Chinese Arts Take Center Stage at Summer Festival

Total Page:16

File Type:pdf, Size:1020Kb

Chinese Arts Take Center Stage at Summer Festival 18 | Wednesday, June 30, 2021 HONG KONG EDITION | CHINA DAILY YOUTH Chinese arts take center stage at summer festival By CHEN NAN to be held online. This year, as well [email protected] as welcoming back live audience members, the festival offers pro- Having established itself as one of grams, including acrobatics, puppet Beijing’s biggest arts festivals for shows, ballet, traditional Chinese children during the summer vaca- musical instruments and classical tion since 1995, the annual Gateway music performances. to Arts 2021 Summer Festival will “With the travel restrictions take place at the Forbidden City caused by the pandemic, we Concert Hall starting from Sunday, couldn’t have international artists and will run through Aug 31. join us during the festival. However, With 10 mini summer camps it allows Chinese artists to present teaching children Western classical themselves and perform their crea- music, traditional Chinese operas tive programs,” says Xu. and traditional Chinese musical Highlights will include a concert instruments, as well as 69 live per- on Monday performed by violinist formances and 10 public lectures, Li Yuhe and pianist Yuan Jie, who the festival will run for 59 days dur- will perform programs including a ing the summer vacation. piece titled Hero Concerto, inspired On Sunday, Chinese conductor by composer Tan Dun’s original Tan Lihua will lead the Beijing Sym- soundtrack to Chinese director phony Orchestra to open the festival Zhang Yimou’s highly acclaimed with a concert at the Forbidden City martial arts film, Hero. The compos- Concert Hall, with both Western er will join in the concert at the For- and Chinese classic music pieces, bidden City Concert Hall and share including The Blue Danube, by Aus- the story of the piece’s creation. trian composer Johann Strauss II, Other musical works adapted Gold and Silver Waltz by Hungarian from movie soundtracks will Representative Party members from Fudan University who have reached 50 years of Party service as of July receive the “50 years of glory composer Franz Lehar, and I Love include Across the Stars from the in the Party” commemorative medals on June 24. GAO ERQIANG / CHINA DAILY You, China, a song released in 1979 movie, Star Wars: Episode II Attack and written by composer Zheng of the Clones, and Hedwig’s Theme, Qiufeng and lyricist Qu Cong. from the movie, Harry Potter and Tan has performed during the the Philosopher’s Stone. Gateway to Arts Summer Festival The Northern Kunqu Opera The- since it was launched and he has ater will present the classic Kunqu witnessed the evolution of the festi- Opera production, The Romance of val, which he describes as exciting. the West Chamber, written by Wang Onward and upward Formerly known as Gateway to Shifu, a Yuan Dynasty (1271-1368) Music, the festival was the idea of playwright, on July 27. notable Chinese musicians, includ- On Aug 16, 21-year-old jazz pian- ing Li Delun (1917-2001), Yang ist A Bu, whose real name is Dai Graduating students and CPC members at Fudan University urged to embrace Hongnian (1934-2020), both of Liang, will give a concert along with their social responsibilities in the next stage of their lives, reports. whom were conductors and music his musician friends: violinist Cao Chen educators, and violinist Sheng Zhang Yue, cellist Song Zhao and Zhongguo (1941-2018). bassist Wang Chenhuai, performing team of members of the “The goal was clear and simple repertories including A Bu’s own Communist Party of then. That was to offer children a composition Oriental Interlude and China who have served music festival which enabled them Confessions Op 2 for cello and piano as volunteers at an exhi- to get to know and enjoy classical composed by Derek Louie. bitionA on The Communist Manifes- music during their summer vaca- According to Xu, on Aug 23, harp- to at Fudan University in tion,” recalls Tan, 66. “Back in 1995, sichord player Jiang Yubin will per- Shanghai shared their achieve- classical music was considered as a form a concert featuring music ments after receiving a letter from bit of a niche art form (in China), pieces by German composers Bach, President Xi Jinping last year, at a appreciated by only a small audi- Christian Petzold, and English com- conference held on Sunday. ence. We performed some of the poser Henry Purcell. It will be the In replying to a letter from the most well-known classical music first time that the harpsichord has team that was unveiled in June last pieces, especially music pieces appeared during the festival, which year, Xi, also general secretary of adapted from popular movies, hop- will allow children to learn about the Communist Party of China ing to appeal to children, who may the musical instrument. Central Committee, encouraged have not been familiar with classi- Xu adds that mini summer CPC members to build firm ideals cal music.” camps are so popular among chil- and convictions and strive to fulfill “We are happy to see that, over dren that tickets sold out fast. This the Party’s original aspiration and the past two decades, classical year, the 10 summer camps will offer mission. music has gained a large fan base in training on musical instruments Xi called on all CPC members, China, not only among the adults including pipa and harp, as well as especially the younger generation, but also children, many of whom art forms, such as Peking Opera and to conscientiously study Marxist are learning musical instruments chorus. theory and the history of the Party, now,” says Tan. “The festival offers For the first time, Kunqu Opera, New China, the reform and open- them an opportunity to develop an one of the oldest traditional Chi- ing-up and the development of interest in the art form, which can nese operas with a history of over socialism. be fun.” 600 years, guqin, a zither-like sev- According to Xu Yayun, one of He says the festival has become en-stringed traditional Chinese the team leaders and a doctoral an inseparable part of his career. instrument, and xun, a globular, student from the Chinese lan- As a student representative, “When I look back, it’s a great flutelike traditional Chinese instru- guage and literature school at Arshad Hussain from Pakistan experience to be part of the festival, ment, will be introduced at the Fudan, the number of team mem- majoring in clinical medicine which is long-lasting and success- summer camps. bers surged from 30 to 64 over the shared his insights on the five ful,” he says. “Children are curious “Art education is a vital aspect of past year. years he spent at the university. and eager to learn. We want to offer what we do as professional musi- Interpreting skills at the exhibi- He regarded his time at Fudan them a great experience of enjoying cians. The summer camps allow tion are improved as well, as all as the best and the most memora- music. They don’t necessarily need students to learn a musical instru- team members are required to ble of his life so far. to become professional musicians. ment from scratch. I’m glad to see read various historical documents “Local residents invited me to It’s good enough for them to just that some of them have continued before volunteering. In addition, dance in open squares in Yangpu have music as a part of their lives.” to learn those musical instruments the team is able to serve a global district near the university, an In 2008, the festival was renamed after the summer camps, and that audience now, as multilingual impressive experience demon- the Gateway to Arts Summer Festi- some students even decide to pur- manuscripts covering English, strating the enthusiasm of Chi- val to incorporate a greater diversity sue a professional musical career,” French and Japanese have been nese people. I also got familiar of art forms alongside classical says pipa player Zhang Hongyan, created. with Chinese customs, such as music. who started to play the traditional Official data showed the team receiving red envelopes with lucky Xu Jian, the organizer of the festi- Chinese four-stringed musical has served 24,000 people at the money at New Year’s Eve and val and general manager of the ven- instrument at the age of 7, studying exhibition at Fudan and received when my best Chinese friend took ue, notes that last year, due to the with his father, also a pipa player. honors including the national pio- me to a traditional wedding,” says COVID-19 pandemic, the event had As a teacher at the Central Con- neering team award for its efforts Top: Fudan University holds an event to celebrate the 100th Hussain. servatory of Music in Beijing, she in spreading Party theory. anniversary of the founding of the CPC on June 24. Above: Young “I didn’t feel unfamiliar in a for- launched a pipa summer camp for More celebration activities were members take the Party oath at the same event. eign country, because of the peo- the festival 10 years ago. This year, held at Fudan, which is home to PHOTOS BY GAO ERQIANG / CHINA DAILY ple around me.” she will conduct lessons, along with 20,858 Party members. In the past He adds that during his stay in some of her students from the con- year, schools at Fudan took turns China, since the outbreak of the servatory, from July 14 to 16. to showcase a total of 300 activities graduate study, over 8,000 stu- when completing further study at COVID-19 pandemic, he witnessed With the support of Beijing Poly held by their Party groups every dents graduated from Fudan Uni- university was the only way to the country, with its population of Theater Management Co, the festi- week to celebrate the 100th anni- versity in Shanghai this summer, secure a good job and strive for over 1.4 billion, successfully con- val will bring art programs to chil- versary of the establishment of the carrying hopes for the future with success in China.
Recommended publications
  • China and the West: Music, Representation, and Reception
    Revised Pages China and the West Revised Pages Wanguo Quantu [A Map of the Myriad Countries of the World] was made in the 1620s by Guilio Aleni, whose Chinese name 艾儒略 appears in the last column of the text (first on the left) above the Jesuit symbol IHS. Aleni’s map was based on Matteo Ricci’s earlier map of 1602. Revised Pages China and the West Music, Representation, and Reception Edited by Hon- Lun Yang and Michael Saffle University of Michigan Press Ann Arbor Revised Pages Copyright © 2017 by Hon- Lun Yang and Michael Saffle All rights reserved This book may not be reproduced, in whole or in part, including illustrations, in any form (beyond that copying permitted by Sections 107 and 108 of the U.S. Copyright Law and except by reviewers for the public press), without written permission from the publisher. Published in the United States of America by the University of Michigan Press Manufactured in the United States of America c Printed on acid- free paper 2020 2019 2018 2017 4 3 2 1 A CIP catalog record for this book is available from the British Library. Library of Congress Cataloging- in- Publication Data Names: Yang, Hon- Lun, editor. | Saffle, Michael, 1946– editor. Title: China and the West : music, representation, and reception / edited by Hon- Lun Yang and Michael Saffle. Description: Ann Arbor : University of Michigan Press, 2017. | Includes bibliographical references and index. Identifiers: LCCN 2016045491| ISBN 9780472130313 (hardcover : alk. paper) | ISBN 9780472122714 (e- book) Subjects: LCSH: Music—Chinese influences. | Music—China— Western influences. | Exoticism in music.
    [Show full text]
  • Western Musical Figures in the People's
    Power, Politics, and Musical CommemorationCommemoration:::: Western Musical Figures in the People’s Republic of China 1949-1964 HON-LUN YANG The commemoration of prominent musical figures is a well recognized feature of Western musical culture. In 2006, many nations and cities joined in the commemoration of Mozart’s 250th birthday. In 2002, ceremonies in Austria, France, Germany, Switzerland, and the United States marked the 200 th birthday of Hector Berlioz. Some twenty years earlier, in 1985, numerous events were held to commemorate the 400 th and 300 th birthdays of Heinrich Schutz, Johann Sebastian Bach, and George Frederick Handel respectively. It is more than common to have musical events and Festschriften pay tribute to composers, musical institutions, performers, and scholars. In the People’s Republic of China, there were also frequent national commemorations of Western musical figures, 1 especially during the early years of the country’s history: in 1954, Glinka’s 150 th birthday and the 50 th anniversary of Dvo řák’s death; in 1956, Mozart’s 200 th birthday and the centenary of Robert Schumann’s death; in 1957, the centenary of Glinka’s death and the 130 th anniversary of Beethoven’s death; in 1958, Paul Robeson’s 60 th birthday, the centenary of Puccini’s birth, and the 50 th anniversary of Rimsky-Korsakov’s death as well as the 20 th anniversary of Feodor Chaliapin’s death; in 1959, the bi-centenary of Handel’s death; in 1960, 120 th anniversary of Tchaikovsky’s birth and the sesquicentennial of Chopin’s birth; in 1961, the sesquicentennial of Liszt’s birth.
    [Show full text]
  • China and the West: Music, Representation, and Reception
    0/-*/&4637&: *ODPMMBCPSBUJPOXJUI6OHMVFJU XFIBWFTFUVQBTVSWFZ POMZUFORVFTUJPOT UP MFBSONPSFBCPVUIPXPQFOBDDFTTFCPPLTBSFEJTDPWFSFEBOEVTFE 8FSFBMMZWBMVFZPVSQBSUJDJQBUJPOQMFBTFUBLFQBSU $-*$,)&3& "OFMFDUSPOJDWFSTJPOPGUIJTCPPLJTGSFFMZBWBJMBCMF UIBOLTUP UIFTVQQPSUPGMJCSBSJFTXPSLJOHXJUI,OPXMFEHF6OMBUDIFE ,6JTBDPMMBCPSBUJWFJOJUJBUJWFEFTJHOFEUPNBLFIJHIRVBMJUZ CPPLT0QFO"DDFTTGPSUIFQVCMJDHPPE Revised Pages China and the West Revised Pages Wanguo Quantu [A Map of the Myriad Countries of the World] was made in the 1620s by Guilio Aleni, whose Chinese name 艾儒略 appears in the last column of the text (first on the left) above the Jesuit symbol IHS. Aleni’s map was based on Matteo Ricci’s earlier map of 1602. Revised Pages China and the West Music, Representation, and Reception Edited by Hon- Lun Yang and Michael Saffle University of Michigan Press Ann Arbor Revised Pages Copyright © 2017 by Hon- Lun Yang and Michael Saffle All rights reserved This book may not be reproduced, in whole or in part, including illustrations, in any form (beyond that copying permitted by Sections 107 and 108 of the U.S. Copyright Law and except by reviewers for the public press), without written permission from the publisher. Published in the United States of America by the University of Michigan Press Manufactured in the United States of America c Printed on acid- free paper 2020 2019 2018 2017 4 3 2 1 A CIP catalog record for this book is available from the British Library. Library of Congress Cataloging- in- Publication Data Names: Yang, Hon- Lun, editor. | Saffle, Michael, 1946– editor. Title: China and the West : music, representation, and reception / edited by Hon- Lun Yang and Michael Saffle. Description: Ann Arbor : University of Michigan Press, 2017. | Includes bibliographical references and index. Identifiers: LCCN 2016045491| ISBN 9780472130313 (hardcover : alk.
    [Show full text]
  • The Influence of Socialist Realism on the Yellow River
    THE INFLUENCE OF SOCIALIST REALISM ON THE YELLOW RIVER PIANO CONCERTO by GLORIA JUNG EIAN THAM A DOCUMENT Submitted in partial fulfillment of the requirements for the degree of Doctor of Musical Arts in the School of Music in the Graduate School of The University of Alabama TUSCALOOSA, ALABAMA 2009 Copyright Gloria Jung Eian Tham, 2009 ALL RIGHTS RESERVED ABSTRACT Commissioned by Madam Mao, also known as Jiang Qing (1914-1991), the Yellow River Piano Concerto (1968) is scored for Western orchestra and piano. The piano concerto is based on a previous composition – the Yellow River Cantata (1938) by Xian Xinghai (1909-1945). Like its namesake, the Yellow River, the piano concerto has a tumultuous history and background. The piano concerto was arranged by a group of four composers: Yin Chengzong (b. 1941), Chu Wanghua (b. 1941), Sheng Lihong (b. 1926), and Liu Zhuang (b. 1932) during the Cultural Revolution (1966-1976). Prior to the concerto, all forms of Western music were banned and classical musicians suffered great persecution. The Yellow River Piano Concerto displays aspects of Chinese nationalism and Socialist Realism fused together in virtuosic pianistic display. The People’s Republic of China often sought to emulate the Soviet Union, which was considered the elder brother and a suitable model. Ideologies, political practices, cultural reform and the revolutions of the Soviet Union were adapted and sinified by the Communist Party in China by Mao Zedong (1893-1976). This document examines the influences of Mao’s Socialist Realism and revolutionary Romanticism on the Yellow River Piano Concerto as contained in his Talks at the Yan’an Forum on Literature and Art (1942) and Jiang Qing’s speeches of 1964.
    [Show full text]
  • NIXON, KISSINGER and MUSICAL DIPLOMACY in the OPENING of CHINA, 1971-1973 Adam Cathcart Pacific Lutheran University
    Nixon, Kissinger, and Musical Diplomacy in the Opening of China 131 NIXON, KISSINGER AND MUSICAL DIPLOMACY IN THE OPENING OF CHINA, 1971-1973 Adam Cathcart Pacific Lutheran University President Nixon: “I think the Prime Minister [Zhou] has outlined a very satisfactory and workable process, and as our Foreign Ministers discuss the problems of normalization of contacts, or trade… Premier Minister Zhou: Culture… President Nixon: Culture….”1 Music and Diplomacy Richard Nixon was indeed correct when he wrote that the Chinese leadership “consider[ed] every act purposeful and every event symbolic.”2 As the cultural battlefield of the Cold War unfolded, ceremony remained an essential element in Chinese statecraft.3 In dealing with the Chinese, Nixon himself remarked that “atmospherics” were often “more important than any day-to-day substance,” making cultural exchange all the more potent of an instrument for breaking down the wall of mistrust between the PRC and USA.4 1 Memorandum of Conversation between President Nixon, Henry Kissinger, Secretary of State Rogers, and Zhou Enlai, et. al., Beijing, Feb 21, 1972, 9. National Security Archive. 2 Richard Nixon, RN: The Memoirs of Richard Nixon (New York: Simon & Schuster, 1978), 869. 3 Chris Tudda, The Truth is Our Weapon: The Rhetorical Diplomacy of Dwight D. Eisenhower and John Foster Dulles (Baton Rouge: Louisiana State University Press, 2006); Yale Richmond, Cultural Exchange & the Cold War: Raising the Iron Curtain (University Park, Pennsylvania: The Pennsylvania State University Press, 2003). 4 Handwritten note from Nixon to Kissinger, written on Kissinger’s June 27, 1972 memo to Nixon entitled “Atmospherics of My Visit to Peking,” National Archives, National Security Council Files, Henry A.
    [Show full text]
  • Platt-Nick.Pdf
    The Association for Diplomatic Studies and Training Foreign Affairs Oral History Project AMBASSADOR NICHOLAS PLATT Interviewed by: David E. Reuther Initial interview date: March 7, 2005 Copyright 2018 ADST TABLE OF CONTENTS Background: Born, New York City, 1936. B.A., Harvard University, 1957 M.A, Johns Hopkins School of Advance International Affairs, 1959 Entered Foreign Service, 1959 Windsor, Canada 1959-1962 Vice Consul Taichung, Taiwan 1962-1964 Chinese Language Training-FSI Hong Kong 1964-1968 Political Office The Watching China Process Cultural Revolution Bureau of Intelligence and Research 1969-1972 Chief, Communist Areas Division Chief, North Asia Division The Office of the Secretary of State 1972-1973 Director Historic Trip to China February 1972 Becoming a “China Boy” Beijing, China 1973-1974 Chief of the Political Section Effects of the Watergate Scandal Kissinger Visits Asked to Leave China 1 Tokyo, Japan 1974-1977 Political Officer President Ford’s Visit to Tokyo National Security Council 1978-1980 Visit to China with Secretary of Defense Department of Defense 1980-1981 Office of the Secretary of Defense Responsible for East Asia policy State Department 1981-1982 Bureau of International Organizations Zambia 1982-1984 Ambassador Philippines 1987-1991 Ambassador Working with the Aquino Administration Pakistan 1991-1992 Ambassador Collapse of the Soviet Union Retired from Foreign Service 1992 President of the Asia Society INTERVIEW Q: This is a Foreign Affairs Oral History Program interview with Ambassador Nicholas Platt. It’s March 7, 2005, and we are in his office in New York City. This interview is being conducted under the auspices of the Association for Diplomatic Studies and Training with the support of the Luce Foundation.
    [Show full text]
  • 20Th-Century Repertory
    Mikrokosmos List 622. - 2 - June 2017 ....20TH-CENTURY REPERTORY 1 Andriessen, Jurriaan: Movimenti/ Delden: Piccolo Con/ Kox: Cyclofonie 1/ DONEMUS DAVS 6602 A 10 Badings: Sym 9 - cond.Rieu, Hupperts, Zinman all live with scores S 2 Arutyunian: Poem Con for Vln & Orch/Bagdasarian: Rhap for Vln & Orch/Akhinian: MELODIYA CM 3845 A 15 Poem & Adagio - Tsitsikian vln, cond.M.Shostakovich, etc S 3 Astvatsatryan: Sym 1/ Vartazaryan: Flute Con/ Mansuryan: Cello Con - MELODIYA C10 11259 A 25 Allaverdyan fl, Georgian vcl, cond.Khandzhian (p.1976) S 4 Auster, Lydia: Piano Con in G, Romeo excs, Tina ballet excs - Valdma pno, MELODIYA C10 8797 A 28 cond.N.Jarvi S 5 Babadzhanian: Vln Con/G.Egiazaryan: Armenia sym poem - Mokatsyan, Aramenain MELODIYA D 23029 A 25 SSO, cond.Maluntsyan 6 Bakhor, Firuz: Sym 2 for String Orch/K.Khikmatov: Variations for String Orch - MELODIYA C10 21383 A 40 cond.Azimov 1984 S 7 Bakhor, Firuz: Sym 4 "Buzurg" - Uzbek SSO, cond/Khaknazarov 1986 S MELODIYA C10 26667 A 50 8 Balanchivadze: Sym 1 - USSR RSO, cond.GAUK OLD MELODIYA D. 4630 A 30 EB2 9 Balanchivadze: Sym 2 - USSR RSO, cond.GAUK MELODIYA D 7345 A 45 10 Bartok: Divertimento/Stravinsky: Con in D/Webern: 5 Mvts Op.5 - Amati Ensemble DGG 2555006 A 8 (p.1971) S 11 Bartok: Sonata for 2 Pnos & Percs (ARGERICH, Bishop Kovacevich, etc)/Hindemith: PHILIPS MOW 41 A 10 Octet (Stahr cl, Lembke bsn, etc) (cover painting by Chagall) S 12 Berio: Differences, Sequenza III, VII, Due pezzi, Chamber Music - BERBERIAN, PHILIPS 6500631 A 10 HR2 Holliger, Juilliard SQ, cond.comp (p.1970)
    [Show full text]
  • US-China Arts Exchange
    US.-China Arts Exchange SPECIAL YUNNAN S S U E Volume 1 1 Fall 1995 Newsletter of the Center for U.S.-Chino Arts Exchange at Columbia University Program Years 1990-1995 Yunnan Nationalities Cultures Project Since the summer of 1990, the main focus of the Center's work has been the Yunnan Nationalities Cultures Project. Designed to assist the cultural leaders of Yunnan Province in creating a compre hensive strategy for the continuation and further development of the traditional arts of Yunnan's twenty-five minority nationalities, the project has involved hundreds of specialists in China, in the United States, and throughout the Pacific region. This special issue of the Center's Newsletter highlights our work with Yunnan's leaders in nationalities arts and arts education and also provides an update Chou Wen-chung greets Wujiepu Village residents in Luxi County during his December on our other continuing programs. ■ 1990 research trip to Yunnan Province. Designed to address some of the gaps in and the Art Department and China U.S.-China cultural exchange, we initi Studies Institute at San Diego State Bringing You ated conferences; workshops; seminars; University, brought painters from China and radio, video, and translation projects. to the California campus for a four-week Up To Date One example of our Core Programs was seminar. After the seminar the University Our last newsletter, published in the the introduction into China of a "musical provided the artists with studio space and spring of 1992, reported on the Pacific season"—something China had never the time to create new works.
    [Show full text]
  • DOCTORAL THESIS Examining the Red Corps an Investigation Into The
    DOCTORAL THESIS Examining the Red Corps an investigation into the adoption, revolution, and continued development of ballet in China McLelland, Rowan Award date: 2019 General rights Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. • Users may download and print one copy of any publication from the public portal for the purpose of private study or research. • You may not further distribute the material or use it for any profit-making activity or commercial gain • You may freely distribute the URL identifying the publication in the public portal ? Take down policy If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. Download date: 07. Oct. 2021 Examining the Red Corps: An Investigation into the Adoption, Revolution, and Continued Development of ballet in China. by Rowan McLelland BA (Hons), MA, ARAD A thesis submitted in partial fulfilment of the requirements for the degree of PhD Department of Dance University of Roehampton 2018 ABSTRACT In the mid-twentieth century in the People’s Republic of China, classical ballet was consciously adopted and institutionalised by the state. The systematic adoption of the form was part of a nation building exercise which made use of the bodies of ballet dancers for state ideology. Ballet dancers in China are highly refined and skilled, and are constituted in relation to Maoist thinking which promoted the development of physical virtuosity as a path to developing national health and international status.
    [Show full text]
  • Acmr Reports
    ACMR REPORTS Journal ofthe Association for Chinese Music Research Vol. 12 1999 Editor: Joseph S. C. Lam Associate Editor: Helen Rccs Rc\ic\\ Editor: J. lawrence Witzlcben Contributing Editor: Suc Tuohy Contents From the Editor III From the Review Editor v Articles Old Wine in New Bottles: The Use ofTraditional Material in New Chinese Music ERIC LAI Maestro Li Oclun and Western Classical Music in The People's Republic ofChina: A Personal Account OUIVI-R K. CHOU 23 Chinese Music in the San Francisco Bay Area V,u[RIl B.SA\1,)()~ 47 The Daglla~"e Music ofXi'an H,,~ KlO.. lfl.;"'G 103 Viewpoints The Oldest Playable Instrument in the World: Whose World? Whose Credit? What Date? Su ZIIENG 123 cws and Truth; Oricntalism vs. Occidentalism LI WEI 125 Chinese Musicological Research in China. Abroad. and Other Issucs BEll YL"'(j 127 THO\fPSo..... , Mllsic BeyondSound: The Silk String Zilher YI-PI,G IIL.."c; 133 L\\1. State Sacrifices alld Music ill Ming China: OnllOdo_\J: Creath'in: alld Expressireness. STI 1'111,", JO'I,S 138 SCIiIMIo,.1ILI'I"Il\KK, Chillese Folk Songs and Folk Singers: Shall 'ge Traditiolls ill Sol/them Jiallgslf. SUI:: TrOllY 143 LLM, III Search qla f0ice: Karaoke and the Constnu.:lioll ofIdentity ill Chi,le:..·e America. TIORFN(1: Llu 150 STCKK, Musical Crealivily ill Twelltie1lI-Celltwy China: Abillg. his Music and its Challging Meanillgs. FRUJERICK LAu [53 Current Bibliography on Chincsc Music SUE TUOHY 157 RCIJOrts on Recent Meetings and Conferences 185 HalJPY 90th Birthday to Dr. Laurence Ernest Rowland Picken 191 Contributors 193 Information for Authors 197 " ACMR Repom.
    [Show full text]
  • Final Sounding a Note of Freedom
    Sounding a Note of Freedom: Beethoven’s Ninth in Tiananmen Square and at the Berlin Wall Emily Robinson CC-325-D Citizens of the World MUS-319-A Late Romantic & Modern Music Professor Dr. Jennifer Prough Professor Dr. Katharina Uhde May 6, 2016 Honor Code: I have neither given or received, nor have I tolerated others’ use of unauthorized aid. ABSTRACT The fact that Beethoven’s Ninth was performed at Tiananmen Square, China and Berlin, Germany in 1989 demonstrates the symphony’s potential for communicating across differences of time and culture. By closely examining the first seventeen measures of Ludwig van Beethoven’s Symphony No. 9 in D Minor, Op. 125, first movement “Allegro ma non troppo un poco maestoso” as well as the student protests in Tiananmen Square, China and the Christmas Day celebration concert led by Leonard Bernstein in Berlin, Germany in 1989, this paper argues that the enduring significance of the Ninth Symphony is possible because of the penetrating themes of brotherhood, creation, and freedom. Ludwig van Beethoven’s Symphony No. 9 is still a work that speaks to contemporary political events where the themes of brotherhood, creation, and freedom are present within the political movements. When Beethoven composed this work in the early nineteenth century, he may have been able to recognize the uniqueness of the work since this was the first time a choir was called for in a symphonic score. The uniqueness and grandeur of this work endures today as Symphony No. 9 continues to be regularly performed around the world, proclaiming its themes of brotherhood, creation, and freedom.
    [Show full text]
  • 20Th-Century Repertory
    Mikrokosmos List 607. - 2 - February 2016 ....20TH-CENTURY REPERTORY 1 Alwyn, William: Con grosso 2, Harp Con, Autumn Legend for Cor Anglais & Strings - LYRITA SRCS 108 A 12 Ellis, Browne, cond.comp (Decca pressing) S 2 Alwyn, William: Symphonies 4, 5 - London PO, cond.comp (Decca pressing) LYRITA SRCS 76 A 10 (p.1975) S 3 Amelsvoort: 2 Elegies/Reger: Serenade/Krommer-Kramar: Partita EUROSOUND ES 46442 A 12 Op.71/Triebensee: Haydn Vars - Brabant Wind Ensemble 1979 S 4 Amy, Gilbert: Recitatif, Air & Vars/B.Jolas: Sonate a Douze - cond.Courand S INEDITS 995031 A 10 5 Amy, Gilbert: Strophe, Sonata Piané forte - Taskova, J.Nelson, cond.comp (gatefold) ADES 14010 A 10 1978 S 6 Archer, Violet: Vcl Sonata/Otto Joachim: Vcl Sonata - W.Joachim cello, Newmark CBC 139 A 10 pno 7 Arnold, Malcolm: 2 Fl Cons, 2 Sinfoniettas - Solum, Philh Orch, cond.Dilkes EMI ASD 3487 A 10 ER3 (p.1978) S 8 Arvay, Pierre: Le Femme Couronnee d'Etoiles - cond.J-M.Onfroy NOTRE DAME NDTN 13002 A 20 9 Babadjanian: Ballade Heroique (comp pno)/Gomoliaka: Esquisses Subcarpathiques CHANT DU M LDX-M 8072 A– 10 - cond.Rachlin 10 Babbitt, Milton: Composition for 4 Inst/Carter: Sonata (fl, ob, vcl, NEC NEC 109 A 12 hpschd)/Stravinsky: Fanfare (2 tpts)/Brant, Henry: Angels & Devils - cond.J.Heiss S 11 Balasanyan: 2 Sonatinas for Pno, Armenian Songs - Alumian pno S MELODIYA C10 6043 A 12 12 Banfield: Lord Byron's Love Letter - A.Varnay, Ribla, Carlin, cond.Rescigno RCA LM(AU) 2258 A– 10 (autographed by the author) 13 Barbaud: French Gagaku (Strasbourg RSO, cond.Albin); Mu Joken/ A.Tamba:
    [Show full text]