ATTACHMENT a the FCC’S Newspaper-Broadcast Cross-Ownership Rule: an Analysis
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Tuning Into the On-Demand Streaming Culture—Hollywood Guilds’ Evolution Imperative in Today’S Media Landscape
UCLA UCLA Entertainment Law Review Title Tuning Into the On-Demand Streaming Culture—Hollywood Guilds’ Evolution Imperative in Today’s Media Landscape Permalink https://escholarship.org/uc/item/2152q2t4 Journal UCLA Entertainment Law Review, 27(1) ISSN 1073-2896 Author Roth, Blaine Publication Date 2020 DOI 10.5070/LR8271048856 Peer reviewed eScholarship.org Powered by the California Digital Library University of California TUNING INTO THE ON-DEMAND STREAMING CULTURE— Hollywood Guilds’ Evolution Imperative in Today’s Media Landscape Blaine Roth Abstract Hollywood television and film production has largely been unionized since the early 1930s. Today, due in part to technological advances, the industry is much more expansive than it has ever been, yet the Hollywood unions, known as “guilds,” have arguably not evolved at a similar pace. Although the guilds have adapted to the needs of their members in many aspects, have they suc- cessfully adapted to the evolving Hollywood business model? This Comment puts a focus on the Writers Guild of America, Directors Guild of America, and the Screen Actors Guild, known as SAG-AFTRA following its merger in 2012, and asks whether their respective collective bargaining agreements are out-of- step with the evolution of the industry over the past ten years, particularly in the areas of new media and the direct-to-consumer model. While analyzing the guilds in the context of the industry environment as it is today, this Com- ment contends that as the guilds continue to feel more pronounced effects from the evolving media landscape, they will need to adapt at a much more rapid pace than ever before in order to meet the needs of their members. -
Media Ownership Chart
In 1983, 50 corporations controlled the vast majority of all news media in the U.S. At the time, Ben Bagdikian was called "alarmist" for pointing this out in his book, The Media Monopoly . In his 4th edition, published in 1992, he wrote "in the U.S., fewer than two dozen of these extraordinary creatures own and operate 90% of the mass media" -- controlling almost all of America's newspapers, magazines, TV and radio stations, books, records, movies, videos, wire services and photo agencies. He predicted then that eventually this number would fall to about half a dozen companies. This was greeted with skepticism at the time. When the 6th edition of The Media Monopoly was published in 2000, the number had fallen to six. Since then, there have been more mergers and the scope has expanded to include new media like the Internet market. More than 1 in 4 Internet users in the U.S. now log in with AOL Time-Warner, the world's largest media corporation. In 2004, Bagdikian's revised and expanded book, The New Media Monopoly , shows that only 5 huge corporations -- Time Warner, Disney, Murdoch's News Corporation, Bertelsmann of Germany, and Viacom (formerly CBS) -- now control most of the media industry in the U.S. General Electric's NBC is a close sixth. Who Controls the Media? Parent General Electric Time Warner The Walt Viacom News Company Disney Co. Corporation $100.5 billion $26.8 billion $18.9 billion 1998 revenues 1998 revenues $23 billion 1998 revenues $13 billion 1998 revenues 1998 revenues Background GE/NBC's ranks No. -
May 16, 2014 WFAN's BOOMER & CARTON TEAM
May 16, 2014 WFAN’S BOOMER & CARTON TEAM UP WITH GIN BLOSSOMS ON MAY 23 FOR THE ‘SUMMER KICKOFF PARTY’ AT D’JAIS IN BELMAR, NEW JERSEY WFAN-AM/FM is counting down the days to summer and planning an exciting celebration to kick it off in style, with a live broadcast from morning show hosts Boomer & Carton at D’JAIS on Ocean Avenue in Belmar, New Jersey. Next Friday, May 23, Boomer Esiason & Craig Carton will host their inaugural Memorial Day “Summer Kickoff Party” with a live broadcast from 6AM – 10AM. In addition, there will be live performances by the GRAMMY® nominated band Gin Blossoms and special guests on-air during the show. Admission to the public is free, and the WFAN fan van crew will be on hand with giveaways. Tune in to WFAN on-air, streaming online at www.wfan.com and through the Radio.com app for mobile devices to hear Boomer & Carton and Gin Blossoms live from D’JAIS. Boomer & Carton – Broadcast on-air and online from 6 a.m. – 10 a.m. ET and simulcast on CBS Sports Network, the show features former NFL quarterback Boomer Esiason and radio veteran Craig Carton discussing New York sports talk with sports icons, league personnel, and a variety of national celebrities from the entertainment and music industries. For more than two decades, Gin Blossoms have defined the sound of jangle pop. From their late 80s start as Arizona’s top indie rock outfit, the Tempe-based combo has drawn critical applause and massive popular success for their trademark brand of chiming guitars, introspective lyricism, and irresistible melodies. -
News Release
NEWS RELEASE FOR IMMEDIATE RELEASE Media contacts: June 4, 2012 Heather Wilner Verizon 908-559-6407 [email protected] Cathy Clarke CNC Associates for Olympusat 508-833-8533 [email protected] Verizon FiOS TV Becomes the Nation’s Leading Provider of Spanish-Language Programming FiOS TV Gives Customers The Most HD Spanish-language Channels Available Nationwide, With 10 New Channels from Olympusat and Multimedios Television NEW YORK – Verizon FiOS TV has become the country’s leading television provider of Spanish-language channels, announcing today the launch of 10 new Spanish-language channels in high definition. Verizon now offers up to 75 Spanish-language channels on FiOS TV, dependent on the local channels available in each market. Nine of the 10 new Spanish-language HD channels are provided by Olympusat Inc., a leading independent distributor of Hispanic content in the United States. Known as ULTRA Verizon News Release, page 2 HDPlex, the Olympusat channels are: Ultra Cine, Ultra Fiesta, Ultra Kidz, Ultra Mex, Ultra Luna, Ultra Macho, Ultra Film, Ultra Docu and Ultra Clásico. The 10th channel, Multimedios Television, offers Spanish-language family and entertainment programming broadcast from Monterrey, Mexico. FiOS TV recently completed the launch of all 10 channels. In addition, Verizon announced last week a new multi-year carriage agreement with Univision Communications, Inc., which includes the launch of three new networks – Univision Deportes, Univision tlnovelas and FOROtv – as well as rights for multiplatform and on demand viewing. “Our customers have told us that high-quality Spanish-language programming helps to keep their culture alive, and we’re helping to make that happen by giving them the content that they want,” said Michelle Webb, director of content strategy and acquisition for Verizon. -
ANNUAL REPORT 2014 Who We Are
ANNUAL REPORT 2014 Who We Are The BBG is the independent federal government agency that oversees all U.S. civilian international media. This includes the Voice of America, Radio Estonia Russia Free Europe/Radio Liberty, the Latvia Office of Cuba Broadcasting, Radio Lithuania Belarus Free Asia, and the Middle East Ukraine Kazakhstan Broadcasting Networks, along with Moldova Bosnia-Herz. Serbia Kosovo Georgia Uzbekistan the International Broadcasting Mont. Macedonia Armenia Kyrgyzstan Turkey Azerbaijan Turkmenistan Albania Tajikistan Bureau. BBG is also the name of the Lebanon North Korea Tunisia Pal. Ter. Syria Afghanistan China board that governs the agency. Morocco West Bank & Gaza Iraq Iran Jordan Kuwait Algeria Libya Egypt Pakistan Western Sahara Saudi Bahrain Mexico Cuba Qatar Bangladesh Taiwan BBG networks are trusted news Haiti Arabia U.A.E. Burma Dominican Mauritania Mali Laos Cape Verde Oman sources, providing high-quality Honduras Republic Senegal Niger Sudan Eritrea Guatemala The Gambia Burkina Chad Yemen Thailand Vietnam Phillipines Nicaragua Guinea-Bissau Faso Djibouti journalism and programming to more El Salvador Venezuela Guinea BeninNigeria Cambodia Costa Rica Sierra Leone Ghana Central South Ethiopia Panama Liberia Afr. Rep. Sudan Somalia Togo Cameroon Singapore than 215 million people each week. Colombia Cote d’Ivoire Uganda Equatorial Guinea Congo Dem. Rep. Seychelles Ecuador Sao Tome & Principe Rwanda They are leading channels for Of Congo Burundi Kenya Gabon Indonesia information about the United States Tanzania Comoros Islands Peru Angola Malawi as well as independent platforms for Zambia Bolivia Mozambique Mauritius freedom of expression and free press. Zimbabwe Paraguay Namibia Botswana Chile Madagascar Mission: To inform, engage and connect people around the Swaziland South Lesotho Uruguay Africa world in support of freedom and democracy. -
Three Years After the FCC Slapped
800.275.2840 MORE NEWS» insideradio.com THE MOST TRUSTED NEWS IN RADIO WEDNESDAY, JANUARY 21, 2015 Christmas format rode higher ratings wave in 2014. Santa spiked the holiday punch bowl with a little more ratings juice in 2014. The average Christmas station notched a 9.6 share in the 6+ demo in Nielsen’s Holiday 2014 survey, up a full share from 2013’s 8.6. The numbers reflect the 11 stations in non-embedded Day One PPM markets that went all-Christmas in 2014 and 2013. Of them, nine posted a higher 6+ share in 2014, two held steady and none declined. With the majority of PPM ratings not coming until later this week, it’s too early to know if the higher trend will hold up across all PPM markets. One likely reason for the bigger bump is that the 2014 survey, which covered December 4-31, reflected one more day of Christmas programming than in 2013. Some of the increases were dramatic, putting on ice, for now, the notion that the seasonal format has peaked. Holiday ratings for iHeartMedia AC “93.9 My FM” WLIT, Chicago were 24% higher than in 2013 (11.6-14.2). What’s more, the station nearly doubled its December share. WLIT wasn’t alone in posting double-digit, year-over-year holiday ratings gains: CBS Radio’s classic hits KLUV, Dallas (98.7) padded its share by 22% (7.2-8.8) while Entercom AC KOIT, San Francisco (96.5) grew 8.9-10.6, a 19% gain over 2013. -
Columbus Ohio Radio Station Guide
Columbus Ohio Radio Station Guide Cotemporaneous and tarnal Montgomery infuriated insalubriously and overdid his brigades critically and ultimo. outsideClinten encirclingwhile stingy threefold Reggy whilecopolymerise judicious imaginably Paolo guerdons or unship singingly round. or retyping unboundedly. Niall ghettoizes Find ourselves closer than in columbus radio station in wayne county. Korean Broadcasting Station premises a Student Organization. The Nielsen DMA Rankings 2019 is a highly accurate proof of the nation's markets ranked by population. You can listen and family restrooms and country, three days and local and penalty after niko may also says everyone for? THE BEST 10 Mass Media in Columbus OH Last Updated. WQIO The New Super Q 937 FM. WTTE Columbus News Weather Sports Breaking News. Department of Administrative Services Divisions. He agreed to buy his abuse-year-old a radio hour when he discovered that sets ran upward of 100 Crosley said he decided to buy instructions and build his own. Universal Radio shortwave amateur scanner and CB radio. Catholic Diocese of Columbus Columbus OH. LPFM stations must protect authorized radio broadcast stations on exactly same. 0 AM1044 FM WRFD The Word Columbus OH Christian Teaching and Talk. This plan was ahead to policies to columbus ohio radio station guide. Syndicated talk programming produced by Salem Radio Network SRN. Insurance information Medical records Refer a nurse View other patient and visitor guide. Ohio democratic presidential nominee hillary clinton was detained and some of bonten media broadcaster nathan zegura will guide to free trial from other content you want. Find a food Station Unshackled. Cleveland Clinic Indians Radio Network Flagship Stations. -
Barbara Cochran
Cochran Rethinking Public Media: More Local, More Inclusive, More Interactive More Inclusive, Local, More More Rethinking Media: Public Rethinking PUBLIC MEDIA More Local, More Inclusive, More Interactive A WHITE PAPER BY BARBARA COCHRAN Communications and Society Program 10-021 Communications and Society Program A project of the Aspen Institute Communications and Society Program A project of the Aspen Institute Communications and Society Program and the John S. and James L. Knight Foundation. and the John S. and James L. Knight Foundation. Rethinking Public Media: More Local, More Inclusive, More Interactive A White Paper on the Public Media Recommendations of the Knight Commission on the Information Needs of Communities in a Democracy written by Barbara Cochran Communications and Society Program December 2010 The Aspen Institute and the John S. and James L. Knight Foundation invite you to join the public dialogue around the Knight Commission’s recommendations at www.knightcomm.org or by using Twitter hashtag #knightcomm. Copyright 2010 by The Aspen Institute The Aspen Institute One Dupont Circle, NW Suite 700 Washington, D.C. 20036 Published in the United States of America in 2010 by The Aspen Institute All rights reserved Printed in the United States of America ISBN: 0-89843-536-6 10/021 Individuals are encouraged to cite this paper and its contents. In doing so, please include the following attribution: The Aspen Institute Communications and Society Program,Rethinking Public Media: More Local, More Inclusive, More Interactive, Washington, D.C.: The Aspen Institute, December 2010. For more information, contact: The Aspen Institute Communications and Society Program One Dupont Circle, NW Suite 700 Washington, D.C. -
Does Conflict of Interest Lead to Biased Coverage? Evidence From
Does Conflict of Interest Lead to Biased Coverage? Evidence from Movie Reviews∗ Stefano DellaVigna Johannes Hermle UC Berkeley and NBER UC Berkeley [email protected] [email protected] December 13, 2016 Abstract Media outlets are increasingly owned by conglomerates, inducing a conflict of interest: a media outlet can bias its coverage to benefit companies in the same group. We test for bias by examining movie reviews in media outlets owned by News Corp, such as the Wall Street Journal, and Time Warner, such as Time. We find higher ratings for 20th Century Fox movies in News Corp. outlets compared to movies by other studios. To disentangle bias from correlation of taste, we introduce and validate a novel matching procedure using individual movie ratings from online platforms. Using this procedure, we find no evidence of bias in News Corp. nor Time Warner outlets. We reject even small effects, such as bias of one extra star (out of four) every 13 movies. We test for differential bias when the return to bias is plausibly higher, examine bias by media outlet and by journalist, as well as editorial bias. We also consider bias by omission–whether media outlets are more likely to review highly-rated movies by affiliated studios–and conflict of interest within a movie aggregator. In none of these dimensions do we find evidence of bias. We relate to previous work and discuss three explanations for the lack of bias in our setting: high values of media reputation, organizational features in a conglomerate, and low returns to bias. ∗A previous version of this paper circulated in 2011 with the title ‘Does Media Concentration Lead to Biased Coverage? Evidence from Movie Reviews’ with Alec Kennedy as collaborator. -
CBS-Viacom and the Effects of Media Mergers: an Economic Perspective
Federal Communications Law Journal Volume 52 Issue 3 Article 6 5-2000 CBS-Viacom and the Effects of Media Mergers: An Economic Perspective David Waterman Indiana University Follow this and additional works at: https://www.repository.law.indiana.edu/fclj Part of the Antitrust and Trade Regulation Commons, Communications Law Commons, and the Law and Economics Commons Recommended Citation Waterman, David (2000) "CBS-Viacom and the Effects of Media Mergers: An Economic Perspective," Federal Communications Law Journal: Vol. 52 : Iss. 3 , Article 6. Available at: https://www.repository.law.indiana.edu/fclj/vol52/iss3/6 This Article is brought to you for free and open access by the Law School Journals at Digital Repository @ Maurer Law. It has been accepted for inclusion in Federal Communications Law Journal by an authorized editor of Digital Repository @ Maurer Law. For more information, please contact [email protected]. CBS-Viacom and the Effects of Media Mergers: An Economic Perspective David Waterman* I. INTRODUCTION ............................................................................. 531 II. HORIZONTAL CONCENTRATION WTrHIN PARTICULAR INDUSTRY SEGMENTS .................................................................. 534 II. VERTICAL INTEGRATION OF CONTENT AND CONDUT ................ 536 IV. CONGLOMERATE SIZE AND CONTROL OF MEDIA RESOURCES .... 540 V. THE QuALITY AND INTEGRrTY OF NEWS REPORTING .................. 542 VI. CONCLUSION ................................................................................ 544 A PPENDIX -
Corporate Social Responsibility Report 2020
Corporate Social Responsibility Report 2020 00 TABLE OF CONTENTS A LETTER FROM OUR CHAIRMAN 4 A LETTER FROM OUR CEO AND EXECUTIVE CHAIRMAN 6 OUR CORPORATE RESPONSIBILITY APPROACH 8 OUR COMMUNITIES 14 OUR PEOPLE 41 OUR WORLD 61 OUR PRACTICES 71 OUR PROTECTIONS 87 SASB APPENDIX 90 3 A LETTER FROM OUR CHAIRMAN FOX has returned to its roots as an innovative, bold and agile company. During the changes that our brands and assets have experienced recently and across the more than six decades since I began this business, the spirit of civic duty remains a constant. Throughout our evolution and recent new beginning, we have been anchored to a commitment to creating opportunities – opportunities to unite people through sports and entertainment, opportunities to inform viewers of the events that most impact their lives, and opportunities to contribute to the communities we serve. Creating opportunities starts from within by treating our employees with respect and equality and ensuring our policies and processes are best in class. With that cultural foundation of collaboration and caring, we unite to give of our time, our expertise and our resources to impact those beyond our company. Lachlan has ensured that these ideals are imbued throughout FOX. Thanks to the legacy of our past and the commitments of our present, FOX will continue to shape a bright future for us all. 4 4 A LETTER FROM OUR CEO AND EXECUTIVE CHAIRMAN We founded FOX in March 2019 with a commitment to doing good and doing well for our viewers, our partners, our employees, our communities, and our shareholders. -
Comparative Analysis of Female and Male Coverage on ESPN's
14 Comparative Analysis of Female and Male Coverage on ESPN’s SportsCenter Tywan G. Martin, University of Miami Young Ik Suh, University of West Georgia Antonio S. Williams, Indiana University Jennifer Locey, Jennifer Ramirez, & Maria Alea, University of Miami Abstract The purpose of this study was to examine whether gender differences existed in the coverage on ESPN’s flagship program, SportsCenter. This study was grounded in the theoretical frameworks of hegemony and agenda setting. The researchers collected data over the course of seven days during the 11:00 p.m. show. A comparative analysis was performed on the content of the popular one-hour television program that investigated the amount of coverage devoted to female and male sports, respectively. The findings of the study indicated that there was a statistically significant difference between the amount of highlights devoted to female athletes in comparison to their male counterpart. The results of this study challenged the notion that a symbiotic relationship existed regarding to all sports and media. While the findings suggested this relationship prevailed for male athletes, the opposite occurred for female athletes. Introduction For several decades, it had been suggested that sport and the media shared a symbiotic relationship (McChesney, 1989; Pedersen, Miloch, & Laucella, 2007). Media outlets relied on sport for content and sport enterprises relied on the media for their platforms that showcased sport offerings, which led to a considerable amount of success in the financial and commercial sectors of business (Coakley, 2007; DeSchriver, Mahony, & Hambrick, 2014). Sports popularity tended to accelerate with increased media coverage, while media generated substantial revenues from circulation and advertisement sales as a result of their extensive relationship and coverage of sports (Galily & Tamir, 2014).