND DREAMLIKE. DYNAMIC “LUSH AND DREAMLIKE. DYNAMIC “LUSH AND DREAMLIKE. DYNAMIC SAOIRSE FLESHLER FLESHLER AND UNSTUFFY, BEAUTIFULLY SHOT. BEAUTIFULLY AND UNSTUFFY, AND UNSTUFFY, BEAUTIFULLY SHOT. SHOT. SHOT. BEAUTIFULLY BEAUTIFULLY BEAUTIFULLY AND UNSTUFFY, AND UNSTUFFY, AND UNSTUFFY, THE TRUE MAGIC OF THE FILM LIES IN ITS PERFORMANCES. THE TRUE MAGIC OF THE FILM LIES IN ITS PERFORMANCES. THE TRUE MAGIC OF THE FILM LIES IN ITS PERFORMANCES. THE TRUE MAGIC OF THE FILM LIES IN ITS PERFORMANCES. THE TRUE MAGIC OF THE FILM LIES IN ITS PERFORMANCES. THE TRUE MAGIC OF THE FILM LIES IN ITS PERFORMANCES. VIEW THE TRAILER AT WWW.THESEAGULL-MOVIE.COM VIEW THE TRAILER AT ) from a stage play a stage ) from Tracks SCREENPLAY BY . Fargeat is thoughtful about the is thoughtful . Fargeat even more more even Zakopané to Train MAY 18 JON NOW TRIBECATRIBECA FILM FESTIVAL FILM FESTIVAL BENING TENNEY TENNEY ANNETTE PLAYING STARTS FRIDAY, FRIDAY, STARTS Jaglom’s blocky dialogue makes his blocky dialogue makes Jaglom’s WWII romantic- hard-to-swallow already drama plea film is a desperate unpalatable. The that follows self-righteous for tolerance Semyon (Mike refugee Russian-Jewish with his romantic struggles as he Falkow) nurse for anti-Semitic feelings Polish film’s the of Many Frederick). (Tanna Katia conversation-centric by scenes — adapted , Jaglom (Ovation he wrote about real events from his late fa- his late from events about real wrote he mean- but never around — circle life ther’s points.ingfully two crucial plot develop that Semyon is Jewish, is unaware Katia reconcile know how to doesn’t and he os- She’s dual nature. sees as her what he and a bigot” hating fierce, “a both tensibly innocent creature,” almost lovely, “sweet, - relation But Semyontoo. and Katia’s since unbelievable ship is consistently economic about the raving always she’s Jews. hate to that compel her anxieties words, in her by, swindled was Her father Jews religious older those crazy of “one big cape and the and the beard with the black hat,” while Semyon explains weakly Jews, just of all kinds are “There her, to people.” other of all kinds are there like trips dialogue also frequently Jaglom’s it even making and Frederick, up Falkow his leads’ chemistry. appreciate to harder warm their through expressed (It is best smiles and curious glances.) If you spend elements of her genre but also ferocious in also ferocious but genre her elements of eye has an She them. to commitment her the — relish light of a love for landscape, a driver whenever dust the of glare infernal — and an all- at night brakes hits the here in an action mastery geography of too-rare with replete pulp, also wicked scene. It’s protracted, are geysers blood. Deaths of curi- are as they as gratuitous disgusting, (Alan Scherstuhl)ously invigorating. Revenge artfuland debut. Revenge and again, Again familiar, the and interrogates invigorates male gaze the of parody opening the from as as potent rebirth a bathed-in-blood to The Neil Marshall’s of center one at the the Descent TRAIN TO ZAKOPANÉ TRAIN TO - — a isn’t It’s no slight against no slight It’s Mermaids are the new vampires, new vampires, the are Mermaids REVENGE

so Masaaki Yuasa’s bouncy anime Lu Over Yuasa’s so Masaaki elements vampiric incorporates the Wall its mermaid mythos,into because why seems not?” “because why Indeed, not? impulse behind this guiding be the to namedcolorful trifle about a teenager Michael Sinterniklaas), a voice of (the Kai ever been sulking musician who’s talented a to Tokyo from since his family moved agrees He reluctantly village. small fishing (Stephanie Yuho classmates help to with Engman) (Brandon and Kunio Sheh) a music that attracts band, creating their Marie (Christine mermaid named Lu little mermaid little the Cabanos). Calling a wee Disney allusion; she’s an easy just limited which combined with her thing, to smile, and desire wide vocabulary, her and friendship makes love spread 5-year-old, a precocious like come across Girl Dream Manic Pixie or perhaps the conclusion. its logical to taken archetype largely remains with Kai Her relationship own music makes though Lu’s platonic, causing humans dance uncontrollably, historically loose in Kai’s break to all hell Oh, and direct mermaid-phobic village. can turn bite and her Lu is fatal to sunlight mer-creatures, humans and dogs into Even vampiric. a skosh she’s so again, is the Wall Over Lu anime standards, by your logic disconnecting by enjoyed best colors pretty the enjoying and just circuits Connelly) and sounds. (Sherilyn NO UTA NO Revenge vivid, vicious Revenge Fargeat’s Coralie film that will set midnight movie devotees midnight film that will set — that you’ve for generations cheering in seen everyprobably scene in it before, beauti- the Here’s some form or another. a wealthy of lover woman, the ful young pool as the around criminal, parading Here leer. camera and the henchmen the that of a subordinate at by is pawed she is she And here raped. criminal, and then in blood, in a desert caked left for dead, what that title just vowing wasteland, bas- hunt the Her mission: to promises. you reasonably, quite down. Maybe, tards cathartic The see that again. to want don’t after thriller, rape-revenge the of release another yet upon watching all, depends one assault the that mostly it’s Here rape. occurs buildup is though the offscreen, out, in a way tense cruelly playful, drawn the and lashes stomach the that knots seen these never conscience. But you’ve who is Fargeat, of eyes the scenes through sadistic an uncommonly shrewd, making Julie Maille’s focus on the subtle beauty subtle on the focus Maille’s Julie off pays handsomely chores everyday of cheery neighbor Monette Hortense’s when after seconds breath her catches (Maille) — while she her tells a local messenger daughter dough with her kneads bread in has been killed husband — that her emotions unexamined of action. Months heartache and overwhelming(regret, — face as she uncertainty) Maille’s cross of everywhere bearer but at the looking bat flicks gobs of bad news — stubbornly offter fingers, as if trying her rid herself to unassumingly These unruly feelings. her of The Guardians one make details powerful stories. affecting love most year’s the of (Simon Abrams) GO LU OVER THE WALL YOAKE TSUGERU LU TSUGERU LU YOAKE THE WALL OVER LU

- - makes the case the makes - WWI ro French gutting The THE GUARDIANS LES THE GUARDIANS

GARDIENNES ents a Basquiat who was always trying to always was who a Basquiat ents time By the himself. express to find ways Warhol-approved a major, being to got he Big Artist, brains pick the to wanted still he Jarmusch, Jim filmmaker bohos like of art the when even for inspiration looking an on-the-rise wun- world turned him into end, Boom In the derkind. was came from scene Basquiat that the Basquiat himself. than fascinating more Lindsey) D. (Craig mantic drama The Guardians convincinglymantic drama women sublimating homebound examines and parental (sexual, anxieties lovesick their after chores farmyard into sororal) the sent to sons and husbands were Beauvois Xavier front. eastern Director Caroline photography of and director landscape picturesque Champetier’s fields and raking women plowing of shots farmhand resourceful why coals suggest chop fire to (Iris Bry) prefers Francine wood than to pursue a relationship with pursuewood than to a relationship (Cyril soldier Georges conscripted recently a nomadic outsider Descours). Francine, can find work, she wherever who lives satisfaction immediate she the prefers because That’s labor. physical from gets knows that everybody — includingshe farm owner Hortensestubborn (Nathalie boss and Georges’ Francine’s Baye), marry to jealous Georges mom — expects Viseux-Ely) (Mathilde frump Marguerite a local because Marguerite’s just instead, ) and fellow Gods and Men girl. Beauvois (Of and Marie- Moreau co-writers Frederique Too few female role models get memorial- get models role female few Too stars.” as “rock Enter culture ized in the - and Bami, a docu Bloodlight Grace Jones: its subject’s retelling mentary that resists 1970s the of club scenes in the exploits Sophie that director and ’80s, legends down says you can easily track Fiennes this is Instead, in books and magazines. portraitan intimate artist the of in recent coun- Jamaica, the to years returns as she try birth her of family and childhood, for a family — boisterous and her She reunion. the — travel father mother, brothers, sister, stories. with friends, telling island, meeting conversations, these a heartThrough talk turns as the story emerges, breaking Jones’ who was a man named Mas P, to as a child, brothers’ caretaker and her States. in the live left to parents her when his presence dead, Mas P is long Though a ghost. its abuse took is like His physical brothers, but they and her on Jones toll somehow transformed having to attest Jones lives. fuel new for their that pain into masculine persona raging us that the tells shows comes stage for her adopted she memory her allowing P to, Mas from of then Fiennes body. possess her in a way, showcases that persona with interwoven a concert performing Jones segments of recent most her from material in 2016 of on her Hurricane . Watching album, 2008’s In age. guess at her you could not stage, and conquers struts she platform heels, glitter-clad a 20-year-old domain like her and and deep Her voice is robust warrior. is so elective footage you. The shakes still every applause after songthat it prompted audience. (April Wolfe) in my GO GRACE JONES: BLOODLIGHT AND BAMI JONES: BLOODLIGHT GRACE -

is a quiet sortis a quiet teases outteases going down in thegoing lies in us puzzling outlies in us puzzling -like character, attempt character, Zelig-like . The first: How. The Boom for Real makes Basquiat out to be an Basquiat out to makes Boom Michael Pearce’s Beast Michael Pearce’s YEARS OF JEAN MICHEL BASQUIAT vors have failed to tell their stories. These These stories. their tell failed to vors have the through reverberate voices women’s long after past the years, vividly recalling imagined. have could scarcely they lives (Serena Donadoni) who these two actually are. Is he the killer? the Is he two actually are. who these a small-minded Is this a case of Is she? worst the its aim- assuming about town un- people? Pearce young less, alienated this all out, working derstands that we’re possibili- all these makes cunningly and he cost, same at the time. The ties seem likely in circumstances the creating though, of is that it wonder to room have which we sketched. vaguely characters these leaves (Alan Scherstuhl) the answers with a stubborn patience. with a stubborn answers the his feature making Pearce, Writer-director a psychological to dedicated proves debut, (Johnny falls for Pascal Moll naturalism. - rel hunk who might a working-class Flynn), occasional animal but proves the ish killing like her treat to man not young rare the a He’s only problem: goods. The damaged The disappearance. suspect in that child’s suspense in Beast film’s present-day reality, though, gives reality, present-day film’s about what horror deeper the to way Beast be hiding. might Moll of thriller, a dark and disquieting mystery disquieting a dark and thriller, of roiling drama pressing with its most It placid surface. beneath a comparatively has sensational its elements common to background in the As TV screens genre: on girl has gone missing us, a little remind Channel, English this small island in the of familiar sight the get which means we or the heath through tromping townsfolk there, call fields they over floss or whatever partiessearch for any weeds the rustling an out-of- stages Pearce sign. Occasionally, assault, quickly but those attacks nowhere nightmares/fantasies/ as the revealed are (Jessie Buckley), a Moll memories of - misfit. revela at the 27-year-old relief Any tion that violence is not There are two stories being told in the told being two stories are There documentary 1970s New York, that city of urban decay, urban decay, that city of New York, 1970s run-down apartment rampant buildings, crime and overwhelming scuzziness, art a hopeful, vibrant spawned scene. same the time, graffitiAt virtuoso Lee 5 Freddy Quinones and savvy Fab hustler - spearhead were interviewed(both here) movement, one own burgeoning their ing Quinones’ subway-car that soon brought graffiti limelight, with the the into along and what b-boy dancing DJing, rapping, main as the soon would be celebrated story, other The hip-hop. components of be this doc’s supposed to one that’s the as interesting. really main focus, is not Basquiat’s Jean-Michel of one tells This vagrant street spray-painting ascent from New York renegade icons of the one of to art. Sara it, doc tells way Driver’s The vagabond, a wandering Basquiat was for the crash for a place to looking always female a warm, to night, hopefully next body. on-the-fringe, on-the-fringe, the a scene where into his foot get to ing mingle to beginning people were inner-city - film pres folk. Driver’s downtown with the BOOM FOR REAL: THE LATE TEENAGE TEENAGE REAL:BOOM FOR THE LATE BEAST

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www.laweekly.com // May 18 - 24, 2018 // LA WEEKLY |

SAT. MAY 19 MIDNIGHT EMPHATIC DERU - RIVAL CONSOLESLIVE A/V FRI. MAY 18 SAT. MAY 19 FRI. MAY 18 5/27 5/26 5/25 5/25 5/23 5/22 5/19 5/18 5/17 COMING SOON:

ALT TURBO ACS &MORE BRAINS! QUAKES! THE MAYHEMPSYCHO FEST!W/THE PRIMITIVE MAN BALI BABY AFROLITUATION: PRESENTS:CLUB WORKS L.A. 909XCONDINARECORDS FACES IN THE CROWD5/24 ONE MIC PRESENTS:OFF THEWALL MALIK G&KEITHPOWERS CRAVE: REALITY PARTY ANIMAL LA: PRE-DC AMBIENT SET , B TH TH TH TH AT 21+

21+ , & W & , 21+ 21+ ORMWITCH , N AFRICA DAY EDITION ORDIC SOUL

TOM GUN 6/3 DINO, MCJ TEC, & WERD DEBUT), DJCONSTRUCT, DJEVOL, MC MAJISTRATE, HEIST, MR TRAUMATIK (USA 6/2 6/2 6/1 6/1 5/31 5/27 BALI BABY SAT. MAY 19 BLESS UP SAT. MAY 19 SAT. MAY 26

AFRICAN DAY PARTY LA XCELLERATED PRESENTS: THE VARUKERS &DEFIANCE CONCRETE JUNGLEENTPRESENTS: YUKSEK YUKSEK HOLIDAY IN THE SMOG GONZO PRESENTS: LEGACY OFJOESTRUMMER” “CELEBRATING THE MUSIC& RIGHTS:KNOW YOUR TWISTED INSANE TH TH PORKCHOP JOSH WINK DOC MARTIN SUBLEVEL: TH 14+ 21+ 21+

PRODUCTIVELY STONED THu. MAY MANUPP DILFLOS ANGELES S 5/26 R 5/25 5/24 5/23 5/21 5/20 5/19 P 5/18 5/18 5/17 SAT. MAY 19•10:00 M 5/26 LIZZIE MCGUIRE V. HANNAHMONTANA NIGHT CLUB 90’S THE BLOCKBUSTERSLIVE FRI. MAY THu. MAY COMING SOON:

WOODBURN, CHUWEE, MELLY MAC CLUB 90’S EMERALD CITYPRESENTS: DJ UNIEQ, KG THE MC THE FLOORIMPROVNIGHT: MAILMEN, NEWEVIL, DEATHCAT PUNK ROCKSUNDAYS THE VIBEZ MAYORKUN SUPERNOVA, JESSIM’BENGUE PRESENT SENDNUDES, Y3LDA &SLOWLIKE WHOA 18•10:00 17•8:30 17•9:30 ADISTIK’S EPP IH R ERKULES A IH -DIB SEED

A PM PM NNIVE. P PM PM ADG YAL P ARTY ARTY

6/14 6/12 6/8 6/2 6/1 5/31 BASH): PAGES, ZONGOZONGOSOUNDSYSTEM A THE AFRICAN FIESTA (MEMORIAL DAY WEEKEND 5/27 5/30 5/30 5/27 SAT. MAY 19•9:30 Sun. MAY SEND NUDES THu. MAY THE VIBEZ LIL MOSEY PUNK ROCKSUNDAYS FRI. MAY

& CHINA SEAN HEALY PRESENTSCAM MULTIVERSE (ANE3 AFTERPARTY) 8BITLA PRESENTS: HACK THE CLUB 90’S WALTER WILDE REDHOUSE PRESENTS, BENZMIXER, CLUB 90’S SEAN HEALY PRESENTS: TINK SUBHUMANS -(THEESTATIC AGE) PLAY JAX CLUB 90’S 18•7:00 FRO G 17•9:00 20•7:00 OGO +LATIN B PM PM PM PM ASH MENT

| | LA WEEKLY // May 18 - 24, 2018 // www.laweekly.com 29 Rapper Behavior to Rapper “There was this guy from Arkansas at Arkansas from guy this was “There they “when it loves he addition, In play hit to time good a be would This drive to get “I says. he important,” “It’s on Roxy the at performs JHN SAINt On top of his music endeavors, SAINt SAINt endeavors, music his of top On real a even not “It’s says. he 2018,” “It’s his of form the in comes show TV This life, whole my that like lived I think “I his flaunt and grow to continues he As he rich,” very myself see I years, 10 “In his brings he Now ] We’ll see how it goes. I’m here here I’m goes. it how see We’ll ] laughs - headlin first his on embarking life, real fans new and fans old Attracting tour. ing - encoun favorite his explains JHN alike, fans. with ters I him. met “I says. he show,” York New my remember I but name his remember don’t way long really a came He experience. the fantastic a That’s there. be to decide to and me see you time next The experience. hopefully conversation, another have we I’ll and growing keep experiences those dižerent.” something you tell reveals JHN stage.” the on bras throw of one survive to how on pointers some en- of lot a expect can shows: “Fans his sleep. to go to come “Don’t says. he ergy,” and Xanax a take shouldn’t probably You advice. good not That’s show. my to come spare bring and hydrate, Bull, Red of lot A bras.” and panties titled project the on standout another on gets he As Ratchets.” the Bless “God Sunset, on Roxy the headline to ready the of part favorite his details JHN SAINt Angels. of City Angeles. Los in I’m when drop-tops being, of state my to essential very That’s That’s beliefs. emotional my psyche, my everything.” p.m. 9 at 18, May Friday, JHN also has a strong presence on social social on presence strong a has also JHN role huge a plays admits he which media, career. his in that. without survive can’t You question. Instagram, on show TV own my get I Plus it.” like I good. pretty it’s so If Instagram. on series Behavior Rapper his in day a what wonders ever anyone and loud pretty out it lays JHN like, is life clear. “It’s says. he anything,” it call didn’t I but call I what that’s ignorance, champagne would I that things the see to get You it. for context the you give I but do, typically money some throw to going I’m Like it. - irrespon is this know I and tub the in for rapper a be me Let OK. it’s but sible, Or behavior. rapper is This second. a wonderful, some in I’m when oftentimes see to you want I penthouse, marbled-out to you want I but perspective, my from it It’s too. it, have can you that idea the get ignorant. it’s or information, informative like.” I things the all It’s plans no has JHN successes, and wealth down. slowing of You hesitate. even didn’t I “Damn, says. very very, very, very’s: three have can and participate to going always I’m rich. impact to want I music. and art create if Even ways. dižerent in culture the club strip best the owning means that food... greatest the with food, great with [ thriving.” I’m and alive I’m today. - - OUS IT IT NTO

, this is only the only is this One, Collection E’RE GOOD TO GO.” E’RE GOOD TO is an introduction,” he introduction,” an is One Collection “I COME FROM A FROM “I COME IGI HYPERREL WE BACKGROUND. I DELVE CAN THOUGH. GIVE LATER, AND ME THE COVER, W JHN SAINT “I made the record the day after my my after day the record the made “I debut his out closes record the While “ “It was a lot of work,” he says. “I wished wished “I says. he work,” of lot a was “It - stand his placed now has footing That Success certainly did not happen happen not did certainly Success birthday,” he says. “My homegirl came to came homegirl “My says. he birthday,” So cake. weed a had we and birthday my and cake this me made ex-girlfriend my it. on designs clothing my of one had it didn’t She cake. the ate homegirl my And a had she But it. in weed had it that know just It’s undisclosed. wasn’t It spirit. good know. should you so edibles, like I that THC have might me around water The she So THC. have might bread The it. in day next the her texted I then And lit. got lit too got you heard I ‘Yo, like, was I and Actually, text. the was That night.’ last She artwork. the been have should that right you call ‘I’ll said, I did.’ I ‘Yes said, a in was I her. texting was I Because back.’ was I and her to that wrote I when session song this what That’s cool. right, ‘All like, be.’” to about is project, beginning. wear I’m you. meet to nice ‘Hey, “It’s says. tion, and a strong will to never give up. up. give never to will strong a and tion, Joey as such artists for written Having - remem JHN Jidenna, and Usher Bada$$, writ- with came that challenges the bers early these during was It others. for ing talents. own his discovered he that days - hap of sort it and be to it willed I be. to it error and trial of lot a Through pened. a for music made I failures. of lot a and art- for writing started I then and while - break a got I where was that and ists, found I and up giving started I through. already who people for writing myself my found I and careers promising had there.” right footing Last Litt Too Got You Heard “I single, out 106. Power of airwaves the on Night,” society of majority the something is This fun much too little a having to: relate can only The before. night the function the at story the is record the than better thing it. behind I when you see I’ll drink. a Here’s fur. a ing know. to them want I what That’s you.’ see be to going it’s that know to them want I relationship. winding wonderful, long, a see I’ll hello. say to want just I now, for But back.” double I when you world what hip-hop does for America. It’s It’s America. for does hip-hop what world what know I but know, don’t I expressive. take to want me makes It do. me makes it ož.” shirt my music in journey JHN’s SAINt overnight. dedica and work hard of lot a with comes REME PHOTO BY ANTHONY SUP BY PHOTO “I don’t try to describe it,” he says. “I says. he it,” describe to try don’t “I his splitting but Brooklyn in Born my in influence the hear can “You sound, it’s his quirky personality and personality quirky his it’s sound, gravitate fans that charm undeniable he “t,” lowercase the to regards In toward. story that save to intends he says cockily cover. the lands he when for better, great, ‘good, words the use would was that and things sexy like I silk.’ best, - back hyper-religious a from come I sexy. though. later, it into delve can We ground. go.” to good we’re and cover, the me Give the and Guyana between years childhood destined been have might JHN States, peers. his with along crime of life a for of power the to on holds he Instead, fan a Being purpose. greater a for music Nas, and Jay-Z DMX, moguls hip-hop of nitty- the incorporate to way a finds he South his with rhymes Coast East gritty roots. American melodic my of lot “A says. he music,” grew I because dancehall are references is Dancehall dancehall. to listening up for does It music. exciting transformative, the around and Caribbean the in people -

// rom penning records for for records penning rom own his landing to Usher Got You Heard “I single, on Night,” Last LiTT Too (who JHN SAINt radio, the play to loves apparently is formatting) type with

SAINt JHN heard you got too litt last night litt last got too you JHN heard SAINt

SAINt JHN Music “I make music,” he says. “I wear silk. I silk. wear “I says. he music,” make “I his describe to words distinct no With With his 2016 breakout single, “Roses,” “Roses,” single, breakout 2016 his With BY SHIRLEY JU BY SHIRLEY | Like things you can only find on the inter the on find only can you things Like little snippet. little ] [laughs TV. unscripted … of lot a watch the moniker SAINt JHN, he gives us a us gives he JHN, SAINt moniker the on.” clothes have usually don’t that net reluctant to explain the full story behind story full the explain to reluctant wore his heart on his sleeve. While he’s he’s While sleeve. his on heart his wore it was clear real-name Carlos St. John John St. Carlos real-name clear was it his own career as a solo artist. solo a as career own his experience in the industry to streamline streamline to industry the in experience ented artist takes years of knowledge and knowledge of years takes artist ented - multital Brooklyn-based the days, for odies, hard-knocking beats and stories and beats hard-knocking odies, - mel trap undeniable With missing. been here to prove he’s what the rap game has has game rap the what he’s prove to here

LIGHTING IT UP LIGHTING

F

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www.laweekly.com // May 18 - 24, 2018 // LA WEEKLY |

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DYLAN! YLAN YLAN !

ing” feel like a viable variation. Today make the recent single “Long Time Com- add just enough of their own style to shend’s “I Can’t Explain,” Cheap Trick Nicking the opening ri— of Pete Town - are content to coast on ancient glories. when most of their classic-rock peers as last year’s to put out good-to-great albums, such and the hard-rocking quartet continue soaring vocals are as powerful as ever, ing these days. Singer Robin Zander’s Carlos, Cheap Trick are still fairly thrill- Even without original drummer Bun E. @ Poison, CheapTrick source. Order’s essential sound. Come hear the architect of both Joy Division’s and New ing bass style made him the primary influential, Hook’s melodically thump - rary. Now for some fightin’ words: Hugely keep it all sounding fresh and contempo - band play their ever-loving arses o— and as Hook and his hard-edged and hungry cally the performances are very strong, the 2000s. The best news is that musi- racked up on the charts from the ’70s to bassist-singer Hook’s two biggest bands amazed at just how many massive hits casually curious might be stunned and who shall flock tonight, but even the ecstatic love feasts for the faithful fans entireties. These shows are, of course, album series, sequentially and in their Factory Records Joy Division and New Order’s revered of North American dates performing 2016, Hooky ’n’ mates do a second round critical huzzahs of their U.S. shows in Following up the big success and wild @ Peter Hook&theLight —Lily Moayeri prove to be a refreshing return to form. Little Dark Age’s MGMT-lite vibes could their early hits, understandably so, but entire evening will be in anticipation of ence representative of the duo’s core. The live are a colorful and psychedelic experi- the fun twinkles of “TSLAMP.” MGMT easy grooves of “Me and Michael” and without-being-grandiose title track, the retain it anyway. Standouts are the grand- attempt to gain attention but manages to new wave, vor. A cross between space-rock and ’80s its original indie electronic + cool pop fla Dark Age, aims at gaining back some of albums, but MGMT’s recent release, this immediately with their next two paradigm for the late 2000s. They lost “Electric Feel,” created a fresh pop-music wide hits “Kids,” “Time to Pretend” and tacular, with its astronomical world - MGMT’s debut album, @ MGMT fri | |

Music FIVEPOINT AMPHITHEATRE THE WILTERN HOLLYWOOD PALLADIUM Picks —John Payne Little Dark Age doesn’t overtly We’re All Alright!, in an era

// Substance compilation- //

Oracular Spec- 5/18 Little - and kind of obvious classic-rock remakes. remarkable collection of watered-down recent album, 2007’s very much stuck in the past — their most on You.” Headliners Poison are a band latest single, “The Summer Looks Good the Rockford, Illinois, group release their @ @ series (proceeds go to music programs lous Save Music in Chinatown concert This wiggy wild a—air, part of the fabu- Up Hurry Midget Handjob,Unhushables, sun —Falling James ing swirl of guitars on “Love Fucked Up.” harder amid the mysteriously engross- tunes (“Regrets”). She even rocks out Out of Me”) and jangling pop-country satisfying mix of spacious ballads (“Best expressive violin embellishments with a Walker frames Santo’s soulful vocals and undercurrent of dread. Producer Butch funereal percussive stomp with an eerie on “The Wrong Man,” which marries a Santo wails with a bluesy gospel fervor textures. “I’ve got blood on my hands,” layered with a richer variety of musical and folk style of HoneyHoney but is record, sides of herself. Her 2017 debut solo hiatus, Santo continues to reveal new solo careers during the duo’s extended ing partner Benjamin Ja—e embark on HoneyHoney, but as she and songwrit- Suzanne Santo is the primary singer in Santo Suzanne sat —Falling James

GRAND STARGRAND JAZZ THE BOOTLEG THEATER See Friday. See MGMT: Ruby Red, builds on the country

CLU Poison’d!, was an un- B 5/20 5/19 @ plex, Thursday, May 24. Also with Angelic Upstarts at the Echo- fiercest with the recently reunited Briefs. & the Cute Lepers, but they are at their Steve Kicks also play with Steve E. Nix style. Guitarist Steve E. Nix and bassist anonymous, The Briefs had real sartorial and indie Seattle bands looked drab and grunge era when so many other punk their classic inspirations. Plus, in a post- catchy and stand up reasonably well to that their energetic songs are actually and so many other punk revivalists is But the di—erence between The Briefs enced by Buzzcocks and The Undertones. their music was admittedly heavily influ- as The Damned and The Weirdos, and atemporal clones of such 1977-era bands glasses, the punk quartet looked like polka-dot shirts, skinny ties and sun - from Seattle in the year 2000. Wearing about The Briefs when they emerged There was seemingly nothing original The Briefs mon appoint. little hootenanny will definitely not dis- but no, it ain’t OFF! — and this bangin’ — yes, it is a legit old-school punk band, in the proverbial super-secret headliner Cringeworthy; and DJ Lisa Fancher. Toss Maggie Vail; Cringer/J Church tribute Collins; plus Hurry Up featuring Bangs’ rhythm section Art Mitchell and Dave Car vocalist Frank Daly and Supernova of Unhushables, with M.I.A./Big Drill combo Midget Handjob; the world debut his always mind-melting beatnik-bizarro Jerks howler Keith Morris convening include legendary Black Flag/Circle sunny Sabbath afternoon. Participants to jam a hard jolt of high slam into your at nearby Castelar Elementary), is sure

ALEX’S —Jonny Whiteside BAR —Falling James PHOTO BY B 5/21 RAD ELTRAD E

RMAN

| | 31 LA WEEKLY // May 18 - 24, 2018 // www.laweekly.com REPUBLIC 98 CD 13 MCALLISTER and MELISSA and MELISSA NED LEARNER LEARNER NED BAY Bay has embraced electronic beats and woozy atmospherics, citing Prince and Frank Ocean as his musical touchstones. -The Guardian ES JAM Electric Light DJ SETS FROM 12-4pm: SETS FROM DJ

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GLASSNOTE GLASSNOTE CD 98 98 CD 13 11 Searches for clarity, connection, and Searches for clarity, meaning, while staying true to the melodic songwriting that brought them to prominence. 25TH! Out MAY Wildness Wildness SNOW PATROL SNOW An album about the fact that there are great things in the world and awful things too and that you cannot have one without the other. 25TH! Out MAY CHVRCHES is Dead Love

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RAY CARRION &THEE LATIN ALLSTARS We’ll alsosendspecialticket offers and music promotions MUSIC PROMOTIONS NEWSLETTER features, additional onlinemusic listings andshow picks. Keep your thumb onthelocalmusic scene withmusic available onlyto ourMusic Newsleer subscribers. Sign upnow at laweekly.com/newsleers @ @ @ tue yourself. climb your way out of the darkness Mode lit the way until you could finally times in your life for which Depeche where you were (and who you were) at — instantly transporting you back to the rarefied sorcery of live performance tion, these songs — when manifested in how tall you got. Time capsules of emo- scrawled in pencil on a doorway to mark songs are more like tree rings, or marks album, cide and bondage. They have a newish bangers and stark tunes about teen sui- world both unassailable dance-floor — their sterling songcraft has given the Me Down Again” to “Personal Jesus” pop — from “New Life” to “Never Let just with new wave, not just with synth- singles bands of the 20th century. Not Depeche Mode are one of the finest Depeche Mode and Monday, May 28. at the Bowl. Also Wednesday, May 23, evening will be the first of three nights Tour, it seems like he means it. Tuesday title Homeward Bound — The Farewell states this will be his final run; with the us — and he’s touring. At 76, Simon land. Thankfully, Simon is still among best work since the perennial writing melodies, it contains some of his Simon’s nearly unequaled genius for ing experimental arrangements and Stranger to Stranger that year. Display Another luminary, Paul Simon, released o­ this mortal coil, along with Prince. as parting gifts before each shu ed and Leonard Cohen, who left us returns-to-form from David Bowie and many great releases, the year saw fine memorable year for music. Among With apologies to 2017, 2016 was a Paul Simon —Falling James venue with a feeling of genuine warmth. should imbue this intimate if antiseptic Stephens. Magness’ uplifting spirit ney Hartman, Rusty Young and Bryan McClinton, Charlie Musselwhite, Court- lies including Cedric Burnside, Delbert a small platoon of simpatico musical al- an Army , in which she’s accompanied by infuses Magness’ latest album, organizations. That sense of community life publicly championing foster-care and she has spent much of her adult it’s like to be left alone and forgotten, selves. She has never forgotten what after each of her parents killed them- native lived in numerous foster homes most modern blues singers. The Detroit Magness understands this better than and invoke deep emotions. Janiva and empathy and the ability to express look or a sound. It’s about having soul Singing the blues isn’t really about a Janiva Magness

HONDA CENTER HOLLYWOOD BOWL GRA If You Want It Darker, respectively, MMY MUSEUM Spirit — but for their fans their —David Cotner —Matt Miner Blackstar 5/22 Grace- Love Is

- —Shirley Ju change and authenticity with open arms. for himself as someone who embraces the Comfort of, Sango makes a name Tiller and Smino, to his 2018 release music’s greats such as Tinashe, Bryson much more. From working with some of xEDM, funk and funk carioca, and so the South, black gospel, ’70s soul, straight beats are influenced by timeless hip-hop, get the crowd moving and shaking. His old strives to play upbeat music that will When it comes to deejaying, the 26-year- all barriers of EDM, hip-hop and R&B. Wright, he has the ability to break down from Seattle, real name Kai Asa Savon producers of our time, Sango. Hailing Introducing one of music’s hottest If you like Soulection, this is for you. Sango p.m. in Long Beach on Wednesday, May 23, at 7 an in-store performance at Fingerprints pour another bourbon. McKay also plays pulpy and menacing and may drive you to Even her accompanying liner notes are tinkly, jazzy piano and dreamy vocals. wee-hourly landscape, thanks to McKay’s along Highway 1” and evokes a sultry, takes the concept of a “dark, foggy drive a Sentimental Mood.” The new record or When, “Georgia on My Mind” and “In the ’30s and early ’40s, including “Where black-and-white mood covering songs of latest album, bandleader Billy Tipton, Joan Rivers). Her murderer Barbara Graham, transgender rious and fascinating women (convicted of inventive musical biographies of noto- era. In recent years, she’s written a handful Nellie McKay has never fit any particular Wordsmith and brilliant song-crafter Nellie McKay thu @ @ sun, moon and stars.” Blakeslee on a show to “honor the Earth, Brodie Johnson, Molly Lewis and DJ Guy Pageant, she’s billed with Rocco DeLuca, somber “To Be Sad.” At tonight’s Cosmic like a scar,” Neale confides softly on the “I live like a king now, and I’m perfect ebullience of “Born in the Summer.” with the harder-rocking, shimmering and the ethereal “Sleep to Remember” ticism of “White Daisy, Lace Gloves” Dust.” She contrasts the elegant roman- and the quietly reverential “Cinnamon & idyllic tracks as “Pale Light of the Sun” soars over a rural landscape on such album, songs like a gentle brook. On her debut courses through her homespun, pastoral and a connection to the natural world was raised in the mountains of Virginia, Lael Neale lives in Silver Lake, but she Lael Neale wed @

THE NOVO CATALINA BAR &GRILL ZEBU —Libby Molyneaux I’ll Be Your Man, Neale’s voice LON Sister Orchid, finds her in a —Falling James 5/23 5/24 In In | | LA WEEKLY // May 18 - 24, 2018 // www.laweekly.com 33

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things tothings ea and free parking. on Tickets General admission: $40 Children and12 under: free moreFor information and purchase, visit cl the Folk CenterMusic Ave. atYale 220 Claremont. in (909) 624 Saturday Theater Sontag College Pomona Gates FestivalThe return will to Pomona College Sontag Theater day allall for ages, village,a vending delicious open at 10 a.m. t and from drink localprovider 2928 - with two stages of music,live workshops remontfolkfestival.org. For paper tickets, come in to a

Saturday Sontag Theater Pomona College Gates FestivalThe returnwill to Pomona College Sontag Theater dayall for allages, village,a vending delicious tothings ea and free parking. Tickets on General admission: $40 Children and12 under: free moreFor information and purchase, visit cl the Folk CenterMusic Ave. atYale 220 Claremont. in (909) 624 316 W. Second St., L.A. 316 W. 1234 W. Seventh St., L.A. 1234 W. 1911 Sunset L.A. Blvd.,

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468 W. Sixth St., San Pedro. Randy Randy St., Sixth San Pedro. 468 W. 9081 Santa Monica Blvd., West 9081 Santa West Blvd., Monica 8852 W. Sunset Blvd., West Sunset West Blvd., 8852 W. 8901 Sunset Blvd., West Hollywood. 8901 Sunset West Blvd., ALLROOM: AR & GRILL: GO: 142 Pacific Coast Highway, Hermosa Highway, Coast Pacific 142 AM B DOUR: 9683 Sunland Hills. Molly Shadow Blvd., 247 S. Main St., 247 L.A. Goth, Divola, Closet 428 S. Hewitt St., 428 S. Hewitt & the L.A. Hank Wood 9009 W. Sunset Blvd., West Hollywood. Sunset West Blvd., 9009 W. 245 E. Green St., Madeleine E. Green Pasadena. 245 6010 W. Pico Blvd., L.A. Dizzy Box Nine, L.A.Dizzy Box Blvd., Pico W. 6010 2478 Fletcher Dr., L.A. Mdou Moctar, La L.A. Mdou Moctar, Dr., Fletcher 2478 BA OXY: EDWOOD B EDWOOD ROU T INT ROCKE: INT CRED GROUNDS: CRED Hollywood. Midnight Divide, The Audiots, Mal, Audiots, Hollywood. The Divide, Midnight $18. 18, 7:30 p.m., May Fri., Seventh Freedom, Devil Burn, Agnozia, Red Burn River Motogrator, Seizure, Sat., Divine Retribution, 19, May Vortex, $15. Madrost, Silent Calcemia, 6 p.m., Scream, Sunset $13. The Sun., 8 p.m., Goreified, 20, May May Tue., Foxies, The free. 7 p.m., Jam, Mondays, Beyond the in Atlantis, Lost Eyelight, $10. 22, 8 p.m., The $13. Ocean Alley, 23, 8 p.m., May Wed., Roots, $18. 8 p.m., 24, May Thu., Yells, Morning Saint JHN, Tyla Yaweh, Fri., May 18, 9 p.m., $20. $20. 18, 9 p.m., May Fri., Yaweh, Saint JHN, Tyla Sat., Peasant, 19, 8 May The New Pacific, The Viza, Boyd, Victory Diary, Smollett, $25. Jussie June’s p.m., 24. May Thu., $20-$65. Killy, 21, 8 p.m., May Mon., Chamba, Sat., May 19, 9 p.m., $15. Weirdo Night, Sat.,Chamba, Weirdo $15. 19, 9 p.m., May Álvarez, Oscar Handbag, Sophiawith Dynasty Cleary, $15. Collapsing Sun., 8 p.m., 20, May Vargas, Chris 21, 9 May Mon., Nani, Anthony, Glaare, Scenery, $20. 22, 9 p.m., May Tue., Fascinator, Pond, $0. p.m., Molly Johnson, Lael Neale, Brodie DeLuca, Rocco free 23, 9 p.m., May Wed., Blakeslee, Guy DJ Lewis, DJ SK Kakraba, Idris Ackamoor, (see Music Pick). $15. 8 p.m., 24, May Thu., Carlos Niño, Double Naught Spy Car, Rough Church, The World World The Church, Rough Spy Car, Naught Double Sat., free. 19, 9 p.m., May Record, Daisycutter, Bright Eyed Kids, The Somebodies, Carlie The Kids, Eyed Bright Daisycutter, Jigsaw Attack, $12. Yak 18, 7 p.m., May Fri., Hanson, Sat., Extagalatic, -$12. $10 19, 8 p.m., May Falling, Annes, Stars, Middle Orion & the The Meyer, Rich Mint $15. The Sun., Zizak, 6:45 p.m., 20, May Polina Reece, $5. Hunter 8 p.m., Jam, every Monday, other Madd Vibe $8. Dr. 22, 8 p.m., May CQL, Tue., Veaux, Wed., Face, Tasty McFadden, Eric Links, Missin’ & the Julie Hill, Discotelle, Loor, Mario $17. 23, 8 p.m., May $8. 8 p.m., 24, May Thu., Sweet Noir, Missing Persons, Fri., May 18, 7 p.m. Stephen Pearcy, Stephen 18, 7 p.m. Pearcy, May Fri., Persons, Missing 23, 8 May Wed., Sat., Rules, Lightning 19, 8 p.m. May Glennellen, Rachelle Kaipora, Treblemonsters, p.m. 7 p.m. 24, May Thu., Amper, SofyaPauli, Wang, Hanmer & the Midnight Tokers, 2 Ton Bridge, Rich Rich Bridge, 2 Ton Tokers, Midnight Hanmer & the $10. 18, 8 p.m., May Fri., Kasper, Chris McCulley, Stodola, Coma Twins, Jason Paul, Michael Espinoza, Michael Espinoza, Jason Paul, Stodola, Coma Twins, Sat., free. 19, 7 p.m., May $45. The 9 p.m., 18, May Fri., Popper, Beach. John Beat, Sat.,English $35. 19, 8:30 p.m., May Hollywood. Emerson Star, Fell Runner, Liv Slingerland, Liv Runner, Fell Hollywood. Star, Emerson Ships, Dead $12. The 18, 8 p.m., May Station, Fri., Essx Sat., North Revies, North, by 19, May The Talks, Night Sun., noon, $15. School 20, 7:30 p.m., May Rock, of May Band, Mon., Revolving Carney & the $15. Reeve Bianqui, Wed., Veronica Lahey, Alex $17. 21, 8 p.m., $17. 23, 7:30 p.m., May Larkin Poe, Fri., May 18, 9 p.m., $18. Cory 18, 9 p.m., May Henry & Fri., Poe, Larkin Sat., Apostles, $28. Pond, 19, 9 p.m., May Funk the 23, May Wed., $18. Wajatta, 21, 8 p.m., May Mon., Michael Blume, Brassroots $26. Lawrence, 8 p.m., $20. 9 p.m., 24, May District, Thu., Chud, This Uni, Fri., May 18, 8 p.m., $5. WASI, Earth $5. WASI, 18, 8 p.m., May Fri., Uni, This Chud, $5. 8 p.m., 24, May Thu., Trigger, Chill Star, Is a Death Biblical Proof of UFOs, Kurt Stifle, Meco Cardovas, Stifle, Cardovas, Meco Kurt UFOs, of Biblical Proof 18, 9 p.m. May Fri., Hammerheads, Sat.,Hammerheads, $12 - $15. RF 19, 8 p.m., May May Mon., Dupree, Alex Jesse Woods, Shannon, May Sun Sic, Tue., Land, Leyet, $8. Lizzy 21, 8 p.m., Yacht Kid, Calamity the Knitts, The $10. 22, 8 p.m., $10. p.m., 23, 8 May Wed., Durga, of Flames Punk, Premonitions, HollywoodMatt Bad Feelings, & the free. 8 p.m., 24, May Thu., Flowers, Drinking Peyroux, Tue., May 22, 9 p.m., $28-$58. 22, 9 p.m., May Tue., Peyroux, Lighthouse & the Whaler, Vita & the Woolf, Fri., May May Fri., Woolf, & the Vita Whaler, & the Lighthouse Jr., Philistines The Youths, of $15. Gang 18, 8 p.m., 22, 7:30 May Tue., Li, $15. Lykke 20-21, 9 p.m., May 23, 8 p.m., May Wed., Nightly, $25. Colouring, p.m., Thu., So Via, Bogan Much Light, $15. Geographer, $19. 7:30 p.m., 24, May NT: RESTAURA IX FRENCH HE HISKY A GO- WHISKY ZEBULON: TA TERAGR THE T THE VIPER ROOM: THE ROSE: THE R THE SA SA SMELL: THE SPACE: SUN THE MOROCCAN LOUNGE: MOROCCAN THE R THE RESIDENT: THE MINT: THE Yo, - 6251 E. Pacific Coast Coast 6251 E. Pacific 24201 Valencia Blvd., Blvd., Valencia 24201 28912 Roadside Dr., Dr., 28912 Roadside Boys, Silverteeth, Thu., -Boys, Silverteeth, Thu., -Accident, Ape, Atomic AR: A: 6 p.m., $15. See6 p.m., Pick. Music 3101 Pico Blvd., Santa Blvd., Pico 3101 943 N. Broadway, L.A. 943 N. Broadway, B: LU 800 W. Olympic Blvd., L.A. Ne Olympic Blvd., 800 W. 200 W. Second St., Pomona. 200 W. 2200 Beverly Blvd., L.A. Sur, Bona- L.A. Sur, Blvd., 2200 Beverly C 2142 E. Fourth St., Long Beach. 16 St., Long E. Fourth 2142 6400 Sunset Blvd. Beat Tropíc, Fri., Fri., 6400 Sunset Beat Tropíc, Blvd. 22969 Pacific Coast Highway, Malibu. Highway, Coast 22969 Pacific NTA CLA RIT NTA 1154 Glendale Blvd., L.A. Loud Fest, Fest, L.A. 1154 Loud Glendale Blvd., 420 E. Fourth St., Long Beach. Nellie St., Long 420 E. Fourth TER: AZZ R: A SA 3040 W. Sunset Blvd., L.A. Lil Mosey, Fri., Fri., Sunset Mosey, L.A. Lil Blvd., 3040 W. 3311 S. Main St., L.A. The Felix Brown Brown 3311 S. Main St., Felix L.A. The 2913 E. Anaheim St., Long Beach. Fartbarf, Fartbarf, Beach. St., 2913 E. Anaheim Long 5043 York Blvd., Highland Park. Highland Park. Blvd., 5043 York R J HE 1822 W. Sunset Blvd., L.A. Preoccupations, Sunset L.A. Preoccupations, Blvd., 1822 W. R: T: T A MUSIC: BOS: STA NYON NYON A HILLS: AGOURA NYON LO CA CA ND NT & B SLAMPRESTAURA SA ESCOBA SA Mon., May 21, 8 p.m., $25. Janiva Magness, Tue., Magness, Tue., $25. Janiva 21, 8 p.m., May Mon., Jules Shear, Pick). $20 (see Music 22, 8 p.m., May $20. 23, 8 p.m., May Wed., Save Music in Chinatown 15, with Hurry Up, Midget Save 15, with Hurry Music in Chinatown Up, Lisa DJ Cringeworthy, Unhushables, The Handjob, Sun., 2- 20, May Fancher, Combichrist, Wednesday 13, Night Club, Prison, Prison, Club, 13, Night Combichrist, Wednesday 18, 6:30 p.m., May Fri., High, Requiem, Valley Death $30. 8 p.m., 24, May $25. Bleachers, Cig, Thu., Diet #1351, Santa Clarita. Blood, Sweat & Tears, Fri., May May Fri., #1351, Santa Clarita. Blood, Sweat & Tears, Sat., Party, Dance $68. Boingo $38- Oingo 18, 9 p.m., 24. May Thu., -$34. Metalachi, $24 19, 9 p.m., May Sat., May 19, noon, free. Týr, Orphaned Land, Ghost Orphaned Land, Ghost Sat., Týr, 19, noon, free. May $28. Sun., 6 p.m., Aeternam, Octavius, 20, Ship May $27. 22, 8 p.m., May Six, James Hunter Tue., The 23, 9 p.m., May Soul Syndicate, Wed., Dunkley, Errol Project, Briefs, Bad Co. The Upstarts, $15. Angelic $22. 7:30 p.m., 24, May Crim, Thu., May 18, 7:30 p.m. 24kgoldn, Sat., 24kgoldn, 18, 7:30 p.m. May 19. May Monica. Peter Asher & Jeremy Clyde, Fri., May 18, 8 May Fri., Clyde, Jeremy & Asher Peter Monica. Jeff Shea, Rick $32.50. Sun., 8 p.m., p.m.; 20, May Sat., $20. 19, 8 p.m., May Turmes, Agoura Hills. Oingo Boingo Dance Party, Fri., May 18, May Fri., Party, Dance Boingo Hills. Oingo Agoura Sat.,-$38. Boogie Knights, $24 19, 10 9 p.m., May Sun., 9 20, May Blood, Sweat & Tears, $19.50. p.m., $15. 23, 7 p.m., May Wed., Big, $38-$68.p.m., Mr. Highway, Long Beach. The Wailing Souls, Seedless, Wailing Beach. The Long Highway, Big Band & the Kubis Sat., Tom The 19, 8 p.m. May 21, 7 p.m. May Mon., Swing Kittens, The Surfaris, The Malibooz, The Bruce Pied Blues Bruce Pied Surfaris, Malibooz, The The The Band, Sat., $40-$250. 19, 7 p.m., May Band, Fri., May 18, 10 p.m. The Felix Brown Band, Brown Felix The p.m. 18, 10 May Band, Fri., Z The p.m. 22, 10 May Tue., 9 p.m. 24, May May 18, 8 p.m. José Madero, Tue., May 22, 6 p.m. May Tue., Madero, José 18, 8 p.m. May Moaning, Mourners, Fri., May 18, 8:30 p.m., $18. 18, 8:30 p.m., May Mourners,Moaning, Fri., Pacific Khalil, Mike Bailey, Victoria McCutchen, Austin Hit Pow, Numb.er, free. Sun., 3 p.m., Range, 20, May free. 21, 8:30 p.m., May Mon., Break, Circuit Bargain, $16. 22, 7 p.m., May Hackles, Tue., The Veirs, Laura Wed., Vertigo, Body Fluid, Kompromat, Enemy, Dare, $11. Rival 23, 8:30 p.m., May Anima, Monogem, $15. 8:30 p.m., 24, May Cavves, Thu., McKay, Wed., May 23, 7 p.m., free. See free. Music Pick. 23, 7 p.m., May Wed., McKay, Generacion Suicida, The Wraith, Tenement Rats, Fri., Fri., Rats, Tenement Suicida, Wraith, Generacion The Ninjas, Gummy The Devils, $8. Crazy 18, 8 p.m., May Sat., Dogpile, Acko, The Life, Electric Party Poopers, Samira MT, HOTT Reptaliens, free; 19, 2 p.m., May Taleen Magic Wands, Sat., $7. 19, 8 p.m., May Winter, $5. Sun., 3 p.m., 20, May Dimber, Cheekface, Kali, Sara Hallie Richardson, Summer, Iris, Haunted Arc Nightgown, Wellness, Test, free. 22, 8 p.m., May Tue., $8. Free 23, 8 p.m., May Cousins, Wed., Vicious Salamander Exhibit, Cheer Thu., May 24, 8 p.m., $10. 8 p.m., 24, May Thu., Bobby Blunders, Band Aparte, Asi Fui, Sat., Blunders,Bobby Band Aparte, 19, 8 May Asi Fui, Louvre, in the Alley Cats, Rats The Hurry Up, $10. p.m., Briefs, The The $7. Sun., p.m., 8 20, May Club Fantasy, 21, May Mon., Polluter, Gross Faith, Gears, Shattered Big Business, INTRCPTR, $16 (see Music Pick). 8 p.m., $12. 8 p.m., 24, May Thu., Digger, Crate vega, Fri., May 18, 8:30 p.m., $15. Suzanne 18, 8:30 p.m., May Santo, Fri., vega, Sat., Dane, $15 (see Music 19, 8:30 p.m., May Korey Sarah Gail Armstrong, & Eddington, Tolliver Pick). Mimi Tempestt, Holmes, Brandon Uhuruverse, The Sarah free. 21, 8:30 p.m., May Mon., Blaq Demarco, $10. 22, 8:30 p.m., May Tue., Alan Hampton, Walk, Sam Lean, $14. 23, 8:30 p.m., May Wed., Brevet, The $12. 8:30 p.m., 24, May Thu., Tampa, Valdez, Again, The Thingz, Sat., Thingz, The 19, 8 p.m. Again, May ROCK & POP & ROCK CLUBS MCCABE’S GUITAR SHOP: GUITAR MCCABE’S LOS G LOS MARKE: THE THE HI HA HI THE GRA GRAMMY MUSEUM: GRAMMY THE GLASSHOUSE: THE GA 4TH STREET VINE: 4TH FINGERPRINTS: THE ECHOPLEX: THE THE ECHO: THE CA THE THE BOOTLEG BOOTLEG BA AMOE ALEX’S B

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CATA BLUEWHA THE B ARC JAZZ &BLUES Dave Tull, Tue., May 22,8:30p.m. McKay, Nellie Thu., Average May 19,7:30&10:30 p.m. White Band,Sat., The Gene Taylor May 19,8p.m., $20. Band,Sat., 23-24, 9:30p.m., $40. 9:30 p.m., $15.Tony MacAlpine&Vinnie Moore, May May 21,9:30p.m., $15.Javo Barrera, Tue., May 22, May 20, 9:30p.m.,Sun., $20. Kinsey, Scott Mon., May 19,9:30p.m., $25.Alex Machacek, Sat., Quest, City. Cab, Fri., May 18,9:30p.m., $25.Don Randi & Jamie Shew, Thu., May 24, 9p.m. 9 p.m. CormacDe Barra, Wed., May 23,9 p.m., $20. Pifher Trial, &Socrates’ 9 p.m., $15.Jeff Tue., May 22, May 20, 9p.m.,Sun., $15.Tim Lefebvre, Mon., May 21, May 19,9p.m., $20. The Quintet, Sat., Anton Schwartz Kaveh Rastegar, Matt Chamberlain, David Binney, Koonse, Peter Sprague, Fri., May 18,9p.m., $20. ADIA BLUES CLU LINA B AKED PO LE: AR &GRILL: 123 Astronaut E.S. Onizuka St., L.A. Larry Larry L.A. Onizuka 123Astronaut E.S. St., TAT O: 3787 Cahuenga Blvd. W., Studio B: 16E.Huntington Dr., Arcadia. 6725 W. Blvd., L.A. Sunset VIBRAT MR. MUSICHE THE LIGHTHOUSE HARVELLE’S L AR COAXIA www.LiveFromMalibu.com Quintet, Thu.,Quintet, May 24, 7:30p.m. May 19,9p.m. TheSmoke, Paul Sat., Kreibich Monica. MissusJones, Fri., May 18,9p.m. Blowin’ Thu., May 24, 7:30p.m., $20. Wed., May 23,7:30p.m., $20. Richie Gajate Garcia, Combo, Tue., May 22,7:30p.m., $20. Ryan Cross, MacFarlane, Mon., May 21,8p.m., $50. Angel Town Elena May 20, Infantino, 7:30p.m., Sun., $20. Seth May 19,6:30&9p.m., $20. Koontz, Maria Larry Sat., Bel-Air. Tony Galla,Fri., May 18,6:30&9p.m., $20. Walter III,Wed., Smith May 23,8p.m., $20&$25. May 24, 8:30p.m. (seeMusicPick). Baiza, Devin Sarno, Sat., May 19,8p.m., $5. Sat., Baiza, Devin Sarno, Wed., May 23,6-9p.m., free. 20, a.m.-3p.m., $10. 11 The GlennGarrett Quartet, p.m., free. The May Charles Owens BigBand,Sun., a.m.-2:30 May 19,11 The JazzBand,Sat., Basie-O SURFARIS O GRILL &J Doors at 7:00pm BLUES BAND T BRUCE PIED SA S: Tickets available at MALIBOOZ AD G 1815 S. Main St., L.A. JasonKahn, L.A. Joe 1815S.MainSt., NTA MAY SA THE CA ALLERY: A MONIC ZZ: FE: TURD THE 2930Beverly GlenCircle, 30Pier Ave., Beach. Hermosa 19 A: 7420 W. Blvd., L.A. Sunset 1432 Fourth Santa St., AY TH THE Y THE WRI THE WORLD STAGE: VITELLO’S THE C THE CINEMA B BOULEVARD MUSIC: GO JOHN PRINE: CA L THE E THE ECHO: AVALON HOLLYWOOD: B ALEX’S THE AIRLINER: GREJOE’S THE C C CONCERTS OS GLOBOS: COUNTRY &FOLK FRIDAY, MAY 18 DANCE CLUBS OW Mon., May 21,7:30p.m., $25. May 20, 7p.m.,Brothers, Sun., $20. Jeremy Clyde, $18. Deja Vu, May 20, 2p.m., Sun., $20;The Jangle $20. Jim &AnneCurry, May 19,2&6p.m., Sat., Ave., Altadena. CocoDolenz, Fri., May 18,8p.m., Dub Club, Wednesdays, 9p.m. May 19,10 p.m., $12. The Ball, Sat., AnnualBeyoncé Hillebrand, Sun., May 20,Hillebrand, 8p.m., Sun., $4. City. May 19,8p.m., $17.50. Incendio, Sat., John 24, 8p.m. May 20, 65,Thu., 6p.m.Hillbillies, Sun., South May free. May 19,8p.m. MorganHollywood Ridge, Sat., Chatsworth. Jimi Fri., Nelson, St., May 18,8p.m., Session, Thursdays, 9p.m., $5. Session, 8p.m., $5.JazzJam Sundays, Jazz JamSession, Love Laughter, May 19,9p.m., $10. of Sisters Sat., Munyungo Jackson,Fri., May 18,9p.m., $20. Ladies Rhythm Tramps, Wednesdays, 7:30p.m. 6p.m. Teresa Sundays, Bonedaddys, James&the Woodland Hills.The Deductions, Fridays, 8p.m. The Wed., May 23,8:30p.m., $5. New Wild West, May 18-19,9p.m., $8.Brad Johnson, Billy Stritch, Thu.,Billy Stritch, May 24, 7:30p.m., $25&up. 23, 7:30p.m., $25&up. Jim Caruso’s Cast Party, May Wed., 22,7:30p.m., $20&up. BillyStritch, May 7:30 p.m., $20&up. The Ron King BigBand,Tue., May 18,7p.m., May $25.Clara 20, Plestis, Sun., City.Studio Ken Peplowski, DiegoFigueiredo, Fri., Dale &the Thu., Beltline, May 24, 9p.m. BBB, Wed., May 23,8:30p.m. Jimmy JesseDayton, Maureen 5,Tue., &the Mercury May 22,9p.m. The Grand Sextet,Mon., May Slam 21,9p.m., free. May 20, 6-10Joel Sun., p.m., Bennett, free. The RonnieBryant, Mack,Lisa Finnie, Rednecks, Groovy Dawn Thompson, Tony Gilkyson, NolanPorter, Cody a tribute to Willie from Nelson BrianWhelan, Tracy May 19,9p.m. TheCaverns, Messaround, with Sat., Feisty Fri., Hearts, May 18,8p.m., $20-$40. The Magnolia Blvd., Burbank.The John Doe Folk Trio, Thursdays, 10 p.m., $5. Caine Quintet, Sun., May 20, 7:30p.m., Sun., Caine Quintet, free. 24, 8:30p.m., free. p.m., free. DimeBox Band,Trotsky Icepick, Thu., May free. Sherry, Michael MinaLe Bohn,Tue., May 22,9 9 p.m., free. The Hot ClubofMondays, L.A., 9p.m., May 20, May 19,10 p.m., Sun., free. Sakoma, Sat., Wicklow Atwater, Rednecks, Groovy Talkin’ Treason, The Band,Fri., Marco Sanchez May 18,9p.m., free. Foot, third Friday month,9p.m., $5&$7. of every MC Nocando, Wednesdays, 9:30p.m.-1:30 a.m. Daddy Kev, Nobody, The GaslampKiller, and D-Styles 1:30 a.m.,$20. Low End Theory, withresident DJs presentedContest, Tuesdays, by Sellassie, 8p.m.- $65-$80. The Novoby Microsoft. May 20, 10 p.m., $8. 10Saturdays, p.m., free-$5. DJs Alex &Ray, Sun., with MusicManMiles,DJ Touch Soft andothers, Fridays, 10 p.m. 10 Saturdays, p.m. Bootie L.A., Ace Hotel,Ace 929S.Broadway, L.A. LIFORNIA B CHO ORK: OFFEE G OW OY OY

MGMT: TE-OFF TE-OFF ROOM: A B RY: COUNT PLEX: R: AT 1822W. Blvd., Funky L.A. Sunset Sole, ITA OY P OY 5018York Blvd., HighlandPark. The Elliott 2913 E. Anaheim St., Long 2913E.Anaheim St., Beach.The Good N B AMERICA CA With Sam Outlaw, With Sam 8p.m. The Theatre at 3040W. Blvd., Club’90s, L.A. Sunset LIAN RESTA With Molly Nilsson,8p.m., $45. ALLERY B AR: 2419 N.Broadway, The L.A. Rap ALACE ALACE NNABIS AW 1154 GlendaleBlvd., Club90s: 1154 L.A. 3967 Sepulveda Blvd., Culver City. 3967 Sepulveda 4321Degnan Blvd., L.A. 3321 E. South St., Long St., Beach. 3321E.South 4316 Sepulveda Blvd., Culver 4316Sepulveda 1735 TigerHeat, L.A. Vine St., SA 21791 Ventura Blvd., A LOON: CKS URANT: AR &GRILL: ARDS: TAG 21635Devonshire 4349Tujunga Ave., E: With Berner, 7p.m., 2029N.Lake 4311 W. 4311 —Falling James —Falling James —Falling James GO THE AVESTHE QU TO GRESMALLPOOLS, GO DO GO GO GO LA GODSPEED Y GO GO FLORENCE &THEMACHINE: GO GO AUDRA MCDONALD: TODRICK HALL AMERICAN: GO SHORELINE MAFIA: KILLER CLOWNS FRO GO DOHENY BLUES FESTIVAL: GO BLOOD, SWE TRICKY: GO STRUN GO CLASSICAL &NEWMUSIC THURSDAY, MAY 24 WEDNESDAY, MAY 23 TUESDAY, MAY 22 MONDAY, MAY 21 SUNDAY, MAY 20 SATURDAY, MAY 19 Bowl, 2301 N. Highland Ave., L.A. See MusicPick.Bowl, 2301N.HighlandAve., See L.A. MusicPick.Bowl, 2301N.HighlandAve., See L.A. Barbara Bowl, 1122 N. Milpas St., Santa Barbara. Santa N.MilpasSt., Barbara Bowl,1122 Blvd., L.A. See MusicPick. Blvd., See L.A. $24.50. The Novoby Microsoft,800W. Olympic Theatre, 8440W. Wilshire Blvd., Beverly Hills. Concert Hall, 111 S.Grand Ave., Hall,111 L.A. Concert Animal, 6:30p.m., $20. The Theater. Belasco Montalban Theater, L.A. 1615Vine St., The Chamber Orchestra, Hollywood 8p.m. Ricardo the filmwithlive accompanimentfrom The Dickies, Community Park, Rd., 33501Niguel Dana Point. TerraceMitch Woods a.m.Sea 11:30 andothers, Vaughan, Larkin Poe, Osborne,Eric Anders Gales, the Destroyers, Nathan James,BluesTraveler, Jimmie Theatre Hotel, atAce 929S.Broadway, L.A. DJ Rick Lopez., 7:30p.m., $23.The Regent Theater. Hollywood Palladium. See MusicPick. Palladium.Hollywood See $30. UCLA, Royce$30. Hall,340Royce UCLA, Dr., Westwood. 6126 Hollywood Blvd., L.A. 6126 Hollywood The Wiltern, 3790 Wilshire Blvd., L.A. Theatre, Blvd., L.A. 6126Hollywood E. Katella Ave.,MusicPick. Anaheim. See Club, 7:30p.m., $63.50-$349.HondaCenter, 2695 501 N. Main St., L.A. See GoLA. See L.A. 501 N.MainSt., Plaza12-8 p.m., $25&$50. de Cultura yArtes, LA Charanga Cubana,Calixto &Timba LasChikas, L.A., Pedro “Pedrito” Calvo, The ARP BigBand,La 7 p.m., $25-$40. The MusicPick. Wiltern. See Community Park, Rd., 33501Niguel Dana Point. TerraceKim a.m.Sea Wilson 11:30 andothers, California Honeydrops, John Nemeth, QuinnSullivan, Eric BurdonBeth Hart, &the Animals,Nikki Hill,The $35-$135. FivePoint Amphitheatre.MusicPick. See Chandler Pavilion, 135N.Grand Ave., L.A. College, 300E.BonitaAve. Kosher, 10 Greek a.m.,$40. Sontag Theater, Pomona Mick Rhodes, Jackson,Tom Snap Freund, Mostly & the Guilty Ones,Crooked Jades, BombaConBuya, 2580 Cahuenga Blvd. East, Hollywood. $44.25-$54.25. John AnsonFord Amphitheatre, KE KE M JONES: JA

CAT STREE

G OUT: PETER PETER H SA STEEL PULSE: PAUL SIMON: NATA PAUL SIMON: DEPECHE MODE: DOHENY BLUES FESTIVAL: CUBA TAYLOR SWIFT: KAT RE CLA TAYLOR SWIFT: POISON, TRICK: CHEAP With Young Magic. The Fonda Theatre. , KILO KISH: NGO: Y PERRY: 8p.m., $37.50-$165. The Greek Theatre. LIA T DIVE: N MUSICN AMERICA FESTIVAL: AT OU BL ARTET: With Strife, LaArmada,Twilight Creeps, MONT FOLK FESTIVA L: With Kaelin Ellis, 9p.m., $19.50& &TE OOK &THE LIGHT: LA FOURC AT ACK EMPEROR: 8:30p.m. The Novoby Microsoft. With Mikaela Davis, 8p.m., The strings-clarinet-piano en- 3p.m., $19-$159.Dorothy ARS: 7 p.m., $59.50-$199.50. Santa 7p.m., $59.50-$199.50. Santa 8p.m., $39.50-$250. Hollywood 8p.m., $39.50-$250. Hollywood 8:30p.m. The Fonda Theatre, M OUTER GOODFINE OK: With Sudan Archives, 8p.m., With Sudan 7p.m. Rose Bowl. 7p.m. Rose Bowl. With BlackRebel Motorcycle 9 p.m., $38-$68. Saban 9p.m.,Saban $38-$68. ADE: With George Thorogood & 7:30p.m. The Fonda 8p.m. Walt Disney 8p.m., $35-$70. The With Pop Evil, 7p.m., SPA With BuddyGuy, With El Ten Eleven, 7p.m., $30-$45. CE: With Dave Alvin With Halfthe Ascreening of —Falling James With | | LA WEEKLY // May 18 - 24, 2018 // www.laweekly.com 35 —Falling James —Falling Pianists Ursula Ursula Pianists Allen Robert Gross con- Gross Allen Robert Tenor Bernard Holcomb Holcomb Bernard Tenor The Belgian pianist explores explores Belgian pianist The Matthew Aucoin conducts Aucoin Matthew MAY 17TH MAY NEXT CONTEST CONTEST NEXT OVE POTION: OVE and Norman’s The and Norman’s Cadences Many Many, Momento Mori , Sky Momento Entr’acte, Nina C. Young’s RIGOLETTO: THE L THE CONCERTS: EVENING MONDAY

20th-century Italian composers music by Giacinto - Busoni and oth Ferruccio Francesconi, Scelsi, Luca Santa 7:30 p.m. 24, May Public Monica ers, Thu., 601 Santa Main Branch, Blvd. Monica Library, Giuseppe Verde’s tragically twisted opera, and Mark opera, twisted tragically Verde’s Giuseppe Sat., presentation, May L.A. Opera’s Lamos directs 31, May Thu., 2 p.m.; Sun.,19, 7:30 p.m.; 27, May Sun., Dorothy 7:30 p.m.; $25-$340. June 3, 2 p.m., L.A. Ave., 135 N. Grand Pavilion, Chandler and Mozart’s Symphony 39 No. Mozart’s and a Path Here From 543, Sat., K. Alex 19, 8 p.m. May major, in E-flat Sun., Glendale. And Blvd., 216 N. Brand Theatre, UCLA,$27-$124. 340 Hall, 7 p.m., 20, May Royce creative Composer/LACO Westwood. Dr., Royce Maia violinist Norman welcomes adviser Andrew violinist Shulman, Andrew cellist Jasper White, musicians for a string and other Batjer Margaret of arrangement Norman’s that includes program Flores , Caroline Rosarum Nuper DuFay’s Guillaume Shaw’s Macklay’s $35. 9 p.m., 24, May , Thu., Rome Companion Guide to 216 S. Alameda St., L.A. City Brewery, Angel ducts Kurt Weill’s Second Symphony and Beethoven’s Second Symphony and Beethoven’s Weill’s ducts Kurt Ann $30. Sun., 2:30 p.m., 20, May Symphony, Sixth , 3131 Olympic Blvd. & Jerry Theater, Moss (Tristan) and dramatic, chameleonic soprano Jamie chameleonic soprano and dramatic, (Tristan) lovers portray (Isolde) in Chamberlin star-crossed com- of presentation intriguing Beach Opera’s Long version mythical the of romantic Martin’s poser Frank fable, Sat., Warner $49-$150. 19, 7:30 p.m., May St., Sixth San Pedro. W. 478 Theatre, Grand Oppens and Gloria Cheng open up Meredith Monk’s Monk’s Meredith open up Oppens and Gloria Cheng works for solo and other Island,” “Totentanz” “Ellis cycle Players Chamber MEC and duo pianos, and the 21, 8 May , Mon., Femenine Julius Eastman’s through School Colburn Music, Zipper of The & $27. $10 p.m., L.A. SeeConcert Ave., GoLA. Hall, 200 S. Grand GO VANHAUWAERT: STEVEN laweekly.com. please go to more listings, For GO GO MONICA: SANTA ORCHESTRA

Cellist Joshua Joshua Cellist Japanese-British pianist Japanese-British pianist The season series closes with Lyris season series closes with Lyris The With Scott Tennant, Andrew York, York, Andrew Scott Tennant, With The Argentine organist pumps up organist Argentine The , Sat., free. 19, 3 p.m., May Fantasy Tempest . PHILHARMONIC: L.A L.A. CHAMBER ORCHESTRA:L.A.CHAMBER JACARANDA: ÉLIANE RADIGUE: THE RESONANT ISLAND: RESONANT THE RADIGUE: ÉLIANE

, and sound projectionist Michael Pisaro Michael Pisaro Occam X, and sound projectionist Trumpeter Nate Wooley invokes the French compos- French the invokes Wooley Nate Trumpeter er’s free 23, 7 p.m., May , Wed., re-sonante L’île journeys to Santa West Blvd., Monica Laxart, 7000 with RSVP. Hollywood. See GoLA. Mitsuko Uchida unfurls Robert Schumann’s Piano Piano Schumann’s Robert unfurls Uchida Mitsuko Dudamel 54; and Gustavo Op. Concerto in A minor, Symphony composer’s administers German the No. $67- 18, 8 p.m., May 38, Fri., Op. 1, in B-flat major, Dudamel continues the Gustavo $205. Conductor Schumann, Robert works of focus on the orchestra’s com- out the rings Uchida Mitsuko and pianist 54, Sat., Op. Concerto Piano poser’s in A minor, Junko Pianist Sun., 2 p.m. 19, 8 p.m.; May 20, May musicians string orchestra’s and the Garrett Ueno quartets piano and string Robert by twine together Sol Cellist 22, 8 p.m. May Gabetta Schumann, Tue., Concerto Cello in A mi- Schumann’s Robert unravels the down Dudamel sets 129; and Gustavo Op. nor, 8 p.m.; 24, May Thu., Symphony, Third composer’s Disney Concert 25, 11 May Hall, 111 a.m. Walt Fri., L.A. Ave., S. Grand Roman works his way through Shostakovich’s Cello Cello Shostakovich’s through works his way Roman Gershon and Grant Concerto 1 in E-flat major, No. Jr.’s Spiva Derrick of world premiere conducts the Quartet Sullivan James and clarinetist performing Gerhard Roberto Peire-Serrate, Tomas selections by Sat., Sun., 19, 8 p.m.; May May Falla, and Manuel de 1220 Church, Presbyterian First $20-$50. p.m., 4 20, Second St., Santa Monica. selections by Vierne, Bach and Piazzolla alongside alongside Bach and Piazzolla Vierne, selections by works, and other Rhapsody” “Bohemian Queen’s Disney Concert Hall. Walt Sun., 7:30 p.m. 20, May and Paul Paul and Contrasts Béla Bartók’s unwraps semble Moravec’s Carson St., & School, Church 2900 W. Lutheran First Torrance. Fri., May 18, 7:30 p.m., $40. Barrett Hall, Pasadena Hall, Pasadena Barrett $40. 18, 7:30 p.m., May Fri., Pasadena. Conservatory N. Hill Ave., Music, 100 of GO GO GO HECTOR OLIVERA: HECTOR GO BLAZINGGUITARS:

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