Central Opera Service Bulletin Volume 29, Numbers 1 & 2
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Ariadna En Naxos
RICHARD STRAUSS ARIADNA EN NAXOS STREAMING METROPOLITAN OPERA HOUSE Presenta RICHARD STRAUSS ARIADNA EN NAXOS Ópera en dos partes: Prólogo y Ópera Libreto de Hugo von Hofmannsthal, basado en “El burgués gentilhombre” de Molière y el mito griego de Ariadna y Baco. Reparto Ariadna - Prima Donna Jessye Norman Baco - Tenor James King Zerbinetta Kathleen Battle Compositor Tatiana Troyanos Maestro de música Franz Ferdinand Nentwig Arlequín Stephen Dickson Scaramuccio Allan Glassman Trufaldín Artur Korn Brighella Anthony Laciura Nayade Barbara Bonney Driada Gweneth Bean Echo Dawn Upshaw Mayordomo Nico Castel Coro y Orquesta del Metropolitan Opera House Dirección: James Levine Producción escénica Dirección teatral Bodo Igesz Escenografía Oliver Messel Vestuario Jane Greenwood Miércoles 13 de mayo de 2020 Transmisión vía streaming desde Metropolitan Opera House – New York, USA TEATRO NESCAFÉ DE LAS ARTES Temporada 2020 ARIADNA EN NAXOS ANTECEDENTES te el nombre de Hugo von Haffmannsthal, poeta, escritor y dramaturgo austriaco, quien creó los libretos de las más famo- sas producciones del compositor para la escena. Entre ellos los de la terna citada y el de “Ariadna en Naxos”, su sexta con- tribución para la lírica, con una gestación muy compleja. Strauss compuso la ópera “Ariadna en Naxos” en un acto y como homenaje a Max Reinhardt, quien fuera en 1911 el re- gisseur (director de escena) en el estreno mundial de “El caballero de la rosa”. “Ariadna en Naxos” se representó en Strauss y Hofmannsthal octubre de 1912 en el marco de una ce- remonia turca, inserta a su vez en el de- Junto al inglés Benjamin Britten (1913- sarrollo de una adaptación alemana de la 1976), Richard Strauss (1864-1949) forma la comedia “El burgués gentilhombre” de pareja de los más importantes y prolíficos Molière, hecha por Hoffmansthal. -
English Annual 2012
english annual 2012 1 CONTENT interview festival 3 Untitled. Miriam Kičiňová with dramaturg Martin Kubran 10 Search and discovery of something new. Dáša Čiripová with choreographer Matej Matejka 58 The New Drama Festival showed its true colours 17 Today, I consider more each note. – and the colours were bright. Martina Mašlárová Michaela Mojžišová with composer Peter Zagar 22 Reading unimportant things is not part of my life. Miriam Kičiňová with Daniel Majling 64 The International Theatre Festival Divadelná Nitra analysis and review Appealed to our Conscience. Martina Mašlárová 32 Bartimaeus’s unusual message of faith. 70 More than twice an impulse. Dominika Zaťková Elena Knopová theory/history/critic 75 History of 20th Century Drama. Ján Šimko 84 Music of Languages in the Country of Theaters. 37 A play of varying forms. Tomáš Hájek Stanislava Matejovičová extra 87 Till December 2001. Miro Zwiefelhofer about Studio 12 – space for new drama 44 Seven Days longer than human life. Dária F. Fehérová play 89 Gabriela Alexová: Losers 2 × 2 48 Jánošík, Rózenkrac and Gilderštén get on „tanks” 98 Can the culture support itself? in Žilina. Miro Zwiefelhofer Ingrid Hrubaničová, Zora Jaurová Pavel Graus, Silvester Lavrík 52 A Theatrical Slap in the Face, or Real Misery in Bátovce. Martina Mašlárová 1 cøntent THE CODE TO THE DÁŠA ČIRIPOVÁ SLOVAK THEATRE An Annual 2012 of The challenges of the slovak independent theatre the Theatre Monthly ´kød – konkrétne Several years of stagnation of “stone” theatres caused an unusual situation for the independent o divadle´ in English theatres and independent associations in Slovak theatre. Their activity, production, and last but not least the Editor in Chief quality is not only original and unique, but belong to what the Slovak theatre can present and confront the Dáša Čiripová international theatre scene. -
Federica Marsico a Queer Approach to the Classical Myth of Phaedra in Music
Federica Marsico A Queer Approach to the Classical Myth of Phaedra in Music Kwartalnik Młodych Muzykologów UJ nr 34 (3), 7-28 2017 Federica Marsico UNIVERSITY OF PAVIA A Queer Approach to the Classical Myth of Phaedra in Music The Topic In the second half of the 20th century, the myth of Phaedra, according to which the wife of King Theseus of Athens desperately falls in love with her stepson Hippolytus, was set to music by three homosexual compos- ers in the following works: the dramatic cantata Phaedra for mezzo- soprano and small orchestra (1976) by Benjamin Britten (1913-1976) after a text by the American poet Robert Lowell, the opera Le Racine: pianobar pour Phèdre (1980) by Sylvano Bussotti (1931) after a libretto drafted by the Italian composer himself and consisting of a prologue, three acts, and an intermezzo, and, last but not least, the two-act con- cert opera Phaedra (2007) by Hans Werner Henze (1926-2012) after a libretto by the German poet Christian Lehnert.1 1 In the second half of the century, other musical adaptations of the myth were also composed, namely the one-act opera Phèdre by Marcel Mihalovici (1898–1986) after a text by Yvan Goll and consisting in a prologue and five scenes (1951), the chamber opera Syllabaire pour Phèdre by Maurice Ohana (1913–1992) after a text by Raphaël Cluzel (1968), and the monodrama Phaedra for mezzo-soprano and orchestra by George Rochberg (1918–2005) after a text by Gene Rosenfeld (1976). 7 Kwartalnik Młodych Muzykologów UJ, nr 34 (3/2017) This paper summarizes the results of a three-year research project (2013–2015)2 that has proved that the three above-mentioned homo- sexual composers wilfully chose a myth consistent with an incestu- ous—and thus censored—form of love in order to portray homoerotic desire, which the coeval heteronormative society of course labelled as deviant and hence condemned. -
OCT 2005NEW.Qxd
AAGGMMAAZZIINNEE Official Publication of the American Guild of Musical Artists A Branch of the Associated Actors and Artistes of America • Affiliated with the AFL-CIO Summer 2015 Volume 69, Number 1 How Technology Affects our Careers Page 2 AGMAzine Summer 2015 It would be inappropriate to go to press without recognizing the victory for many of our members and all supporters of civil rights from the Supreme Court’s decision on Marriage Equality (Obergefell v Hodges) . AGMA Establishes a New System for Reporting Illegal Discrimination By Alan S. Gordon, National Executive Director AGMA has estab - retaliation. Unfortunately, it’s a valid fear. act; the nature of the abuse, harassment or lished a system However, reporting abuse or harassment to discrimination; the employment position of for members to con - your employer remains one of the ONLY two that person (composer, coach, etc.); their fidentially report truly effective ways of dealing with sexual work relationship to the person making the instances of any abuse or other illegal discrimination. report (unless it’s obvious from their posi - illegal discrimina - tion); whether or not there were witnesses to tion, including sex - The other possible remedy exists because dis - the situation, including their names or identi - ual abuse, harass - crimination is also a violation of AGMA’s fication by job titles; and any other informa - ment and conduct collective bargaining agreements and tion you think relevant to the report. that creates a hostile Standard Artist Agreements, and so it can also Although members can report abuse encoun - work environment. be pursued through the grievance and arbitra - tered at non-union companies, we have no tion provision of our contracts and decided by ability to influence behavior among non- A number of members, including participants an arbitrator. -
Constructing the Archive: an Annotated Catalogue of the Deon Van Der Walt
(De)constructing the archive: An annotated catalogue of the Deon van der Walt Collection in the NMMU Library Frederick Jacobus Buys January 2014 Submitted in partial fulfilment for the degree of Master of Music (Performing Arts) at the Nelson Mandela Metropolitan University Supervisor: Prof Zelda Potgieter TABLE OF CONTENTS Page DECLARATION i ABSTRACT ii OPSOMMING iii KEY WORDS iv ACKNOWLEDGEMENTS v CHAPTER 1 – INTRODUCTION TO THIS STUDY 1 1. Aim of the research 1 2. Context & Rationale 2 3. Outlay of Chapters 4 CHAPTER 2 - (DE)CONSTRUCTING THE ARCHIVE: A BRIEF LITERATURE REVIEW 5 CHAPTER 3 - DEON VAN DER WALT: A LIFE CUT SHORT 9 CHAPTER 4 - THE DEON VAN DER WALT COLLECTION: AN ANNOTATED CATALOGUE 12 CHAPTER 5 - CONCLUSION AND RECOMMENDATIONS 18 1. The current state of the Deon van der Walt Collection 18 2. Suggestions and recommendations for the future of the Deon van der Walt Collection 21 SOURCES 24 APPENDIX A PERFORMANCE AND RECORDING LIST 29 APPEDIX B ANNOTED CATALOGUE OF THE DEON VAN DER WALT COLLECTION 41 APPENDIX C NELSON MANDELA METROPOLITAN UNIVERSTITY LIBRARY AND INFORMATION SERVICES (NMMU LIS) - CIRCULATION OF THE DEON VAN DER WALT (DVW) COLLECTION (DONATION) 280 APPENDIX D PAPER DELIVERED BY ZELDA POTGIETER AT THE OFFICIAL OPENING OF THE DEON VAN DER WALT COLLECTION, SOUTH CAMPUS LIBRARY, NMMU, ON 20 SEPTEMBER 2007 282 i DECLARATION I, Frederick Jacobus Buys (student no. 211267325), hereby declare that this treatise, in partial fulfilment for the degree M.Mus (Performing Arts), is my own work and that it has not previously been submitted for assessment or completion of any postgraduate qualification to another University or for another qualification. -
Central Opera Service Bulletin
CENTRAL OPERA SERVICE BULLETIN WINTER, 1972 Sponsored by the Metropolitan Opera National Council Central Opera Service • Lincoln Center Plaza • Metropolitan Opera • New York, N.Y. 10023 • 799-3467 Sponsored by the Metropolitan Opera National Council Central Opera Service • Lincoln Canter Plaza • Metropolitan Opera • New York, NX 10023 • 799.3467 CENTRAL OPERA SERVICE COMMITTEE ROBERT L. B. TOBIN, National Chairman GEORGE HOWERTON, National Co-Chairman National Council Directors MRS. AUGUST BELMONT MRS. FRANK W. BOWMAN MRS. TIMOTHY FISKE E. H. CORRIGAN, JR. CARROLL G. HARPER MRS. NORRIS DARRELL ELIHU M. HYNDMAN Professional Committee JULIUS RUDEL, Chairman New York City Opera KURT HERBERT ADLER MRS. LOUDON MEI.LEN San Francisco Opera Opera Soc. of Wash., D.C. VICTOR ALESSANDRO ELEMER NAGY San Antonio Symphony Ham College of Music ROBERT G. ANDERSON MME. ROSE PALMAI-TENSER Tulsa Opera Mobile Opera Guild WILFRED C. BAIN RUSSELL D. PATTERSON Indiana University Kansas City Lyric Theater ROBERT BAUSTIAN MRS. JOHN DEWITT PELTZ Santa Fe Opera Metropolitan Opera MORITZ BOMHARD JAN POPPER Kentucky Opera University of California, L.A. STANLEY CHAPPLE GLYNN ROSS University of Washington Seattle Opera EUGENE CONLEY GEORGE SCHICK No. Texas State Univ. Manhattan School of Music WALTER DUCLOUX MARK SCHUBART University of Texas Lincoln Center PETER PAUL FUCHS MRS. L. S. STEMMONS Louisiana State University Dallas Civic Opera ROBERT GAY LEONARD TREASH Northwestern University Eastman School of Music BORIS GOLDOVSKY LUCAS UNDERWOOD Goldovsky Opera Theatre University of the Pacific WALTER HERBERT GIDEON WALDKOh Houston & San Diego Opera Juilliard School of Music RICHARD KARP MRS. J. P. WALLACE Pittsburgh Opera Shreveport Civic Opera GLADYS MATHEW LUDWIG ZIRNER Community Opera University of Illinois See COS INSIDE INFORMATION on page seventeen for new officers and members of the Professional Committee. -
Forthcoming Dates & Ticket Information
n e Issue 46, Winter 2014 NCO w s www.newchamberopera.co.uk FORTHCOMING DATES & TICKET INFORMATION Calendar Listing Those events marked with an asterisk * are University events Recitals TICKET DETAILS January 24 - Nick Hampson, tenor 31 - James Carter, baritone Lunchtime Vocal February Recitals 7 - Dominic Foord, bass 1.15pm Francesco Cavalli: La Calisto New College Antechapel Musical Director: Edmund Whitehead £2/£1 concessions on the door 7 & 8 February 2014 New College Chapel, 8.00pm Cavalli La Calisto Tickets for this event can be obtained from: http://www.ticketsource.co.uk/event/47845 7 & 8 February 2014 8.00pm February New College Chapel 14 - Rosie Miller, soprano 21 - Rebecca Robert, soprano Tickets 28 - Andrew Hayman, tenor £10 / £5 concessions March on the door and from 7 - James Newby, tenor Ticket Source, see panel to the left 14- Guy Elliott, tenor Summer Opera: Haydn L’Infedeltà Delusa Summer Opera 9 (Preview), 12, 13, 15, 16, 18, 19, 20 July 2014 Wednesday 9 (Preview) The Warden’s Garden, New College Sunday 13 & Tuesday 14 New Chamber Opera Please download forms from New Chamber Opera - New Chamber Opera Ensemble http://www.newchamberopera.co.uk The Band of Instruments - Phoenix - Cutting Edge Singing Patron James Bowman Saturday 12 & Friday 18 Director of Productions Michael Burden New College Development Office Director, the Summer Opera Steven Devine (01865) 279 337 Director, The Band of Instruments Roger Hamilton . Director, Opera Studio Edmund Whitehead Tuesday 15 Repetiteurs Edmund Whitehead, Jacob Swindells . Company Secretary Clare Atkinson OXPIP (01865) 778 034 Comptroller Graham Midgley . Wardrobe Diana Lintott, Fiona Hodges Wednesday 16 Recitals Wilfrid Jones; Brian McAlea . -
Simone Boccanegra Saison
OPERA V/D2MGNON ET DES RWS DEWJCLUSE SIMONE BOCCANEGRA SAISON 91-92 OPÉRA DAVIGNON ET DES PAYS DE VAUCLUSE Directeur général : Raymond Duffaut Vendredi 10 avril 20 h Dimanche 12 avril 14 h 30 Mardi 14 avril 20 h SIMONE BOCCANEGRA opéra en un prologue et trois actes Livret de Ftancesco-Mana Piave et Arrigo Boïto Musique de Giuseppe Verdi (Editions musicales Salabert) en langue originale Avec le partenariat de Alliance Opéras \ ^^ \ # PRODUCTION OPERA D'AVIGNON ET DES PAYS DE VAUCLUSE \ ^ Le Crédit local de France, Air Inter et FR3 s'associent pour une plus large diffusion de l'art lyrique en France. L'art lyrique, fleuron de notre patrimoine musical, n'est plus un art populaire. Des représentations trop rares excluent un grand nombre d'habitants du plaisir de sa découverte. Décidées à mettre en œuvre tous les moyens en leur pouvoir pour ouvrir plus souvent les portes de l'Opéra, trois institutions se sont réunies pour créer l'Association Alliance Opéras. Parce que le Crédit Local de France, Air Inter et FR3 contribuent chaque jour à faire vivre la Décentralisation, ils réaffirment avec Alliance Opéras leur soutien à toutes les villes qui s'engagent à promouvoir l'art lyrique. ALLIANCE OPERAS est aux côtés de la Ville d'Avignon pour offrir cette représentation supplémentaire du I4 avril de Simone Boccanegra de G. Verdi. Direction musicale Alain Guingal Mise en scène, éclairages, décors et costumes Antoine Selva Maria Boccanegra Françoise Follet Un Ancella di Amelia Martine Olmeda Simone Boccanegra Alain Fondary Jacopo Fiesto Dimitri Kavrakos -
Art in Bloom 3 | Dear Music Lovers, Friends and Partners
1 | ART IN BLOOM 3 | DEAR MUSIC LOVERS, FRIENDS AND PARTNERS, ARTHAUS MUSIK – SIMPLY UNIQUE. Experience the great variety of music and art. Exciting and extravagant themes from the last two years are waiting for you as well as a selection of our bestsellers and a preview, what we have in mind for the future. 18 YEARS OLD, INTERNATIONAL, SUCCESSFUL. When in March 2000 Arthaus Musik has released its first ten products, nobody could guess what international success the label would once achieve. Today, 18 years later, we can look back on around 1.650 releases, among them some innovative milestones thanks to the state-of-the-art technology like the first 4k-UHD- release, a concert production by using the new surround sound technology LEONIDAS KAVAKOS, Dolby Atmos and the first 360° opera shot. Our entire catalogue includes many awarded and top-class opera, concert and ballet performances featuring out- DENIS MATSUEV, standing soloists, renowned conductors and orchestras as well as documenta- DANIIL TRIFONOV ries of historical value about famous artists and musicians. WITH YOU AS OUR PARTNER STRENGTHENED INTO THE FUTURE. After 18 years history of Arthaus Musik we are going new paths in distribu- tion. At midyear we took our distribution in Germany in our own hands and entered into new international partnerships. The direct contact with you, our distributors and business partners is our main aim, to market our products in a targeted manner and to satisfy your needs individually. FROM CENTRAL GERMANY TO THE REST OF THE WORLD. VDS Ver- sand- und DatenService is our new excellent logistic partner, which guarantees an optimized supply of our products worldwide. -
Society of Fellows News American Academy in Rome
SOCIETY OF FELLOWS NEWS AMERICAN ACADEMY IN ROME LETTERS FALL 2003 From the Editors Stefanie Walker FH’01, Catherine Seavitt FA’98 What’s in a letter? is exemplified by the collaborative Society of Fellows NEWS work of two of the 2002-03 Fellows, The theme of this issue of the SOF FALL 2003 Peter Orner FW’03 NEWS explores that question, and we writer and visual Published by the Society of Fellows of are pleased at the diversity of artist Arthur Simms FV’03. It is truly in The American Academy in Rome responses. Paul Davis FD’98, fascinat- this fluid back-and-forth exchange 7 East 60 Street ed by the transformation of the cor- that we feel the most hope for corre- New York, NY 10022-1001 USA rugated metal walls around Roman spondence. There is nothing stranger tel 212 751 7200 www.sof-aarome.org Co-Editors: Stefanie Walker FH’01 construction sites into public bulletin than reading just one half of a dia- Catherine Seavitt FA’98 boards, provides us with our fantastic logue of letters, as we are so often Contributors: Joanne Spurza FC’89 cover. Other contributions center on forced to do. It is then left to our Brian Curran FH’94 the long history of letter writing, as imagination to fill in the missing let- SOF Liason: Elsa Dessberg studied by historian Emil J. Polak ters of the other correspondent. And FR’63 in his delightful interview with there is certainly the poignancy of Editor Stefanie Walker FH’01. The letters left unanswered - or letters Contents graphics of the Imperial Roman that one knows will not be answered, SOF President’s Message 3 ABC’s are studied by Sumner Stone such as those addressed to Defense 7 East 60 Street 4 Via Angelo Masina 5 5 VA’98 in his detailed analysis of the Secretaries or dead Roman senators. -
Cv Cecilia Gasdia
CECILIA GASDIA Cecilia Gasdia was born in Verona in 1960; she is an Italian operatic soprano. Gasdia studied music and piano at the Conservatorio di Verona, graduating in 1980. That same year she won the first prize in the "New Voices for Opera" competition dedicated to Maria Callas. In 1981 she made her operatic debut in Florence as Giulietta in Bellini's I Capuleti e i Montecchi and rose to prominence following her successful debut at La Scala in 1982 when at very short notice she replaced Montserrat Caballé in the title role of Donizetti's Anna Bolena. Following her debut at the Rossini Opera Festival in Pesaro in 1983 she became a well-known singer in Rossini's operas during the 1980s, with 14 different Rossinian roles in her repertoire. She made her American debut on 5 October 1985 as Gilda in a concert performance of Rigoletto in Philadelphia conducted by Riccardo Muti (repeated on 8 October at Carnegie Hall) In the same year she made her Lyric Opera of Chicago debut as Giulietta in I Capuleti e i Montecchi. John Von Rhein of the Chicago Tribune wrote of her performance: "With her pale features and petite, high-waisted figure, Gasdia looked as if she had stepped out of a painting by Raphael. She sang with a sweetness, purity and fluency of tone that was rich in soft shadings and consistent in quality from the top to bottom of her range." Von Rhein (2 March 2008) Her Metropolitan Opera debut in 1986 as another 'Juliette', this time in Gounod's Roméo et Juliette. -
20 ANS/YRS Sm22-1 BI P02 Ads Sm21-6 BI Pxx 2016-08-31 4:06 PM Page 2
20 ANS/YRS sm22-1_BI_p01_LSMcover2testvector_wPDF_sm20-1_BI_pXX 2016-08-31 4:06 PM Page 1 sm22-1_BI_p02_ADs_sm21-6_BI_pXX 2016-08-31 4:06 PM Page 2 LUKAS GENIUŠAS QUEYRAS & MELNIKOV PRÉSENTE / PRESENTS HAGEN QUARTET PRAŽÁK QUARTET MUSICIANS FROM MARLBORO SAISON / SEASON HYESANG PARK BERNARD, THIBEAULT 2016-2017 ET TÉTREAULT LA MUSIQUE DANS TOUTE SA PURETÉ THE ESSENCE OF MUSIC JAMES EHNES YEFIM BRONFMAN ABONNEMENTS - SUBSCRIPTIONS ANDRÁS SCHIFF LOUIS LORTIE 514-845-0532 www.promusica.qc.ca sm22-1_BI_p03_TOCv2_sm21-6_BI_pXX 2016-08-31 4:07 PM Page 3 SOMMAIRE CONTENTS 15 INDUSTRY NEWS 16 La mélodie française / French Mélodies 18 Prix Arts-Affaires : Joanie Lapalme 20 Views of the World Music and Film Festival 21 Bryan Arias à Danse Danse 22 Angela Konrad, dramaturge 23 Prom Queen: The (Mega) Musical 24 Parents: La musique et le sport 25 LA RENTRÉE MUSICALE 40 JAZZ : Musiques à 8 42 LA RENTRÉE CULTURELLE 49 Shakespeare Reinvented 50 CRITIQUES / REVIEWS GUIDES 52 CALENDRIER RÉGIONAL REGIONAL CALENDAR 53 À VENIR / PREVIEWS 8 JAMES EHNES 46 Festivals d’automne / Fall Festivals CITÉ-MÉMOIRE 4 PHOTO BEN EALOVEGA RÉDACTEURS FONDATEURS / RÉDACTEURS EN CHEF / FINANCEMENT / FUNDRAISING BÉNÉVOLES / VOLUNTEERS contient des articles et des critiques ainsi FOUNDING EDITORS EDITORS-IN-CHIEF Natasha Beaudin Pearson Wah Wing Chan, Lilian I. Liganor, que des calendriers. LSM est publiée par La PUBLICITÉ / ADVERTISING Annie Prothin, Susan Marcus, Scène Musicale, un organisme sans but Wah Keung Chan, Philip Anson Wah Keung Chan, Caroline Rodgers lucratif. La Scena Musicale est la traduction RÉDACTEUR JAZZ / JAZZ EDITOR Natasha Beaudin Pearson, Marc Nicholas Roach italienne de La Scène Musicale.