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May 16, 2014 WFAN's BOOMER & CARTON TEAM
May 16, 2014 WFAN’S BOOMER & CARTON TEAM UP WITH GIN BLOSSOMS ON MAY 23 FOR THE ‘SUMMER KICKOFF PARTY’ AT D’JAIS IN BELMAR, NEW JERSEY WFAN-AM/FM is counting down the days to summer and planning an exciting celebration to kick it off in style, with a live broadcast from morning show hosts Boomer & Carton at D’JAIS on Ocean Avenue in Belmar, New Jersey. Next Friday, May 23, Boomer Esiason & Craig Carton will host their inaugural Memorial Day “Summer Kickoff Party” with a live broadcast from 6AM – 10AM. In addition, there will be live performances by the GRAMMY® nominated band Gin Blossoms and special guests on-air during the show. Admission to the public is free, and the WFAN fan van crew will be on hand with giveaways. Tune in to WFAN on-air, streaming online at www.wfan.com and through the Radio.com app for mobile devices to hear Boomer & Carton and Gin Blossoms live from D’JAIS. Boomer & Carton – Broadcast on-air and online from 6 a.m. – 10 a.m. ET and simulcast on CBS Sports Network, the show features former NFL quarterback Boomer Esiason and radio veteran Craig Carton discussing New York sports talk with sports icons, league personnel, and a variety of national celebrities from the entertainment and music industries. For more than two decades, Gin Blossoms have defined the sound of jangle pop. From their late 80s start as Arizona’s top indie rock outfit, the Tempe-based combo has drawn critical applause and massive popular success for their trademark brand of chiming guitars, introspective lyricism, and irresistible melodies. -
Replacing Digital Terrestrial Television with Internet Protocol?
This is a repository copy of The short future of public broadcasting: Replacing digital terrestrial television with internet protocol?. White Rose Research Online URL for this paper: http://eprints.whiterose.ac.uk/94851/ Version: Accepted Version Article: Ala-Fossi, M and Lax, S orcid.org/0000-0003-3469-1594 (2016) The short future of public broadcasting: Replacing digital terrestrial television with internet protocol? International Communication Gazette, 78 (4). pp. 365-382. ISSN 1748-0485 https://doi.org/10.1177/1748048516632171 Reuse Unless indicated otherwise, fulltext items are protected by copyright with all rights reserved. The copyright exception in section 29 of the Copyright, Designs and Patents Act 1988 allows the making of a single copy solely for the purpose of non-commercial research or private study within the limits of fair dealing. The publisher or other rights-holder may allow further reproduction and re-use of this version - refer to the White Rose Research Online record for this item. Where records identify the publisher as the copyright holder, users can verify any specific terms of use on the publisher’s website. Takedown If you consider content in White Rose Research Online to be in breach of UK law, please notify us by emailing [email protected] including the URL of the record and the reason for the withdrawal request. [email protected] https://eprints.whiterose.ac.uk/ The Short Future of Public Broadcasting: Replacing DTT with IP? Marko Ala-Fossi & Stephen Lax School of Communication, School of Media and Communication Media and Theatre (CMT) University of Leeds 33014 University of Tampere Leeds LS2 9JT Finland UK [email protected] [email protected] Keywords: Public broadcasting, terrestrial television, switch-off, internet protocol, convergence, universal service, data traffic, spectrum scarcity, capacity crunch. -
Public Media – Pubic Broadcasting System (PBS)
SUPPORTING PUBLIC AND COMMUNITY MEDIA ACTION NEEDED We urge Congress to: Restore public broadcasting funding to the FY 2013 appropriation level of $445 million through the Corporation for Public Broadcasting (CPB). Pass the Community Access Preservation Act (CAP Act) to preserve public, educational, and governmental (PEG) non-commercial cable channels for local communities. OVERVIEW—PUBLIC AND COMMUNITY MEDIA Public media consists of the Public Broadcasting Service (PBS), National Public Radio (NPR), and more than 1,000 local public broadcasting stations. Community media is comprised of public, educational, and government (PEG) cable access TV and community radio stations. Both public and community media have a long history of presenting local, regional, and national nonprofit arts programming, a great majority of which is not available on commercial channels. These organizations play a unique role in bringing both classics and contemporary works to the American public. All of these systems exist because of federal funding or legislation. TALKING POINTS— CORPORATION FOR PUBLIC BROADCASTING In creating America’s unique public broadcasting system, Congress acknowledged public broadcasting’s role in transmitting arts and culture: “It is in the public interest to encourage the growth and development of public radio and television broadcasting, including the use of such media for instructional, educational, and cultural purposes.” And Corporation for Public Broadcasting (CPB) is the vehicle through which Congress has chosen to promote noncommercial public telecommunications. CPB does not produce or broadcast programs. The vast majority of funding through CPB goes directly to local public broadcast stations in the form of Community Service Grants. The federal portion of the average public station’s revenue is approximately 10–15 percent. -
ED358828.Pdf
DOCUMENT RESUME ED 358 828 IR 016 108 AUTHOR Thompsen, Philip A. TITLE Public Broadcasting in the New World of Digital Information Services: What's Been Done, What's Being Done, and What Could Be Done. PUB DATE May 92 NOTE 12p.; Paper presented at the Annual Meeting of the International Communication Association (42nd, Miami, FL, May 20-25, 1992). PUB TYPE Viewpoints (Opinion/Position Papers, Essays, etc.) (120) Speeches/Conference Papers (150) EDRS PRICE MFO1 /PCO1 Plus Postage. DESCRIPTORS *Broadcast Television; Educational Television; Electronic Mail; *Information Technology; *Mass Media Role; *Public Television; *Radio; Technological Advancement IDENTIFIERS Closed Captioned Television; *Digital Information Services; *Public Broadcasting ABSTRACT This paper explores the progress public broadcasting (originally called "educational television") has made in taking advantage of a relatively new application of tecnnology: digital information services. How public broadcasters have pursued this technology and how it may become an integral part of the future of public broadcasting are reviewed. Three of the more successful digital information services that have been provided by public broadcasters (i.e., closed captioning, electronic bulletin board services, and electronic text) are discussed. The paper then discusses three areas that are currently being pursued: digital radio broadcasting, interactive video data services, and the broadcasting of data over the vertical blanking interval (VBI) of public television stations. A vision for the future of public broadcasting is considered, identifying some of the important opportunities that should be taken advantage of before the rapidly changing technological environment eclipses public broadcasting's chance to define a better future for an electronic society. (Contains 39 references.) (RS) *********************************************************************** Reproductions supplied by EDRS are the best that can be made from the original document. -
ANNUAL REPORT 2014 Who We Are
ANNUAL REPORT 2014 Who We Are The BBG is the independent federal government agency that oversees all U.S. civilian international media. This includes the Voice of America, Radio Estonia Russia Free Europe/Radio Liberty, the Latvia Office of Cuba Broadcasting, Radio Lithuania Belarus Free Asia, and the Middle East Ukraine Kazakhstan Broadcasting Networks, along with Moldova Bosnia-Herz. Serbia Kosovo Georgia Uzbekistan the International Broadcasting Mont. Macedonia Armenia Kyrgyzstan Turkey Azerbaijan Turkmenistan Albania Tajikistan Bureau. BBG is also the name of the Lebanon North Korea Tunisia Pal. Ter. Syria Afghanistan China board that governs the agency. Morocco West Bank & Gaza Iraq Iran Jordan Kuwait Algeria Libya Egypt Pakistan Western Sahara Saudi Bahrain Mexico Cuba Qatar Bangladesh Taiwan BBG networks are trusted news Haiti Arabia U.A.E. Burma Dominican Mauritania Mali Laos Cape Verde Oman sources, providing high-quality Honduras Republic Senegal Niger Sudan Eritrea Guatemala The Gambia Burkina Chad Yemen Thailand Vietnam Phillipines Nicaragua Guinea-Bissau Faso Djibouti journalism and programming to more El Salvador Venezuela Guinea BeninNigeria Cambodia Costa Rica Sierra Leone Ghana Central South Ethiopia Panama Liberia Afr. Rep. Sudan Somalia Togo Cameroon Singapore than 215 million people each week. Colombia Cote d’Ivoire Uganda Equatorial Guinea Congo Dem. Rep. Seychelles Ecuador Sao Tome & Principe Rwanda They are leading channels for Of Congo Burundi Kenya Gabon Indonesia information about the United States Tanzania Comoros Islands Peru Angola Malawi as well as independent platforms for Zambia Bolivia Mozambique Mauritius freedom of expression and free press. Zimbabwe Paraguay Namibia Botswana Chile Madagascar Mission: To inform, engage and connect people around the Swaziland South Lesotho Uruguay Africa world in support of freedom and democracy. -
Pubic Broadcasting System (PBS), National Public Radio (NPR)
SUPPORTING PUBLIC AND COMMUNITY MEDIA ACTION NEEDED We urge Congress to: • Retain funding for public broadcasting at FY 2012 levels through the Corporation for Public Broadcasting (CPB). • Pass the Community Access Preservation Act (H.R. 1746), introduced by Rep. Steven LaTourette (R- OH) and Rep. Tammy Baldwin (D- WI), to preserve public, educational, and governmental (PEG) non- commercial cable channels for local communities. Overview– Public and Community Media Public media consists of the Public Broadcasting Service (PBS), National Public Radio (NPR), and more than 1,000 local public broadcasting stations. Community media is comprised of public, educational, and government (PEG) cable access TV and community radio stations. Both public and community media have a long history of presenting local, regional, and national nonprofit arts programming, a great majority of which is not available on commercial channels. These organizations play a unique role in bringing both classics and contemporary works to the American public. All of these systems exist because of federal funding or legislation. Talking Points - Corporation for Public Broadcasting • In creating America’s unique public broadcasting system, Congress acknowledged public broadcasting’s role in transmitting arts and culture: “It is in the public interest to encourage the growth and development of public radio and television broadcasting, including the use of such media for instructional, educational, and cultural purposes.” And Corporation for Public Broadcasting (CPB) is the vehicle through which Congress has chosen to promote noncommercial public telecommunications. • CPB does not produce or broadcast programs. The vast majority of funding through CPB goes directly to local public broadcast stations in the form of Community Service Grants. -
Three Years After the FCC Slapped
800.275.2840 MORE NEWS» insideradio.com THE MOST TRUSTED NEWS IN RADIO WEDNESDAY, JANUARY 21, 2015 Christmas format rode higher ratings wave in 2014. Santa spiked the holiday punch bowl with a little more ratings juice in 2014. The average Christmas station notched a 9.6 share in the 6+ demo in Nielsen’s Holiday 2014 survey, up a full share from 2013’s 8.6. The numbers reflect the 11 stations in non-embedded Day One PPM markets that went all-Christmas in 2014 and 2013. Of them, nine posted a higher 6+ share in 2014, two held steady and none declined. With the majority of PPM ratings not coming until later this week, it’s too early to know if the higher trend will hold up across all PPM markets. One likely reason for the bigger bump is that the 2014 survey, which covered December 4-31, reflected one more day of Christmas programming than in 2013. Some of the increases were dramatic, putting on ice, for now, the notion that the seasonal format has peaked. Holiday ratings for iHeartMedia AC “93.9 My FM” WLIT, Chicago were 24% higher than in 2013 (11.6-14.2). What’s more, the station nearly doubled its December share. WLIT wasn’t alone in posting double-digit, year-over-year holiday ratings gains: CBS Radio’s classic hits KLUV, Dallas (98.7) padded its share by 22% (7.2-8.8) while Entercom AC KOIT, San Francisco (96.5) grew 8.9-10.6, a 19% gain over 2013. -
Columbus Ohio Radio Station Guide
Columbus Ohio Radio Station Guide Cotemporaneous and tarnal Montgomery infuriated insalubriously and overdid his brigades critically and ultimo. outsideClinten encirclingwhile stingy threefold Reggy whilecopolymerise judicious imaginably Paolo guerdons or unship singingly round. or retyping unboundedly. Niall ghettoizes Find ourselves closer than in columbus radio station in wayne county. Korean Broadcasting Station premises a Student Organization. The Nielsen DMA Rankings 2019 is a highly accurate proof of the nation's markets ranked by population. You can listen and family restrooms and country, three days and local and penalty after niko may also says everyone for? THE BEST 10 Mass Media in Columbus OH Last Updated. WQIO The New Super Q 937 FM. WTTE Columbus News Weather Sports Breaking News. Department of Administrative Services Divisions. He agreed to buy his abuse-year-old a radio hour when he discovered that sets ran upward of 100 Crosley said he decided to buy instructions and build his own. Universal Radio shortwave amateur scanner and CB radio. Catholic Diocese of Columbus Columbus OH. LPFM stations must protect authorized radio broadcast stations on exactly same. 0 AM1044 FM WRFD The Word Columbus OH Christian Teaching and Talk. This plan was ahead to policies to columbus ohio radio station guide. Syndicated talk programming produced by Salem Radio Network SRN. Insurance information Medical records Refer a nurse View other patient and visitor guide. Ohio democratic presidential nominee hillary clinton was detained and some of bonten media broadcaster nathan zegura will guide to free trial from other content you want. Find a food Station Unshackled. Cleveland Clinic Indians Radio Network Flagship Stations. -
ATTACHMENT a the FCC’S Newspaper-Broadcast Cross-Ownership Rule: an Analysis
ATTACHMENT A The FCC’s Newspaper-Broadcast Cross-Ownership Rule: An Analysis by Douglas Gomery Douglas Gomery is professor of media economics and history in the College of Journalism at the University of Maryland. His most recent book, Who Owns the Media? (with Ben Compaine), won the 2000 Picard Prize for the best media economics book of the year. He has published 10 other books, some 500 articles in scholarly journals and encyclopedias, written a column, “The Economics of Television,” for the American Journalism Review, and consulted for both the Federal Communications Commission and the Government Accounting Office. Acknowledgments. The author wishes to thank Eileen Appelbaum for her skills in fashioning this study, and Marilyn Moon for her help in crafting its arguments and for her inspiration as one of America's best public policy analysts. ECONOMIC POLICY INSTITUTE 1 Introduction In 1975 the Federal Communications Commission initiated the newspaper-broadcast cross- ownership rule, which bars a single company from owning a newspaper and a broadcast station in the same market. The purpose of the rule is to prevent any single corporate entity from becoming too powerful a single voice within a community, and thus the rule seeks to maximize diversity under the conditions dictated by the marketplace. The cross-ownership ban does not prevent a newspaper from owning a broadcast station in another market, and indeed many large newspapers — such as the New York Times and the Washington Post — own and operate broadcast stations outside their flagship cities (Compaine and Gomery 2000). Media organizations have largely opposed the rule since its inception, and their prospects for eliminating or limiting it brightened in 1996, when the new Telecommunications Act directed the FCC to continually review all ownership rules. -
Barbara Cochran
Cochran Rethinking Public Media: More Local, More Inclusive, More Interactive More Inclusive, Local, More More Rethinking Media: Public Rethinking PUBLIC MEDIA More Local, More Inclusive, More Interactive A WHITE PAPER BY BARBARA COCHRAN Communications and Society Program 10-021 Communications and Society Program A project of the Aspen Institute Communications and Society Program A project of the Aspen Institute Communications and Society Program and the John S. and James L. Knight Foundation. and the John S. and James L. Knight Foundation. Rethinking Public Media: More Local, More Inclusive, More Interactive A White Paper on the Public Media Recommendations of the Knight Commission on the Information Needs of Communities in a Democracy written by Barbara Cochran Communications and Society Program December 2010 The Aspen Institute and the John S. and James L. Knight Foundation invite you to join the public dialogue around the Knight Commission’s recommendations at www.knightcomm.org or by using Twitter hashtag #knightcomm. Copyright 2010 by The Aspen Institute The Aspen Institute One Dupont Circle, NW Suite 700 Washington, D.C. 20036 Published in the United States of America in 2010 by The Aspen Institute All rights reserved Printed in the United States of America ISBN: 0-89843-536-6 10/021 Individuals are encouraged to cite this paper and its contents. In doing so, please include the following attribution: The Aspen Institute Communications and Society Program,Rethinking Public Media: More Local, More Inclusive, More Interactive, Washington, D.C.: The Aspen Institute, December 2010. For more information, contact: The Aspen Institute Communications and Society Program One Dupont Circle, NW Suite 700 Washington, D.C. -
Satellite Uplinks
TOS Pt.3 PBS Technology & Operations TECHNICAL OPERATING SPECIFICATIONS Satellite Uplinks 2013 Edition 1. SCOPE AND PURPOSE This specification defines uplink performance requirements for the Public Television Interconnection System. These parameters will address the settings for uplink MPEG-4 and MPEG-2 encoders, multiplexer, DVB-S and DVB-S2 modulators, and any redundant systems. The goal is to provide consistent quality performance among multiple uplink providers serving the Public Television Satellite Interconnection System. It is essential that all parameters be set correctly. It is vital that all uplink operators meet these performance requirements and protocols. Most stations rely on consistent signals from the satellite system and member stations do not have the manpower or means to compensate for variations. This specification prescribes standards that uplink operators must meet, and informs receiving stations what signal standards they should expect. This document is especially important for uplink operators working with other satellite services, since some of these specifications are unique to the PBS system. 2. SYSTEM INFORMATION PBS currently uses transponders on satellite AMC-21 for Ku service to member stations and on satellite AMC-1 for C-Band service for home consumers. The modulation formats in use are DVB-S2 for all MCPC services and HD SCPC services and either DVB-S or DVB-S2 for all SD SCPC services. Users are encouraged to utilize DVB-S2 modulation on SD transmissions whenever possible. DVB-S2 modulation will become a requirement on all services at a future date TBD All of these services have a payload contained within a standard MPEG transport stream. -
A Study on the Role of Public and Private Sector Radio in Women's
Athens Journal of Mass Media and Communications- Volume 4, Issue 2 – Pages 121-140 A Study on the Role of Public and Private Sector Radio in Women’s Development with Special Reference to India By Afreen Rikzana Abdul Rasheed Neelamalar Maraimalai† Radio plays an important role in the lives of women belonging to all sections of society, but especially for homemakers to relieve them from isolation and help them to lighten their spirit by hearing radio programs. Women today play almost every role in the Radio Industry - as Radio Jockeys, Program Executives, Sound Engineers and so on in both public and private radio broadcasting and also in community radio. All India Radio (AIR) constitutes the public radio broadcasting sector of India, and it has been serving to inform, educate and entertain the masses. In addition, the private radio stations started to emerge in India from 2001. The study focuses on private and public radio stations in Chennai, which is an important metropolitan city in India, and on how they contribute towards the development of women in society. Keywords: All India Radio, private radio station, public broadcasting, radio, women’s development Introduction Women play a vital role in the process of a nation’s change and development. The Indian Constitution provides equal status to men and women. The status of women in India has massively transformed over the past few years in terms of their access to education, politics, media, art and culture, service sectors, science and technology activities etc. (Agarwal, 2008). As a result, though Indian women have the responsibilities of maintaining their family’s welfare, they also enjoy more liberty and opportunities to chase their dreams.