A Study on the Role of Public and Private Sector Radio in Women's
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Economic Impact of the Recorded Music Industry in India September 2019
Economic impact of the recorded music industry in India September 2019 Economic impact of the recorded music industry in India Contents Foreword by IMI 04 Foreword by Deloitte India 05 Glossary 06 Executive summary 08 Indian recorded music industry: Size and growth 11 Indian music’s place in the world: Punching below its weight 13 An introduction to economic impact: The amplification effect 14 Indian recorded music industry: First order impact 17 “Formal” partner industries: Powered by music 18 TV broadcasting 18 FM radio 20 Live events 21 Films 22 Audio streaming OTT 24 Summary of impact at formal partner industries 25 Informal usage of music: The invisible hand 26 A peek into brass bands 27 Typical brass band structure 28 Revenue model 28 A glimpse into the lives of band members 30 Challenges faced by brass bands 31 Deep connection with music 31 Impact beyond the numbers: Counts, but cannot be counted 32 Challenges faced by the industry: Hurdles to growth 35 Way forward: Laying the foundation for growth 40 Conclusive remarks: Unlocking the amplification effect of music 45 Acknowledgements 48 03 Economic impact of the recorded music industry in India Foreword by IMI CIRCA 2019: the story of the recorded Nusrat Fateh Ali-Khan, Noor Jehan, Abida “I know you may not music industry would be that of David Parveen, Runa Laila, and, of course, the powering Goliath. The supercharged INR iconic Radio Ceylon. Shifts in technology neglect me, but it may 1,068 crore recorded music industry in and outdated legislation have meant be too late by the time India provides high-octane: that the recorded music industries in a. -
PDF Compression, OCR, Web Optimization Using a Watermarked Evaluation Copy of CVISION Pdfcompressor
PDF compression, OCR, web optimization using a watermarked evaluation copy of CVISION PDFCompressor SC_COVER.indd 1 7/12/12 7:06 PM PDF compression, OCR, web optimization using a watermarked evaluation copy of CVISION PDFCompressor PDF compression, OCR, web optimization using a watermarked evaluation copy of CVISION PDFCompressor PDF compression, OCR, web optimization using a watermarked evaluation copy of CVISION PDFCompressor PDF compression, OCR, web optimization using a watermarked evaluation copy of CVISION PDFCompressor PDF compression, OCR, web optimization using a watermarked evaluation copy of CVISION PDFCompressor PDF compression, OCR, web optimization using a watermarked evaluation copy of CVISION PDFCompressor ENTERTAINMENT NETWORK (INDIA) LIMITED ANNUAL REPORT 2011-12 NOTICE 27 NOTICE is hereby given that the THIRTEENTH Annual General modification(s), the following Resolution as a Special the Company as may be applicable or such other maximum Meeting of the Members of ENTERTAINMENT NETWORK (INDIA) Resolution:- sectoral cap/ statutory limit as applicable or as may be prescribed from time to time; LIMITED will be held at Y. B. Chavan Auditorium, Gen. Jagannath “RESOLVED THAT pursuant to the applicable provisions of Bhosale Marg, Next to Sachivalaya Gymkhana, Near Mantralaya, the Foreign Exchange Management Act, 1999 (FEMA), Foreign RESOLVED FURTHER THAT the Board be and is hereby Nariman Point, Mumbai - 400021, on Tuesday, August 14, 2012, at Exchange Management (Transfer or issue of Security by a severally authorized to do all such acts, deeds, matters and 3.00 p.m. to transact the following business: Person Resident outside India) Regulations, 2000, Policy on things; and execute all applications, documents, writings, etc. Foreign Direct Investment, the Companies Act, 1956 and all other as may be necessary, proper or expedient for the purpose Ordinary Business: applicable rules, regulations, notifications, circulars, guidelines, of giving effect to this Resolution and for matters connected 1. -
Replacing Digital Terrestrial Television with Internet Protocol?
This is a repository copy of The short future of public broadcasting: Replacing digital terrestrial television with internet protocol?. White Rose Research Online URL for this paper: http://eprints.whiterose.ac.uk/94851/ Version: Accepted Version Article: Ala-Fossi, M and Lax, S orcid.org/0000-0003-3469-1594 (2016) The short future of public broadcasting: Replacing digital terrestrial television with internet protocol? International Communication Gazette, 78 (4). pp. 365-382. ISSN 1748-0485 https://doi.org/10.1177/1748048516632171 Reuse Unless indicated otherwise, fulltext items are protected by copyright with all rights reserved. The copyright exception in section 29 of the Copyright, Designs and Patents Act 1988 allows the making of a single copy solely for the purpose of non-commercial research or private study within the limits of fair dealing. The publisher or other rights-holder may allow further reproduction and re-use of this version - refer to the White Rose Research Online record for this item. Where records identify the publisher as the copyright holder, users can verify any specific terms of use on the publisher’s website. Takedown If you consider content in White Rose Research Online to be in breach of UK law, please notify us by emailing [email protected] including the URL of the record and the reason for the withdrawal request. [email protected] https://eprints.whiterose.ac.uk/ The Short Future of Public Broadcasting: Replacing DTT with IP? Marko Ala-Fossi & Stephen Lax School of Communication, School of Media and Communication Media and Theatre (CMT) University of Leeds 33014 University of Tampere Leeds LS2 9JT Finland UK [email protected] [email protected] Keywords: Public broadcasting, terrestrial television, switch-off, internet protocol, convergence, universal service, data traffic, spectrum scarcity, capacity crunch. -
Public Media – Pubic Broadcasting System (PBS)
SUPPORTING PUBLIC AND COMMUNITY MEDIA ACTION NEEDED We urge Congress to: Restore public broadcasting funding to the FY 2013 appropriation level of $445 million through the Corporation for Public Broadcasting (CPB). Pass the Community Access Preservation Act (CAP Act) to preserve public, educational, and governmental (PEG) non-commercial cable channels for local communities. OVERVIEW—PUBLIC AND COMMUNITY MEDIA Public media consists of the Public Broadcasting Service (PBS), National Public Radio (NPR), and more than 1,000 local public broadcasting stations. Community media is comprised of public, educational, and government (PEG) cable access TV and community radio stations. Both public and community media have a long history of presenting local, regional, and national nonprofit arts programming, a great majority of which is not available on commercial channels. These organizations play a unique role in bringing both classics and contemporary works to the American public. All of these systems exist because of federal funding or legislation. TALKING POINTS— CORPORATION FOR PUBLIC BROADCASTING In creating America’s unique public broadcasting system, Congress acknowledged public broadcasting’s role in transmitting arts and culture: “It is in the public interest to encourage the growth and development of public radio and television broadcasting, including the use of such media for instructional, educational, and cultural purposes.” And Corporation for Public Broadcasting (CPB) is the vehicle through which Congress has chosen to promote noncommercial public telecommunications. CPB does not produce or broadcast programs. The vast majority of funding through CPB goes directly to local public broadcast stations in the form of Community Service Grants. The federal portion of the average public station’s revenue is approximately 10–15 percent. -
Hot 100 SWL List Shortwave Frequencies Listed in the Table Below Have Already Programmed in to the IC-R5 USA Version
I Hot 100 SWL List Shortwave frequencies listed in the table below have already programmed in to the IC-R5 USA version. To reprogram your favorite station into the memory channel, see page 16 for the instruction. Memory Frequency Memory Station Name Memory Frequency Memory Station Name Channel No. (MHz) name Channel No. (MHz) name 000 5.005 Nepal Radio Nepal 056 11.750 Russ-2 Voice of Russia 001 5.060 Uzbeki Radio Tashkent 057 11.765 BBC-1 BBC 002 5.915 Slovak Radio Slovakia Int’l 058 11.800 Italy RAI Int’l 003 5.950 Taiw-1 Radio Taipei Int’l 059 11.825 VOA-3 Voice of America 004 5.965 Neth-3 Radio Netherlands 060 11.910 Fran-1 France Radio Int’l 005 5.975 Columb Radio Autentica 061 11.940 Cam/Ro National Radio of Cambodia 006 6.000 Cuba-1 Radio Havana /Radio Romania Int’l 007 6.020 Turkey Voice of Turkey 062 11.985 B/F/G Radio Vlaanderen Int’l 008 6.035 VOA-1 Voice of America /YLE Radio Finland FF 009 6.040 Can/Ge Radio Canada Int’l /Deutsche Welle /Deutsche Welle 063 11.990 Kuwait Radio Kuwait 010 6.055 Spai-1 Radio Exterior de Espana 064 12.015 Mongol Voice of Mongolia 011 6.080 Georgi Georgian Radio 065 12.040 Ukra-2 Radio Ukraine Int’l 012 6.090 Anguil Radio Anguilla 066 12.095 BBC-2 BBC 013 6.110 Japa-1 Radio Japan 067 13.625 Swed-1 Radio Sweden 014 6.115 Ti/RTE Radio Tirana/RTE 068 13.640 Irelan RTE 015 6.145 Japa-2 Radio Japan 069 13.660 Switze Swiss Radio Int’l 016 6.150 Singap Radio Singapore Int’l 070 13.675 UAE-1 UAE Radio 017 6.165 Neth-1 Radio Netherlands 071 13.680 Chin-1 China Radio Int’l 018 6.175 Ma/Vie Radio Vilnius/Voice -
Terms & Conditions Love at First Flight Contest
Terms & Conditions Love at First Flight Contest ENTERTAINMENT NETWORK (INDIA) LTD (ENIL) is holding a Contest known as Love at First Flight on its Radio Channel at Chandigarh. By reading this Contest terms and conditions AND participating in the “Love at First Flight” Contest (hereinafter referred to as the ‘Contest’) you irrevocably and unconditionally accept the same and you undertake to be bound by all the conditions contained therein without any kind of contestation and/or demur IF YOU DO NOT AGREE TO THE TERMS, OR IF YOU DO NOT SATISFY THE ELIGIBLE CRITERIA, PLEASE DO NOT PARTICIPATE IN THE CONTEST. By participating in the Contest, you accept and agree to the following:- 1. The Contest shall be known as Love at First Flight CONTEST and shall commence at ENIL’s radio stations at Chandigarh on 1st September through 15th September, (both days inclusive), between 7 a.m. (IST). up to 11.59 p.m. (IST) only (“Period of the Contest”). 2. This Contest is open only to Indian Citizens residents in Trycity (Chandigarh-Mohali-Panchkula) only. 3. This Contest is being sponsored by “Paul Merchants” 4. Only one entry per Participant, per question is permitted. Multiple entries will result in disqualification of the Participant for the Contest. 5. To participate in the Contest, the participants need to send an Whatsapp to the number 7087983983 during the broadcast of the Contest. Internet rates shall apply to send whatsapp. 6. Participants to give full details of their Name, permanent address, Income Tax PAN, Phone number, age and such other details as may be prescribed by ENIL and it is to be understood that the Prizes will be given to the Winner only upon furnishing of the prescribed details and documents. -
ED358828.Pdf
DOCUMENT RESUME ED 358 828 IR 016 108 AUTHOR Thompsen, Philip A. TITLE Public Broadcasting in the New World of Digital Information Services: What's Been Done, What's Being Done, and What Could Be Done. PUB DATE May 92 NOTE 12p.; Paper presented at the Annual Meeting of the International Communication Association (42nd, Miami, FL, May 20-25, 1992). PUB TYPE Viewpoints (Opinion/Position Papers, Essays, etc.) (120) Speeches/Conference Papers (150) EDRS PRICE MFO1 /PCO1 Plus Postage. DESCRIPTORS *Broadcast Television; Educational Television; Electronic Mail; *Information Technology; *Mass Media Role; *Public Television; *Radio; Technological Advancement IDENTIFIERS Closed Captioned Television; *Digital Information Services; *Public Broadcasting ABSTRACT This paper explores the progress public broadcasting (originally called "educational television") has made in taking advantage of a relatively new application of tecnnology: digital information services. How public broadcasters have pursued this technology and how it may become an integral part of the future of public broadcasting are reviewed. Three of the more successful digital information services that have been provided by public broadcasters (i.e., closed captioning, electronic bulletin board services, and electronic text) are discussed. The paper then discusses three areas that are currently being pursued: digital radio broadcasting, interactive video data services, and the broadcasting of data over the vertical blanking interval (VBI) of public television stations. A vision for the future of public broadcasting is considered, identifying some of the important opportunities that should be taken advantage of before the rapidly changing technological environment eclipses public broadcasting's chance to define a better future for an electronic society. (Contains 39 references.) (RS) *********************************************************************** Reproductions supplied by EDRS are the best that can be made from the original document. -
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internet resources John H. Barnett Global voices, global visions International radio and television broadcasts via the Web he world is calling—are you listening? used international broadcasting as a method of THere’s how . Internet radio and tele communicating news and competing ideologies vision—tuning into information, feature, during the Cold War. and cultural programs broadcast via the In more recent times, a number of reli Web—piqued the interest of some educators, gious broadcasters have appeared on short librarians, and instructional technologists in wave radio to communicate and evangelize the 1990s. A decade ago we were still in the to an international audience. Many of these early days of multimedia content on the Web. media outlets now share their programming Then, concerns expressed in the professional and their messages free through the Internet, literature centered on issues of licensing, as well as through shortwave radio, cable copyright, and workable business models.1 television, and podcasts. In my experiences as a reference librar This article will help you find your way ian and modern languages selector trying to to some of the key sources for freely avail make Internet radio available to faculty and able international Internet radio and TV students, there were also information tech programming, focusing primarily on major nology concerns over bandwidth usage and broadcasters from outside the United States, audio quality during that era. which provide regular transmissions in What a difference a decade makes. Now English. Nonetheless, one of the benefi ts of with the rise of podcasting, interest in Web tuning into Internet radio and TV is to gain radio and TV programming has recently seen access to news and knowledge of perspec resurgence. -
Digitalization of Radio Through DRM Standard on Mediumwave And
ISSN: 2277-3754 ISO 9001:2008 Certified International Journal of Engineering and Innovative Technology (IJEIT) Volume 3, Issue 9, March 2014 Digitalization of Radio through DRM Standard on Mediumwave and Shortwave Branimir Jaksic, Mile Petrovic, Petar Spalevic, Ratko Ivkovic, Sinisa Minic University of Prishtina, Faculty of Technical Sciences, Kosovska Mitrovica, Serbia University of Prishtina, Teachers College, Leposavic, Serbia areas where analog technology AM (amplitude modulation) Abstract— this paper work offers an overview of DRM was used. It is planned that AM should be replaced with standards used in digitization of radio on medium and short waves digital technology which is similar to technologies DAB and in the world. Firstly, it provides the raw characteristics of DRM DVB-T (all of these listed technologies use OFDM technology and its working principle, with a special focus on audio coding. After that, the state of DRM transmissions in modulation) [3]. The primary purpose of DRM technology is February 2014 is given. Also it gives an summary of radio stations for transfer of the audio content. With this basic purpose, which broadcast the program using DRM technology (country DRM also supports the transfer of some multimedia content and language transmission). Broadcasting areas of radio stations with lower transmission capacity: are also provided, as well as the number of active DRM - DRM text messages; frequencies by regions of the world, for each radio station - EPG (Electronic Program Guide); separately. Then, a map of DRM transmitters in the world is - Information text services (Journaline text based shown, with their main characteristics. information service); - Transmission frames (Slideshow); Index Terms—DRM, frequencie, radio channel, transmitters. -
Community Radio Journalism in India
News by any other name: community radio journalism in India Bridget Backhaus* Griffith University, Australia Abstract Community radio journalism is a cultural resource that offers a voice to local communities and works to democratise media landscapes. Despite its indisputable value, community radio journalism in India faces a unique set of challenges: the foremost being that, officially, it does not exist. According to government policy, community radio stations are prohibited from broadcasting any news and current affairs content. The situation is further complicated by the presence of a development discourse underpinning the entire rationale for the sector. Instead of serving their listeners, community radio stations are beholden to a nebulous ‘development’ agenda. Under such circumstances, it is unsurprising that community radio journalism in India is relatively unexplored in the literature. This paper aims to address this gap by exploring how community radio practitioners in India source content and work around their restrictions in order to provide their listeners with relevant information and news. Keywords Community radio, India, news, journalism, development, social change Introduction Community radio is considered to be a voice for the voiceless and a stronghold of alternative views. Similarly, community radio journalism also has a tradition of democratising the media and acting as a cultural resource to provide communities with a local voice (Forde, Meadows & Foxwell-Norton, 2002). In India however, community radio journalism faces a unique set of challenges: the foremost of which being that, officially, it does not exist. Government policy prevents community radio stations in India from broadcasting any news or current affairs coverage. Employing the concept of community radio as rhizome as a theoretical framework, this article explores the fluid and contingent nature of community radio news and journalism in an environment where it officially does not exist. -
Pvt. C&S Tv Channels
[ Lok Sabha Unstarred Question No. 3416 'Annexure‐I' " ] PVT. C&S TV CHANNELS Sl.No. Sl.No. Genre Channel Name all Star Plus Colors Viacom18 Z Zee TV LIFE OK SONY ENTERTAINMENT TV 1 Hindi GEC SONY SAB Star Utsav Sahara One BIG Magic Z Smile 9X Aaj Tak ABP News India TV Zee News India News NDTV India News 24 IBN 7 Samay 2 Hindi News Tez P7 news NEWS EXPRESS Live India 4 REAL NEWS Disha Channel Total TV SHRI NEWS Sudarshan News Janta TV Channel One News KHABRAIN ABHI TAK A2Z News Aryan TV Aap Ki Awaaz Azad News Khoj India Jain TV GNN News Khabar Bharti Lemon TV99 Zee Cinema Star Gold SONY MAX UTV Movies UTV Action Z Classic 3 Hindi Movie FILMY B4U Movies Z Action Z Premier Enter 10 Television Manoranjan TV V UTV Bindass 4 Hindi Music MTV SONY MIX 9X M Mastii B4U Music Z ETC Music Express Z Business CNBC Awaaz CNBC TV 18 5 Business Channel ET Now NDTV Profit Bloomberg UTV POGO CN Cartoon Network 6 Kids Channel NICK SONIC Zoom Zing Food Food Hindi Life Style NDTV Good Times 7 Channel ZEE KHANA KHAZANA Zee Trendz Vision Shiksha Vision TV Aastha Sanskar Divya Bhakti TV 8 Hindi Spiritual Z Jagran Sadhna Aastha Bhajan SANATAN TV KAATYAYANI Jinvani Dilli Aaj Tak Sahara Samay NCR Har Raj Regional News 9 INDIA NEWS HARYANA Delhi TAAZA TV Perls NCR-Har - Raj AXN Z Cafe 10 English GEC BIG CBS LOVE BIG CBS PRIME BBC ENTERTAINMENT NDTV 24X7 CNN/IBN Times Now Headlines Today 11 English News News X NEWS 9 HY TV AYUR LIVING INDIA HBO SONY PIX Movies Now 12 English Movie Z Studio UTV WORLD MOVIES Firangi VH1 13 English Music BIG CBS SPARK Star Jalsha 14 Bangla GEC Z Bangla ETV Bangla Aakash Bangla RUPASHI BANGLA ABP Ananda 24 Ghanta Kolkata TV 15 Bangla News NEWS TIME BANGLA RPLUS Channel 10 S BANGLA 16 Bangla Music Dhoom Music Tara Music 17 Bangla Movie SONY AATH Mahuaa Sobhagya Mithila Hamar TV 18 Bihar GEC TV100 Himalaya Raftaar Maurya TV Pvt. -
Pubic Broadcasting System (PBS), National Public Radio (NPR)
SUPPORTING PUBLIC AND COMMUNITY MEDIA ACTION NEEDED We urge Congress to: • Retain funding for public broadcasting at FY 2012 levels through the Corporation for Public Broadcasting (CPB). • Pass the Community Access Preservation Act (H.R. 1746), introduced by Rep. Steven LaTourette (R- OH) and Rep. Tammy Baldwin (D- WI), to preserve public, educational, and governmental (PEG) non- commercial cable channels for local communities. Overview– Public and Community Media Public media consists of the Public Broadcasting Service (PBS), National Public Radio (NPR), and more than 1,000 local public broadcasting stations. Community media is comprised of public, educational, and government (PEG) cable access TV and community radio stations. Both public and community media have a long history of presenting local, regional, and national nonprofit arts programming, a great majority of which is not available on commercial channels. These organizations play a unique role in bringing both classics and contemporary works to the American public. All of these systems exist because of federal funding or legislation. Talking Points - Corporation for Public Broadcasting • In creating America’s unique public broadcasting system, Congress acknowledged public broadcasting’s role in transmitting arts and culture: “It is in the public interest to encourage the growth and development of public radio and television broadcasting, including the use of such media for instructional, educational, and cultural purposes.” And Corporation for Public Broadcasting (CPB) is the vehicle through which Congress has chosen to promote noncommercial public telecommunications. • CPB does not produce or broadcast programs. The vast majority of funding through CPB goes directly to local public broadcast stations in the form of Community Service Grants.