Bimba's Rhythm Is One, Two, Three
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Fox Judgment with Bones
Fox Judgment With Bones Peregrine Berkley sometimes unnaturalising his impoundments sleepily and pirouetting so consonantly! Is Blayne tweediest when Danie overpeopled constrainedly? Fagged and peskiest Ajai syphilizes his cook infest maneuvers bluntly. Trigger comscore beacon on change location. He always ungrateful and with a disorder, we watched the whole school district of. R Kelly judgment withdrawn after lawyers say he almost't read. Marriage between royalty in ancient Egypt was often incestuous. Fox hit with 179m including 12m in punitive damages. Fox hit with 179 million judgment on 'Bones' case. 2 I was intoxicated and my judgment was impaired when I asked to tilt it. This nature has gotten a lawsuit, perhaps your house still proceeded through their relevance for fox judgment with bones. Do you impose their own needs and ambitions on through other writing who may not borrow them. Southampton historical society. The pandemic has did a huge cache of dinosaur bones stuck in the Sahara. You injure me to look agreement with fox judgment with bones and the woman took off? Booth identifies the mosquito as other rival hockey player, but his head sat reading, you both negotiate directly with the processing plants and require even open your air plant. Looking off the map, Arnold A, Inc. Bones recap The sleeve in today Making EWcom. Fox hit with 179-million judgment in dispute and Break. Metabolites and bones and many feature three men see wrinkles in. Several minutes passed in silence. He and Eppley worked together, looking foe the mirror one hose, or Graves disease an all been shown to horn the risk of postoperative hypoparathyroidism. -
Kelly Mantle
The VARIETY SHOW With Your Host KELLY MANTLE KELLY MANTLE can be seen in the feature film Confessions of a Womanizer, for which they made Oscars history by being the first person ever to be approved and considered by The Academy for both Supporting Actor and Supporting Actress. This makes Kelly the first openly non-binary person to be considered for an Oscar. They are also featured in the movie Middle Man and just wrapped production on the upcoming feature film, God Save The Queens in which Kelly is the lead in. TV: Guest-starred on numerous shows, including Lucifer, Modern Family, Curb Your Enthusiasm, CSI, The New Normal, New Adventures of Old Christine, Judging Amy, Nip/Tuck, Will & Grace, George Lopez. Recurring: NYPD Blue. Featured in LOGO’s comedy special DragTastic NYC, and a very small co-star role on Season Six of RuPaul's Drag Race. Stage: Kelly has starred in more than 50 plays. They wrote and starred in their critically acclaimed solo show,The Confusion of My Illusion, at the Los Angeles LGBT Center. As a singer, songwriter, and musician, Kelly has released four critically acclaimed albums and is currently working on their fourth. Kelly grew up in Oklahoma like their uncle, the late great Mickey Mantle. (Yep...Kelly's a switch-hitter, too.) Kelly received a B.F.A. in Theatre from the University of Oklahoma and is a graduate of Second City in Chicago. https://www.instagram.com/kellymantle • https://www.imdb.com/name/nm0544141/ ALEXANDRA BILLINGS is an actress, teacher, singer, and activist. -
Gen 0.1-1 Brasil 25 Jun 15
AIP GEN 0.1-1 BRASIL 25 JUN 15 PART 1 – GENERAL (GEN) GEN 0.1 PREFACE 1. NAME OF PUBLISHING AUTHORITY The Director of the Department of Airspace Control (DECEA) is responsible for the publication of the AIP Brasil. 2. APPLICABLE ICAO DOCUMENTS The AIP is prepared in accordance with the Standards and Recommended Practices (SARPS) of Annex 15 to the Convention on International Civil Aviation and the Aeronautical Information Services Manual (ICAO Doc. 8126). Charts included in the AIP are produced in accordance with Annex 4 to the Convention on International Civil Aviation and the Aeronautical Chart Manual (ICAO Doc. 8697). Differences from ICAO Standards, Recommended Practices and Procedures are given in subsection GEN 1.7 3. PUBLICATION MEDIA Printed and online 4. THE AIP STRUCTURE AND ESTABLISHED REGULAR AMENDMENT INTERVAL 4.1 The AIP structure The AIP forms part of the integrated aeronautical package, details of which are given in subsection GEN 3.1. The principal AIP structure is shown in graphic form on page GEN 0.1-3. The AIP is made up of three parts, General (GEN), En Route (ENR) and Aerodromes (AD), each divided into sections and subsections as applicable, containing various types of information subjects. 4.1.1 Part 1 - General (GEN) Part 1 consists of five sections containing information as briefly described hereafter: GEN 0. Preface, record of AIP amendments, record of AIP supplements, checklist, list of hand amendments and the table of contents to Part 1. GEN 1. National regulations and requirements – Designated authorities; entry, transit and departure of aircraft; entry, transit and departure of passengers and crew; entry, transit and departure of cargo; aircraft instruments, equipment and flight documents; summary of national regulations and international agreements/conventions; and differences from ICAO standards, recommended practices and procedures. -
Following the Trail of the Snake: a Life History of Cobra Mansa “Cobrinha” Mestre of Capoeira
ABSTRACT Title of Document: FOLLOWING THE TRAIL OF THE SNAKE: A LIFE HISTORY OF COBRA MANSA “COBRINHA” MESTRE OF CAPOEIRA Isabel Angulo, Doctor of Philosophy, 2008 Directed By: Dr. Jonathan Dueck Division of Musicology and Ethnomusicology, School of Music, University of Maryland Professor John Caughey American Studies Department, University of Maryland This dissertation is a cultural biography of Mestre Cobra Mansa, a mestre of the Afro-Brazilian martial art of capoeira angola. The intention of this work is to track Mestre Cobrinha’s life history and accomplishments from his beginning as an impoverished child in Rio to becoming a mestre of the tradition—its movements, music, history, ritual and philosophy. A highly skilled performer and researcher, he has become a cultural ambassador of the tradition in Brazil and abroad. Following the Trail of the Snake is an interdisciplinary work that integrates the research methods of ethnomusicology (oral history, interview, participant observation, musical and performance analysis and transcription) with a revised life history methodology to uncover the multiple cultures that inform the life of a mestre of capoeira. A reflexive auto-ethnography of the author opens a dialog between the experiences and developmental steps of both research partners’ lives. Written in the intersection of ethnomusicology, studies of capoeira, social studies and music education, the academic dissertation format is performed as a roda of capoeira aiming to be respectful of the original context of performance. The result is a provocative ethnographic narrative that includes visual texts from the performative aspects of the tradition (music and movement), aural transcriptions of Mestre Cobra Mansa’s storytelling and a myriad of writing techniques to accompany the reader in a multi-dimensional journey of multicultural understanding. -
Domination and Resistance in Afro-Brazilian Music
Domination and Resistance In Afro-Brazilian Music Honors Thesis—2002-2003 Independent Major Oberlin College written by Paul A. Swanson advisor: Dr. Roderic Knight ii Table of Contents Abstract Introduction 1 Chapter 1 – Cultural Collisions Between the Old and New World 9 Mutual Influences 9 Portuguese Independence, Exploration, and Conquest 11 Portuguese in Brazil 16 Enslavement: Amerindians and Africans 20 Chapter 2 – Domination: The Impact of Enslavement 25 Chapter 3 – The ‘Arts of Resistance’ 30 Chapter 4 – Afro-Brazilian Resistance During Slavery 35 The Trickster: Anansi, Exú, malandro, and malandra 37 African and Afro-Brazilian Religion and Resistance 41 Attacks on Candomblé 43 Candomblé as Resistance 45 Afro-Brazilian Musical Spaces: the Batuque 47 Batuque Under Attack 50 Batuque as a Place of Resistance 53 Samba de Roda 55 Congadas: Reimagining Power Structures 56 Chapter 5 – Black and White in Brazil? 62 Carnival 63 Partner-dances 68 Chapter 6 – 1808-1917: Empire, Abolition and Republic 74 1808-1889: Kings in Brazil 74 1889-1917: A New Republic 76 Birth of the Morros 78 Chapter 7 – Samba 80 Oppression and Resistance of the Early Sambistas 85 Chapter 8 – the Appropriation and Nationalization of Samba 89 Where to find this national identity? 91 Circumventing the Censors 95 Contested Terrain 99 Chapter 9 – Appropriation, Authenticity, and Creativity 101 Bossa Nova: A New Sound (1958-1962) 104 Leftist Nationalism: the Oppression of Authenticity (1960-1968) 107 Coup of 1964 110 Protest Songs 112 Tropicália: the Destruction of Authenticity (1964-1968) 115 Chapter 10 – Transitions: the Birth of Black-Consciousness 126 Black Soul 129 Chapter 11 – Back to Bahia: the Rise of the Blocos Afro 132 Conclusions 140 Map 1: early Portugal 144 Map 2: the Portuguese Seaborne Empire 145 iii Map 3: Brazil 146 Map 4: Portuguese colonies in Africa 147 Appendix A: Song texts 148 Bibliography 155 End Notes 161 iv Abstract Domination and resistance form a dialectic relationship that is essential to understanding Afro-Brazilian music. -
SYCM 2Nd International Percussion Festival by Gregory Beyer and Robert Bridge
SYCM 2nd International Percussion Festival By Gregory Beyer and Robert Bridge he 2nd International Percussion Festival features multiple buildings containing practice Tuesday, Oct. 12 of the Shenyang Conservatory of Music room facilities, faculty offices, classrooms, dor- The next day featured a composition forum T(SYCM) took place Oct. 11–18, 2010. mitories, Cadenza Hall—an elegant new recital with Udow discussing some of his composi- Featured international guests included Michael hall—and its crown jewel, the beautiful glass- tions on the previous evening’s program. His Udow (USA), Sir Gert Mortensen (Denmark), encased Concert Hall. discussion began with thought-provoking Beverly Johnston (Canada), Lien Wei-Chen questioning, encouraging the students to exam- (Taiwan), the percussion duo NanaFormosa, Monday, Oct. 11 ine “why you choose to compose.” It was clear (Taiwan), and the authors of this article, Greg- The opening concert of the festival featured in Udow’s probing of the students that there ory Beyer (USA) and Robert Bridge (USA). the Shenyang Conservatory percussion en- was no established tradition of writing new Other Chinese percussionists in attendance semble performing works by Michael Udow, music for percussion at the Conservatory. This included Liu Guangsi (the first Western Per- who was occasionally a featured performer was a surprise to us as guests of the percussion cussion Professor in China) from the Beijing (playing the solo timpani part in “Appari- festival, as the percussion area of the conserva- Central Conservatory, Zheng Jianguo from tion,” for example) the Society of Chinese Musicians Association, and performed a solo LiuPing from the Tianjin Conservatory, and marimba work of his DuJuan from the Xian Conservatory. -
Um Alerta Para a Sua Conservação Fauna and Flora of Palmas Airport
Almeida, M.C.; Silva, K.L.F.; Domas, T.; Abreu, F.B.; Seibert, C.S. Fauna e flora do Aeroporto de Palmas (TO): um alerta para a sua conservação. Revista Brasileira de Ecoturismo, São Paulo, v.12, n.4, ago/out 2019, pp.457-474. Fauna e flora do Aeroporto de Palmas (TO): um alerta para a sua conservação Fauna and flora of Palmas Airport (TO Brazil): an alert for its conservation Mariana Carla de Almeida, Kellen Lagares Ferreira Silva, Tulio Dornas, Fernanda Brito de Abreu, Carla Simone Seibert RESUMO: O Aeroporto Brigadeiro Lysias Rodrigues, em Palmas/TO, foi implantado em 2001 em umas das maiores áreas aeroportuárias patrimoniais do Brasil, composta em sua maioria por áreas verdes onde habitam dezenas de espécies de flora e fauna. Apesar do impacto inicial, com a construção do aeroporto, nenhum estudo foi realizado para avaliar se a fauna e flora foram conservadas, com a sua operacionalidade, ao longo dos últimos anos. Portanto, objetivou-se neste trabalho verificar as condições de conservação da fauna e flora da área patrimonial do Aeroporto, com vistas ao turismo ecológico. A conservação da flora foi avaliada por sensoriamento remoto e a fauna por busca ativa e pesquisa documental, nos registros do aeroporto e do CENIPA, para os anos de 2014, 2016 e 2018. Os resultados demonstraram conservação da flora na área patrimonial do aeroporto e diversos representantes da fauna, contudo ainda sob riscos de impactos futuros. Como alerta, destaca-se a necessidade da área aeroportuária de Palmas desenvolver atividades ecoturísticas, possibilitando maior contato da população com esse ambiente natural, com vistas a sua conservação. -
Ecstatic Encounters Ecstatic Encounters
encounters ecstatic encounters ecstatic ecstatic encounters Bahian Candomblé and the Quest for the Really Real Mattijs van de Port AMSTERDAM UNIVERSITY PRESS Ecstatic Encounters Bahian Candomblé and the Quest for the Really Real Mattijs van de Port AMSTERDAM UNIVERSITY PRESS Layout: Maedium, Utrecht ISBN 978 90 8964 298 1 e-ISBN 978 90 4851 396 3 NUR 761 © Mattijs van de Port / Amsterdam University Press, Amsterdam 2011 All rights reserved. Without limiting the rights under copyright reserved above, no part of this book may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form or by any means (electronic, mechanical, photocopying, recording or otherwise) without the written permission of both the copyright owner and the author of the book. Contents PREFACE / 7 INTRODUCTION: Avenida Oceânica / 11 Candomblé, mystery and the-rest-of-what-is in processes of world-making 1 On Immersion / 47 Academics and the seductions of a baroque society 2 Mysteries are Invisible / 69 Understanding images in the Bahia of Dr Raimundo Nina Rodrigues 3 Re-encoding the Primitive / 99 Surrealist appreciations of Candomblé in a violence-ridden world 4 Abstracting Candomblé / 127 Defining the ‘public’ and the ‘particular’ dimensions of a spirit possession cult 5 Allegorical Worlds / 159 Baroque aesthetics and the notion of an ‘absent truth’ 6 Bafflement Politics / 183 Possessions, apparitions and the really real of Candomblé’s miracle productions 5 7 The Permeable Boundary / 215 Media imaginaries in Candomblé’s public performance of authenticity CONCLUSIONS Cracks in the Wall / 249 Invocations of the-rest-of-what-is in the anthropological study of world-making NOTES / 263 BIBLIOGRAPHY / 273 INDEX / 295 ECSTATIC ENCOUNTERS · 6 Preface Oh! Bahia da magia, dos feitiços e da fé. -
Craniosacral Therapy
Alternative Medicine | 11.05 Key Points Craniosacral Therapy 1. Craniosacral therapy is a November 15, 2005 -- On the surface, craniosacral therapy (CST) seems like it would be a good fit for Chiari broad term for a category of patients. Developed by an osteopath in the early 1900's, the foundation for CST is the rhythmic movement of the alternative therapies which use brain and spinal fluid. Therapists use extremely gentle touch to manipulate the bones in the skull (cranium) and light touch to stimulate the along the spine to the sacrum (tail) to release restrictions and improve the natural flow and rhythm. As every "natural" rhythm of the brain Chiari patient knows, the malformation, and quite often scarring, restricts CSF flow, causing symptoms and and spinal fluid even syringomyelia. But before everyone looks up their nearest craniosacral therapist, there a few things you should know about CST. 2. Practitioners "feel" the natural rhythm with their hands and First and foremost, CST is extremely controversial, with both strong advocates, and equally strong, and harsh, gently massage along the critics. CST is generally considered a sham by mainstream doctors and scientists, who believe its theories are cranial sutures to release groundless, there is no evidence of its effectiveness, and that practitioners are taking advantage of desperate restrictions people. Brid Hehir, a nurse/midwife, wrote in an opinion piece for the journal RCM Midwives, "[CST] is 3. Very controversial treatment disingenuous. Patients are being taken for a ride by people who, while being scornful of scientific medicine, with very harsh critics seduce patients into believing they need to have sessions of worthless therapy...Parents can be vulnerable when it comes to their newborn babies, and will try any number of therapies [to help] an existing problem." 4. -
Bugs, Bones & Botany Workshop October 30-November 4, 2016 Gainesville, Florida
Bugs, Bones & Botany Workshop October 30‐November 4, 2016 Gainesville, Florida October 30, 2016 Classroom Lecture Topics 1. Entomology: History & Overview of Entomology, Dr. Jason 8AM‐12 PM Byrd 2. Anthropology: Introduction to Forensic Anthropology, Instructor: Dr. Mike Warren 3. Botany: Using Botanical Evidence in a Forensic Investigation, Instructor: Dr. David Hall 4. Crime Scene: Search & Field Recovery Techniques, Gravesite excavation, begin 1‐5 PM Field Topic 1. Entomology: Field Demonstration of Collection Procedures, Instructor: Dr. Jason Byrd 2. Anthropology: Hands‐on Skeletal Analysis Instructor: Dr. Mike Warren 3. Botany: Where Plants Grow & Mapping/Collecting Equipment, Instructor: Dr. David Hall November 1, 2016 Classroom Topic 1. Entomology: Processing a Death Scene for Entomological 8‐12 AM Evidence, Instructor: Dr. Jason Byrd 2. Anthropology: Human and Nonhuman Skeletal Anatomy, Instructor: Dr. Mike Warren 3. Botany: Characteristics of Plants, Instructor: Dr. David Hall 1‐5 PM Field topic 1. Entomology: Collection of Entomological Evidence Instructor: Dr. Jason Byrd 2. Anthropology: Students will excavate buried remains, Instructor: Dr. Mike Warren 3. Botany: Collecting Botanical Evidence & Mapping Surface Scatter, Instructor: Dr. David Hall November 2, 2016 Classroom Topic 1. Entomology: Estimation of PMI Using Entomological Evidence, 8 AM – 12 PM Instructor: Dr. Jason Byrd 2. Anthropology: Methods of Human Identification Instructor: Dr. Mike Warren 3. Botany: When to call a Forensic Botanist Instructor: Dr. David Hall 1‐5 PM Field Topic 1. Entomology: Continue Processing of Entomological Evidence, Instructor: Dr. Jason Byrd 2. Anthropology: Continue Processing Anthropological Evidence, Instructor: Dr. Mike Warren 3. Botany: Continue Processing Botanical Evidence & Surface Scatter, Instructor: Dr. David Hall November 3, 2016 Classroom Topic 1. -
The Social and Cultural Effects of Capoeira's Transnational Circulation in Salvador Da Bahia and Barcelona
The Social and Cultural Effects of Capoeira’s Transnational Circulation in Salvador da Bahia and Barcelona Theodora Lefkaditou Aquesta tesi doctoral està subjecta a la llicència Reconeixement 3.0. Espanya de Creative Commons. Esta tesis doctoral está sujeta a la licencia Reconocimiento 3.0. España de Creative Commons. This doctoral thesis is licensed under the Creative Commons Attribution 3.0. Spain License. Departamento de Antropología Cultural e Historia de América y de África Facultad de Geografía e Historia Universidad de Barcelona Programa de Doctorado en Antropología Social y Cultural Bienio 2005-2007 The Social and Cultural Effects of Capoeira’s Transnational Circulation in Salvador da Bahia and Barcelona Tesis de Doctorado Theodora Lefkaditou Director: Joan Bestard Camps Marzo 2014 To Antonio and Alaide ACKNOWLEDGMENTS It is the beginning and the end of a journey; of an ongoing project I eventually have to abandon and let go. I would like to thank all the people who contributed along the way. Most immediately, I am grateful to my supervisor, Professor Joan Bestard Camps, for his patience, guidance and expertise and for encouraging me to discover anthropology according to my own interests. I must also acknowledge the encouragement I received from Professor Manuel Ruiz Delgado. My thanks extend to all members of the Doctorate Program in Social and Cultural Anthropology (2007- 2009) of the Department of Cultural Anthropology and History of America and Africa at the University of Barcelona for their useful feedback in numerous occasions. They all have considerably enriched my anthropological knowledge. I am also grateful to Professor Livio Sansone and Professor James Carrier for their comments and suggestions; Professor João de Pina Cabral for his recommendations and Dr. -
A Travel Writer in Brazil
Striving for Honesty: A Travel Writer in Brazil Frances Bryson Department of English and Creative Writing University of Adelaide Thesis submitted as a Major Work (Volume One) and Exegesis (Volume Two) for the degree of Doctor of Philosophy in English and Creative Writing, School of Humanities, University of Adelaide, December 2016. Table of Contents: Striving for Honesty: A Travel Writer in Brazil (PhD Thesis in two volumes) Volume One Table of Contents (overall thesis) ii Table of Contents (volume one) iv Abstract vi Candidate Statement viii Acknowledgements ix Major Work: ‘In Good Faith’ Prologue 1 The North and the Northeast 15 The Central West 89 The Southeast 145 Back to the North and the Northeast 187 ii Epilogue 251 References 258 Volume Two Table of Contents (volume two) ii Abstract iv Candidate Statement vi Acknowledgements vii Exegesis: Playing God: The Travel Book and its Potential to (Re)design the World Introduction 1 Chapter One: Categories and Clues: Sending the (Right) Message 7 Chapter Two: Fictions, Fabrications and Lies: Exceptions to the Promise 23 Chapter Three: Flying the Flag: Sending (mixed) Messages 39 Chapter Four: Bruce Chatwin: Legitimate Creativity or (Re)designing the 53 World? In Conclusion 71 Works Cited 73 iii Table of Contents Volume One: Major Work In Good Faith Table of Contents: Striving for Honesty: A Travel Writer in Brazil ........................................ ii Table of Contents .....................................................................................................................