BUNN-DISSERTATION-2014.Pdf

Total Page:16

File Type:pdf, Size:1020Kb

BUNN-DISSERTATION-2014.Pdf Copyright by Matthew Stephen Bunn 2014 The Dissertation Committee for Matthew Stephen Bunn Certifies that this is the approved version of the following dissertation: Censors, Intellectuals, and German Civil Society, 1815-1848 Committee: Tracie Matysik, Supervisor David Crew Judith Coffin Kirsten Belgum George Williamson Censors, Intellectuals, and German Civil Society, 1815-1848 by Matthew Stephen Bunn, AB; MA Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin December 2014 Acknowledgements I would like to thank the members of my committee, David Crew, Kirsten Belgum, George Williamson, and Judith Coffin, and my adviser, Tracie Matysik, for their tireless and conscientious reading of my work. The research for this dissertation was made possible thanks to the generous support of the DAAD, the American Council on Germany, the Central European History Society, and the Graduate School at the University of Texas at Austin. I also received valuable feedback on the project from the participants of the Transatlantic Doctoral Seminar at the German Historical Institute; in particular, James Brophy and Kenneth Ledford were especially supportive and generous with their time. The Institute for Historical Studies offered a wonderful forum for presenting part of this work at an early stage as well, for which I would like to thank the IHS staff and its then-director, Julie Hardwick. Without the guidance and friendship of Susan Boettcher, who first taught me German paleography among many other things, this work might never have gotten off the ground. Finally, I want to acknowledge Helen Pho and W.J. Jones, my constant sources of support and caring. Without both of them, this journey would not have been as rewarding. iv Censors, Intellectuals, and German Civil Society, 1815-1848 Matthew Stephen Bunn, Ph.D The University of Texas at Austin, 2014 Supervisor: Tracie Matyisk In late 1819, reactionary forces led by Prince Clemens von Metternich pushed through a package of legislation aimed at curbing what they saw as a dangerous revolutionary conspiracy. Among those policies was the requirement of preventive censorship for all works published in the newly formed German Confederation under 320 pages. As a result of this policy, German states and intellectuals were set against one another, as publishers, editors, and authors fought for their ability to speak and write without state tutelage, while governments sought not only to control domestic discourse, but also to avoid offending other powerful states. Despite the significance of such a task, however, governments took on the challenge of regulating an ever-growing press with remarkably limited resources, and entrusted a small group of men, drawn from the ranks of educated civil servants, to be censors. This study examines the work of these censors, who, often against their own inclinations, had to mediate between a neo-absolutist state and an increasingly mobilized political press. Charting the development of censorship from the issuance of the Carlsbad Decrees in 1819 until the abrogation of prior restraint in 1848, it argues that censors were not one-sidedly reactionary figures, but rather were often indicative of the attitudes and assumptions of the milieu of educated state servants from which they were drawn. Censorship itself was also not simply repressive, but also had generative effects, as it v touched off wide-ranging debates over the meaning of scholarship, politics, and religion. Ultimately, however, the state’s claim to exercise censorship in defense of public order was undermined with the emergence of stark cleavages within German society, which set loose forces beyond the state’s control. The end of censorship thus also spelled the end of fantasies of a politics of consensus, not only for traditionalist conservatives, but also for the liberal movement that had opposed it. vi Table of Contents Introduction..............................................................................................................1 Parameters of Investigation.............................................................................4 The Lives of Censors ....................................................................................11 Structural Logics of Censorship....................................................................14 Censorship and Statecraft in Central Europe before 1819............................23 Intellectuals and the Public Sphere in Vormärz Germany............................32 Architecture of the Study..............................................................................47 Chapter One: Redefining Censorship ....................................................................52 The Liberal Conception of Censorship.........................................................58 The Marxist Challenge to Liberal Civil Society...........................................69 New Censorship Theory and its Detractors ..................................................75 Conclusion ....................................................................................................86 Chapter Two: The Development of Censorship Institutions, 1819-1821..............90 The “Carlsbad Moment” and the Reactionary Turn .....................................94 The Development of Censorship Commissions..........................................101 Censorship and the Problem of Borders in Baden......................................116 Conclusion ..................................................................................................133 Chapter Three: Censors and the Mediation of Public Life, 1820-1829...............136 Censorship and State Formation in Württemberg.......................................144 Censors and Public Life in a Biedermeier State .........................................157 Foreign Pressures and the Domestic Press..................................................167 Conclusion ..................................................................................................179 Chapter Four: Entanglements of State and Civil Society, 1830-1832.................184 The July Revolution in Southwestern Germany .........................................189 The Deutsche Tribüne and its Forerunners.................................................204 Conclusion ..................................................................................................238 vii Chapter Five: Policing the Boundaries of Wissenschaft, 1838-1843 ..................244 Censorship and the Academy in Saxony ....................................................250 Censorship and “Literary Life”...................................................................256 Seeds of Confrontation ...............................................................................264 Ministerial Intervention and Prussian Pressure...........................................271 Conclusion ..................................................................................................284 Chapter Six: The Unraveling of Censorship on the Eve of Revolution...............289 Censorship and the Emergence of Catholic Opposition .............................293 Revolutionary anti-Catholicism: Gustav Struve and the Mannheimer Journal.............................................................................309 Conclusion ..................................................................................................327 Conclusion ...........................................................................................................331 Bibliography ........................................................................................................346 Archival Sources.........................................................................................346 Periodicals...................................................................................................346 Published Primary Sources .........................................................................347 Secondary Literature...................................................................................349 viii Introduction From the chaotic days of autumn 1819 until the streets filled with barricades in March 1848, the printed word in Germany could not escape the watchful eyes of censors. During this era, the German Confederation, the new political form created in 1815 to stabilize the traditional state order in central Europe, mandated and its member states implemented a complex system of censorship. Among its features were pre-publication review by state censors, inter-state coordination and regulation of the press, and post- publication repressive measures including fines and confiscations for offending works. Individual member states also employed a variety of other means of controlling the printed word: requiring cash deposits to print, demanding the dismissal of politically threatening editors or writers, and manipulating government sources of funding to punish recalcitrant publishers. Consequently, it is fair to say that the states of the Confederation as a whole employed practically every form of press control known to history, though with highly varying degrees of vigor and enthusiasm. The motivations for this project were varied, and historians have sought to disentangle the genuine fear of revolution and its attendant violence from the cynical exploitation of a
Recommended publications
  • Class, Nation and the Folk in the Works of Gustav Freytag (1816-1895)
    Private Lives and Collective Destinies: Class, Nation and the Folk in the Works of Gustav Freytag (1816-1895) Dissertation submitted for the degree of Doctor of Philosophy Benedict Keble Schofield Department of Germanic Studies University of Sheffield June 2009 Contents Abstract v Acknowledgements vi 1 Introduction 1 1.1 Literature and Tendenz in the mid-19th Century 1 1.2 Gustav Freytag: a Literary-Political Life 2 1.2.1 Freytag's Life and Works 2 1.2.2 Critical Responses to Freytag 4 1.3 Conceptual Frameworks and Core Terminology 10 1.4 Editions and Sources 1 1 1.4.1 The Gesammelte Werke 1 1 1.4.2 The Erinnerungen aus meinem Leben 12 1.4.3 Letters, Manuscripts and Archival Material 13 1.5 Structure of the Thesis 14 2 Political and Aesthetic Trends in Gustav Freytag's Vormiirz Poetry 17 2.1 Introduction: the Path to Poetry 17 2.2 In Breslau (1845) 18 2.2.1 In Breslau: Context, Composition and Theme 18 2.2.2 Politically Responsive Poetry 24 2.2.3 Domestic and Narrative Poetry 34 2.2.4 Poetic Imagination and Political Engagement 40 2.3 Conclusion: Early Concerns and Future Patterns 44 3 Gustav Freytag's Theatrical Practice in the 1840s: the Vormiirz Dramas 46 3.1 Introduction: from Poetry to Drama 46 3.2 Die Brautfahrt, oder Kunz von der Rosen (1841) 48 3.2.1 Die Brautfahrt: Context, Composition and Theme 48 3.2.2 The Hoftheater Competition of 1841: Die Brautfahrt as Comedy 50 3.2.3 Manipulating the Past: the Historical Background to Die Brautfahrt 53 3.2.4 The Question of Dramatic Hero: the Function ofKunz 57 3.2.5 Sub-Conclusion: Die
    [Show full text]
  • Germany, International Justice and the 20Th Century
    Paul Betts Dept .of History University of Sussex NOT TO BE QUOTED WITHOUT PERMISSION OF THE AUTHOR: DRAFT VERSION: THE FINAL DRAFT OF THIS ESSAY WILL APPEAR IN A SPECIAL ISSUE OF HISTORY AND MEMORY IN APRIL, 2005, ED. ALON CONFINO Germany, International Justice and the 20th Century The turning of the millennium has predictably spurred fresh interest in reinterpreting the 20th century as a whole. Recent years have witnessed a bountiful crop of academic surveys, mass market picture books and television programs devoted to recalling the deeds and misdeeds of the last one hundred years. It then comes as no surprise that Germany often figures prominently in these new accounts. If nothing else, its responsibility for World War I, World War II and the Holocaust assures its villainous presence in most every retrospective on offer. That Germany alone experienced all of the modern forms of government in one compressed century – from constitutional monarchy, democratic socialism, fascism, Western liberalism to Soviet-style communism -- has also made it a favorite object lesson about the so-called Age of Extremes. Moreover, the enduring international influence of Weimar culture, feminism and the women’s movement, social democracy, post-1945 economic recovery, West German liberalism, environmental politics and most recently pacifism have also occasioned serious reconsideration of the contemporary relevance of the 20th century German past. Little wonder that several commentators have gone so far as to christen the “short twentieth century” between 1914 and 1989 as really the “German century,” to the extent that German history is commonly held as emblematic of Europe’s 20th century more generally.1 Acknowledging Germany’s central role in 20th century life has hardly made things easy for historians, however.
    [Show full text]
  • Dissidenten & Jil Jilala
    Dissidenten & Jil Jilala Tanger Sessions EXIL 91674-2 / LC 08972/ VÖ: 17.10.2008 / DISTRIBUTION: INDIGO 1. Akaaboune’s Homage (Klein/Josch/Müllrich/Ouazza/Asbihani/Kasbaji) 7’27” This is the world – not your country 2. Morock’n Roll (Klein/Josch/Müllrich/Asbihani/Kasbaji) 5’26” God gave you something better than magic – brain 3. Gun Factory (Klein/Josch/Müllrich/Asbihani/Kasbaji) 6’50” Heart you missed it - time is a wolf – that’s why there are wars 4. Fata Morgana “Tangier Version” (Klein/Josch/Müllrich/Lamrani) 9’31” The eagle sits in the cage – while the chicken are watching TV 5. Song 4 A Rainbow (Klein/Josch/Müllrich/Lamrani) 7’19” Make wars history 6. Truth Is The Only Religion (Klein/Josch/Müllrich/Asbihani/Kasbaji) 8’15” Nothing ever changes – except gods and fashions 7. The World Is A Mirror (Klein/Josch/Müllrich/Lamrani) 7’25“ Show yourself in it - and it will reflect your image 8. Morock’n’Roll Part II “Kasbah Version” 3’12“ (Klein/Josch/Müllrich/Asbihani/Kasbaji) Who can’t dance complains: „The floor is uneven!“ Sahara Elektrik und die Folgen 1983 - eine zunächst unscheinbare Jahreszahl, wenn man die bewegte Popmusikgeschichte betrachtet. Inmitten der Post-Wave-Wehen und des New Romantic-Pops, des Aufbegehrens von Ghetto-HipHop und des Zusammenfalls der Neuen Deutschen Welle machte sich eher verzagte Resignation breit. Vom Rande Afrikas jedoch sprang der Zündfunke für einen neuen Trend nach Europa. Denn 1983 wurde die Sahara elektrisiert. Drei globetrottende Musiker verlegten ihren Wohnsitz von Bangalore nach Tanger und richteten dort ihr Studio ein.
    [Show full text]
  • Of ABBA 1 ABBA 1
    Music the best of ABBA 1 ABBA 1. Waterloo (2:45) 7. Knowing Me, Knowing You (4:04) 2. S.O.S. (3:24) 8. The Name Of The Game (4:01) 3. I Do, I Do, I Do, I Do, I Do (3:17) 9. Take A Chance On Me (4:06) 4. Mamma Mia (3:34) 10. Chiquitita (5:29) 5. Fernando (4:15) 11. The Winner Takes It All (4:54) 6. Dancing Queen (3:53) Ad Vielle Que Pourra 2 Ad Vielle Que Pourra 1. Schottische du Stoc… (4:22) 7. Suite de Gavottes E… (4:38) 13. La Malfaissante (4:29) 2. Malloz ar Barz Koz … (3:12) 8. Bourrée Dans le Jar… (5:38) 3. Chupad Melen / Ha… (3:16) 9. Polkas Ratées (3:14) 4. L'Agacante / Valse … (5:03) 10. Valse des Coquelic… (1:44) 5. La Pucelle d'Ussel (2:42) 11. Fillettes des Campa… (2:37) 6. Les Filles de France (5:58) 12. An Dro Pitaouer / A… (5:22) Saint Hubert 3 The Agnostic Mountain Gospel Choir 1. Saint Hubert (2:39) 7. They Can Make It Rain Bombs (4:36) 2. Cool Drink Of Water (4:59) 8. Heart’s Not In It (4:09) 3. Motherless Child (2:56) 9. One Sin (2:25) 4. Don’t We All (3:54) 10. Fourteen Faces (2:45) 5. Stop And Listen (3:28) 11. Rolling Home (3:13) 6. Neighbourhood Butcher (3:22) Onze Danses Pour Combattre La Migraine. 4 Aksak Maboul 1. Mecredi Matin (0:22) 7.
    [Show full text]
  • The German Netzdg As Role Model Or Cautionary Tale? Implications for the Debate on Social Media Liability
    Fordham Intellectual Property, Media and Entertainment Law Journal Volume 31 XXXI Number 4 Article 4 2021 The German NetzDG as Role Model or Cautionary Tale? Implications for the Debate on Social Media Liability Patrick Zurth Ludwig Maximilian University of Munich (LMU), [email protected] Follow this and additional works at: https://ir.lawnet.fordham.edu/iplj Part of the International Law Commons, and the Internet Law Commons Recommended Citation Patrick Zurth, The German NetzDG as Role Model or Cautionary Tale? Implications for the Debate on Social Media Liability, 31 Fordham Intell. Prop. Media & Ent. L.J. 1084 (2021). Available at: https://ir.lawnet.fordham.edu/iplj/vol31/iss4/4 This Article is brought to you for free and open access by FLASH: The Fordham Law Archive of Scholarship and History. It has been accepted for inclusion in Fordham Intellectual Property, Media and Entertainment Law Journal by an authorized editor of FLASH: The Fordham Law Archive of Scholarship and History. For more information, please contact [email protected]. The German NetzDG as Role Model or Cautionary Tale? Implications for the Debate on Social Media Liability Cover Page Footnote Dr. iur., LL.M. (Stanford). Postdoctoral Fellow at the Chair for Private Law and Intellectual Property Law with Information- and IT-Law (GRUR-chair) (Prof. Dr. Matthias Leistner, LL.M. (Cambridge)) at Ludwig Maximilian University of Munich, Germany. Thanks to Professor David Freeman Engstrom, Abhilasha Vij, Jasmin Hohmann, Shazana Rohr, and the editorial board of the Fordham Intellectual Property, Media and Entertainment Law Journal for helpful comments and assistance.
    [Show full text]
  • The Palm Landscapes of the Italian Riviera Pietro Piana, Charles Watkins and Ross Balzaretti University of Nottingham
    The Palm Landscapes of the Italian Riviera Pietro Piana, Charles Watkins and Ross Balzaretti University of Nottingham Abstract Palm trees are today a characteristic feature of tropical tourist landscapes around the world from Caribbean to the Maldives. They are also a distinctive element of Mediterranean landscapes. On the Italian Riviera they are frequently found in the grounds of villas and hotels, at railway stations and in public squares. This paper examines the changing landscapes of the palm trees of the Italian Riviera over the last 300 years. Palms, particularly Phoenix dactylifera, were an important element of the local economy cultivated especially for palm fronds to be sold for religious festivals. The widespread presence of palm trees gave stretches of the Ligurian coast an almost tropical character, especially around Bordighera and San Remo. These coastal towns became major health resorts in the late nineteenth century and international tourists and residents celebrated this exotic landscape. The palms became important subjects for amateur and professional artists and photographers and they proliferated in gardens, as street trees and in horticultural collections. They became signature trees for these wealthy therapeutic landscapes but rapid building development and the decline of the palm trade means that only fragments of the old palm plantations remain today and these are in need of careful conservation. Keywords: Palm trees, Liguria, landscape, British travellers, Topographical Art Introduction Trees and vegetation have always had a major role in the characterization and visual perception of the landscape. Their distribution, density, shape and size reveals much about cultural and physical associations between people and the landscape (Watkins 2014).
    [Show full text]
  • Pietismus Und Die Revolution 1848/49 Evangelikale in England Und in Baden
    Nicholas M. Railton Pietismus und die Revolution 1848/49 Evangelikale in England und in Baden Der badische Pfarrer Jakob Theodor Plitt (1815–1886) Sonderveröffentlichungen des Vereins für Kirchengeschichte in der Evangelischen Landeskirche in Baden Herausgegeben vom Vorstand des Vereins für Kirchengeschichte in der Evangelischen Landeskirche in Baden Band 8 Heidelberg – Ubstadt-Weiher – Neustadt a.d.W. – Basel Nicholas M. Railton Pietismus und die Revolution 1848/49 Evangelikale in England und in Baden Der badische Pfarrer Jakob Theodor Plitt (1815–1886) (mit englischer Version von Vorwort und Einführung) Herausgegeben von Gerhard Schwinge verlag regionalkultur Dr. Nicholas M. Railton, University of Ulster, Northern Ireland, Faculty of Arts, Lecturer in German. 1981: MA Dundee University, 1986: Ph.D. Dundee University. – Railton arbeitete mehrere Jahre in Deutschland und hat sich auf neuere und neueste deutsche Kirchengeschich- te spezialisiert; sein besonderes Interesse gilt den Beziehungen zwischen Deutschland und Großbritannien und Irland. Herausgeberschaft, Lektorat und alle Beigaben: Dr. Gerhard Schwinge, Pfarrer a. D., Kirchenbibliotheks- direktor i. R. und Geschäftsführer des Vereins für Kirchen- geschichte 1989–1998 Umschlag: Jakob Theodor Plitt (Abb. 1) / Rastatter Aufstand 1849 (Abb. 28) / K. Mann, Th. Plitt: Der evangelische Bund, 1847 (Abb. 4) Herstellung: verlag regionalkultur (vr) Satz: Harald Funke (vr) Umschlaggestaltung: Jochen Baumgärtner (vr) Endkorrektur: Gerhard Schwinge, Durmersheim ISBN 978-3-89735-730-3 Bibliographische Information der Deutschen Bibliothek Die Deutsche Bibliothek verzeichnet diese Publikation in der Deutschen Nationalbibliographie; detaillierte bibliographische Daten sind im Internet über http://dnb.ddb.de abrufbar. Diese Publikation ist auf alterungsbeständigem und säurefreiem Papier (TCF nach ISO 9706) gedruckt entsprechend den Frankfurter Forderungen. © 2012. Alle Rechte vorbehalten verlag regionalkultur Heidelberg – Ubstadt-Weiher – Weil am Rhein – Basel Korrespondenzadresse: Bahnhofstr.
    [Show full text]
  • Halber Mond Heppenheim
    FÄCHER: THEMENBEREICHE: JAHRGANGSSTUFE KENNZIFFER Geschichte Politik Liberalismus, 1848er 12 Revolution ORT Heppenheim, Gasthof „Halber Mond“, Schauplatz der Heppenheimer LERNANLASS: Versammlung (10. Oktober 1847) LAGE: Heppenheim, direkt an der B3 zwischen Karl-Marx-Straße und Lorscher Str. WAS IST ZU SEHEN? (2012) (1930) 1 WAS IST ZU Am 10. Oktober 1847 trafen sich im Gasthof „Halber Mond“ 18 führende LERNEN? Liberale, unter ihnen der spätere Präsident der Frankfurter Nationalversammlung, Heinrich von Gagern. Die so genannte „Heppenheimer Versammlung“ war ein wichtiger Meilenstein zur Revolution von 1848/49. Die Heppenheimer Versammlung vom 10. Oktober 1847 „So dass wir hoffen dürfen, einen Anfang eines Deutschen Parlaments in Heppenheim zu bilden." Der liberale Friedrich Daniel Bassermann hat mit diesem zukunftweisenden Satz am 21. September 1847 Heinrich von Gagern zu einer „Zusammenkunft konstitutionell gesinnter Abgeordneter aus verschiedenen Ländern auf den 10. Oktober 1847 im Halben Monde in Heppenheim" eingeladen.1 Die Beurteilung der Versammlung ist von Zeitgenossen und Historiografie kontrovers vorgenommen worden. Die in Heppenheim gefassten Beschlüsse wurden einerseits als „Deliberation“, andererseits als „das programmatische Arsenal (...) auf Seiten des liberalen Bürgertums vor Ausbruch der Revolution“ angesehen. Roland Hoede sieht als maßgeblichen Grund, weshalb die Heppenheimer Versammlung lediglich als Randerscheinung im allgemeinen Entwicklungsgang der Geschichte des Vormärz und der Vorgeschichte der Paulskirchenversammlung
    [Show full text]
  • Pruisen En Het Liberale Zuidwesten
    Pruisen en het liberale zuidwesten Partijvorming in Baden en Württemberg en de invloed daarvan op de Duitse eenwording, 1866-1871 IBurg Hohenzollern, het voorouderlijk kasteel van de Pruisische koninklijke familie, gelegen tussen Baden en Württemberg. Bron: onbekend. HHP-bachelorsscriptie geschiedenis Door: Harmen de Jong Studentnummer: 5732913 Begeleider: Frans Willem Lantink Inhoudsopgave Samenvatting ........................................................................................................................................... 2 Inleiding. Introductie: Zuid-Duitsland in 1866 ......................................................................................................... 3 Vraagstelling en methode ........................................................................................................................ 4 Historiografie: Duitse eenwording en het ‘liberale zuidwesten’ ............................................................. 5 Theoretisch kader: de betekenis van politieke partijen .......................................................................... 7 Bronnen en verantwoording .................................................................................................................... 8 Hoofdstuk 1: Politiek in Baden en Württemberg, 1860-1866. Inleiding .................................................................................................................................................... 9 Democratische rechten in Baden en Württemberg ................................................................................
    [Show full text]
  • Handbook on Judaica Provenance Research: Ceremonial Objects
    Looted Art and Jewish Cultural Property Initiative Salo Baron and members of the Synagogue Council of America depositing Torah scrolls in a grave at Beth El Cemetery, Paramus, New Jersey, 13 January 1952. Photograph by Fred Stein, collection of the American Jewish Historical Society, New York, USA. HANDBOOK ON JUDAICA PROVENANCE RESEARCH: CEREMONIAL OBJECTS By Julie-Marthe Cohen, Felicitas Heimann-Jelinek, and Ruth Jolanda Weinberger ©Conference on Jewish Material Claims Against Germany, 2018 Table of Contents Foreword, Wesley A. Fisher page 4 Disclaimer page 7 Preface page 8 PART 1 – Historical Overview 1.1 Pre-War Judaica and Jewish Museum Collections: An Overview page 12 1.2 Nazi Agencies Engaged in the Looting of Material Culture page 16 1.3 The Looting of Judaica: Museum Collections, Community Collections, page 28 and Private Collections - An Overview 1.4 The Dispersion of Jewish Ceremonial Objects in the West: Jewish Cultural Reconstruction page 43 1.5 The Dispersion of Jewish Ceremonial Objects in the East: The Soviet Trophy Brigades and Nationalizations in the East after World War II page 61 PART 2 – Judaica Objects 2.1 On the Definition of Judaica Objects page 77 2.2 Identification of Judaica Objects page 78 2.2.1 Inscriptions page 78 2.2.1.1 Names of Individuals page 78 2.2.1.2 Names of Communities and Towns page 79 2.2.1.3 Dates page 80 2.2.1.4 Crests page 80 2.2.2 Sizes page 81 2.2.3 Materials page 81 2.2.3.1 Textiles page 81 2.2.3.2 Metal page 82 2.2.3.3 Wood page 83 2.2.3.4 Paper page 83 2.2.3.5 Other page 83 2.2.4 Styles
    [Show full text]
  • SWR2 Musikpassagen Groove Around the World
    SWR2 Musikpassagen Groove around the world Die Dissidenten werden 40 Von Thomas Hagenauer Sendung: Sonntag, 11.04.2021 Redaktion: Anette Sidhu-Ingenhoff Produktion: SWR 2021 SWR2 Musikpassagen können Sie auch im SWR2 Webradio unter www.SWR2.de und auf Mobilgeräten in der SWR2 App hören Bitte beachten Sie: Das Manuskript ist ausschließlich zum persönlichen, privaten Gebrauch bestimmt. Jede weitere Vervielfältigung und Verbreitung bedarf der ausdrücklichen Genehmigung des Urhebers bzw. des SWR. Kennen Sie schon das Serviceangebot des Kulturradios SWR2? Mit der kostenlosen SWR2 Kulturkarte können Sie zu ermäßigten Eintrittspreisen Veranstaltungen des SWR2 und seiner vielen Kulturpartner im Sendegebiet besuchen. Mit dem Infoheft SWR2 Kulturservice sind Sie stets über SWR2 und die zahlreichen Veranstaltungen im SWR2-Kulturpartner-Netz informiert. Jetzt anmelden unter 07221/300 200 oder swr2.de Die SWR2 App für Android und iOS Hören Sie das SWR2 Programm, wann und wo Sie wollen. Jederzeit live oder zeitversetzt, online oder offline. Alle Sendung stehen mindestens sieben Tage lang zum Nachhören bereit. Nutzen Sie die neuen Funktionen der SWR2 App: abonnieren, offline hören, stöbern, meistgehört, Themenbereiche, Empfehlungen, Entdeckungen … Kostenlos herunterladen: www.swr2.de/app Jingle Groove around the World – Die Dissidenten werden 40 und solange erkunden sie schon den Beat der Welt. Am Mikrofon Thomas Hagenauer Musik remixes Sahara ab 1:00 O – Ton Müllrich 1 wollte nicht zurück Uve Müllrich erzählt, wie damals 1980/81 in Indien alles anfing. Er ist Bassist, Komponist und Ideenproduzent, und ist seit Anfang dabei. Er ist einer der Drei, die bis heute den eigentlichen Kern der Band bilden und lebt seit einigen Jahren in und um Berlin.
    [Show full text]
  • Gardens of the Hanbury Family and Their Influence on the Culture of Italy at the Turn of the 19 Th -20 Th Centuries
    Gardens of the Hanbury family and their influence on the culture of Italy at the turn of the 19 th -20 th centuries. By Elena Grafova Likhatchev Russian Research Institute for Cultural and Natural Heritage, Moscow Thesis: The idea of the gardens of Liguria, created by the philanthropists Daniel and Thomas Hanbury, and embodied by a landscape designer, botanist and garden architect Ludwig Winter , is to collect plants from all over the world - and give them a new reading in the gardens of the beautiful era. This idea of travel, attention to plants, flowers, butterflies collections that can be collected from different parts of the world in Japan, China, the African continent, Australia, North and South America brings the idea of beauty - diversity in a simple and complex. It was the expeditions undertaken by researchers on the Beagle and Challenger ships in the 19th century that gave an impetus to the development of natural science, which will lead to a new aesthetics of gardens, a new embodiment of the idea of modernism in architecture, decorative art in Italy and Hanbury gardens. Research interests: art nouveau, modern, natural science, botany, art, lepidopterology, botany, entomology, gardens of the XIX-XX centuries. The original version in Russian is in the second half of this document At the turn of the 19th and 20th centuries, the development of landscape gardening became popular with the science of plant phytogeography. This is due to the discovery of new geographical zones with a unique flora and the acclimatization of plants in new regions. Phytogeography is based on the works of the German scientist Alexander Humboldt and the French botanist Aime Bonplan.
    [Show full text]