Chapter 3. the New Media Giants: Changing Industry Structures
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2012 Annual Report
2012 CINEPLEX INC. 2012 ANNUAL REPORT CONTENTS PAGE Letter to shareholders…………………………………………………………………………………………….. 2 FINANCIAL REVIEW MANAGEMENT’S DISCUSSION AND ANALYSIS…………………………………………………………… 14 Overview of Cineplex……………………………………………………………………………………………… 15 Theatre exhibition industry overview……………………………………………………………………………... 20 Business strategy………………………………………………………………………………………………….. 21 Overview of operations……………………………………………………………………………………………. 26 Results of operations……………………………………………………………………………………………… 29 Balance sheets…………………………………………………………………………………………………….. 43 Liquidity and capital resources…………………………………………………………………………………… 45 Adjusted free cash flow and dividends…………………………………………………………………………... 50 Shares outstanding………………………………………………………………………………………………... 51 1Seasonality and quarterly results………………………………………………………………………………… 54 Related party transactions………………………………………………………………………………………… 55 Significant accounting judgments and estimation uncertainties………………………………………………. 56 Accounting policies…………………………………………………………………………………………………. 57 Risk management………………………………………………………………………………………………….. 59 Controls and procedures………………………………………………………………………………………….. 63 Outlook………………………………………………………………………………………………………………. 63 Non-GAAP measures……………………………………………………………………………………………… 66 FINANCIAL STATEMENTS AND NOTES Management’s report to shareholders…………………………………………………………………………… 70 Independent auditor’s report……………………………………………………………………………………… 71 Consolidated balance sheets…………………………………………………………………………………….. 73 Consolidated statements of operations………………………………………………………………………… -
Tuning Into the On-Demand Streaming Culture—Hollywood Guilds’ Evolution Imperative in Today’S Media Landscape
UCLA UCLA Entertainment Law Review Title Tuning Into the On-Demand Streaming Culture—Hollywood Guilds’ Evolution Imperative in Today’s Media Landscape Permalink https://escholarship.org/uc/item/2152q2t4 Journal UCLA Entertainment Law Review, 27(1) ISSN 1073-2896 Author Roth, Blaine Publication Date 2020 DOI 10.5070/LR8271048856 Peer reviewed eScholarship.org Powered by the California Digital Library University of California TUNING INTO THE ON-DEMAND STREAMING CULTURE— Hollywood Guilds’ Evolution Imperative in Today’s Media Landscape Blaine Roth Abstract Hollywood television and film production has largely been unionized since the early 1930s. Today, due in part to technological advances, the industry is much more expansive than it has ever been, yet the Hollywood unions, known as “guilds,” have arguably not evolved at a similar pace. Although the guilds have adapted to the needs of their members in many aspects, have they suc- cessfully adapted to the evolving Hollywood business model? This Comment puts a focus on the Writers Guild of America, Directors Guild of America, and the Screen Actors Guild, known as SAG-AFTRA following its merger in 2012, and asks whether their respective collective bargaining agreements are out-of- step with the evolution of the industry over the past ten years, particularly in the areas of new media and the direct-to-consumer model. While analyzing the guilds in the context of the industry environment as it is today, this Com- ment contends that as the guilds continue to feel more pronounced effects from the evolving media landscape, they will need to adapt at a much more rapid pace than ever before in order to meet the needs of their members. -
Bezouška, Jakl, Jaklová, Krejčí, Mencl, Petrov, Poledníček, Zvěřinová Omluveni: Jehlička, Nastoupilová, Novák, Šincl Ověřovatel: Bartoš 18
Zápis z 18. zasedání 2020, konaného ve dnech 10. a 18. 11. 2020 10. 11. Přítomni: Bezouška, Jakl, Jaklová, Krejčí, Mencl, Petrov, Poledníček, Zvěřinová Omluveni: Jehlička, Nastoupilová, Novák, Šincl Ověřovatel: Bartoš 18. 11. Přítomni: Bezouška, Jakl, Jaklová, Jehlička, Krejčí, Nastoupilová, Mencl, Petrov, Poledníček, Šincl, Zvěřinová Omluveni: Novák Ověřovatel: Bartoš 1 RRTV/2020/790/bla: Schválení programu 18. zasedání 2020 - Rada schvaluje program ve znění projednaných změn 7-0-0 2 RRTV/2020/724/zem: POLAR televize Ostrava, s.r.o. / TV / POLAR 2 / zvláštní přenosové systémy / řízení o udělení licence / ústní jednání dne 10. listopadu 2020, 13:30 h - Rada uděluje společnosti POLAR televize Ostrava, s.r.o., IČ 258 59 838, se sídlem Boleslavova 710/19, Mariánské Hory, 709 00 Ostrava, dle § 25 zákona č. 231/2001 Sb., licenci k provozování televizního vysílání šířeného prostřednictvím zvláštních přenosových systémů na 12 let; označení (název) programu: POLAR 2; základní programová specifikace: Regionální informační program; výčet států, na jejichž území bude vysílání zcela nebo převážně směřováno: Česká republika; hlavní jazyk vysílání: čeština; časový rozsah vysílání: 24 hodin denně; identifikace přenosového systému: dálkový přístup - internet; informace o přístupu k vysílání: www.polar.cz, POLAR HbbTV, v rozsahu žádosti doručené Radě dne 21. září 2020 pod č.j. RRTV/13438/2020-vra. 11-0-0 3 RRTV/2020/685/zem: Střední škola a Základní škola, Vimperk, Nerudova 267 / příspěvková organizace / TV / Vimperské zpravodajství / kabely / řízení o udělení licence / ústní jednání dne 10. listopadu 2020, 13:40 h - Rada uděluje právnické osobě Střední škola a Základní škola, Vimperk, Nerudova 267, IČ 004 77 419, se sídlem Nerudova 267, Vimperk, PSČ 38501, dle § 25 zákona č. -
Media Ownership Chart
In 1983, 50 corporations controlled the vast majority of all news media in the U.S. At the time, Ben Bagdikian was called "alarmist" for pointing this out in his book, The Media Monopoly . In his 4th edition, published in 1992, he wrote "in the U.S., fewer than two dozen of these extraordinary creatures own and operate 90% of the mass media" -- controlling almost all of America's newspapers, magazines, TV and radio stations, books, records, movies, videos, wire services and photo agencies. He predicted then that eventually this number would fall to about half a dozen companies. This was greeted with skepticism at the time. When the 6th edition of The Media Monopoly was published in 2000, the number had fallen to six. Since then, there have been more mergers and the scope has expanded to include new media like the Internet market. More than 1 in 4 Internet users in the U.S. now log in with AOL Time-Warner, the world's largest media corporation. In 2004, Bagdikian's revised and expanded book, The New Media Monopoly , shows that only 5 huge corporations -- Time Warner, Disney, Murdoch's News Corporation, Bertelsmann of Germany, and Viacom (formerly CBS) -- now control most of the media industry in the U.S. General Electric's NBC is a close sixth. Who Controls the Media? Parent General Electric Time Warner The Walt Viacom News Company Disney Co. Corporation $100.5 billion $26.8 billion $18.9 billion 1998 revenues 1998 revenues $23 billion 1998 revenues $13 billion 1998 revenues 1998 revenues Background GE/NBC's ranks No. -
ANNUAL REPORT 2015 16 A70 TV Acad Ad.Qxp Layout 1 7/8/16 11:43 AM Page 1
ANNUAL REPORT 2015 16_A70_TV_Acad_Ad.qxp_Layout 1 7/8/16 11:43 AM Page 1 PROUD MEMBER OF »CBS THE TELEVISION ACADEMY 2 ©2016 CBS Broadcasting Inc. MESSAGE FROM THE CHAIRMAN AND CHIEF EXECUTIVE OFFICER AS THE QUANTITY AND QUALITY OF CONTENT HAVE INCREASED in what is widely regarded as television’s second Golden Age, so have employment opportunities for the talented men and women who create that programming. And as our industry, and the content we produce, have become more relevant, so has the relevance of the Television Academy increased as an essential resource for television professionals. In 2015, this was reflected in the steady rise in our membership — surpassing 20,000 for the first time in our history — as well as the expanding slate of Academy-sponsored activities and the heightened attention paid to such high-profile events as the Television Academy Honors and, of course, the Creative Arts Awards and the Emmy Awards. Navigating an industry in the midst of such profound change is both exciting and, at times, a bit daunting. Reimagined models of production and distribution — along with technological innovations and the emergence of new over-the-top platforms — have led to a seemingly endless surge of creativity, and an array of viewing options. As the leading membership organization for television professionals and home to the industry’s most prestigious award, the Academy is committed to remaining at the vanguard of all aspects of television. Toward that end, we are always evaluating our own practices in order to stay ahead of industry changes, and we are proud to guide the conversation for television’s future generations. -
News Release
NEWS RELEASE FOR IMMEDIATE RELEASE Media contacts: June 4, 2012 Heather Wilner Verizon 908-559-6407 [email protected] Cathy Clarke CNC Associates for Olympusat 508-833-8533 [email protected] Verizon FiOS TV Becomes the Nation’s Leading Provider of Spanish-Language Programming FiOS TV Gives Customers The Most HD Spanish-language Channels Available Nationwide, With 10 New Channels from Olympusat and Multimedios Television NEW YORK – Verizon FiOS TV has become the country’s leading television provider of Spanish-language channels, announcing today the launch of 10 new Spanish-language channels in high definition. Verizon now offers up to 75 Spanish-language channels on FiOS TV, dependent on the local channels available in each market. Nine of the 10 new Spanish-language HD channels are provided by Olympusat Inc., a leading independent distributor of Hispanic content in the United States. Known as ULTRA Verizon News Release, page 2 HDPlex, the Olympusat channels are: Ultra Cine, Ultra Fiesta, Ultra Kidz, Ultra Mex, Ultra Luna, Ultra Macho, Ultra Film, Ultra Docu and Ultra Clásico. The 10th channel, Multimedios Television, offers Spanish-language family and entertainment programming broadcast from Monterrey, Mexico. FiOS TV recently completed the launch of all 10 channels. In addition, Verizon announced last week a new multi-year carriage agreement with Univision Communications, Inc., which includes the launch of three new networks – Univision Deportes, Univision tlnovelas and FOROtv – as well as rights for multiplatform and on demand viewing. “Our customers have told us that high-quality Spanish-language programming helps to keep their culture alive, and we’re helping to make that happen by giving them the content that they want,” said Michelle Webb, director of content strategy and acquisition for Verizon. -
Paramount Pictures and Dreamworks Pictures' "GHOST in the SHELL" Is in Production in New Zealand
April 14, 2016 Paramount Pictures and DreamWorks Pictures' "GHOST IN THE SHELL" is in Production in New Zealand HOLLYWOOD, Calif.--(BUSINESS WIRE)-- Paramount Pictures and DreamWorks Pictures have announced that production is underway on "GHOST IN THE SHELL," starring Scarlett Johansson ("AVENGERS: AGE OF ULTRON," "LUCY") and directed by Rupert Sanders ("SNOW WHITE AND THE HUNTSMAN"). The film is shooting in Wellington, New Zealand. This Smart News Release features multimedia. View the full release here: http://www.businesswire.com/news/home/20160414005815/en/ Paramount Pictures will release the film in the U.S. on March 31, 2017. The film, which is based on the famous Kodansha Comics manga series of the same name, written and illustrated by Masamune Shirow, is produced by Avi Arad ("THE AMAZING SPIDER-MAN 1 & 2," "IRON MAN"), Ari Arad ("GHOST RIDER: SPIRIT OF VENGEANCE"), and Steven Paul ("GHOST RIDER: SPIRIT OF VENGEANCE"). Michael Costigan ("PROMETHEUS"), Tetsu Fujimura ("TEKKEN"), Mitsuhisa Ishikawa, whose animation studio Production I.G produced the Japanese "GHOST IN THE SHELL" film and television series, and Jeffrey Silver ("EDGE OF TOMORROW," "300") will executive produce. Scarlett Johansson plays the Major in Ghost in the Shell from Paramount Pictures Based on the internationally-acclaimed sci-fi and DreamWorks Pictures in Theaters March 31, 2017. (Photo: Business Wire) property, "GHOST IN THE SHELL" follows the Major, a special ops, one-of-a-kind human-cyborg hybrid, who leads the elite task force Section 9. Devoted to stopping the most dangerous criminals and extremists, Section 9 is faced with an enemy whose singular goal is to wipe out Hanka Robotic's advancements in cyber technology. -
Top Quark Pair Production Close to Threshold: Top Mass, Width and Momentum Distribution
CERN-TH/99-59 DESY 99-047 hep-ph/9904468 April 1999 Top Quark Pair Production Close to Threshold: Top Mass, Width and Momentum Distribution A. H. Hoanga and T. Teubnerb a Theory Division, CERN, CH-1211 Geneva 23, Switzerland b Deutsches Elektronen-Synchrotron DESY, D-22603 Hamburg, Germany Abstract + The complete NNLO QCD corrections to the total cross section σ(e e− Z∗,γ∗ tt¯), → → in the kinematic region close to the top-antitop threshold, are calculated by solving the corresponding Schr¨odinger equations exactly in momentum space in a consistent momentum cutoff regularization scheme. The corrections coming from the same NNLO QCD effects to the top quark three-momentum distribution dσ/d ~k are determined. We discuss the origin | t| of the large NNLO corrections to the peak position and the normalization of the total cross section observed in previous works and propose a new top mass definition, the 1S mass M1S, which stabilizes the peak in the total cross section. If the influence of beamstrahlung and initial state radiation on the mass determination is small, a theoretical uncertainty on the 1S top mass measurement of 200 MeV from the total cross section at the linear collider seems possible. We discuss how well the 1S mass can be related to the MS mass. We propose a consistent way to implement the top quark width at NNLO by including electroweak effects into the NRQCD matching coefficients, which can then become complex. PACS numbers: 14.65.Ha, 13.85.Lg, 12.38.Bx. CERN-TH/99-59 April 1999 1 Introduction + + It will be one of the primary goals of a future e e− linear collider (LC) or µ µ− pair collider (FMC) to measure and determine the properties of the top quark, whose existence has been confirmed at the Tevatron (M = 173.8 5 GeV [1]). -
Jae Blaze CREATIVE DIRECTOR/CHOREOGRAPHER
Jae Blaze CREATIVE DIRECTOR/CHOREOGRAPHER ____________________________________________________________________________________________________ AWARDS/NOMINATIONS MTV Hip Hop Video - Black Eyed Peas “My Humps” MTV Best New Artist in a Vide - Sean Paul “Get Busy” (Nominee) TELEVISION/FILM King Of The Dancehall (Creative Director) Dir. Nick Cannon American Girl: Saige Paints The Sky Dir. Vince Marcello/Martin Chase Prod. American Girl: Alberta Dir. Vince Marcello Sparkle (Co-Chor.) Dir. Salim Akil En Vogue: An En Vogue Christmas Dir. Brian K. Roberts/Lifetime Tonight SHow w Gwen Stefani (Co-Chor.) NBC The X Factor (Associate Chor.) FOX Cheetah Girls 3: One World (Co-Chor.) Dir. Paul Hoen/Disney Channel Make It Happen (Co-Chor.) Dir. Darren Grant New York Minute Dir. D. Gorgon American Music Awards w/ Fergie (Artistic Director) ABC/Dick Clark Productions Divas Celebrate Soul (Co-Chor.) VH1 So You Think You Can Dance Canada Season 1-4 CTV Teen Choice Awards w/ Will.I.Am FOX American Idol w/ Jordin Sparks FOX American Idol w/ Will.I.Am FOX Superbowl XLV Halftime Show w/ Black Eyed Peas (Co-Chor.) FOX/NFL Soul Train Awards BET Idol Gives Back w/ Black Eyed Peas (Co-Chor.) FOX Grammy Awards w/ Black Eyed Peas (Co-Chor.) CBS / AEG Ehrlich Ventures NFL Thanksgiving Motown Tribute (Co-Chor.) CBS/NFL American Music Awards w/ Black Eyed Peas (Co-Chor.) ABC/Dick Clark Productions BET Hip Hop Awards (Co-Chor.) BET NFL Kickoff Concert w/ Black Eyed Peas (Co-Chor.) NFL Oprah w/ Black Eyed Peas (Co-Chor.) ABC/Harpo Teen Choice Awards w/ Black Eyed Peas -
Famous Players Belleville 8 Cinemas Is Being Transformed Theatre Being Converted to Full-Stadium Seating with New Concession Options
FOR IMMEDIATE RELEASE Famous Players Belleville 8 Cinemas is Being Transformed Theatre being converted to full-stadium seating with new concession options Toronto, ON (CGX.UN) – September 9, 2009 – Cineplex Entertainment is pleased to announce that all eight of the original sloped floor auditoriums at Famous Players Belleville 8 Cinemas, located at the Quinte Mall, are being converted to stadium seating with new rocker style seats being added. “We are delighted to be making these changes that will provide our guests with a far more immersive entertainment experience,” said Pat Marshall, Vice President, Communications and Investor Relations. “The addition of stadium seating will transform the theatre and our guest’s movie-going experience, ensuring that everyone has an unobstructed view of the giant screen. When construction is complete, I think our guests will feel like we built them a brand new theatre.” At the conclusion of the construction, the theatre will feature all stadium seating, where each row is approximately 18” higher than the previous row, wall-to-wall giant, curved screens, large luxurious rocker seats with ample leg room and digital surround sound. In addition to a newly renovated and re-located box office, the theatre lobby will include a dynamic new digital signage program with LCD screens that will change the look and feel of the space and provide both information as well as entertainment. The number of concession options available will be expanded offering something to satisfy everyone’s taste buds. Hot foods from Outtakes and Pizza Pizza as well as cold treats from Yogen Fruz and premium coffees from Far Coast will be added. -
Off the Record
About the Center for Public Integrity The CENTER FOR PUBLIC INTEGRITY, founded in 1989 by a group of concerned Americans, is a nonprofit, nonpartisan, tax-exempt educational organization created so that important national issues can be investigated and analyzed over a period of months without the normal time or space limitations. Since its inception, the Center has investigated and disseminated a wide array of information in more than sixty Center reports. The Center's books and studies are resources for journalists, academics, and the general public, with databases, backup files, government documents, and other information available as well. The Center is funded by foundations, individuals, revenue from the sale of publications and editorial consulting with news organizations. The Joyce Foundation and the Town Creek Foundation provided financial support for this project. The Center gratefully acknowledges the support provided by: Carnegie Corporation of New York The Florence & John Schumann Foundation The John D. & Catherine T. MacArthur Foundation The New York Community Trust This report, and the views expressed herein, do not necessarily reflect the views of the individual members of the Center for Public Integrity's Board of Directors or Advisory Board. THE CENTER FOR PUBLIC INTEGRITY 910 17th Street, N.W. Seventh Floor Washington, D.C. 20006 Telephone: (202) 466-1300 Facsimile: (202)466-1101 E-mail: [email protected] Copyright © 2000 The Center for Public Integrity All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information and retrieval system, without permission in writing from The Center for Public Integrity. -
Viacom International Media Networks To
VIACOMINTERNATIONAL MEDIA NETWORKS TO LAUNCHFIRST-EVERPARAMOUNT CHANNEL IN ASIA THROUGH A STRATEGICCOLLABORATION WITH CTH, THE PARAMOUNT CHANNEL BECOMES THE PREMIER HOLLYWOODMOVIE CHANNEL WITH LINEAR OTT AND LINEAR TV EVERYWHERE STREAMING RIGHTS IN THAILAND SINGAPORE/ THAILAND,15 FEBRUARY 2016 - Viacom International Media Networks (VIMN)today announced the launch of one of its global anchor brands PARAMOUNT CHANNEL in Asia. Building onthe network’s international success in Spain, France, Russia, Romania, Hungary,Latin America and Italy (to be launched in February 2016), VIMN has secured itsfirst distribution deal in Asia with CTH,a major Pay- TV operator in Thailand. The high-definition 24-hour movie channelis set to launch first in Thailand on CTH’s traditional satellite andover-the-top (OTT) streaming service in May, giving it linear OTT and linear TVEverywhere streaming rights in Thailand. The agreement also includes a newlicensing deal for MTV Thailand to be officially moved over to CTH, which waseffective from 15 January 2016. "The introduction of ParamountChannel in Asia is a key, strategic step in deepening our presence both in Thailand and in Asia, while expanding our portfolio of adult-targeted brands. We’re thrilled CTH has come on board for thishighly anticipated launch in Asia and look forward to seeing Paramount Channelexpand further in the coming months,” said Mark Whitehead, Executive Vice President and Managing Director for VIMN Asia. “We’re proud to be the first tooffer Paramount Channel in Asia and to make it the first 24-hour movie channel availableto our subscribers across multiple screens. We continue to be single-minded ingiving our subscribers the best viewing experience and high quality content,”said Amarit Sukhavanij, CEO of CTH.