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Bibliography Bibliography Abramson, Robert M. 1986. The Approach of Emile Jacque-Dalcroze. In Teaching Music in the Twentieth Century, edited by L. Choksy, R. M. Abramson, A. E. Gillespie and D. Woods. Englewood Cliffs, NJ: Prentice-Hall: 27-69. Adorno, Theodor W. 1968. Einleitung in die Musiksoziologie: Zwölf theoretische Vorlesungen. Hamburg: Rowohlt. Aksnes, Hallgjerd. 2001. Music and its Resonating Body. Dansk årbog for musikk- forskning XXIX: 81-101. ———. 2002. Perspectives of Musical Meaning: A Study Based on Selected Works by Geirr Tveitt. Dr. Art. Thesis, University of Oslo. Albiez, Sean. 2005. Post-Soul Futurama: African American Cultural Politics and Early Detroit Techno. European Journal of American Culture 24 (2): 131-152. Alén, Olavo. 1995. Rhythm as Duration of Sounds in Tumba Francesa. Ethno- musicology 39 (1): 55-71. Anderson, Emily. 1966. The Letters of Mozart and his Family. Chronologically Arranged, Translated and Edited with an Introduction, Notes and Indexes. 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Rough Guides. ———. 2001. Pump Up the Volume: A History of House. London: Channel 4 Books. Biddle, Ian, and Vanessa Knights. 2006. Music, National Identity, and the Politics of Location: Between the Global and the Local. Aldershot: Ashgate. Bijker, Wiebe E. 1995. Of Bicycles, Bakelites, and Bulbs: Toward a Theory of Socio- technical Change. Cambridge, Mass.: MIT Press. Blacking, John, ed. 1977. The Anthropology of the Body. London: Academic Press. Blom, Jan-Petter. 1981. The Dancing Fiddle: On the Expression of Rhythm in Hardingfele Slåtter. In Norsk Folkemusikk, Serie 1, Hardingfeleslåtter, edited by J.-P. Blom, S. Nyhus and R. Sevåg. Oslo: Universitetsforlaget: 305-312. Blom, Jan-Petter, and Tellef Kvifte. 1986. On the Problem of Inferential Ambivalence in Musical Meter. Ethnomusicology 30 (3): 491-517. Bowman, Rob. 1995. The Stax Sound: A Musicological Analysis. Popular Music 14 (3): 285-320. Brackett, John. 2008. Examining Rhythmic and Metric Practices in Led Zeppelin's Musical Style. Popular Music 27 (1): 53-76. Brewster, Bill, and Frank Broughton. 1999/2006. Last Night a DJ Saved My Life: The History of the Disc Jockey. London: Headline Books Publishing. Brolinson, Per-Erik, and Holger Larsen. 1981. Rock - aspekter på industri, elektronik & sound, Rock and roll. Stockholm: Esselte Studium. Broughton, Frank, and Bill Brewster. 2002. How to DJ (Properly): The Art and Science of Playing Records: Bantam Press. Brower, Candace. 2000. A Cognitive Theory of Musical Meaning. Journal of Music Theory 44 (2): 323-379. Brown, Roger. 1996. Roland TB-303. The Mix (In History of House, edited by Chris Kempster. 1996. London: Sanctuary Publishing Ltd.: 166-169.) Brown, Roger J., and Martin Griese. 2000. Electronica Dance Music Programming Secrets. Harlow: Pearson Education. Brown, Royal S. 1994. Overtones and Undertones: Reading Film Music. University of California Press. 256 Brøvig-Andersen, Ragnhild. 2007. Musikk og mediering: Teknologi relatert til sound og groove i trip-hop-musikk. Master Thesis, Department of Musicology, University of Oslo. Buckland, Fiona. 2002. Impossible Dance: Club Culture and Queer World-Making. Middletown: Wesleyan University Press. Bush, John. 2001. Basement Jaxx. In All Music Guide to Electronica: the Definitive Guide to Eletronic Music, edited by V. Bogdanov, C. Woodstra, S. T. Erlewine and J. Bush. Backbeat Books: 40-41. Butler, Mark J. 2006. Unlocking the Groove: Rhythm, Meter, and Musical Design in Electronic Dance Music. Bloomington: Indiana University Press. Butterfield, Matthew W. 2006. The Power of Anacrusis: Engendered Feeling in Groove-Based Musics. Music Theory Online (4). Calvo-Merino, Beatriz, Daniel E. Glaser, Julie Grezes, Richard E. Passingham, and Partrick Haggard. 2005. Action Observation and Acquired Motor Skills: An fMRI Study With Expert Dancers. Cerebral Cortex 15: 1243-1249. Calvo-Merino, Beatriz, Julie Grezes, Daniel E. Glaser, Richard E. Passingham, and Partrick Haggard. 2006. Seeing or Doing? Influence of Visual and Motor Familiarity in Action Observation. Current Biology 16: 1905-1910. Charlton, Katherine. 2003. Rock Music Styles: A History - 4th ed. McGraw-Hill Higher Education. Chen, Joyce L., Virginia B. Penhune, and Robert J. Zatorre. 2008. Listening to Musical Rhythms Recruits Motor Regions of the Brain. Cerebral Cortex 18 (12): 2844-2854. Chen-Hafteck, Lily. 2004. Music and Movement from Zero to Three: A Window to Children's Musicality. Paper read at ISME Early Childhood Conference 'Els Móns Muscial Dels Infants' (The Musical Worlds of Children), July 5-10, at Barcelona, Spain. Chernoff, John Miller. 1979. African Rhythm and African Sensibility: Aesthetics and Social Action in African Musical Idioms. Chicago: University of Chicago Press. Chin, Brian. 1999. The Disco Beatmaster: From the Studio to the Dance Floor. In The Disco Box (liner notes). Rhino. Chomsky, Noam. 1966. Cartesian Linguistics. New York: Harper & Row. Chuck, Gavin. 2004. Musical Meaning and Cognitive Operations of the Embodied Mind. Ph.D. Thesis, Department of Music Theory, Eastman School of Music, University of Rochester, Rochester, NY. Clarke, Eric F. 1985. Structure and Expression in Rhythmic Performance. In Musical Structure and Cognition, edited by P. Howell, I. Cross and R. West. Academic Press. ———. 1989. The Perception of Expressive Timing in Music. Psychological Research 51 (1): 2-9. ———. 1999. Rhythm and Timing in Music. In The Psychology of Music, 2 ed., edited by D. Deutsch. La Jolla, CA: Academic Press: 473-500. 257 ———. 2005. Ways of Listening: An Ecological Approach to the Perception of Musical Meaning. Oxford: Oxford University Press. Clayton, Martin, Rebecca Sager, and Udo Will. 2005. In Time with the Music: The Concept of Entrainment and its Significance for Ethnomusicology. European Meetings in Ethnomusicology (ESEM Counterpoint): 3-75. Collin, Matthew. 1997a. Do You Think You Can Hide from Stardom? Mixmag 2: 107-111. ———. 1997b. Altered State: The Story of Ecstasy Culture and Acid House: Serpent's Tail. Connell, John, and Chris Gibson. 2003. Sound Tracks: Popular Music, Identity and Place. London: Routledge. Cooper, Grosvenor, and Leonard B. Meyer. 1963. The Rhythmic Structure of Music: University of Chicago Press. Cooper, Sean. 2001. Daft Punk. In All Music Guide to Electronica: the Definitive Guide to Eletronic Music, edited by V. Bogdanov, C. Woodstra, S. T. Erlewine and J. Bush. Backbeat Books: 114-115. Covach, John, and Graeme M. Boone, eds. 1997. Understanding Rock: Essays in Musical Analysis. Oxford University Press. Cox, Arnie W. 1999. The Metaphoric Logic of Musical Motion and Space. Ph.D. Thesis, University of Oregon. ———. 2001. The Mimetic Hypothesis and Embodied Musical Meaning. Musicae Scientiae 5 (2): 195-212. Cross, Emily S., Antonia F. de C. Hamilton, and Scott T. Grafton. 2006. Building a Motor Simulation de Novo: Observation of Dance by Dancers. NeuroImage 31: 1257-1267. Cunningham, Mark. 1998. Good Vibrations: A History of Record Production. London: Sanctuary. Damasio, Antonio. 1994. Descartes' Error: Emotion, Reason, and the Human Brain. London: Vintage. ———. 2000. The Feeling of What Happens: Body and Emotion in the Making of Consciousness. London: Vintage. ———. 2004. Looking for Spinoza. London: Vintage. Danielsen, Anne. 1998. His Name was Prince: A Study of Diamonds and Pearls. Popular Music 16 (3): 275-291. ———. 2006. Presence and Pleasure: The Funk Grooves of James Brown and Parliament. Middletown: Wesleyan University Press. ———. forthcoming. Microrhythm and Pulse in Contemporary Groove-Based Music: D'Angelo's 'Left and Right'. Dell'Antonio, Andrew, ed. 2004. Beyond Structural
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