UCE-FCSH-LOZA ERIKA-VERA MARIA.Pdf

Total Page:16

File Type:pdf, Size:1020Kb

UCE-FCSH-LOZA ERIKA-VERA MARIA.Pdf UNIVERSIDAD CENTRAL DEL ECUADOR FACULTAD DE CIENCIAS SOCIALES Y HUMANAS CARRERA DE POLÍTICA Tecnopolítica y K-pop: un ejemplo de articulación entre fandoms y activismo. Estudio de caso de la participación de “ARMY” en las protestas en Estados Unidos en junio 2020 por el movimiento Black Lives Matter Trabajo de titulación (modalidad proyecto de investigación) previo a la obtención del Título de Licenciadas en Política AUTORAS: Loza Alvarado Erika Salomé Vera Vaca María Mercedes TUTOR: M. Sc. Alexander Amezquita Ochoa Quito, 2021 i DERECHOS DE AUTOR Nosotras, Erika Salomé Loza Alvarado y María Mercedes Vera Vaca en calidad de autoras y titulares de los derechos morales y patrimoniales del trabajo de investigación TECNOPOLÍTICA Y K-POP: UN EJEMPLO DE ARTICULACIÓN ENTRE FANDOMS Y ACTIVISMO. ESTUDIO DE CASO DE LA PARTICIPACIÓN DE “ARMY” EN LAS PROTESTAS EN ESTADOS UNIDOS EN JUNIO 2020 POR EL MOVIMIENTO BLACK LIVES MATTER, modalidad de Proyecto de Investigación, de conformidad con del Art. 114 del CÓDIGO ORGÁNICO DE LA ECONOMÍA SOCIAL DE LOS CONOCIMIENTOS, CREATIVIDAD E INNOVACIÓN, concedemos a favor de la Universidad Central del Ecuador una licencia gratuita, intransferible y no exclusiva para el uso no comercial de la obra, con fines estrictamente académicos. Conservamos a nuestro favor todos los derechos de autor sobre la obra, establecidos en la normativa citada. Así mismo, autorizamos a la Universidad Central del Ecuador para que realice la digitalización y publicación de este trabajo de investigación en el repositorio virtual, de conformidad a lo dispuesto en el Art. 144 de la Ley Orgánica de Educación Superior. Los autores declaran que la obra objeto de la presente autorización es original en su forma de expresión y no infringe el derecho de autor de terceros, asumiendo la responsabilidad por cualquier reclamación que pudiera presentarse por esta causa y liberando a la Universidad de toda responsabilidad. Firma: Erika Salomé Loza Alvarado CI. 1720435633 Correo: [email protected] María Mercedes Vera Vaca CI. 1717349169 Correo: [email protected] ii APROBACIÓN DEL TUTOR Por medio de esta comunicación, me permito informar que el plan de proyecto relacionado a continuación: Título: Tecnopolítica y K-pop: un ejemplo de articulación entre fandoms y activismo. Estudio de caso de la participación de “ARMY” en las protestas en Estados Unidos en junio 2020 por el movimiento Black Lives Matter. Autor/es: Erika Salomé Loza Alvarado Y María Mercedes Vera Vaca. Cumple excepcionalmente los requerimientos de un trabajo de titulación para la carrera de Política, por lo que en mi rol como director de tesis la considero APROBADA y solicito que se proceda al proceso de revisión mediante la asignación de lectores. Como parte de esta revisión quisiera resaltar algunos aspectos. En primer lugar, un elemento crítico de este trabajo es que constituye el primer ejemplo del cumplimiento por parte de las carreras de sociología y política, de la normativa que permite y efectiviza la posibilidad de realizar proyectos de grado por más de un estudiante, en este caso de la misma carrera. Como tutor de este proyecto, me he enfrentado, y posiblemente aún no tengo una respuesta compleja y abarcativa, a la experiencia de la dirección de una tesis realizada por dos estudiantes. Surgen interrogantes acerca de cuáles deberían ser los criterios, las diferencias e incluso los justificativos de la evaluación de una tesis de esta característica. Reiterando que no tengo una respuesta abarcativa, me permito de todas formas adelantar o ensayar algunas reflexiones pertinentes. 1. Ante la inquietud relacionada con ¿qué se le exige a una tesis realizada por más de un estudiante? Considero que no se puede determinar un criterio empírico o positivo válido. No tiene sentido o fundamento aplicar un criterio en relación a la extensión, por ejemplo, pues no se trata de una adición y ni siquiera de una intersección. Cuando se reflexiona en términos del trabajo académico, los artículos o manuscritos enviados para revisión, cumplen las mismas exigencias de extensión ya sean realizados por un único investigador o lo sean en coautoría con uno o más investigadores. De la misma forma, no hay exigencias positivas a artículos o manuscritos que diferencien según el número de autores, pues el criterio de la ciencia y de las ciencias sociales en particular, el postulado del escepticismo organizado, evalúa el contenido de un argumento, investigación o avance, y no criterios como la cantidad de autores. E incluso en enfoques multidisciplinarios, que no es el caso de esta tesis de pregrado en particular, más que la cantidad se analiza el carácter y la diferenciación en la discusión, sin importar quién o en qué medida construyó dicha discusión. Por todo lo anterior, considero que una tesis realizada entre dos personas, debe evaluarse en primer lugar en su contenido, independientemente de la cantidad de autores, y resaltar en ella el modo en que se demuestran las destrezas, habilidades y reflexiones iii características y requeridas por el ejercicio profesional y académico de la disciplina en la que se produce. 2. Como director, en mi rol de tutoría y discusión, he podido atestiguar el aporte diferencial e identificable por mí, de cada una de las autoras en sus distintas reflexiones, sistematizaciones y análisis. Puedo identificar en el texto, luego de la revisión, cómo las discusiones que tuve con cada una de ellas se reflejan en el resultado final, y puedo así mismo validar el trabajo de cada una, la forma en la que en nuestros encuentros se evidenciaba el aporte, el trabajo y las responsabilidades compartidas, así como, finalmente incluso los componentes metodológicos y de escritura de cada una de las autoras. Pero no así es posible identificar tales aportes diferenciados en el texto final. En este sentido, es una enorme responsabilidad del tutor o director no solo asegurarse del trabajo colaborativo y del aporte de cada autor, sino validarlo mediante su aprobación, pues para los lectores el mismo no va a ser evidente. 3. Por lo anterior, creo que, como primera experiencia, sería importante dar seguimiento a la lectura, acompañándola de la especificación de criterios similares e incluso igual que aquellos aplicados a las tesis de un solo autor, pues se corre el riesgo de injusticia en caso de esperar criterios o evidencias objetivas, positivas y empíricas acerca del aporte de cada autor. Agradeciendo de antemano su atención, En la ciudad de Quito, el día 26 de mayo de 2021. Se suscribe ALEXANDER AMEZQUITA OCHOA DOCENTE TITULAR CARRERA DE SOCIOLOGÍA FACULTAD DE CIENCIAS SOCIALES Y HUMANAS UNIVERSIDAD CENTRAL DEL ECUADOR [email protected] iv APROBACIÓN DEL TRIBUNAL El tribunal asignado se detalla a continuación: Director de Carrera Ph.D. Adrián López Andrade Lector 1 Odalis Natasha Sandoval Vega Lector 2 Santiago Paúl Yépez Suárez v DEDICATORIAS Marie Le dedico mi esfuerzo y pasión reflejada en este trabajo a mis dos corazones, mi madre que ha sido mi guía y a quien le debo lo que soy. Y a mi padre que su recuerdo me motiva a seguir luchando por lo que creo y siento. Salo A mi familia, por ser siempre mi apoyo incondicional. Espero este sea un logro de muchos más. vi AGRADECIMIENTOS Marie En principio quiero agradecer el apoyo incondicional de mi compañera de trabajo Salomé y nuestros esfuerzos por realizar este trabajo. Agradezco a mi madre y a mi hermano por sus incontables ánimos a nosotras para realizar nuestra investigación. Gracias a T.R y Ch. por acompañarme en las madrugadas en las que nos quedábamos trabajando. Gracias a ARMY. Y gracias a BTS porque encontré la galaxia dentro de mí y porque “no es por estas estrellas o luces, sino por nosotros”. Salo Gracias mamá, por ayudarme en todo, incluso con aquello que desconoces, pero aprendes por mí. Marie, te agradezco por siempre escuchar, confiar y apoyarme con todas las ideas que se me puedan ocurrir. Gracias a quienes fueron parte de este estudio y a quienes inspiraron el mismo, dejan en mí un ejemplo invaluable. vii ÍNDICE DE CONTENIDOS DERECHOS DE AUTOR ................................................................................................ ii APROBACIÓN DEL TUTOR ........................................................................................ iii DEDICATORIAS ............................................................................................................ vi AGRADECIMIENTOS .................................................................................................. vii ÍNDICE DE CONTENIDOS ......................................................................................... viii LISTA DE TABLAS ........................................................................................................ x LISTA DE ANEXOS ...................................................................................................... xi RESUMEN ..................................................................................................................... xii ABSTRACT .................................................................................................................. xiii INTRODUCCIÓN ............................................................................................................ 1 CAPITULO 1 – Sobre la propuesta .................................................................................. 4 Planteamiento del Problema ......................................................................................... 4 Justificación .................................................................................................................
Recommended publications
  • Construction of Hong-Dae Cultural District : Cultural Place, Cultural Policy and Cultural Politics
    Universität Bielefeld Fakultät für Soziologie Construction of Hong-dae Cultural District : Cultural Place, Cultural Policy and Cultural Politics Dissertation Zur Erlangung eines Doktorgrades der Philosophie an der Fakultät für Soziologie der Universität Bielefeld Mihye Cho 1. Gutachterin: Prof. Dr. Joanna Pfaff-Czarnecka 2. Gutachter: Prof. Dr. Jörg Bergmann Bielefeld Juli 2007 ii Contents Chapter 1 Introduction 1 1.1 Research Questions 4 1.2 Theoretical and Analytical Concepts of Research 9 1.3 Research Strategies 13 1.3.1 Research Phase 13 1.3.2 Data Collection Methods 14 1.3.3 Data Analysis 19 1.4 Structure of Research 22 Chapter 2 ‘Hong-dae Culture’ and Ambiguous Meanings of ‘the Cultural’ 23 2.1 Hong-dae Scene as Hong-dae Culture 25 2.2 Top 5 Sites as Representation of Hong-dae Culture 36 2.2.1 Site 1: Dance Clubs 37 2.2.2 Site 2: Live Clubs 47 2.2.3 Site 3: Street Hawkers 52 2.2.4 Site 4: Streets of Style 57 2.2.5 Site 5: Cafés and Restaurants 61 2.2.6 Creation of Hong-dae Culture through Discourse and Performance 65 2.3 Dualistic Approach of Authorities towards Hong-dae Culture 67 2.4 Concluding Remarks 75 Chapter 3 ‘Cultural District’ as a Transitional Cultural Policy in Paradigm Shift 76 3.1 Dispute over Cultural District in Hong-dae area 77 3.2 A Paradigm Shift in Korean Cultural Policy: from Preserving Culture to 79 Creating ‘the Cultural’ 3.3 Cultural District as a Transitional Cultural Policy 88 3.3.1 Terms and Objectives of Cultural District 88 3.3.2 Problematic Issues of Cultural District 93 3.4 Concluding Remarks 96 Chapter
    [Show full text]
  • D2492609215cd311123628ab69
    Acknowledgements Publisher AN Cheongsook, Chairperson of KOFIC 206-46, Cheongnyangni-dong, Dongdaemun-gu. Seoul, Korea (130-010) Editor in Chief Daniel D. H. PARK, Director of International Promotion Department Editors KIM YeonSoo, Hyun-chang JUNG English Translators KIM YeonSoo, Darcy PAQUET Collaborators HUH Kyoung, KANG Byeong-woon, Darcy PAQUET Contributing Writer MOON Seok Cover and Book Design Design KongKam Film image and still photographs are provided by directors, producers, production & sales companies, JIFF (Jeonju International Film Festival), GIFF (Gwangju International Film Festival) and KIFV (The Association of Korean Independent Film & Video). Korean Film Council (KOFIC), December 2005 Korean Cinema 2005 Contents Foreword 04 A Review of Korean Cinema in 2005 06 Korean Film Council 12 Feature Films 20 Fiction 22 Animation 218 Documentary 224 Feature / Middle Length 226 Short 248 Short Films 258 Fiction 260 Animation 320 Films in Production 356 Appendix 386 Statistics 388 Index of 2005 Films 402 Addresses 412 Foreword The year 2005 saw the continued solid and sound prosperity of Korean films, both in terms of the domestic and international arenas, as well as industrial and artistic aspects. As of November, the market share for Korean films in the domestic market stood at 55 percent, which indicates that the yearly market share of Korean films will be over 50 percent for the third year in a row. In the international arena as well, Korean films were invited to major international film festivals including Cannes, Berlin, Venice, Locarno, and San Sebastian and received a warm reception from critics and audiences. It is often said that the current prosperity of Korean cinema is due to the strong commitment and policies introduced by the KIM Dae-joong government in 1999 to promote Korean films.
    [Show full text]
  • The K-Pop Wave: an Economic Analysis
    The K-pop Wave: An Economic Analysis Patrick A. Messerlin1 Wonkyu Shin2 (new revision October 6, 2013) ABSTRACT This paper first shows the key role of the Korean entertainment firms in the K-pop wave: they have found the right niche in which to operate— the ‘dance-intensive’ segment—and worked out a very innovative mix of old and new technologies for developing the Korean comparative advantages in this segment. Secondly, the paper focuses on the most significant features of the Korean market which have contributed to the K-pop success in the world: the relative smallness of this market, its high level of competition, its lower prices than in any other large developed country, and its innovative ways to cope with intellectual property rights issues. Thirdly, the paper discusses the many ways the K-pop wave could ensure its sustainability, in particular by developing and channeling the huge pool of skills and resources of the current K- pop stars to new entertainment and art activities. Last but not least, the paper addresses the key issue of the ‘Koreanness’ of the K-pop wave: does K-pop send some deep messages from and about Korea to the world? It argues that it does. Keywords: Entertainment; Comparative advantages; Services; Trade in services; Internet; Digital music; Technologies; Intellectual Property Rights; Culture; Koreanness. JEL classification: L82, O33, O34, Z1 Acknowledgements: We thank Dukgeun Ahn, Jinwoo Choi, Keun Lee, Walter G. Park and the participants to the seminars at the Graduate School of International Studies of Seoul National University, Hanyang University and STEPI (Science and Technology Policy Institute).
    [Show full text]
  • Conceptually Androgynous
    Umeå Center for Gender Studies Conceptually androgynous The production and commodification of gender in Korean pop music Petter Almqvist-Ingersoll Master Thesis in Gender Studies Spring 2019 Thesis supervisor: Johanna Overud, Ph. D. ABSTRACT Stemming from a recent surge in articles related to Korean masculinities, and based in a feminist and queer Marxist theoretical framework, this paper asks how gender, with a specific focus on what is referred to as soft masculinity, is constructed through K-pop performances, as well as what power structures are in play. By reading studies on pan-Asian masculinities and gender performativity - taking into account such factors as talnori and kkonminam, and investigating conceptual terms flower boy, aegyo, and girl crush - it forms a baseline for a qualitative research project. By conducting qualitative interviews with Swedish K-pop fans and performing semiotic analysis of K-pop music videos, the thesis finds that although K-pop masculinities are perceived as feminine to a foreign audience, they are still heavily rooted in a heteronormative framework. Furthermore, in investigating the production of gender performativity in K-pop, it finds that neoliberal commercialism holds an assertive grip over these productions and are thus able to dictate ‘conceptualizations’ of gender and project identities that are specifically tailored to attract certain audiences. Lastly, the study shows that these practices are sold under an umbrella of ‘loyalty’ in which fans are incentivized to consume in order to show support for their idols – in which the concept of desire plays a significant role. Keywords: Gender, masculinity, commercialism, queer, Marxism Contents Acknowledgments ................................................................................................................................... 1 INTRODUCTION .................................................................................................................................
    [Show full text]
  • Telecommunications Policy: an Evaluation of 40 Years' Research History
    A Service of Leibniz-Informationszentrum econstor Wirtschaft Leibniz Information Centre Make Your Publications Visible. zbw for Economics Kwon, Youngsun; Kwon, Joungwon Conference Paper Telecommunications Policy: An evaluation of 40 years' research history 28th European Regional Conference of the International Telecommunications Society (ITS): "Competition and Regulation in the Information Age", Passau, Germany, 30th July - 2nd August, 2017 Provided in Cooperation with: International Telecommunications Society (ITS) Suggested Citation: Kwon, Youngsun; Kwon, Joungwon (2017) : Telecommunications Policy: An evaluation of 40 years' research history, 28th European Regional Conference of the International Telecommunications Society (ITS): "Competition and Regulation in the Information Age", Passau, Germany, 30th July - 2nd August, 2017, International Telecommunications Society (ITS), Calgary This Version is available at: http://hdl.handle.net/10419/169475 Standard-Nutzungsbedingungen: Terms of use: Die Dokumente auf EconStor dürfen zu eigenen wissenschaftlichen Documents in EconStor may be saved and copied for your Zwecken und zum Privatgebrauch gespeichert und kopiert werden. personal and scholarly purposes. Sie dürfen die Dokumente nicht für öffentliche oder kommerzielle You are not to copy documents for public or commercial Zwecke vervielfältigen, öffentlich ausstellen, öffentlich zugänglich purposes, to exhibit the documents publicly, to make them machen, vertreiben oder anderweitig nutzen. publicly available on the internet, or to distribute or otherwise use the documents in public. Sofern die Verfasser die Dokumente unter Open-Content-Lizenzen (insbesondere CC-Lizenzen) zur Verfügung gestellt haben sollten, If the documents have been made available under an Open gelten abweichend von diesen Nutzungsbedingungen die in der dort Content Licence (especially Creative Commons Licences), you genannten Lizenz gewährten Nutzungsrechte. may exercise further usage rights as specified in the indicated licence.
    [Show full text]
  • An Analysis of the Korean Pop Industry, Seven-Year Statute, and Talent Agencies Act of California
    UCLA UCLA Entertainment Law Review Title Discovering the Full Potential of the 360 Deal: An Analysis of the Korean Pop Industry, Seven-Year Statute, and Talent Agencies Act of California Permalink https://escholarship.org/uc/item/88z2z7wm Journal UCLA Entertainment Law Review, 20(2) ISSN 1073-2896 Author Tsai, Patricia Publication Date 2013 DOI 10.5070/LR8202027172 Peer reviewed eScholarship.org Powered by the California Digital Library University of California Discovering the Full Potential of the 360 Deal: An Analysis of the Korean Pop Industry, Seven-Year Statute, and Tal- ent Agencies Act of California Patricia Tsai* The 360 deal has been an attractive option for music labels in the United States to gain traction in the faltering music industry, but po- tential legal obstacles may hinder the incentive to enter into the deals both for the label andfor the artist. Labels entering into 360 deals may find themselves liablefor violating the Seven-Year Statute or the Talent Agencies Act (TAA). With 360 agreements becoming more popular, labels should turn to an existing music industry that has dealt with the potentiallegal problems of 360 dealsfor years. The Korean pop industry, commonly called "K-pop, " has taken advantage of a 360-deal-like model for many years, and as a conse- quence, many Korean labels have experienced the potential legal prob- lems that American labels may face. Particularly,the legal problems faced by S.M Entertainment, a talent agency and music label giant in South Korea, as a result of their contract with TVXQ, a popular and hugely successful boy band,reveal exactly the type ofpotential liability faced by American music labels.
    [Show full text]
  • Final Program
    Connecting the World to Stroke Science Final Program Education. Inspiration. Illumination. 7:00 AM 8:00 AM 9:00 AM 10:00 AM 11:00 AM 12:00 PM 1:00 PM 2:00 PM 3:00 PM 4:00 PM 5:00 PM 6:00 PM SCHEDULE-AT-A-GLANCE State-of-the-Science Stroke Nursing Symposium Pre-Conference Symposium I: Stroke in the Real World: To Infinity and Beyond: Endovascular Therapy and Systems of Care Pre-Con II: The Nuts and Bolts of TUES • FEB. 16 Pre-clinical Behavioral Testing in Animals International Stroke Conference 2016 Symposia VCI Mini-Symposium VCI Mini-Symposium Vascular Cognitive VCI Mini-Symposium Assessment of Cognition in Designing the Next Impairment Oral Abstracts Clinical Dilemmas in Stroke Units Generation Vascular Cognitive of Rehabilitation Clinical Debate Impairment Symposia Trials One, Two, Three Steps PLENARY SESSION I Improving Reperfusion New Insights and toward Cell Therapy for Symposia Therapy in the Era of Therapeutic Targeting of Stroke, and in the Future AHA’s CEO Welcome Stroke Genetics: Influence Endovascular Treatment on Clinical Practice PROFESSOR-LED the Blood Brain Barrier in (Debate) AHA Presidential The Nuts and Bolts of Ischemic Stroke Towards Definitive Medical Organizing a Telestroke POSTER TOUR Symposia Address Therapies for Intracerebral Take It to the Limit: Perioperative Stroke Network SESSIONS Cutting-edge Applications ISC Program Chair’s Hemorrhage Selecting Ischemic Welcome Surgical Interventions in (60 MINS) of Technology Oral Abstracts Intracerebral Hemorrhage in the Management of Stroke Patients for Acute WED •
    [Show full text]
  • SECRETS from SESAME STREET's PIONEERS: How They Produced a Successful Television Series
    Sesame Street is on its 45th year: Let's discover the secret to its success. SECRETS FROM SESAME STREET'S PIONEERS: How They Produced a Successful Television Series by Dr. Lucille Burbank Order the complete book from the publisher Booklocker.com http://www.booklocker.com/p/books/7157.html?s=pdf or from your favorite neighborhood or online bookstore. Copyright © 2013 - 2018 Dr. Lucille Burbank ISBN 978-1-62646-402-5 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, recording or otherwise, without the prior written permission of the author. Published by BookLocker.com, Inc., St. Petersburg, Florida. Printed on acid-free paper. BookLocker.com, Inc. 2018 Second Edition Cataloging Data: Names: Burbank, Lucille, Dr. Title: Secrets from Sesame Street’s pioneers : how they produced a successful television series / Dr. Lucille Burbank. Description: Second edition. / Bradenton, Florida : BookLocker . com, Inc. , 2013. / Includes bibliographical references and index. Identifiers : ISBN 978-1-62646-402-5 Subjects : LCSH : Sesame Street (Television program) --Production and direction. / Children’s television programs--Production and direction. / Television producers and directors . / Jim Henson’s Sesame Street Muppets. Classification : LCC PN1992 . 77 . S47 B87 2013 / DDC 791. 4572--dc23 ii Contents Prologue .............................................................................................. xi Introduction .........................................................................................
    [Show full text]
  • Jamsphere Indie Music Magazine February 2016
    We Make Indie Irresistible ! JAMSPHERE FEBRUARY 2016 ISSUE The Music Magazine Michael Blu Spanning from acoustic instrumentations to dramatic, adrenalin-rushing funky pieces and rockier tunes, Michael Blu has one common concept in mind – and that’s sublime quality. Artist of the Month - Brandon Jeffries Jamsphere Magazine − 2 contents FEBRUARY 2016 04 MODELS + ARCHITECTS Lush vocal lines and complimentary keyboard quirks. 06 KATRELL THE PHENOMENAL Katrell The Phenomenal is back with “Bea’s Lude II”, 08 AYK & OJ THE CHEMIST AYK & OJ The Chemist is groundbreaking and classic all at the same time. 14 10 SUITS BOULEVARD the pardos The major thing about Suits Boulevard is that you cannot take their music at face value. 12 BEN KNIGHTEN Ben Knighten’s folksy-pop style is head and heart poetry. 20 COVER FEATURE - MICHAEL BLU His music is continually morphing and adapting to the times. 24 BIG HIT “Charlie’s Vacation” featuring Jelani Kwesi. 26 A. ARMSTRONG 16 No fake bravado, no filler tracks, just straight up hip-hop. weston simonis 28 LEFT IN THE DARK A 4 piece alternative-rock and metal band from the Dayton Ohio area. 30 J METRO J Metro has opened Faith Evans, Brian McKnight, John B, Mary J. Blige, Maurice Star, Allen Stone and Bruno Mars 32 DUNCAN BURNETT “Soulcially Conscious” finds Duncan in a morosely reflective mood. 34 KENZANI Kedar Santwani aka Kenzani is a big room house & electro house DJ and music producer. 18 36 MEL SOUND Tommy Shafer Mel Sound is a house music producer located near Washington D.C. Jamsphere Magazine − 3 jamsphere PUBLISHER Rick Jamm [email protected] ART DIRECTOR Jeena Johnson EDITOR-IN-CHIEF Robbie Domenico Tocchi SENIOR EDITOR Peter Burns CONTRIBUTING WRITERS EDITOR-IN-CHIEF Robbie D.
    [Show full text]
  • Stream Media Corporation / 4772
    Stream Media Corporation / 4772 COVERAGE INITIATED ON: 2021.07.20 LAST UPDATE: 2021.07.20 Shared Research Inc. has produced this report by request from the company discussed in the report. The aim is to provide an “owner’s manual” to investors. We at Shared Research Inc. make every effort to provide an accurate, objective, and neutral analysis. In order to highlight any biases, we clearly attribute our data and findings. We will always present opinions from company management as such. Our views are ours where stated. We do not try to convince or influence, only inform. We appreciate your suggestions and feedback. Write to us at [email protected] or find us on Bloomberg. Research Coverage Report by Shared Research Inc. Stream Media Corporation/ 4772 RCoverage LAST UPDATE: 2021.07.20 Research Coverage Report by Shared Research Inc. | https://sharedresearch.jp INDEX How to read a Shared Research report: This report begins with the trends and outlook section, which discusses the company’s most recent earnings. First-time readers should start at the business section later in the report. Executive summary ----------------------------------------------------------------------------------------------------------------------------------- 3 Key financial data ------------------------------------------------------------------------------------------------------------------------------------- 5 Recent updates ----------------------------------------------------------------------------------------------------------------------------------------
    [Show full text]
  • A Hybrid AMOLED Driver IC for Real-Time TFT Nonuniformity Compensation
    This article has been accepted for inclusion in a future issue of this journal. Content is final as presented, with the exception of pagination. IEEE JOURNAL OF SOLID-STATE CIRCUITS 1 A Hybrid AMOLED Driver IC for Real-Time TFT Nonuniformity Compensation Jun-Suk Bang, Hyun-Sik Kim, Member, IEEE, Ki-Duk Kim, Student Member, IEEE, Oh-Jo Kwon, Choong-Sun Shin, Joohyung Lee, and Gyu-Hyeong Cho, Fellow, IEEE Abstract—An active matrix organic light emitting diode Fig. 1 shows an AMOLED display system including col- (AMOLED) display driver IC, enabling real-time thin-film tran- umn driver ICs [6]–[8], [10], [11] and pixel circuits [3], [5]. sistor (TFT) nonuniformity compensation, is presented with a The AMOLED display-driving systems have been developed hybrid driving method to satisfy fast driving speed, high TFT current accuracy, and a high aperture ratio. The proposed in terms of three important aspects as follows. hybrid column-driver IC drives a mobile UHD (3840 × 2160) 1) High driving speed: As resolution and panel size increase, AMOLED panel, with one horizontal time of 7.7 µsatascan a one-horizontal (1 H) time for the driver to program frequency of 60 Hz, simultaneously senses the TFT current for data voltages (VDATA) into pixels in a row is continuously back-end TFT variation compensation. Due to external compen- reduced, which means that the driver must have a fast sation, a simple 3T1C pixel circuit is employed in each pixel. Accurate current sensing and high panel noise immunity is guar- driving speed. anteed by a proposed current-sensing circuit.
    [Show full text]
  • Understanding the Molecular Strategies of Campylobacter Jejuni for Survival in Amoeba and Chicken
    University of Arkansas, Fayetteville ScholarWorks@UARK Theses and Dissertations 1-2019 Understanding the Molecular Strategies of Campylobacter jejuni for Survival in Amoeba and Chicken. Deepti Pranay Samarth University of Arkansas, Fayetteville Follow this and additional works at: https://scholarworks.uark.edu/etd Part of the Food Microbiology Commons, Food Processing Commons, and the Pathogenic Microbiology Commons Recommended Citation Samarth, Deepti Pranay, "Understanding the Molecular Strategies of Campylobacter jejuni for Survival in Amoeba and Chicken." (2019). Theses and Dissertations. 3302. https://scholarworks.uark.edu/etd/3302 This Dissertation is brought to you for free and open access by ScholarWorks@UARK. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of ScholarWorks@UARK. For more information, please contact [email protected]. Understanding the Molecular Strategies of Campylobacter jejuni for Survival in Amoeba and Chicken. A dissertation submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy in Poultry Science by Deepti Pranay Samarth Guru Ghasidas University Bachelor of Science, 2005 RTM Nagpur University Master of Science in Microbiology, 2007 August 2019 University of Arkansas This dissertation is approved for recommendation to the Graduate Council. ___________________________________ Young Min Kwon Ph.D. Dissertation Director ___________________________________ ________________________________ Steven C. Ricke, Ph.D. Billy M. Hargis, Ph.D. Committee Member Committee Member ___________________________________ Ravi D. Barabote, Ph.D. Committee Member Abstract Campylobacter jejuni endure to be major cause of gastroenteritis in humans worldwide. C. jejuni is fastidious in laboratory setup but can cause waterborne infection through contaminated water where none of these fastidious conditions are met. This dissertation presents an assortment of studies focused in reviewing three major factors which could present a helping hand to C.
    [Show full text]