Designing Urban Citizenship
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"Cinema As Dispositif: Between Cinema and Contemporary Art"
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Érudit Article "Cinema as dispositif: Between Cinema and Contemporary Art" André Parente et Victa de Carvalho Cinémas : revue d'études cinématographiques / Cinémas: Journal of Film Studies, vol. 19, n° 1, 2008, p. 37-55. Pour citer cet article, utiliser l'information suivante : URI: http://id.erudit.org/iderudit/029498ar DOI: 10.7202/029498ar Note : les règles d'écriture des références bibliographiques peuvent varier selon les différents domaines du savoir. Ce document est protégé par la loi sur le droit d'auteur. L'utilisation des services d'Érudit (y compris la reproduction) est assujettie à sa politique d'utilisation que vous pouvez consulter à l'URI https://apropos.erudit.org/fr/usagers/politique-dutilisation/ Érudit est un consortium interuniversitaire sans but lucratif composé de l'Université de Montréal, l'Université Laval et l'Université du Québec à Montréal. Il a pour mission la promotion et la valorisation de la recherche. Érudit offre des services d'édition numérique de documents scientifiques depuis 1998. Pour communiquer avec les responsables d'Érudit : [email protected] Document téléchargé le 11 février 2017 05:44 Cine?mas 19, 1:Cinémas 19, 1 05/03/09 14:59 Page 37 Cinema as dispositif : Between Cinema and Contemporary Art André Parente and Victa de Carvalho ABSTRACT Recent upheavals in the media landscape raise two major issues. First, how is new media changing the cinematographic diSpo- sitif 1 in its primordial dimensions: architectural (the conditions for image proJection), technoLogicaL (production, transmission and distribution) and discursive (cutting, editing, etc.)? How does experimentation in the field create new shifts or deviations with respect to the institutional mode of representation? Unlike the dominant cinema, some films reshape cinema’s dispositif by muLtipLying screens, expLoring other durations and intensities, changing the architecture of the screening room or entering into other relations with spectators. -
Michel Foucault and Qualitative Research in Human and Social Sciences
Volume 19, No. 3, Art. 23 September 2018 Michel Foucault and Qualitative Research in Human and Social Sciences João Leite Ferreira-Neto Key words: Michel Abstract: In this article, I analyze the methodological contributions of Michel FOUCAULT, Foucault; highlighting his affinity with qualitative strategies of research in the human and social sciences. I qualitative propose a theoretical study on the subject, working with historical and conceptual aspects of Michel research; FOUCAULT's methodology and its application to qualitative research. This text is organized into humanities; three analytical axes: a discussion of the methodological questions developed by Michel ethnography; FOUCAULT; a correlation of his perspective with contemporary literature about qualitative research; philosophy and an analysis of the methodological design of his final research. I emphasize his decision to study problems from their "most singular and concrete forms." I explore the outline of his final research on the genealogy of the modern subject, analyzing the reasons for his methodological choices. Finally, I propose that the construction of relevant research problems, handled with detail and precision, and using classic research methods, contributed to the incisive impact of his work in the field of human and social sciences. Table of Contents 1. Introduction 2. Methodological Choices in Michel FOUCAULT's Work 3. Eventualization and Ethnography 4. A Discussion of Method in Foucault's Research 5. Conclusion Author References Citation 1. Introduction Michel FOUCAULT has become a reference for research in the human and social sciences all over the world, notably in English-speaking countries. His influence has increased after his death in 1984, favored by the posthumous publication of his interviews and articles, as well as his courses at the Collége de France. -
Discursive Contestations of Governmentality in the Transparency Dispositif Sun-Ha Hong, François Allard-Huver
Governing governments? Discursive contestations of governmentality in the transparency dispositif Sun-Ha Hong, François Allard-Huver To cite this version: Sun-Ha Hong, François Allard-Huver. Governing governments? Discursive contestations of govern- mentality in the transparency dispositif. Paul McIlvenny; Julia Zhukova Klausen; Laura Bang Linde- gaard. Studies of Discourse and Governmentality. New perspectives and methods., John Benjamins, pp.149-176, 2016, 9789027206572. 10.1075/dapsac.66.05hon. halshs-02061132 HAL Id: halshs-02061132 https://halshs.archives-ouvertes.fr/halshs-02061132 Submitted on 1 Apr 2019 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. CHAPTER 5 Governing governments? Discursive contestations of governmentality in the transparency dispositif Sun-ha Hong and François Allard-Huver University of Pennsylvania, USA and Paris Sorbonne University, France In a world of controversy and suspicion, transparency promises a ‘virtuous chain’ of informed citizens, rational deliberation and democratic participation. In contrast, this essay conceptualises transparency as a Foucauldian dispositif: a network of discourse, tactics, institutional processes and local subjectivities which articulates what kinds of actions and statements are admissible and tactically profitable. Notably, transparency discourse mobilises individual citizens to audit the state – to govern governments. -
Michel Foucault and Judith Butler: Troubling Butler’S Appropriation of Foucault’S Work
CORE Metadata, citation and similar papers at core.ac.uk Provided by Warwick Research Archives Portal Repository University of Warwick institutional repository: http://go.warwick.ac.uk/wrap A Thesis Submitted for the Degree of PhD at the University of Warwick http://go.warwick.ac.uk/wrap/1965 This thesis is made available online and is protected by original copyright. Please scroll down to view the document itself. Please refer to the repository record for this item for information to help you to cite it. Our policy information is available from the repository home page. Michel Foucault and Judith Butler: Troubling Butler’s Appropriation of Foucault’s Work by Kathleen Ennis A thesis submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy in Philosophy University of Warwick, Department of Philosophy July 2008 Contents Acknowledgements iv Declaration v Abstract vi Note on the Translation of Key Terms in Foucault‘s Work vii Introduction 1 Interpreting Butler‘s Work 7 Power-Knowledge, Discourse and Norms 10 Interpreting Foucault‘s Work 15 1 Butler: Power and Genealogy 23 Foucault, Hegel and Nietzsche 25 Foucault and Psychoanalysis 34 Genealogy and the Naturalization of Sex 41 Subjugated Knowledges, Genealogy and Discourse 50 2 Butler: Performativity and Psychoanalysis 63 From Inscription to Performativity 66 Power, Interpellation, Resistance and Hate Speech 77 A Psychoanalytic Critique of Foucault 86 Repression, Subject and Psyche 98 3 Discursive Practice and Archaeological Method: The Archaeology of Knowledge -
Catrin Meredydd Production Designer
Catrin Meredydd Production Designer Winner of BAFTA Cymru award for Best Production Design 2017 for Damilola, Our Loved Boy. Winner of BAFTA Cymru award for Best Production Design 2019 for Black Mirror: Bandersnatch. Agents Madeleine Pudney Assistant 020 3214 0999 Eliza McWilliams [email protected] 020 3214 0999 Daniela Manunza Assistant [email protected] Lizzie Quinn [email protected] + 44 (0) 203 214 0911 Credits In Development Production Company Notes CHASING AGENT Great Point Media / Rabbit Track Dirs: Declan Lawn & Adam FREEGARD Pictures / The Development Partnership Patterson 2021 Prods: Michael Bronner, Kitty Kaletsky & Robert Taylor SOULMATES 2 AMC / Amazon Postponed 2020 Film Production Company Notes United Agents | 12-26 Lexington Street London W1F OLE | T +44 (0) 20 3214 0800 | F +44 (0) 20 3214 0801 | E [email protected] MRS LOWRY AND SON Genesius Pictures Dir: Adrian Noble Prod: Debbie Gray Period Drama 1930's Starring Vanessa Redgrave & Timothy 2019 Spall IBOY Wigwam Films/ Pretty Dir: Adam Randall Pictures Prods: Lucan Toh, Oliver Roskill, Emily Leo, Contemporary Gail Mutrux 2016 With Bill Milner, Rory Kinnear, Miranda Richardson, Maisie Williams BELIEVE Bill and Ben Productions Dir: David Scheinmann Prods: Manuela Noble, Ben Timlett 1950's/1980's With Brian Cox, Toby Stephens, Natascha 2013 McElhone Television Production Company Notes CURSED Netflix Dirs: Jon East, Zetna Fuentes, Daniel Nettheim and Sarah O'Gorman 10 x 60 Medieval Drama Showrunners: Tom Wheeler and Frank Miller 2019 -
Between Governance and Discipline -- the Law and Michel Foucault
Between Governance and Discipline: The Law and Michel Foucault Author(s): Victor Tadros Source: Oxford Journal of Legal Studies, Vol. 18, No. 1, (Spring, 1998), pp. 75-103 Published by: Oxford University Press Stable URL: http://www.jstor.org/stable/764723 Accessed: 13/08/2008 03:03 Your use of the JSTOR archive indicates your acceptance of JSTOR's Terms and Conditions of Use, available at http://www.jstor.org/page/info/about/policies/terms.jsp. JSTOR's Terms and Conditions of Use provides, in part, that unless you have obtained prior permission, you may not download an entire issue of a journal or multiple copies of articles, and you may use content in the JSTOR archive only for your personal, non-commercial use. Please contact the publisher regarding any further use of this work. Publisher contact information may be obtained at http://www.jstor.org/action/showPublisher?publisherCode=oup. Each copy of any part of a JSTOR transmission must contain the same copyright notice that appears on the screen or printed page of such transmission. JSTOR is a not-for-profit organization founded in 1995 to build trusted digital archives for scholarship. We work with the scholarly community to preserve their work and the materials they rely upon, and to build a common research platform that promotes the discovery and use of these resources. For more information about JSTOR, please contact [email protected]. http://www.jstor.org Between Governanceand Discipline: The Law and Michel Foucault* VICTOR TADROSt Abstract-This articleattempts to re-establishthe importanceof Foucault'swork for an understandingof the way in which modem law operates.This argumenthas two stages. -
Wellington Programme
WELLINGTON 24 JULY – 9 AUGUST BOOK AT NZIFF.CO.NZ 44TH WELLINGTON FILM FESTIVAL 2015 Presented by New Zealand Film Festival Trust under the distinguished patronage of His Excellency Lieutenant General The Right Honourable Sir Jerry Mateparae, GNZM, QSO, Governor-General of New Zealand EMBASSY THEATRE PARAMOUNT SOUNDINGS THEATRE, TE PAPA PENTHOUSE CINEMA ROXY CINEMA LIGHT HOUSE PETONE WWW.NZIFF.CO.NZ NGĀ TAONGA SOUND & VISION CITY GALLERY Director: Bill Gosden General Manager: Sharon Byrne Assistant to General Manager: Lisa Bomash Festival Manager: Jenna Udy Publicist (Wellington & Regions): Megan Duffy PROUDLY SUPPORTED BY Publicist (National): Liv Young Programmer: Sandra Reid Assistant Programmer: Michael McDonnell Animation Programmer: Malcolm Turner Children’s Programmer: Nic Marshall Incredibly Strange Programmer: Anthony Timpson Content Manager: Hayden Ellis Materials and Content Assistant: Tom Ainge-Roy Festival Accounts: Alan Collins Publications Manager: Sibilla Paparatti Audience Development Coordinator: Angela Murphy Online Content Coordinator: Kailey Carruthers Guest and Administration Coordinator: Rachael Deller-Pincott Festival Interns: Cianna Canning, Poppy Granger Technical Adviser: Ian Freer Ticketing Supervisor: Amanda Newth Film Handler: Peter Tonks Publication Production: Greg Simpson Publication Design: Ocean Design Group Cover Design: Matt Bluett Cover Illustration: Blair Sayer Animated Title: Anthony Hore (designer), Aaron Hilton (animator), Tim Prebble (sound), Catherine Fitzgerald (producer) THE NEW ZEALAND FILM -
The Biological Diversity Complex: a History of Environmental Government
The London School of Economics and Political Science The biological diversity complex: A history of environmental government Andreas Kotsakis A thesis submitted to the Department of Law of the London School of Economics for the degree of Doctor of Philosophy, London, September 2011 Declaration I certify that the thesis I have presented for examination for the MPhil/PhD degree of the London School of Economics and Political Science is solely my own work other than where I have clearly indicated that it is the work of others (in which case the extent of any work carried out jointly by me and any other person is clearly identified in it). The copyright of this thesis rests with the author. Quotation from it is permitted, provided that full acknowledgement is made. This thesis may not be reproduced without the prior written consent of the author. I warrant that this authorization does not, to the best of my belief, infringe the rights of any third party. I declare that my thesis consists of 83149 words. 2 Abstract The thesis understands biodiversity as a complex consisting of a form of environmentalism, a mode of governance for the global South, and a set of policy prescriptions all mobilized by the guiding idea of ‘genetic gold,’ the belief that biodiversity possesses significant latent economic value. The thesis primarily analyses the historical origins of biodiversity and the formation of a rationality of governing centred on genetic gold, deploying tools and methods from the work of Michel Foucault. It further applies these insights into the examination of two specific regulatory mechanisms developed within this project of environmental governance: the mechanism for securing access to genetic resources and the fair and equitable sharing of benefits arising from their utilisation, and local and indigenous community participation in biodiversity conservation and utilisation. -
Racism and Biopower Ladelle Mcwhorter University of Richmond, [email protected]
University of Richmond UR Scholarship Repository Philosophy Faculty Publications Philosophy 2010 Racism and Biopower Ladelle McWhorter University of Richmond, [email protected] Follow this and additional works at: http://scholarship.richmond.edu/philosophy-faculty- publications Part of the Philosophy Commons, and the Race and Ethnicity Commons Recommended Citation McWhorter, Ladelle. "Racism and Biopower." In On Race and Racism in America: Confessions in Philosophy, edited by Roy Martinez, 55-85. University Park, PA: Pennsylvania State University Press, 2010. This Book Chapter is brought to you for free and open access by the Philosophy at UR Scholarship Repository. It has been accepted for inclusion in Philosophy Faculty Publications by an authorized administrator of UR Scholarship Repository. For more information, please contact [email protected]. 4 RACISM AND BIOPOWER Ladelle McWhorter Introduction: Confusion and Silence While ignorance, or at least a lack of clear and distinct experience, does not seem to have stopped our predecessors from philosophizing about all manner of things from matter to immortal souls, in the latter half of the twentieth century North American philosophers became increasingly timid about advancing propositions based primarily not on logic informed by material evidence but on intuition, creative imagination, and passionate desire. By the 1960s our generation's teachers and mentors, perhaps battered by the McCarthy years or humbled by the dazzling successes of their colleagues in the "hard" sciences, had redrawn the disciplinary boundaries tightly enough to make almost any speculative work fall outside the realm of legitimate philosophy and into the realm ofliberal politics or sociology (read: soft-headed nonsense) or that of literature (read: girl stuff). -
From Power to Biopower Paul-Antoine Miquel
From Power to Biopower Paul-Antoine Miquel To cite this version: Paul-Antoine Miquel. From Power to Biopower. Journal of the studies of humanities, 2011, 15 (6), pp.259-278. halshs-00714990 HAL Id: halshs-00714990 https://halshs.archives-ouvertes.fr/halshs-00714990 Submitted on 10 Apr 2014 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. From Power to Biopower Paul-Antoine Miquel Maître de Conférences HDR à l‟Université de Nice. Laboratoire CEPERC, UMR CNRS, 6059, Université de Provence. Abstract : The concept of « power » plays an important role in Michel Foucault’s critic of the classical model of sovereignty. This paper shows how “power” is related to “normalisation” in Surveiller et punir and in La volonté de savoir. Power is not only the way by which somebody acts on the action of somebody, but also a systemic property emerging in a social network. It emerges as a collective strategy, without any strategist, and without any subject. One could call this a “constructive” property. However, “biopower” is not simply “power”. It is an “extension” of it. In La volonté de Savoir, Foucault tries to understand how biopower will organise a human social network, in which biological constraints are “reflected” by political ones. -
Netflix Teases 'Black Mirror' Season 4 Episode Titles
Netflix Teases 'Black Mirror' Season 4 Episode Titles 08.25.2017 Netflix has revealed the episode titles and cast for Black Mirror's six-episode fourth season. Black Mirror focuses on the collective unease of the modern world. Each stand-alone episode poses a future where technology has transformed society, typically much to the chagrin of the global populace. Season four looks to continue the series' theme, with Netflix's tease showing clips of a future filled with technology and strife. RELATED: Cracking 'Black Mirror' in Netflix's Featurette See the Black Mirror season four episode titles below: "Arkangel" Cast: Rosemarie Dewitt (La La Land, Mad Men), Brenna Harding (A Place to Call Home), Owen Teague (Bloodline) Director: Jodie Foster Written by: Charlie Brooker "USS Callister" Cast: Jesse Plemons (Black Mass, Fargo), Cristin Milioti (The Wolf of Wall Street, Fargo), Jimmi Simpson (Westworld, House of Cards), Michaela Coel (Chewing Gum, Monsters: Dark Continent) Director: Toby Haynes (Dr Who, Sherlock) Written By: Charlie Brooker & William Bridges "Crocodile"Cast: Andrea Riseborough (Birdman, Bloodline), Andrew Gower (Outlander), Kiran Sonia Sawar (Murdered By My Father) Director: John Hillcoat (Triple Nine, Lawless) Written By: Charlie Brooker "Hang the DJ" Cast: Georgina Campbell (Flowers, Broadchurch), Joe Cole (Peaky Blinders, Green Room), George Blagden (Versailles, Vikings) Director: Tim Van Patten (The Sopranos, Game of Thrones) Written By: Charlie Brooker "Metalhead" Cast: Maxine Peake (The Theory Of Everything, The Village), Jake Davies (The Missing, A Brilliant Young Mind), Clint Dyer (Hope Springs) Director: David Slade (Hannibal, American Gods) Written By: Charlie Brooker "Black Museum" Cast: Douglas Hodge (The Night Manager, Catastrophe), Letitia Wright (Humans, Ready Player One), Babs Olusanmokun (Roots, The Defenders) Director: Colm McCarthy Written By: Charlie Brooker Netflix has not revealed the premiere date just yet, but the the show will return "later this year.". -
Foucault, Kant, Deleuze, and the Problem of Political Agency Christopher S
Purdue University Purdue e-Pubs Open Access Dissertations Theses and Dissertations Spring 2015 Foucault, Kant, Deleuze, and the problem of political agency Christopher S. Penfield Purdue University Follow this and additional works at: https://docs.lib.purdue.edu/open_access_dissertations Part of the Philosophy Commons Recommended Citation Penfield, Christopher S., "Foucault, Kant, Deleuze, and the problem of political agency" (2015). Open Access Dissertations. 534. https://docs.lib.purdue.edu/open_access_dissertations/534 This document has been made available through Purdue e-Pubs, a service of the Purdue University Libraries. Please contact [email protected] for additional information. Graduate School Form 30 Updated 111512015 PURDUE UNIVERSITY GRADUATE SCHOOL Thesis/Dissertation Acceptance This is to certify that the thesis/dissertation prepared By Christopher Penfield Entitled FOUCAULT, KANT, DELEUZE, AND THE PROBLEM OF POLITICAL AGENCY For the degree of Doctor of Philosophy Is approved by the final examining committee: Daniel Smith Kevin Thompson Chair William McBride Christopher Yeomans Todd May To the best of my knowledge and as understood by the student in the Thesis/Dissertation Agreement, Publication Delay, and Certification Disclaimer (Graduate School Form 32), this thesis/dissertation adheres to the provisions of Purdue University's "Policy of Integrity in Research" and the use of copyright material. Approved by Major Professor(s): _D_a_m_·e_ls_m_ith ____________ _ Approved by: Rod Bertolet 3/2/2015 ---------------------------------------------------------------------- Head of the Departmental Graduate Program Date i FOUCAULT, KANT, DELEUZE, AND THE PROBLEM OF POLITICAL AGENCY A Dissertation Submitted to the Faculty of Purdue University by Christopher S. Penfield In Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy i May 2015 Purdue University West Lafayette, Indiana ii TABLE OF CONTENTS Page ABSTRACT ....................................................................................................................