DOCSLIB.ORG

Journal 2.77-84.Pdf

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Journal 2.77-84.Pdf uydpd¾h cS' ví,sõ' bkaødKs wNskkaok Ydia;S%h ix.%yh ISBN 978-955-4563-72-8 ulaisï f.da¾ls fyj;a fmIafld*a wf,lafiahs ulaisfudúÉ ^1868-1936& f,alLfhla" kdgH rplfhla" mqj;am;a l,dfõÈfhla fyauka; isßfiak kQ;k NdId wOHhk wxYh' le,Ksh úYajúoHd,h ulaisï f.da¾ls 1868 ud¾;= ui 16 jeks Èk reishdfõ kSIaks fkdõf.daroa k.rfha§ ulaisï ijf;aúÉ fmIafld*ag iy j¾jdrd jis,sfhõkdg odj Wm; ,nd we;' mshd ulaisï ijf;aúÉ fmIafld*a OQu fk!ld iud.ï ld¾hd, mßmd,lfhl= jQ w;r" uj tu k.rfha u fj<| jHdmdßlfhl=f.a Èh‚hl jQjdh' fmdfydi;a fj<| jHdmdßlfhl= iy kd.ßl mska;dre lïy,l jev uQ,slfhl= jQ f.da¾lsf.a iShd jis,sha lIsßka kSIaks fkdõf.daroa k.r iNdfõ ksfhdð;fhl= f,i iEu Pkaohl§ u f;aÍ m;ajQ wfhls' f.da¾lsg jhi wjqreÿ ;=fka§ muK fld,rd frda.h je<£ we;' tu wjia:dfõ§ Tyqg Wjegka l< mshdg o tu frda.h fnda ù urKhg m;a ù we;' mshdf.a urKhg jrolre l=vd f.da¾ls hehs Tyqf.a uj j¾jdrd jis,sfhõkd is;=jdh' tfia is;+ weh l=vd f.da¾ls yodjvd.ekSug ;u mshdf.a Ndrhg hejqjdh' wkd.; f,alLhd yodjvd.ekSug Tyqf.a iShd iy ckl;dka;rj,g uy;a we,aula ±lajQ wdÉÑ ndrf.k we;' iShd f.da¾lsg jhi wjqreÿ yh ;rï úfha§ ia,dúhdkq m,a,sfha wOHdmkh ,nd§u wdrïN fldg we;' 1877 isg 1879 olajd j¾Ij, f.da¾ls kSIaks fkdõf.daroa k.rfha l=kdúkaiala mdif,a udi lSmhla uQ,sl wOHdmkh ,nd we;' 1879 j¾Ifha§ f.da¾lsf.a uj widOH frda.hlska ñh hEfuka miq mjqf,a yg.;a .egqï iy l,yldÍ ;;a;ajhka ksid iShd Wkau;a;lfhla njg m;aù we;' fïksid f.da¾lsg bf.kSu kj;d oud Ôj;aùug yßyïnlr.kakg isÿúh' Ôú;h .eg.id.ekSu i|ydu wOHdmkh fjkqjg 1879 isg 1884 olajd ld,h;=, ;ekska ;ekg f.dia ia:dk .kkdjlu fiajh fldg wñysß w;a±lSï rdYshla ,oafoah' jhi wjqreÿ yf;a§ m%:ufhkau ;u uõ md¾Yjfha ×;sfhl= ,`. im;a;= w`M;ajeähd lsÍug mqyqKqjkafkl= f,io miqj flgqïm;alsÍu draftman mqyqKqjkafkl= f,io bka wk;=rej m%;sud mska;drelrkafkl= f,io /lshdjla lrkakg W;aidylr we;' wjidkfha§ fjd,a.d kÈfha Odjkh l< OQu fk!ldjl fiajh l< wrlaleñfhl=f.a w;jeisfhla f,io fiajfhys fhÿ‚' bka bj;aù kej;;a flgqïm;alsÍu draftman mqyqKqùug meñK flá l,lska tho kej; w;yer f.dia m%;sud úl=Kkkafkl= f,io bka miqj ÿïßh Odjkm: wdrlaIlfhl= f,i" fílß lïlrefjl= f,io hkd§ tlsfkl /lshdj, fhfoïka b;d lgql Ôjk w;a±lSïj,ska msß uqvqlal=jl Ôj;a úh' fufia jqjo bf.kSug hula ±klshd.ekSug Tyq ;=<jq msmdih kï fkdis£ ;snqKs' wrlaleñfhl=f.a w;jeisfhl= f,i fiajh lroa§ t;rï W.f;la fkdjQjo Tyq tl;=lrf.k ;snqKq fkdfhla fmd;m; l=vd f.da¾lsg ,nd § lshùug we;sl< fm<Uùu f.da¾ls wkd.; f,alLfhla njg m;alsÍug uy;a wdf,dalhla jQ nj ;u Ôjk igykaj, i|ykafldg we;' Tyqg wrlaleñhdf.ka lshùug ,enqKq úúO lD;sj,ska f,dal idys;Hh y÷kd.ekSug wjia:djla ,en.;a w;r w;g m;a ish`Mu fmd; m; lshjñka ;ksju iajhx wOHdmkhl ksr; ù we;' fufia l=vd ld,fhau f.da¾lsg *ardkala ufidafkd*a" wef,laiekav¾ vQud" iy mqIalskaf.a lú lshùug wjia:dj ie,iqfkah' fu;rï l=vd ld,fhau mjd f.da¾ls ;u ffoksl f;dr;=re jd¾;d.;lsÍfï mqreoaola we;slrf.k wd .sh ish¨;ekaysu f;dr;=re Èkfmd;l igyka lr;eîuo lr ;snqKq ksid Tyqf.a Ôjk j;f.d; fidhd.ekSu myiq ù we;' 77 uydpd¾h cS' ví,sõ' bkaødKs wNskkaok Ydia;S%h ix.%yh ISBN 978-955-4563-72-8 1884 j¾Ifha§ lidka k.rhg meñfKk f.da¾lsf.a Ôú;hg kj ld, mßÉfþohla Wodfjhs' tys§ wOHdmkh ,eîug úYajúoHd,hlg we;=,;aùug ±rE W;aidyh uqo,a w.ys.lï ksid w;yerek o úma,ùh ryia mdi, Tyqg újD; úh' úma,jldÍ kfrdaoakslajreka iu. iïnkaO;d we;slr.;a f.da¾ls kSIaks fkdõf.daroa m%foaYfha tu woyia jHdma; lrñka isáh§ fmd,sia w;awvx.=jg m;a úh' tjlg úma,ùh woyia .ek idlÉPd l< úYajúoHd, iy mdi,a YsIH ixúOdkj,g iyNd.s ùu iy wod, f;dr;=rej,g ±lajQ Wkkaÿj ksid fmd,Sish iu. .egqïj,g o meg,S we;' fï w;r Ôj;aùu i|yd kS;súfrdaë jevlrñka ;u todfõ,o ißlr.;af;ah' 1887 j¾Ifha§ Ôú;fha wid¾:l;ajh ms<sn| we;sjQ l,lsÍu ksid ishÈú ydkslr.ekSfï W;aidyhla ord we;' bkamiq /lshdjla fidhñka 1888-¡1891 § reishdfõ fjd,a.d iy fodka .x.dY%s; m%foaY" l%sñhdkq w¾Ooaùmh" ol=kq ìirdìh iy l*aldia yryd hqlaf¾khg meñK we;' fïld,fha§ fcda¾ðhdfõ ;s*s,sia k.rfha ÿïßh ud¾. wdY%s; fiajhl fh§ Ôjfkdamdh i,idf.k Tyq ;u m%:u flá l;dj "uld¾ pqÞ" rpkd l< w;r 1892 § —l*aldia˜ kï mqj;a mf;ys m< lrwe;' ;s*s,sia k.rfha .; l< ld,fha§ ud¾laiajd§ foaYmd,ksl u;jdoh m%pdrh lsÍu i|yd ÿïßh fiajl msßiaj,ska lKavdhula o ixúOdkh lf<ah' fuu ld,jljdkqfõ§ f.da¾lsf.a ±kqu iy nqoaêh iS.%fhka uqyql=rd hhs' reishdkq iy úYaj idys;Hh" o¾Ykh iy úma,ùh m%cd;ka;%jd§ u;jdofha odhdoh f.da¾lsg y÷kd.ekSug ,efnhs' fïksid 1890 oYlh jkúg f.da¾ls úYaj ixialD;sfha úúO lafIa;%hka ms<sn| fndfyda weiQ msrE ;eke;af;la njg m;aúh' reishdj mqrd l< uyd ixpdrfhaoS ;u wkd.; rpkdj,g fhdod .;yels ùrpß;j, uQ,dlD;s tla/ia lr.kakg Tyqg yelsWkd' f.da¾lsf.a oakd «дна» The Lower Depths" kdgHfha tk fndfyduhla pß;j,g mokïlrf.k we;af;a tf,i Tyq tla/ia lr.;a f;dr;=re u; neõ lshefõ' f.da¾ls 1889 § rpkd l< fmaiaka ia;drj ÿnd «Песнь старого дуба» ldjHh úfõpkhg ,laù wid¾:l tlla jQ fyhska th úkdY l< o —ish,a,g tfrysjkakhs ud fuf,djg meñ‚fhaa ˜ hk uQ,sl w¾:h /÷kq —m%;slafIamh˜ hk moh Tyqf.a u;lfhka fkduel=fKah' —úfrdaOh˜ hk Ndjd¾:h 1890 oYlfha f.da¾ls w;ska ,shejqKq lD;sj, úksúo hkq olakg ,efnkafka tod iuld,Sk iudc wd¾Ól foaYmd,ksl l%ufhka" ixialD;sfhka Tyqf.a brKug t,a,jQ widOdrKh fy<sorõ lsÍuh' 1890 § lr,a,Hkafld kï f,alLhd f.da¾ls kj f,alLfhl= f,i m%ldYlhkag y÷kajd§ Tyqf.a w;amsgm;a ksfodialr foñka f,alLfhl= f,i iudchg l,t,s neiaiùu isÿ lf<ah' lr,a,Hkafld iy f.da¾ls 1895§ iud¾ialhd mqj;am;g bfh.=§,a ya,ñod «Иегудиил Хламида» kñka Wmydid;aul ;Sre ,smshla «Между прочим» by the by hk YS¾I mdGh hgf;a Èkm;d m< lf<ah' fï m;a;rfh jevl< ld,fhÈ ixialdrljßhl f,i fiajh l< fhlf;ßkd mõf,dõkd fjd,aIskd ye¢k.ekSfuka miqj 1896§ Tjqka fofok újdm;a fjhs' bkamiq f.da¾ls Wmka kSIaks fkdõf.daroa k.rfha «Нижегородский листок» mqj;amf;ys 1896 iy 1897 j¾Ij, È.gu fiajh lrñka isáh§ laIh frda.h je<£fuka miq Nd¾hdj iu. l%sñhdkq w¾Ooaùmhg;a t;ekska m,a;djd m,df;a ulaid;syd k.rhg;a f.dia m%;sldr.ekSu wdrïN lrhs' 1897 j¾Ifha§ f.da¾lsg m<uq ore iïm; f,i mq;= ulaisï mõ,g ìysfjhs' m%;sldr .ekSfuka miq f.da¾ls 1898 § kSIaks fkdõf.daroa Нижний Новгород k.rhg fmr,d meñfKhs' f.da¾lsf.a rpkd fï ld,h jkúg w.kqjr mqj;am;a iy i`.rdj,;a fjd,a.d m%foaYj, iud¾ialhd" kSIH.roaialsha ,Sia;la" fjda,aialsha jHia;aksla hk mqj;am;aj,;a m<jkakg úh' 1898 j¾Ifha§ rpkd iy l;dka;r we;=<;a fj¿ï folla uqøKoajdrfhka msgùu;a iu. f.da¾ls úYaj m%Kduhg m;a f,aLlfhl= njg m;aúh' ta iu. Tyqf.a lD;s hqfrdamSh NdIdj,g 78 uydpd¾h cS' ví,sõ' bkaødKs wNskkaok Ydia;S%h ix.%yh ISBN 978-955-4563-72-8 mßj¾;kh lsÍu iy úfõpkh lsÍu wdrïN úh' fï iu.ska weúf,k .skakla fuka úúO idys;H úpdr u;jdo igkla f.da¾lsf.a lD;s wdY%s;j mekke.=‚' 1893¡1895 j¾Ij,§ f.da¾lsf.a l;dka;r rpkd fjd,a.d m%dfoaYSh uqøKj,ska ks;r uqøKh jkakg úh' fï ld,fha§ rpkd l< «Челкаш» Chelkash, «Месть» Mest, «Старуха Изергиль» Old Izergil , «Емельян Пиляй» Emelyan Pilai, «Вывод»Conclusion , «Песня о соколе» The Song of the Falcon l;dka;r j,ska Ôú;j, ms<sl=, fy,d olsk f,aLlhd Tyqf.a l,ams; iudcfha ñksiqkaf.a iodpdrd;aul iy iudÔh iïnkaO;d ixikaokh lrhs' ;reK f,aLlhskaf.a lD;sj,ska bÈßm;aflfrk idys;Hh ls%hdldÍ fjkakehs w`v.id lshk — lihla˜ iy —ߧ iSkqjla˜ úh hq;= hehs f.da¾ls jrla ;u ,smshl igykalr we;' fï wiudk ld¾hNdr fol 1890 oYlfha f.d¾lsf.a lD;sj,gu wdfõksl kejqï ffY,shla" pß; iy pu;aldr fõYhla" mqoa., ksY%s; úNdjkhl wdrïNhla hk ,laIK my< ùug fya;=ldrl ù we;' f.d¾ls ;u lD;s úúO wkaj¾: kduj,ska m< lsÍu ksid ksYaph lr .ekSfï wmyiq;djg ,lajQ kï 30 lg wdikak m%udKhla ù we;' tajdhska jvd;a m%p,s; tAjd jQfha: «А.П.», «М.Г.», «А-а!», «Один из недоумевающих», wÈka bia kHoWñjdhqYsya «Иегудиил Хламида» bfh.=§,a ya,ñod, «Тарас Опарин» ;rdia Tmdßka и др.
Load more

Recommended publications
  • O MAGIC LAKE Чайкаthe ENVIRONMENT of the SEAGULL the DACHA Дать Dat to Give
    “Twilight Moon” by Isaak Levitan, 1898 O MAGIC LAKE чайкаTHE ENVIRONMENT OF THE SEAGULL THE DACHA дать dat to give DEFINITION датьA seasonal or year-round home in “Russian Dacha or Summer House” by Karl Ivanovich Russia. Ranging from shacks to cottages Kollman,1834 to villas, dachas have reflected changes in property ownership throughout Russian history. In 1894, the year Chekhov wrote The Seagull, dachas were more commonly owned by the “new rich” than ever before. The characters in The Seagull more likely represent the class of the intelligencia: artists, authors, and actors. FUN FACTS Dachas have strong connections with nature, bringing farming and gardening to city folk. A higher class Russian vacation home or estate was called a Usad’ba. Dachas were often associated with adultery and debauchery. 1 HISTORYистория & ARCHITECTURE история istoria history дать HISTORY The term “dacha” originally referred to “The Abolition of Serfdom in Russia” by the land given to civil servants and war Alphonse Mucha heroes by the tsar. In 1861, Tsar Alexander II abolished serfdom in Russia, and the middle class was able to purchase dwellings built on dachas. These people were called dachniki. Chekhov ridiculed dashniki. ARCHITECTURE Neoclassicism represented intelligence An example of 19th century and culture, so aristocrats of this time neoclassical architecture attempted to reflect this in their architecture. Features of neoclassical architecture include geometric forms, simplicity in structure, grand scales, dramatic use of Greek columns, Roman details, and French windows. Sorin’s estate includes French windows, and likely other elements of neoclassical style. Chekhov’s White Dacha in Melikhovo, 1893 МéлиховоMELIKHOVO Мéлихово Meleekhovo Chekhov’s estate WHITE Chekhov’s house was called “The White DACHA Dacha” and was on the Melikhovo estate.
    [Show full text]
  • State Composers and the Red Courtiers: Music, Ideology, and Politics in the Soviet 1930S
    JYVÄSKYLÄ STUDIES IN HUMANITIES 78 Simo Mikkonen State Composers and the Red Courtiers Music, Ideology, and Politics in the Soviet 1930s JYVÄSKYLÄN YLIOPISTO JYVÄSKYLÄ STUDIES IN HUMANITIES 78 Simo Mikkonen State Composers and the Red Courtiers Music, Ideology, and Politics in the Soviet 1930s Esitetään Jyväskylän yliopiston humanistisen tiedekunnan suostumuksella julkisesti tarkastettavaksi yliopiston Villa Ranan Blomstedtin salissa marraskuun 24. päivänä 2007 kello 12. Academic dissertation to be publicly discussed, by permission of the Faculty of Humanities of the University of Jyväskylä, in the Building Villa Rana, Blomstedt Hall, on November 24, 2007 at 12 o'clock noon. UNIVERSITY OF JYVÄSKYLÄ JYVÄSKYLÄ 2007 State Composers and the Red Courtiers Music, Ideology, and Politics in the Soviet 1930s JYVÄSKYLÄ STUDIES IN HUMANITIES 78 Simo Mikkonen State Composers and the Red Courtiers Music, Ideology, and Politics in the Soviet 1930s UNIVERSITY OF JYVÄSKYLÄ JYVÄSKYLÄ 2007 Editors Seppo Zetterberg Department of History and Ethnology, University of Jyväskylä Irene Ylönen, Marja-Leena Tynkkynen Publishing Unit, University Library of Jyväskylä Jyväskylä Studies in Humanities Editorial Board Editor in Chief Heikki Hanka, Department of Art and Culture Studies, University of Jyväskylä Petri Karonen, Department of History and Ethnology, University of Jyväskylä Matti Rahkonen, Department of Languages, University of Jyväskylä Petri Toiviainen, Department of Music, University of Jyväskylä Minna-Riitta Luukka, Centre for Applied Language Studies, University of Jyväskylä Raimo Salokangas, Department of Communication, University of Jyväskylä URN:ISBN:9789513930158 ISBN 978-951-39-3015-8 (PDF) ISBN 978-951-39-2990-9 (nid.) ISSN 1459-4331 Copyright ©2007 , by University of Jyväskylä Jyväskylä University Printing House, Jyväskylä 2007 ABSTRACT Mikkonen, Simo State composers and the red courtiers.
    [Show full text]
  • Volga River Tourism and Russian Landscape Aesthetics Author(S): Christopher Ely Source: Slavic Review, Vol
    The Origins of Russian Scenery: Volga River Tourism and Russian Landscape Aesthetics Author(s): Christopher Ely Source: Slavic Review, Vol. 62, No. 4, Tourism and Travel in Russia and the Soviet Union, (Winter, 2003), pp. 666-682 Published by: The American Association for the Advancement of Slavic Studies Stable URL: http://www.jstor.org/stable/3185650 Accessed: 06/06/2008 13:39 Your use of the JSTOR archive indicates your acceptance of JSTOR's Terms and Conditions of Use, available at http://www.jstor.org/page/info/about/policies/terms.jsp. JSTOR's Terms and Conditions of Use provides, in part, that unless you have obtained prior permission, you may not download an entire issue of a journal or multiple copies of articles, and you may use content in the JSTOR archive only for your personal, non-commercial use. Please contact the publisher regarding any further use of this work. Publisher contact information may be obtained at http://www.jstor.org/action/showPublisher?publisherCode=aaass. Each copy of any part of a JSTOR transmission must contain the same copyright notice that appears on the screen or printed page of such transmission. JSTOR is a not-for-profit organization founded in 1995 to build trusted digital archives for scholarship. We enable the scholarly community to preserve their work and the materials they rely upon, and to build a common research platform that promotes the discovery and use of these resources. For more information about JSTOR, please contact [email protected]. http://www.jstor.org The Origins of Russian Scenery: Volga River Tourism and Russian Landscape Aesthetics Christopher Ely BoJira onrcaHo, nepeonicaHo, 4 Bce-TaKHHe AgoicaHo.
    [Show full text]
  • Queer Spellings: Magic and Melancholy in Fantasy-Fiction
    QUEER SPELLINGS: MAGIC AND MELANCHOLY IN FANTASY-FICTION Jes Battis B.A., University College of the Fraser Valley, 2001 M.A., Simon Fraser University, 2003 THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY In the Department English O Jes Battis 2007 SIMON FRASER UNIVERSITY SUMMER 2007 All rights reserved. This work may not be reproduced in whole or in part, by photocopy or other means, without permission of the author. APPROVAL Name: Jes Battis Degree: Doctor of Philosophy Title of Research Project: Queer Spellings: Magic and Melancholy in Fantasy-Fiction Examining Committee: Chair: Dr. Margaret Linley Assistant Professor of English Dr. Peter Dickinson Senior Supervisor Assistant Professor of English Dr. Helen Hok-Sze Leung Supervisor Assistant Professor of Women's Studies Dr. Dana Symons Supervisor Assistant Professor of English Dr. Ann Travers Internal Examiner Assistant Professor of Sociology Dr. Veronica Hollinger External Examiner Professor of Cultural Studies, Trent University Date Approved: SIMON FRASER UNIVERSITY LIBRARY Declaration of Partial Copyright Licence The author, whose copyright is declared on the title page of this work, has granted to Simon Fraser University the right to lend this thesis, project or extended essay to users of the Simon Fraser University Library, and to make partial or single copies only for such users or in response to a request from the library of any other university, or other educational institution, on its own behalf or for one of its users. The author has further granted permission to Simon Fraser University to keep or make a digital copy for use in its circulating collection (currently available to the public at the "Institutional Repository" link of the SFU Library website <www.lib.sfu.ca> at: <http://ir.lib.sfu.ca/handle/1892/112>) and, without changing the content, to translate the thesis/project or extended essays, if technically possible, to any medium or format for the purpose of preservation of the digital work.
    [Show full text]
  • ~Lag(8Ill COMPANIES INC
    May 2001 BAMcinematek 2001 Spring Season 651 ARTS Brooklyn Philharmonic Orchestra BAM Spring Season sponsor: PH il iP M ORRIS ~lAG(8Ill COMPANIES INC. 2001 Spring Broo Iyn Academy of Music Bruce C. Ratner Alan H. Fishman Chairman of the Board Chairman, Campaign for BAM Karen Brooks Hopkins Joseph V. Melillo President Executive Producer presents Royal National Theatre Hamlet by William Shakespeare Approximate BAM Howard Gilman Opera House running time: May 30 & 31; June 1 & 2,2001, at 7:30pm 3 hours and June 2 at 2pm 15 minutes with one intermission Director John Caird Designer Tim Hatley Lighting designer Paul Pyant Music John Cameron Fight director Terry King Sound designer Christopher Shutt Company voice work Patsy Rodenburg U.S . tour general management SFX Theatrical Group/Sondra R. Katz BAM Theater sponsors: AOL Time Warner In c. and Fleet Leadership support: The Peter Jay Sharp Foundation; The Shubert Foundation, Inc.; and The Norman & Rosita Winston Foundation, Inc. Official airline for the BAM presentation of the Royal National Theatre in Hamlet British Airways The actors in Hamlet appear Additional support: The Laura Pels Foundation with the special permission of Actors' Equity Association. The American stage managers are The U.S. tour is sponsored by The American Associates of members of Actors' Equity the Royal National Theatre and The British Council. Association. Design and costumes are generously supported by Alan and Jean Horan. 25 The Players Horatio Simon Day Hamlet, Prince of Denmark Simon Russell Beale Hamlet, his father
    [Show full text]
  • Guide to the Theatre Department Records Columbia College Chicago
    Columbia College Chicago Digital Commons @ Columbia College Chicago Finding Aids College Archives & Special Collections 2018 Guide to the Theatre Department Records Columbia College Chicago Follow this and additional works at: https://digitalcommons.colum.edu/casc_fa Part of the Acting Commons, History Commons, Music Commons, and the Performance Studies Commons Recommended Citation Columbia College Chicago, "Guide to the Theatre Department Records" (2018). Finding Aids. 28. https://digitalcommons.colum.edu/casc_fa/28 This Article is brought to you for free and open access by the College Archives & Special Collections at Digital Commons @ Columbia College Chicago. It has been accepted for inclusion in Finding Aids by an authorized administrator of Digital Commons @ Columbia College Chicago. For more information, please contact [email protected]. Guide to the Theatre Department Records, Columbia College Chicago SUMMARY INFORMATION: Repository: College Archives & Special Collections at Columbia College Chicago Source: Theatre Department Title: Theatre Department Records, Columbia College Chicago ID: 08.01.07 Date [inclusive]: 1953 - 2018 Physical Description: 13.82 Cubic Feet. Ten (10) record boxes, two (2) flat boxes Language of the Material: English Abstract: Known as ‘dramatic action’ in the 1890s, then ‘dramatic arts’ in the 1910s, Columbia College Chicago has been teaching theater since its founding. An institution established to teach oratory and expression, Columbia College Chicago has always placed emphasis on performance and stage work. The college purchased the 72 E. 11th Street building in 1980, where it has held most productions found within this collection. In 2017, the Getz Theatre and other performance spaces in the building were renovated, reopening in 2018, The theatre complex is now known as the Columbia College Chicago Getz Theatre Center, housing four performance spaces.
    [Show full text]
  • Report Title - P
    Report Title - p. 1 of 646 Report Title *Wood, Carlton Leroy. Die Beziehungen Deutschlands zu China : eine historische Betrachtung in politischer und ökonomischer Hinsicht vom 19. Jahrhundert bis zum Jahre 1934. (München : Gebr. Giehrl, 1936). Diss. Univ. Heidelberg, 1934. [WC] Die Arbeit der Berliner Mission im Lichte ihrer Dezemberversammlungen 1913 : den Freunden des Werkes überreicht. (Berlin : Berliner Missionsgesellschaft, 1913). [WC] A collection of portraits of Chinese heroes and others. Drawn by a native artist with a description in Chinese of each ; purchased from the private collection of Herbert A. Giles. Vol. 1-2. (Cleveland : Private collection of Charles W. Wason, 1917). A dictionary of Chinese buddhist terms : with Sanskrit and English equivalents and a Sanskrit-Pali index. Compiled by William Edward Soothill and Lewis Hodous. (Delhi : Motial Banarsidass, 1937). A feast of lanters. Rendered with an introduction by L[auncelot] Cranmer-Byng. (London : J. Murray, 1916). (Wisdom of the East series). A first reading book for students of colloquial Chinese : Chinese merry tales. Collected and ed. by Baron Guido Vitale. (Peking : Beitang Press, 1901). [WC] A gallery of Chinese immortals : selected biographies. Translated from Chinese sources by Lionel Giles. (London : J. Murray, 1948). A harp with a thousand strings : a Chinese anthology. Ed. by Hsiao Ch'ien [Xiao Qian]. (London : Pilot Press, 1944). [WC] A lute of gold : being selections from the classical poets of China. Rendered with an introduction by L[auncelot] Cranmer-Byng. (London : J. Murray, 1918). (Wisdom of the East series). A lute of jade : being selections from the classical poets of China. Rendered with an introduction by L[auncelot] Cranmer-Byng.
    [Show full text]
  • MEDIATING the INTERSECTIONS: FEMINISMS, QUEER THEORIES and TESTIMONIAL LITERARY PRODUCTION ABOUT WOMEN in CENTRAL AMERICA, 1977-1987 by ALLISON L
    MEDIATING THE INTERSECTIONS: FEMINISMS, QUEER THEORIES AND TESTIMONIAL LITERARY PRODUCTION ABOUT WOMEN IN CENTRAL AMERICA, 1977-1987 by ALLISON L. GLOVER B.A., Allegheny College, l992 M.A., Middlebury College, 2003 A thesis submitted to the Faculty of the Graduate School of the University of Colorado in partial fulfillment of the requirement for the degree of Doctor of Philosophy Department of Spanish and Portuguese 2018 This thesis entitled: Mediating the Intersections: Feminisms, Queer Theories, and Testimonial Literary Production About Women in Central America, 1977-1987 written by Allison L. Glover has been approved for the Department of Spanish and Portuguese Leila Gómez, Ph.D. Tania Martuscelli, Ph.D. Andrés Prieto, Ph.D. Celeste Montoya, Ph.D. Robert Buffington, Ph.D. Date The final copy of this thesis has been examined by the signatories, and we find that both the content and the form meet acceptable presentation standards of scholarly work in the above mentioned discipline. ii Glover, Allison Lee (Ph.D., Latin American Literature Department of Spanish and Portuguese) Mediating the Intersections: Feminisms, Queer Theories and Testimonial Literary Production About Women in Central America, 1977-1987. Thesis directed by Associate Professor Leila Gómez This dissertation explores the different ways testimonial narratives about Central American women represent and resist repressive governments, patriarchal culture and North American imperialism during the Cold War. The texts I study are: (1) Margaret Randall’s “Somos millones…”: la vida de Doris María, combatiente nicaragüense (1977), (2) Elizabeth Burgos’ Me llamo Rigoberta Menchú y así me nació la conciencia (1983), and (3) Medea Benjamin’s Don’t be Afraid, Gringo.
    [Show full text]
  • Haldeman-Julius “Little Blue Book” Collection 1919-1947
    AMHERST COLLEGE ARCHIVES AND SPECIAL COLLECTIONS Haldeman-Julius “Little Blue Book” Collection 1919-1947 Quantity: 3029 volumes, 55 linear feet Access: There is no restriction on access to the Haldeman-Julius “Little Blue Book” Collection for research use. Particularly fragile items may be restricted for preservation purposes. © 2008 Amherst College Archives and Special Collections Page 1 Haldeman-Julius “Little Blue Book” Collection SCOPE AND CONTENTS A representative but incomplete collection of the once popular “Little Blue Books,” a series of small, very inexpensive staple-bound books that were published by the Haldeman-Julius Publishing Company of Girard, Kansas between 1919 and 1978. They were the project of Emanuel Haldeman-Julius (1889-1951), a socialist reformer and newspaper publisher. The books were extremely popular across the widest possible range of American readers, both educated, sophisticated readers as well as (and more notably) the little-educated working class who could otherwise not afford to read literature. The works covered include many classics of Western literature, but also practical how-to manuals alongside frank writings on controversial or emergent social themes such as homosexuality and atheism. Works of philosophy and politics, too, are represented, including tracts written by Haldeman-Julius himself. The name of the series changed over the first few years, known as the People's Pocket Series, the Appeal Pocket Series and the Ten Cent Pocket Series, before finally attaining the name that persisted, Little Blue Books. © 2008 Amherst College Archives and Special Collections Page 2 Haldeman-Julius “Little Blue Book” Collection Box Folder Dates Description 1 Omar Khayyam Rubaiyat of Omar Khayyam Little Blue Book No.
    [Show full text]
  • The Chekhovian Intertext Dialogue with a Classic
    The Chekhovian Intertext Dialogue with a Classic n LYUDM il A P A R T S THE OHIO STATE UNIVERSITY PREss • COLUMBus Copyright © 2008 by The Ohio State University. All rights reserved. Library of Congress Cataloging-in-Publication Data Parts, Lyudmila. The Chekhovian intertext : dialogue with a classic / Lyudmila Parts.—1st ed. p. cm. Includes bibliographical references and index. ISBN 978–0–8142–1083–3 (cloth : alk. paper)—ISBN 978–0–8142–9162–7 (CD- ROM) 1. Chekhov, Anton Pavlovich, 1860–1904—Influence. 2. Chekhov, Anton Pavlovich, 1860–1904—Criticism and interpretation. 3. Russian literature—20th century—History and criticism. 4. Russian literature—21st century—History and criticism. 5. Russia (Federation)—Intellectual life—1991– 6. Russia (Fed- eration)—Civilization—21st century. I. Title. PG3458.Z8P37 2008 891.72’3—dc22 2007045611 This book is available in the following editions: Cloth (ISBN 978–0–8142–1083–3) CD-ROM (ISBN 978–0–8142–9162–7) The author expresses appreciation to the University Seminars at Columbia Uni- versity for their help in publication. Material in this work was presented to the University Seminar: Slavic History and Culture. Studies of the Harriman Institute Columbia University The Harriman Institute, Columbia University, sponsors the Studies of the Harri- man Institute in the belief that their publication contributes to scholarly research and public understanding. In this way the Institute, while not necessarily endors- ing their conclusions, is pleased to make available the results of some of the research conducted under its auspices. Cover design by Jenny Poff Text design by Juliet Williams Type set in Adobe Palatino Printed by Thomson-Shore, Inc.
    [Show full text]
  • Making the Soviet Intelligentsia: Universities and Intellectual Life Under Stalin and Khrushchev
    MAKING THE SOVIET INTELLIGENTSIA Making the Soviet Intelligentsia explores the formation of educated elites in Russian and Ukrainian universities during the early Cold War. In the postwar period, universities emerged as training grounds for the military-industrial complex, showcases of Soviet cultural and economic accomplishments, and valued tools in international cultural diplomacy. However, these fêted Soviet institutions also generated conflicts about the place of intellectuals and higher learning under socialism. Disruptive party initiatives in higher education – from the xenophobia and anti- Semitic campaigns of late Stalinism to the rewriting of history and the opening of the USSR to the outside world under Khrushchev – encour- aged students and professors to interpret their commitments as intellec- tuals in the Soviet system in varied and sometimes contradictory ways. In the process, the social construct of intelligentsia took on divisive social, political, and national meanings for educated society in the postwar Soviet state. benjamin tromly is Associate Professor in the Department of History at the University of Puget Sound, where he teaches Modern European History. new studies in european history Edited by peter baldwin, University of California, Los Angeles christopher clark, University of Cambridge james b. collins, Georgetown University mia rodrı´guez-salgado, London School of Economics and Political Science lyndal roper, University of Oxford timothy snyder, Yale University The aim of this series in early modern and modern European history is to publish outstanding works of research, addressed to important themes across a wide geo- graphical range, from southern and central Europe, to Scandinavia and Russia, from the time of the Renaissance to the present.
    [Show full text]
  • From Fact to Farce
    FROM FACT TO FARCE THE REALITY BEHIND BULGAKOV’S BLACK SNOW A Thesis Presented to The Graduate Faculty of The University of Akron In Partial Fulfillment of the Requirements for the Degree Master of Arts Erin K Kahoa December, 2015 FROM FACT TO FARCE THE REALITY BEHIND BULGAKOV’S BLACK SNOW Erin K Kahoa Thesis Approved: Accepted: _______________________________ _______________________________ Advisor School Director Mr. James Slowiak Dr. John Thomas Dukes _______________________________ _______________________________ Faculty Reader Dean of the College Mr. Adel Migid Dr. Chand Midha _______________________________ _______________________________ Committee Member Dean of the Graduate School Mr. Durand Pope Dr. Chand Midha _______________________________ Date ii DEDICATION To Kate, who knew who Bulgakov was before I got the chance to hurl my knowledge at her. iii ACKNOWLEDGEMENTS This work would not exist without my Advisor, James Slowiak, members of my committee, Durand Pope and Dr. Don “Doc” Williams, my faculty reader, Adel Migid, and those I tirelessly harangued for edits and revisions: Dr. Steven Hardy, Linda L Kahoa, Becky McKnight and Emily Sutherlin. Also, a special thank you to Mikhail Bulgakov for being so dang interesting. iv TABLE OF CONTENTS Page CHAPTER I. PURPOSE AND METHODS OF RESEARCH ...............................................................1 II. THE HISTORY OF THE MOSCOW ART THEATRE .................................................4 III. THE LIFE OF BULGAKOV .......................................................................................20
    [Show full text]