DOCSLIB.ORG

Breaking Bad | Dialogue Transcript | S4:E2

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Breaking Bad | Dialogue Transcript | S4:E2 CREATED BY Vince Gilligan EPISODE 4.02 “Thirty-Eight Snub” While Walt prepares his defense against Gus, Jesse copes with the pressure by renewing his friendship with Badger and Skinny Pete. WRITTEN BY: George Mastras DIRECTED BY: Michelle MacLaren ORIGINAL BROADCAST: July 24, 2011 NOTE: This is a transcription of the spoken dialogue and audio, with time-code reference, provided without cost by 8FLiX.com for your entertainment, convenience, and study. This version may not be exactly as written in the original script; however, the intellectual property is still reserved by the original source and may be subject to copyright. MAIN EPISODE CAST Bryan Cranston ... Walter White Anna Gunn ... Skyler White Aaron Paul ... Jesse Pinkman Dean Norris ... Hank Schrader Betsy Brandt ... Marie Schrader RJ Mitte ... Walter White, Jr. Bob Odenkirk ... Saul Goodman Giancarlo Esposito ... Gustavo 'Gus' Fring (voice) Jonathan Banks ... Mike Ehrmantraut Jim Beaver ... Lawson Matt Jones ... Badger Emily Rios ... Andrea Cantillo Charles Baker ... Skinny Pete Marius Stan ... Bogdan Wolynetz Ray Campbell ... Tyrus Kitt Tank Jones ... Chuck Ian Posada ... Brock Cantillo John Christopher Hicks ... Biker Jefferson Arca ... Delivery Man Sarah Minnich ... Party Girl David Robinson Jr. ... Commercial Voice Over (voice) 1 00:00:04,588 --> 00:00:08,634 So how's it look? 2 00:00:09,343 --> 00:00:11,970 Meaning, do I see it? 3 00:00:12,763 --> 00:00:14,348 Yes. 4 00:00:15,474 --> 00:00:17,059 Do you see it? 5 00:00:20,187 --> 00:00:24,483 Basically, any lawman worth his salt is gonna spot that, yeah. 6 00:00:25,442 --> 00:00:27,486 Assuming that's a deal breaker? 7 00:00:27,653 --> 00:00:30,405 Yes, it's a deal breaker. 8 00:00:31,823 --> 00:00:37,120 Well, if stealth is what you're aspiring to... 9 00:00:37,287 --> 00:00:41,792 ...you best go with something more compact. 10 00:00:42,167 --> 00:00:43,710 Thirty-eight Special. 11 00:00:43,877 --> 00:00:44,920 Snub nose. 12 00:00:45,087 --> 00:00:46,755 Got a concealed hammer... 13 00:00:46,922 --> 00:00:49,591 ...so it don't catch on your belt 8FLiX.com TRANSCRIPTS DATABASE FOR EDUCATIONAL USE ONLY when you draw. 14 00:00:49,758 --> 00:00:52,886 Tried and true. No nonsense about it. 15 00:00:55,305 --> 00:00:56,723 -Five shots. -Yeah. 16 00:00:56,890 --> 00:00:58,725 Automatic has how many? 17 00:00:58,892 --> 00:01:01,103 Ten in the mag, one in the chamber. 18 00:01:01,270 --> 00:01:04,648 If you can't get it done with five, you're into spray and pray... 19 00:01:04,815 --> 00:01:08,860 ...in which case, I wouldn't count on another six closing the deal. 20 00:01:09,444 --> 00:01:11,863 You load that with 158-grain hollow points... 21 00:01:12,030 --> 00:01:15,993 ...instead of standard wadcutters, it's got plenty of stopping power. 22 00:01:17,369 --> 00:01:19,705 Can't get more dependable than a wheel gun. 23 00:01:24,751 --> 00:01:26,085 Try it on with this. 24 00:01:29,339 --> 00:01:34,011 That snubbie will conceal up real nice if you carry it IWB. 8FLiX.com TRANSCRIPTS DATABASE FOR EDUCATIONAL USE ONLY 25 00:01:34,177 --> 00:01:37,264 Little harder to draw from, but there's no substitute... 26 00:01:37,431 --> 00:01:40,267 ...if you're intent on fooling a vigilant eye. 27 00:01:41,393 --> 00:01:43,020 Comes in polymer too. 28 00:01:43,186 --> 00:01:45,731 I prefer the feel of leather. 29 00:01:45,897 --> 00:01:48,400 Old school, I guess. 30 00:01:51,194 --> 00:01:53,655 Sure it's on the correct side? 31 00:01:53,822 --> 00:01:55,616 If you're right-handed, it is. 32 00:01:55,907 --> 00:01:58,201 I don't know, ma-- Are you sure? 33 00:01:58,368 --> 00:02:01,163 Maybe it'll feel better on the left side. 34 00:02:01,413 --> 00:02:03,749 General rule, you don't wanna cross-draw. 35 00:02:03,915 --> 00:02:06,251 Not unless you're gonna be sitting. 36 00:02:06,418 --> 00:02:10,047 You know, store clerks, card gamers and such. 37 8FLiX.com TRANSCRIPTS DATABASE FOR EDUCATIONAL USE ONLY 00:02:18,513 --> 00:02:23,143 Either way, you're gonna wanna practice your draw. A lot. 38 00:02:23,310 --> 00:02:25,562 Because if you're all fingers... 39 00:02:25,729 --> 00:02:29,232 ...well, it might could be him keeping the peace instead of you. 40 00:02:29,399 --> 00:02:31,026 Catch my drift? 41 00:02:34,112 --> 00:02:35,781 What's this? 42 00:02:36,365 --> 00:02:38,825 That is why you're gonna pay me five times... 43 00:02:38,992 --> 00:02:41,745 ...what you'd pay your neighborhood gun store. 44 00:02:43,622 --> 00:02:46,458 Serial number's been filed off. 45 00:02:48,085 --> 00:02:51,505 So to state the obvious... 46 00:02:51,672 --> 00:02:54,591 ...I don't wanna be caught with this on me. 47 00:02:55,092 --> 00:02:57,176 No. To state the obvious, you don't. 48 00:02:58,345 --> 00:03:02,891 You know, mister, I've been providing my services for the past 30-odd years. 49 8FLiX.com TRANSCRIPTS DATABASE FOR EDUCATIONAL USE ONLY 00:03:03,350 --> 00:03:06,520 Think I'd learn better than to ask a man his business... 50 00:03:06,687 --> 00:03:09,106 ...especially not one referred by the lawyer. 51 00:03:09,272 --> 00:03:11,316 But I do feel the urge to ask you... 52 00:03:12,150 --> 00:03:14,903 ...are we strictly talking defense here? 53 00:03:16,029 --> 00:03:18,907 Yes, absolutely. 54 00:03:19,074 --> 00:03:20,117 Defense. 55 00:03:20,283 --> 00:03:21,785 Why? 56 00:03:21,952 --> 00:03:25,747 Because if it's just personal protection... 57 00:03:25,914 --> 00:03:28,667 ...aside from a bucket of money... 58 00:03:28,834 --> 00:03:32,504 ...you'd save yourself a potential felony two-spot... 59 00:03:32,671 --> 00:03:36,967 ...for carrying a weapon with a defaced serial number if you buy it legally. 60 00:03:37,134 --> 00:03:43,014 But if you did have to use it, wouldn't it still be better to use one... 8FLiX.com TRANSCRIPTS DATABASE FOR EDUCATIONAL USE ONLY 61 00:03:43,181 --> 00:03:44,683 ...that couldn't be traced? 62 00:03:44,850 --> 00:03:46,268 This is the West, boss. 63 00:03:46,601 --> 00:03:49,896 New Mexico's not a retreat jurisdiction. 64 00:03:50,063 --> 00:03:52,357 Man steps to you bent on doing you harm... 65 00:03:52,524 --> 00:03:56,528 ...you got every right to plant your feet and shoot to kill. 66 00:03:56,695 --> 00:04:01,450 Some call it a moral right, and I do include myself within that class. 67 00:04:01,908 --> 00:04:06,079 All this to say, I'm happy to take your money. 68 00:04:06,371 --> 00:04:09,583 But if you're not a convicted felon... 69 00:04:10,000 --> 00:04:12,711 ...you might best be advised to bear your arms... 70 00:04:12,878 --> 00:04:15,589 ...within the confines of the law. 71 00:04:21,219 --> 00:04:23,305 It's for defense. 72 00:04:29,770 --> 00:04:31,480 Defense. 8FLiX.com TRANSCRIPTS DATABASE FOR EDUCATIONAL USE ONLY 73 00:04:40,614 --> 00:04:41,990 I'll take it. 74 00:05:35,377 --> 00:05:37,379 Thanks, Bonnie. 75 00:07:17,479 --> 00:07:18,730 Jesse. 76 00:07:18,897 --> 00:07:20,690 What's up, brother? 77 00:07:21,775 --> 00:07:24,361 Dude, sounds like an earthquake out there. 78 00:07:24,986 --> 00:07:26,196 New sound system. 79 00:07:26,696 --> 00:07:29,574 -Check it out. -Bodacious subwoofers, yo. 80 00:07:29,741 --> 00:07:31,326 Serious cannons. 81 00:07:31,493 --> 00:07:33,745 Eighteen-inchers, six of them. 82 00:07:33,912 --> 00:07:37,666 Aluminum cones, so they're really, really, like, sonically neutral. 83 00:07:37,832 --> 00:07:39,209 Tweeters are killer too. 84 00:07:39,376 --> 00:07:42,754 Dig all them lines jumping around. Psychedelic. 85 00:07:45,840 --> 00:07:50,095 8FLiX.com TRANSCRIPTS DATABASE FOR EDUCATIONAL USE ONLY Kind of like just wanna stare at them.
Load more

Recommended publications
  • Breaking Bad | Dialogue Transcript | S2:E5
    CREATED BY Vince Gilligan EPISODE 2.05 “Breakage” Hank tries to pull himself together after his encounter with Tuco. Meanwhile, Jesse assembles a crew to get more product on the street. WRITTEN BY: Moira Walley-Beckett DIRECTED BY: Johan Renck ORIGINAL BROADCAST: April 5, 2009 NOTE: This is a transcription of the spoken dialogue and audio, with time-code reference, provided without cost by 8FLiX.com for your entertainment, convenience, and study. This version may not be exactly as written in the original script; however, the intellectual property is still reserved by the original source and may be subject to copyright. MAIN EPISODE CAST Bryan Cranston ... Walter White Anna Gunn ... Skyler White Aaron Paul ... Jesse Pinkman Dean Norris ... Hank Schrader Betsy Brandt ... Marie Schrader RJ Mitte ... Walter White, Jr. Krysten Ritter ... Jane Margolis Matt Jones ... Badger Steven Michael Quezada ... Steven Gomez Michael Shamus Wiles ... ASAC George Merkert Dale Dickey ... Spooge's Woman David Ury ... Spooge Tom Kiesche ... Clovis Charles Baker ... Skinny Pete Rodney Rush ... Combo David House ... Dr. Delcavoli Judith Rane ... Office Manager Lawrence Varnado ... Agent Buddy 1 00:02:29,149 --> 00:02:31,818 Well, we've come a long way, Walt. 2 00:02:31,985 --> 00:02:33,570 Here at the end of round one... 3 00:02:33,737 --> 00:02:36,031 ...I'm gonna recommend cautious optimism. 4 00:02:36,657 --> 00:02:39,368 We'll check back in two months, see how you've responded... 5 00:02:39,534 --> 00:02:42,412 ...reassess and decide our next move, if any.
    [Show full text]
  • Monachopsis Living in an Americanized, Hispanic Household
    Monachopsis Living in an Americanized, Hispanic household with Mexican heritage, the intersectional ties I face prove difficult to accept. The disconnection with my culture and realization of its subjectivity lead me in an attempt to understand myself. Influential aspects with the preservation and diffusion of my culture inspired my process and mixed media installation of my tree of life. This installation utilizes contrasting positive and negative space (with a limited pallet) while focusing on significant places, people, and moments that shaped my culture. Myself and significant family members have been removed from the photographs, and our family has been mapped on the regional map of the United States and Mexico. Elements of collage, found objects, painting, and pieces of trees are present to construct the tree and a Dìa de los Muertos altar. In this way, I am commemorating my culture and life that has been filled with loss and a sense of being out of place. As my work evolved with time, I reminisced on my life thus far, and I wonder where it is headed. I have discovered the various factors—such as history and society— that dismantle a culture, leaving me to shape my own for future generations. This sculptural installation poses questions about adaptability, assimilation, and the inevitability of cultural change. Elijah C. New Mexico Guero Elijah C. Based on realizations from my life so far, I question the social constructs of race and ethnicity in relation to my cultural identity. For centuries, these concepts have influenced society greatly and stratifying humans based on appearance. With history Hot air balloons from the Balloon Fiesta1 scattered across the warm sunrise over the Sandia Mountains, the cottonwood Bosque running along the murky Rio Grande River and the smell and taste of chile in the majority of meals is what I have grown up with.
    [Show full text]
  • Breaking Bad and Cinematic Television
    temp Breaking Bad and Cinematic Television ANGELO RESTIVO Breaking Bad and Cinematic Television A production of the Console- ing Passions book series Edited by Lynn Spigel Breaking Bad and Cinematic Television ANGELO RESTIVO DUKE UNIVERSITY PRESS Durham and London 2019 © 2019 Duke University Press All rights reserved Printed in the United States of America on acid- free paper ∞ Typeset in Warnock and News Gothic by Tseng Information Systems, Inc. Library of Congress Cataloging-in-Publication Data Names: Restivo, Angelo, [date] author. Title: Breaking bad and cinematic television / Angelo Restivo. Description: Durham : Duke University Press, 2019. | Series: Spin offs : a production of the Console-ing Passions book series | Includes bibliographical references and index. Identifiers: LCCN 2018033898 (print) LCCN 2018043471 (ebook) ISBN 9781478003441 (ebook) ISBN 9781478001935 (hardcover : alk. paper) ISBN 9781478003083 (pbk. : alk. paper) Subjects: LCSH: Breaking bad (Television program : 2008–2013) | Television series— Social aspects—United States. | Television series—United States—History and criticism. | Popular culture—United States—History—21st century. Classification: LCC PN1992.77.B74 (ebook) | LCC PN1992.77.B74 R47 2019 (print) | DDC 791.45/72—dc23 LC record available at https: // lccn.loc.gov/2018033898 Cover art: Breaking Bad, episode 103 (2008). Duke University Press gratefully acknowledges the support of Georgia State University’s College of the Arts, School of Film, Media, and Theatre, and Creative Media Industries Institute, which provided funds toward the publication of this book. Not to mention that most terrible drug—ourselves— which we take in solitude. —WALTER BENJAMIN Contents note to the reader ix acknowledgments xi Introduction 1 1 The Cinematic 25 2 The House 54 3 The Puzzle 81 4 Just Gaming 116 5 Immanence: A Life 137 notes 159 bibliography 171 index 179 Note to the Reader While this is an academic study, I have tried to write the book in such a way that it will be accessible to the generally educated reader.
    [Show full text]
  • Outstanding Casting for a Drama Series
    Outstanding Casting for a Drama Series Episode 511, “Confessions”: Walt, Skylar, Hank & Marie meet to discuss what's next. Trent, just doing his job, interrupts this very tense situation...more than once. Walter White … Bryan Cranston Skyler White … Anna Gunn Hank Schrader … Dean Norris Marie Schrader … Betsey Brandt Trent* … Guy Wilson Episode 515, “Granite State”: The Disappearer returns to Walt at his hideout in New Hampshire to bring him supplies. Walter White … Bryan Cranston The Disappearer* … Robert Forrester Episode 516, “Felina”: Walt returns to Elliott & Gretchen's. Our fan favorites Badger & Skinny Pete are not far behind. Walter White … Bryan Cranston Elliott … Adam Godley Gretchen … Jessica Hecht Badger … Matt Jones Skinny Pete … Charles Baker Lydia & Todd have an unexpected visit from Walt at the weekly coffee shop meeting Walter White … Bryan Cranston Lydia* … Laura Fraser Todd* … Jesse Plemons The shootout between Jack’s gang and Walter’s machine. The final good-bye. Walter White … Bryan Cranston Jesse Pinkman … Aaron Paul Todd* … Jesse Plemons Uncle Jack* … Michael Bowen Kenny* … Kevin Rankin Lester* … Tait Fletcher Jack’s Man* … Matthew T. Metzler Frankie* … Patrick Shane *Cast this season Casting Summary for Production 12-20-2012 BREAKING BAD Artist Episode # Episode Title Role Name Series Stars: BRANDT, BETSY MARIE CRANSTON, BRYAN WALTER WHITE GUNN, ANNA SKYLER WHITE MITTE, RJ WALTER, JR. NORRIS, DEAN HANK ODENKIRK, BOB SAUL GOODMAN PAUL, AARON JESSE Guest Cast: BAKER, CHARLES 509 BLOOD MONEY SKINNY PETE BRUMMETT,
    [Show full text]
  • BREAKING BAD by Vince Gilligan
    BREAKING BAD by Vince Gilligan 5/27/05 AMC Sony Pictures Television TEASER EXT. COW PASTURE - DAY Deep blue sky overhead. Fat, scuddy clouds. Below them, black and white cows graze the rolling hills. This could be one of those California "It's The Cheese" commercials. Except those commercials don't normally focus on cow shit. We do. TILT DOWN to a fat, round PATTY drying olive drab in the sun. Flies buzz. Peaceful and quiet. until ••• ZOOOM! WHEELS plow right through the shit with a SPLAT. NEW ANGLE - AN RV Is speeding smack-dab through the pasture, no road in sight. A bit out of place, to say the least. It's an old 70's era Winnebago with chalky white paint and Bondo spots. A bumper sticker for the Good Sam Club is stuck to the back. The Winnebago galumphs across the landscape, scattering cows. It catches a wheel and sprays a rooster tail of red dirt. INT. WINNEBAGO - DAY Inside, the DRIVER's knuckles cling white to the wheel. He's got the pedal flat. Scared, breathing fast. His eyes bug wide behind the faceplate of his gas mask. Oh, by the way, he's wearing a GAS MASK. That, and white jockey UNDERPANTS. Nothing else. Buckled in the seat beside him lolls a clothed PASSENGER, also wearing a gas mask. Blood streaks down from his ear, blotting his T-shirt. He's passed out cold. Behind them, the interior is a wreck. Beakers and buckets and flasks -- some kind of ad-hoc CHEMICAL LAB -- spill their noxious contents with every bump we hit.
    [Show full text]
  • The Hero As Villain in Contemporary Televised Narratives
    THE ONE WHO KNOCKS: THE HERO AS VILLAIN IN CONTEMPORARY TELEVISED NARRATIVES Maria João Brasão Marques Dissertação de Mestrado em Línguas, Literaturas e Culturas Estudos Ingleses e Norte-Americanos Março de 2016 Dissertação apresentada para cumprimento dos requisitos necessários à obtenção do grau de Mestre em Línguas, Literaturas e Culturas – Estudos Ingleses e Norte-Americanos realizada sob a orientação científica da Professora Doutora Isabel Oliveira Martins. Show me a hero and I will write you a tragedy. F. Scott Fitzgerald AGRADECIMENTOS À minha orientadora, a Professora Doutora Isabel Oliveira Martins, pela confiança e pelo carinho nesta jornada e fora dela, por me fazer amar e odiar os Estados Unidos da América em igual medida (promessa feita no primeiro ano da faculdade), por me ensinar a ser cúmplice de Twain, Fitzgerald, Melville, McCarthy, Whitman, Carver, tantos outros. Agradeço principalmente a sua generosidade maior e uma paixão que contagia. Às Professoras Iolanda Ramos e Teresa Botelho, por encorajarem o meu investimento académico e por me facultarem materiais indispensáveis nesta dissertação, ao mesmo tempo que contribuíram para o meu gosto pela cultura inglesa e norte-americana. À professora Júlia Cardoso, por acreditar nesta demanda comigo e me fazer persistir até chegar a bom porto. Ao Professor João Maria Mendes, para sempre responsável pela minha paixão pelas narrativas, pelos heróis, pelo prazer de contar histórias que se mostram, pelo gosto de construir personagens que falham constantemente e que constantemente se reerguem. Aos meus pais, por me deixarem continuar a estudar. THE ONE WHO KNOCKS: THE HERO AS VILLAIN IN CONTEMPORARY TELEVISED NARRATIVES MARIA JOÃO BRASÃO MARQUES RESUMO PALAVRAS-CHAVE: herói, anti-herói, protagonista, storytelling televisivo, revolução criativa, paradigma do herói, vilão.
    [Show full text]
  • State University of New York at New Paltz Breaking Bad and the Intersection of Critical Theory at Race, Disability, and Gender
    Breaking Bad and the intersection of critical theory at race, disability, and gender Item Type Honor's Project Authors McDonough, Matthew Rights Attribution-NonCommercial-NoDerivatives 4.0 International Download date 01/10/2021 02:24:17 Item License http://creativecommons.org/licenses/by-nc-nd/4.0/ Link to Item http://hdl.handle.net/20.500.12648/1578 State University of New York at New Paltz Breaking Bad and the Intersection of Critical Theory at Race, Disability, and Gender Matthew McDonough Independent Study Honors 495-06 Professor Sarah Wyman 8 December 2020 Thesis Abstract: The television series Breaking Bad (created by Vince Gilligan) is considered by audience and critics alike as one of the greatest television series ever made. It tells the story of the rise and fall of Walter White (Bryan Cranston), a mild-mannered chemistry teacher turned meth kingpin. He turns to a life of crime after having been diagnosed with terminal cancer, and he sees meth manufacturing as the most lucrative way to provide for his family. It has been nearly a decade since the series finale, yet it endures through sequel films, spin-offs, and online streaming. My thesis investigates the series’ staying power, and I would argue that lies in its thematic content. Breaking Bad is not just a straightforward story of one man’s descent into a life of crime, but it is also a mediation on dominant, repressive power structures. The series offers a look at these structures through the lens of race, gender, and disability through the actions of characters and their interactions with one another.
    [Show full text]
  • Write It in INK!, Perform There
    University of South Carolina Scholar Commons February 2015 2-11-2015 The aiD ly Gamecock, Wednesday, February 11, 2015 University of South Carolina, Office oftude S nt Media Follow this and additional works at: https://scholarcommons.sc.edu/gamecock_2015_feb Recommended Citation University of South Carolina, Office of Student Media, "The aiD ly Gamecock, Wednesday, February 11, 2015" (2015). February. 8. https://scholarcommons.sc.edu/gamecock_2015_feb/8 This Newspaper is brought to you by the 2015 at Scholar Commons. It has been accepted for inclusion in February by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. UNIVERSITY OF SOUTH CAROLINA WEDNESDAY, FEBRUARY 11, 2015 VOL. 116, NO. 87 • SINCE 1908 Does SG serve its Head-to-Head purpose? | Page 6 David Roberts @DAVIDJAYROBERTS Thornwell ew teams in the Southeastern Conference have struggled as Fmightily as South Carolina, who beat Missouri 65-60 Tuesday night, has thus far. powers In fact, only Missouri has. The Tigers are dead last in SEC play and are now 0-5 in conference road games after their loss to South Gamecocks Carolina. The Gamecocks are not much better, however, as they sit in second- to-last place in the conference. past Tigers South Carolina had lost six of its last seven games entering Tuesday’s matchup, which caused head coach Frank Martin to challenge members of his team to step into leadership roles. “Leadership is who’s willing to stand up and embrace the moment,” Martin said Monday afternoon before the game. “Who’s willing to stand up in front of their peers and say, ‘Hey, enough of this.
    [Show full text]
  • Trade Secret Protection Gone Rogue the Walter White Case Study by Anthony M
    LOS ANGELES & SAN FRANCISCO www.dailyjournal.com WEDNESDAY, OCTOBER 7, 2020 Trade Secret Protection Gone Rogue The Walter White Case Study By Anthony M. Fares, Randall E. Kay and Cheryl L. O’Connor alter White perfected a recipe for cooking crystal meth that revolutionized the drug trade, and W his fictional efforts to protect his secret recipe gained worldwide attention. White’s enterprise illustrates a number of lessons for companies seeking to protect trade secrets. Under the Defend Trade Secrets grew, he needed help to produce the recipe, he held it close within Pinkman out of business for life. Act, information must meet three enough product to meet demand, his partnership with White. While Fortunately, most companies requirements to earn trade secret so he had to disclose his secret Pinkman taught the recipe to rival have more peaceful solutions to protection: (1) it derives value recipe to three others to assist cartel members, Gus Fring subse- prevent intra-company conflicts from not being generally known; with manufacturing. Businesses quently murdered them, eliminat- about trade secret ownership. (2) others can obtain economic of all types face this same dilem- ing threat of improper disclosure. For example, many businesses value from its disclosure or use; ma of maintaining secrecy while Similarly, White’s disclosure to use invention disclosure agree- and (3) the owner took reason- needing to disclose trade secrets his understudy Gale Boetticher ments, or IDAs, which assign all able measures to keep it secret. to employees or business partners. did not destroy the recipe’s secre- intellectual property created by 18 U.S.C.
    [Show full text]
  • A Monomyth Analysis of Breaking Bad
    Breaking Myths: A monomyth analysis of Breaking Bad. Treball de Fi de Grau Grau d’Estudis d’Anglès i Espanyol Supervised by Jéssica Faciabén Lago Iván Cirilo Ramos 2019-2020 TABLE OF CONTENTS 1. Introduction: a working definition of monomyth .................................................................... 1 2. Methodology ............................................................................................................................ 2 3. The monomyth in Literary Criticism: The Good, the Bad, the Ugly. ......................................... 4 4. Hypothesis and challenges .......................................................................................................... 7 5. Monomyth Archetypes in Breaking Bad .................................................................................... 8 5.1 Heroes ................................................................................................................................ 8 5.2 Shapeshifters .................................................................................................................... 10 5.3Trickster ............................................................................................................................ 12 5.4 Threshold Guardian ......................................................................................................... 13 5.5 Mentors ............................................................................................................................ 14 5.6 Shadows ..........................................................................................................................
    [Show full text]
  • Breaking Bad | Dialogue Transcript | S3:E10
    CREATED BY Vince Gilligan EPISODE 3.10 “Fly” A long, tense night in the meth lab pits Walt and Jesse against a pesky fly that refuses to die, no matter what they do. WRITTEN BY: Sam Catlin | Moira Walley-Beckett DIRECTED BY: Rian Johnson ORIGINAL BROADCAST: May 23, 2010 NOTE: This is a transcription of the spoken dialogue and audio, with time-code reference, provided without cost by 8FLiX.com for your entertainment, convenience, and study. This version may not be exactly as written in the original script; however, the intellectual property is still reserved by the original source and may be subject to copyright. MAIN EPISODE CAST Bryan Cranston ... Walter White Anna Gunn ... Skyler White (voice) Aaron Paul ... Jesse Pinkman Dean Norris ... Hank Schrader (credit only) Betsy Brandt ... Marie Schrader (credit only) RJ Mitte ... Walter White, Jr. (credit only) 1 00:02:01,538 --> 00:02:04,833 Surprised he doesn't make us do that. 2 00:02:07,461 --> 00:02:09,796 The pack totally has a pecking order. 3 00:02:09,963 --> 00:02:13,717 And the head hyena, he's the man, you know. 4 00:02:13,884 --> 00:02:16,386 All the other ones have to, like, kiss his ass. 5 00:02:16,553 --> 00:02:18,722 I mean, literally. It's so gross. 6 00:02:18,889 --> 00:02:22,059 They have to lick his junk. 7 00:02:22,225 --> 00:02:25,729 I can't believe they even showed it on TV.
    [Show full text]
  • Breaking Bad | Dialogue Transcript | S5:E2
    CREATED BY Vince Gilligan EPISODE 5.02 “Madrigal” Walt and Jesse decide to look for a new partner to help them in their latest scheme. The DEA sifts through various leads, hoping to find something. WRITTEN BY: Vince Gilligan DIRECTED BY: Michelle MacLaren ORIGINAL BROADCAST: July 22, 2012 NOTE: This is a transcription of the spoken dialogue and audio, with time-code reference, provided without cost by 8FLiX.com for your entertainment, convenience, and study. This version may not be exactly as written in the original script; however, the intellectual property is still reserved by the original source and may be subject to copyright. MAIN EPISODE CAST Bryan Cranston ... Walter White Anna Gunn ... Skyler White Aaron Paul ... Jesse Pinkman Dean Norris ... Hank Schrader Betsy Brandt ... Marie Schrader (credit only) RJ Mitte ... Walter White, Jr. Bob Odenkirk ... Saul Goodman Jonathan Banks ... Mike Ehrmantraut Laura Fraser ... Lydia Rodarte-Quayle Steven Michael Quezada ... Steven Gomez Michael Shamus Wiles ... ASAC George Merkert Norbert Weisser ... Peter Schuler Wolf Muser ... Herr Herzog Carrington Vilmont ... Chief Food Technician James Ning ... Duane Chow Kaija Bales ... Kaylee Ehrmantraut Christopher King ... Chris Mara Norma Maldonado ... Delores Debrianna Mansini ... Fran Trine Christensen ... Ms. Tromel Mathias Kaesebier ... Lawyer Brennan Foster ... Detective Lillian Presley Leyba ... Kiira 1 00:00:01,919 --> 00:00:03,795 Honey mustard. 2 00:00:04,213 --> 00:00:06,215 As per the Research Department... 3 00:00:06,381 --> 00:00:08,091 ...this is our sweeter formulation... 4 00:00:08,258 --> 00:00:09,760 ...for the American Midwest. 5 00:00:10,344 --> 00:00:13,764 While we've upped its Brix number by 14 percent..
    [Show full text]