Michel Foucault and Judith Butler: Troubling Butler’S Appropriation of Foucault’S Work
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125 from the End of Man to the Art of Life: Rereading Foucault's
© Kenneth Berger DOI: https://doi.org/10.22439/fs.v0i24.5529 ISSN: 1832-5203 Foucault Studies, No. 24, pp. 125-150, June 2018 From the End of Man to the Art of Life: Rereading Foucault’s Changing Aesthetics Kenneth Berger, Brown University ABSTRACT: In Foucault’s writing throughout the 1960s, in which he foregrounds the critical function of language and signification, works of art and literature – and works of avant-garde art and literature in particular – appear prominently and are the objects of sustained theoretical investment. In the 1970s, however, as Foucault moves away from his earlier concern with language’s capacity to dissolve “man” and begins to concentrate instead on the ways in which man is governed, works of art and literature no longer possess the same political promise for him and drop out almost completely from his writing. Yet the question of aesthetics does not disappear for him entirely, and, in his final years, he returns to it, though with his analysis now directed at what he calls an “art” or “aesthetics of life.” In this paper, I examine these developments with the aim of drawing out the connections between Foucault’s changing view of aesthetics and the larger transformations that take shape within his overall project. Against this background, I argue that Foucault’s call for an art of life, in which the individual develops techniques for continually reinventing his or her existence, does not necessitate abandoning the avant- garde aesthetic practices that he had previously advocated. Rather, I assert, his conception of an art of life – when read in conjunction with his theoriZation of critique as a “permanent” questioning of the limits imposed on us – offers a new framework for reimagining both the function of those practices and their legacies in culture today. -
Foucault Studies © Lisa Weems, 2005 ISSN: 1832-5203 Foucault Studies, No 3, Pp
foucault studies © Lisa Weems, 2005 ISSN: 1832-5203 Foucault Studies, No 3, pp. 144-149, Nov 2005 REVIEW Sara Mills, Michel Foucault (London: Routledge, 2003). ISBN: 0415245680 One difficult task for educators is the struggle to decide what should be included in the curriculum. All teachers, regardless of disciplinary field or level of education, grapple with the selection of topics and texts to organize discussions of a particular subject. What is not common to all teachers, perhaps, is the problem that arises when the “subject” (multiple meanings intended) specifically writes against the academic practices typically utilized in making curricular decisions. Foucault rejected many standard academic practices, such as canonization, biographical reading, and attempts to totalize an author’s theoretical contribution by reading her “oeuvre.” Given these constraints, how does one write a book intended to serve as an accessible introduction to a critical theorist whose scholarship and political affiliations were prolific and complex? This was the challenge Sara Mills faced as she wrote the text at hand. Overall, the author has successfully produced a straightforward and instructive examination of the work of Michel Foucault that is mindful of the potential theoretical pitfalls of such an endeavor. I highly recommend this book to anyone interested the work of Foucault, but especially to persons who have little prior exposure to the philosopher, and/or who want a brief survey of his ideas. It will make an excellent textbook for undergraduate or graduate courses that deal with issues of power, culture and social problems. The book will also be a good sourcebook for policy makers or professionals in the human services interested in linking critical theory, practice and activism. -
171 Subverting Lévi-Strauss's Structuralism
Humanitas, 2020; 8(16): 171-186 http://dergipark.gov.tr/humanitas ISSN: 2645-8837 DOI: 10.20304/humanitas.729077 SUBVERTING LÉVI-STRAUSS’S STRUCTURALISM: READING GENDER TROUBLE AS “TWISTED BRICOLAGE” Anlam FİLİZ1 Abstract This article critically analyzes Judith Butler’s presentation of Claude Lévi-Strauss in her book Gender Trouble: Feminism and the Subversion of Identity (1999). In this book, Butler criticizes feminists for employing Lévi-Strauss’s binary oppositions and their use of the sex/gender binary in their critique of patriarchy. Butler’s analysis provides a fruitful lens to understand how gender operates. However, as the article shows, this analysis relies on a misrepresentation of Lévi-Strauss’s take on these dualities. Employing Lévi-Strauss’s term “bricolage,” the article reads Butler’s misinterpretation as a twisted form of bricolage, which destabilizes certain assumptions in Lévi-Strauss’s structuralism. The article presents an example of how Lévi-Strauss’s structural theory has influenced not only feminist theory but also its critique. The article also aims at providing an alternative way to understand influential gender theorist Judith Butler’s misinterpretation of other scholars. 171 Keywords: Claude Lévi-Strauss, Judith Butler, Gender Trouble, twisted bricolage, structuralism, subversion LÉVI-STRAUSS’UN YAPISALCILIĞINI ALTÜST ETMEK: CİNSİYET BELASI’NI “BÜKÜLMÜŞ BRİCOLAGE” OLARAK OKUMAK Öz Bu makale, Judith Butler’ın Cinsiyet Belası: Feminizm ve Kimliğin Altüst Edilmesi (1999) adlı kitabında etkili yapısal antropolog Claude Lévi-Strauss’u sunuşunu eleştirel bir şekilde analiz eder. Bu kitapta Butler feministleri, ataerkil düzen eleştirilerinde Lévi-Strauss’un ikili karşıtlıklarını ve cinsiyet/toplumsal cinsiyet ikiliğini kullandıkları için eleştirir. Butler’ın analizi, toplumsal cinsiyetin nasıl işlediğini anlamak için verimli bir mercek sağlar. -
Gilles Deleuze's American Rhizome by Michelle Renae Koerner the Graduate Program in Literature
The Uses of Literature: Gilles Deleuze’s American Rhizome by Michelle Renae Koerner The Graduate Program in Literature Duke University Date:_______________________ Approved: ___________________________ Kenneth Surin, Co-Chair ___________________________ Priscilla Wald, Co-Chair ___________________________ Wahneema Lubiano ___________________________ Frederick Moten ___________________________ Michael Hardt Dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Program in Literature in the Graduate School of Duke University 2010 i v iv ABSTRACT The Uses of Literature: Gilles Deleuze’s American Rhizome by Michelle Renae Koerner The Graduate Program in Literature Duke University Date:_______________________ Approved: ___________________________ Kenneth Surin, Co-Chair ___________________________ Priscilla Wald, Co-Chair ___________________________ Wahneema Lubiano ___________________________ Frederick Moten ___________________________ Michael Hardt An abstract of a dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Program in Literature in the Graduate School of Duke University 2010 Copyright by Michelle Renae Koerner 2010 Abstract “The Uses of Literature: Gilles Deleuze’s American Rhizome” puts four writers – Walt Whitman, Herman Melville, George Jackson and William S. Burroughs – in conjunction with four concepts – becoming-democratic, belief in the world, the line of flight, and finally, control societies. The aim of this -
"Cinema As Dispositif: Between Cinema and Contemporary Art"
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Érudit Article "Cinema as dispositif: Between Cinema and Contemporary Art" André Parente et Victa de Carvalho Cinémas : revue d'études cinématographiques / Cinémas: Journal of Film Studies, vol. 19, n° 1, 2008, p. 37-55. Pour citer cet article, utiliser l'information suivante : URI: http://id.erudit.org/iderudit/029498ar DOI: 10.7202/029498ar Note : les règles d'écriture des références bibliographiques peuvent varier selon les différents domaines du savoir. Ce document est protégé par la loi sur le droit d'auteur. L'utilisation des services d'Érudit (y compris la reproduction) est assujettie à sa politique d'utilisation que vous pouvez consulter à l'URI https://apropos.erudit.org/fr/usagers/politique-dutilisation/ Érudit est un consortium interuniversitaire sans but lucratif composé de l'Université de Montréal, l'Université Laval et l'Université du Québec à Montréal. Il a pour mission la promotion et la valorisation de la recherche. Érudit offre des services d'édition numérique de documents scientifiques depuis 1998. Pour communiquer avec les responsables d'Érudit : [email protected] Document téléchargé le 11 février 2017 05:44 Cine?mas 19, 1:Cinémas 19, 1 05/03/09 14:59 Page 37 Cinema as dispositif : Between Cinema and Contemporary Art André Parente and Victa de Carvalho ABSTRACT Recent upheavals in the media landscape raise two major issues. First, how is new media changing the cinematographic diSpo- sitif 1 in its primordial dimensions: architectural (the conditions for image proJection), technoLogicaL (production, transmission and distribution) and discursive (cutting, editing, etc.)? How does experimentation in the field create new shifts or deviations with respect to the institutional mode of representation? Unlike the dominant cinema, some films reshape cinema’s dispositif by muLtipLying screens, expLoring other durations and intensities, changing the architecture of the screening room or entering into other relations with spectators. -
Transgendering Nietzsche: Male Mothers and Phallic Women in Derrida’S Spurs
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Kingston University Research Repository Transgendering Nietzsche: Male Mothers and Phallic Women in Derrida’s Spurs Willow Verkerk As Derrida himself notes, Nietzsche is a thinker who seems at once misogynistic and sympathetic (Derrida 1979, 57). Pursuing the sympathetic reading further, we may ask whether there is also an emancipatory character to Nietzsche’s writings on woman. This is a contentious question; however, it is one that Derrida entertains by his proposal that Nietzsche’s feminisms and anti-feminisms are connected or have a larger “congruence” (Derrida 1979, 57). Nietzsche’s attack on feminism is done in defence of what he and Derrida conceive to be feminine power. In Spurs this is reflected in two threads: one in which woman as a position is opened up to those who are not cisgender women; the other in which cisgender women are disciplined into femininity as their ideal location for power. Derrida draws mostly on The Gay Science but he is also interested in the Preface to Beyond Good and Evil where Nietzsche declares, “Supposing truth is a woman—what then?” Derrida turns to the Preface of Beyond in order to show that there is a close relationship between woman and truth and that Nietzsche is utilizing the concept of woman in itself (Weib an sich) in order to question the coherence of ‘Truth’ and the presumptions of the philosopher “who believes in the truth that is woman, who believes in truth just as he believes in woman” (Derrida 1979, 53). -
The Subject of Critique Ricœur in Dialogue with Feminist Philosophers
The Subject of Critique Ricœur in Dialogue with Feminist Philosophers Annemie Halsema VU-University Amsterdam Abstract This paper aims to show the relevance of Ricœur’s notion of the self for postmodern feminist theory, but also to critically assess it. By bringing Ricœur’s “self” into dialogue with Braidotti’s, Irigaray’s and Butler’s conceptions of the subject, it shows that it is close to the feminist self in that it is articulated into language, is embodied and not fully conscious of itself. In the course of the argument, the major point of divergence also comes to light, namely, that the former considers discourse to be a laboratory for thought experiments, while the latter consider discourse to be normative, restrictive and exclusive. In the second part, the possibility of critique and change are further developed. Ricœur does not rule out critique, rather interpretation includes distanciation and critique. Finally, his notion of productive imagination explains how new identifications become possible. Keywords: Self, Critique, Change, Irigaray, Butler Résumé Cet article vise à démontrer, en l'évaluant de manière critique, l’importance de la notion de soi chez Ricœur pour la théorie féministe postmoderne. Mettant en dialogue sa pensée avec celle de Braidotti, d’Irigaray et de Butler, l'auteure montre que la notion ricoeurienne de soi est assez proche de la pensée féministe. Car le soi est articulé dans la langue, il est incarné et pas entièrement conscient de lui-même. Après avoir cherché à montrer la proximité des deux styles de pensée, l'auteure attarde sur le point crucial de leur divergence. -
Head Games: Conceptualizing Judith Butler's Idea of the Materiality Of
Head Games: Conceptualizing Judith Butler’s Idea of the Materiality of Sex in Bodies That Matter Amanda Piccarreto ABSTRACT: This essay discusses Judith Butler’s concept, “materiality of the body,” and illustrates the power of repetitive language, which arguably structures the binary systems not only of gender, but also of sex.. This essay raises ethically-important questions in order to provoke thought about the oppressive nature of projecting language onto our bodies by labeling them based on certain parts; the biological and psychological problems with a binary idea of gender and sex; and the innate inequality created by separating people into sexes, which is the heart of gender-based violence. Head Games: Conceptualizing Judith Butler’s Idea of the Materiality of Sex in Bodies That Matter Amanda Piccarreto “Oral sex” perfectly exemplifies the importance of language. Language is laden with the invisible power to create images that stick with us through repetition, thus evoking specific emotions, which is necessary in literature and art, but poses a problem when projected onto the body in an attempt to construct set ideas on gender and sex. The way I started this essay may have surprised you because two simple words can create an entire scenario in your mind, and using them out of that context causes shock and confusion. When using the term “oral sex,” I mean applying spoken language to our bodies, thus creating fixed notions of sex and gender. In Bodies That Matter, Judith Butler explores this concept, which she calls “materiality of the body,” and raises awareness of the dangers involved in doing so. -
Uyghur Dispossession, Culture Work and Terror Capitalism in a Chinese Global City Darren T. Byler a Dissertati
Spirit Breaking: Uyghur Dispossession, Culture Work and Terror Capitalism in a Chinese Global City Darren T. Byler A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Washington 2018 Reading Committee: Sasha Su-Ling Welland, Chair Ann Anagnost Stevan Harrell Danny Hoffman Program Authorized to Offer Degree: Anthropology ©Copyright 2018 Darren T. Byler University of Washington Abstract Spirit Breaking: Uyghur Dispossession, Culture Work and Terror Capitalism in a Chinese Global City Darren T. Byler Chair of the Supervisory Committee: Sasha Su-Ling Welland, Department of Gender, Women, and Sexuality Studies This study argues that Uyghurs, a Turkic-Muslim group in contemporary Northwest China, and the city of Ürümchi have become the object of what the study names “terror capitalism.” This argument is supported by evidence of both the way state-directed economic investment and security infrastructures (pass-book systems, webs of technological surveillance, urban cleansing processes and mass internment camps) have shaped self-representation among Uyghur migrants and Han settlers in the city. It analyzes these human engineering and urban planning projects and the way their effects are contested in new media, film, television, photography and literature. It finds that this form of capitalist production utilizes the discourse of terror to justify state investment in a wide array of policing and social engineering systems that employs millions of state security workers. The project also presents a theoretical model for understanding how Uyghurs use cultural production to both build and refuse the development of this new economic formation and accompanying forms of gendered, ethno-racial violence. -
Michel Foucault and Qualitative Research in Human and Social Sciences
Volume 19, No. 3, Art. 23 September 2018 Michel Foucault and Qualitative Research in Human and Social Sciences João Leite Ferreira-Neto Key words: Michel Abstract: In this article, I analyze the methodological contributions of Michel FOUCAULT, Foucault; highlighting his affinity with qualitative strategies of research in the human and social sciences. I qualitative propose a theoretical study on the subject, working with historical and conceptual aspects of Michel research; FOUCAULT's methodology and its application to qualitative research. This text is organized into humanities; three analytical axes: a discussion of the methodological questions developed by Michel ethnography; FOUCAULT; a correlation of his perspective with contemporary literature about qualitative research; philosophy and an analysis of the methodological design of his final research. I emphasize his decision to study problems from their "most singular and concrete forms." I explore the outline of his final research on the genealogy of the modern subject, analyzing the reasons for his methodological choices. Finally, I propose that the construction of relevant research problems, handled with detail and precision, and using classic research methods, contributed to the incisive impact of his work in the field of human and social sciences. Table of Contents 1. Introduction 2. Methodological Choices in Michel FOUCAULT's Work 3. Eventualization and Ethnography 4. A Discussion of Method in Foucault's Research 5. Conclusion Author References Citation 1. Introduction Michel FOUCAULT has become a reference for research in the human and social sciences all over the world, notably in English-speaking countries. His influence has increased after his death in 1984, favored by the posthumous publication of his interviews and articles, as well as his courses at the Collége de France. -
Duke University Dissertation Template
Beautiful Annoyance: Reading the Subject by Margaret A. Ozierski Department of Romance Studies Duke University Date:_______________________ Approved: ___________________________ Michael Hardt, Supervisor ___________________________ Fredric Jameson ___________________________ David Bell ___________________________ Françoise Gaillard, External Member Dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Romance Studies in the Graduate School of Duke University 2011 iv ABSTRACT Beautiful Annoyance: Reading the Subject by Margaret A. Ozierski Department of Romance Studies Duke University Date:_______________________ Approved: ___________________________ Michael Hardt, Supervisor ___________________________ Fredric Jameson ___________________________ David Bell ___________________________ Françoise Gaillard, External Member An abstract of a dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Romance Studies in the Graduate School of Duke University 2011 Copyright by Margaret Alice Ozierski 2011 Abstract This dissertation examines the pair subject-subjectivity embedded in the problematic of the end of art, as it is figured in exemplary fashion by film and literature. The analysis examines critically the problem of the subject vis-à-vis subjectivity by opening a dialogue that allows the necessary double terms of this discussion to emerge in the first place from the encounter with selected filmic and -
Discursive Contestations of Governmentality in the Transparency Dispositif Sun-Ha Hong, François Allard-Huver
Governing governments? Discursive contestations of governmentality in the transparency dispositif Sun-Ha Hong, François Allard-Huver To cite this version: Sun-Ha Hong, François Allard-Huver. Governing governments? Discursive contestations of govern- mentality in the transparency dispositif. Paul McIlvenny; Julia Zhukova Klausen; Laura Bang Linde- gaard. Studies of Discourse and Governmentality. New perspectives and methods., John Benjamins, pp.149-176, 2016, 9789027206572. 10.1075/dapsac.66.05hon. halshs-02061132 HAL Id: halshs-02061132 https://halshs.archives-ouvertes.fr/halshs-02061132 Submitted on 1 Apr 2019 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. CHAPTER 5 Governing governments? Discursive contestations of governmentality in the transparency dispositif Sun-ha Hong and François Allard-Huver University of Pennsylvania, USA and Paris Sorbonne University, France In a world of controversy and suspicion, transparency promises a ‘virtuous chain’ of informed citizens, rational deliberation and democratic participation. In contrast, this essay conceptualises transparency as a Foucauldian dispositif: a network of discourse, tactics, institutional processes and local subjectivities which articulates what kinds of actions and statements are admissible and tactically profitable. Notably, transparency discourse mobilises individual citizens to audit the state – to govern governments.