Breaking Bad in the Classroom
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Monachopsis Living in an Americanized, Hispanic Household
Monachopsis Living in an Americanized, Hispanic household with Mexican heritage, the intersectional ties I face prove difficult to accept. The disconnection with my culture and realization of its subjectivity lead me in an attempt to understand myself. Influential aspects with the preservation and diffusion of my culture inspired my process and mixed media installation of my tree of life. This installation utilizes contrasting positive and negative space (with a limited pallet) while focusing on significant places, people, and moments that shaped my culture. Myself and significant family members have been removed from the photographs, and our family has been mapped on the regional map of the United States and Mexico. Elements of collage, found objects, painting, and pieces of trees are present to construct the tree and a Dìa de los Muertos altar. In this way, I am commemorating my culture and life that has been filled with loss and a sense of being out of place. As my work evolved with time, I reminisced on my life thus far, and I wonder where it is headed. I have discovered the various factors—such as history and society— that dismantle a culture, leaving me to shape my own for future generations. This sculptural installation poses questions about adaptability, assimilation, and the inevitability of cultural change. Elijah C. New Mexico Guero Elijah C. Based on realizations from my life so far, I question the social constructs of race and ethnicity in relation to my cultural identity. For centuries, these concepts have influenced society greatly and stratifying humans based on appearance. With history Hot air balloons from the Balloon Fiesta1 scattered across the warm sunrise over the Sandia Mountains, the cottonwood Bosque running along the murky Rio Grande River and the smell and taste of chile in the majority of meals is what I have grown up with. -
Breaking Bad and Cinematic Television
temp Breaking Bad and Cinematic Television ANGELO RESTIVO Breaking Bad and Cinematic Television A production of the Console- ing Passions book series Edited by Lynn Spigel Breaking Bad and Cinematic Television ANGELO RESTIVO DUKE UNIVERSITY PRESS Durham and London 2019 © 2019 Duke University Press All rights reserved Printed in the United States of America on acid- free paper ∞ Typeset in Warnock and News Gothic by Tseng Information Systems, Inc. Library of Congress Cataloging-in-Publication Data Names: Restivo, Angelo, [date] author. Title: Breaking bad and cinematic television / Angelo Restivo. Description: Durham : Duke University Press, 2019. | Series: Spin offs : a production of the Console-ing Passions book series | Includes bibliographical references and index. Identifiers: LCCN 2018033898 (print) LCCN 2018043471 (ebook) ISBN 9781478003441 (ebook) ISBN 9781478001935 (hardcover : alk. paper) ISBN 9781478003083 (pbk. : alk. paper) Subjects: LCSH: Breaking bad (Television program : 2008–2013) | Television series— Social aspects—United States. | Television series—United States—History and criticism. | Popular culture—United States—History—21st century. Classification: LCC PN1992.77.B74 (ebook) | LCC PN1992.77.B74 R47 2019 (print) | DDC 791.45/72—dc23 LC record available at https: // lccn.loc.gov/2018033898 Cover art: Breaking Bad, episode 103 (2008). Duke University Press gratefully acknowledges the support of Georgia State University’s College of the Arts, School of Film, Media, and Theatre, and Creative Media Industries Institute, which provided funds toward the publication of this book. Not to mention that most terrible drug—ourselves— which we take in solitude. —WALTER BENJAMIN Contents note to the reader ix acknowledgments xi Introduction 1 1 The Cinematic 25 2 The House 54 3 The Puzzle 81 4 Just Gaming 116 5 Immanence: A Life 137 notes 159 bibliography 171 index 179 Note to the Reader While this is an academic study, I have tried to write the book in such a way that it will be accessible to the generally educated reader. -
Watch Breaking Bad - S05E11 Online
Downloaded from: justpaste.it/4kw1 Breaking Bad Season 5 Episode 11 | Watch Breaking Bad - S05E11 online Summary Jesse decides to make a change, while Walt and Skyler try to deal with an unexpected demand. Click here to Watch the Full Video Previously on Breaking Bad Season 5 Episode 10 "Buried", While Skyler's past catches up with her, Walt covers his tracks. Jesse continues to struggle with his guilt. On this week's Episode title "Confessions", Jesse decides to make a change, while Walt and Skyler try to deal with an unexpected demand. Breaking Bad is an American television drama series created and produced by Vince Gilligan. Set and produced in Albuquerque, New Mexico, Breaking Bad is the story of Walter White (Bryan Cranston), a struggling high school chemistry teacher who is diagnosed with advanced lung cancer at the beginning of the series. He turns to a life of crime, producing and selling methamphetamine with a former student, Jesse Pinkman (Aaron Paul), with the aim of securing his family's financial future before he dies. Breaking Bad has received widespread critical acclaim, particularly for its writing, cinematography, and the acting ability of its cast. The series has won six Emmy Awards— including three consecutive wins for Lead Actor in a Drama Series for Cranston, one win for Supporting Actor in a Drama Series for Paul, and two nominations for Outstanding Drama Series. Cranston has also been nominated twice for a Golden Globe Award for Best Performance by an Actor in a Television Series – Drama. Watch Breaking Bad Season -
Mike Ehrmantraut and the Profound Power of Silence
Mike Ehrmantraut and The Profound Power of Silence We find a case of polar opposites in Better Call Saul, where two characters have sharply contrasting speaking styles. The character of Saul Goodman (Bob Odenkirk) is a chatterbox. The way the writers get Jimmy’s personality to pop and stand out is to put him in a room with somebody who doesn’t use words. In this example, that’s Mike Ehrmantraut (Jonathan Banks), a man of such few words that he speaks only when absolutely necessary. He doesn’t even have a lot of facial expressions or body language; instead he is a blank slate and we have no idea what he’s thinking. He’s completely poker faced and plays everything straight. And then, when he does take an action, it’s decisive. He doesn’t equivocate or waffle. In fact, he’s the opposite of Jimmy in just about every possible way. It was ingenious of Vince Gilligan and Peter Gould to give Mike a prominent role in Better Call Saul and Jimmy’s backstory, because we have the opportunity to learn a lot more about this laconic character. In this particular scene, Mike is called in and arrested. Two cops, one playing good cop, the other bad, !1 interrogate him. They try to work Mike and get him to crack, but in the entire scene, all Mike says is one word. INT. POLICE STATION – INTERVIEW ROOM – PRESENT DAY PRESENT-DAY MIKE in answering profile, dressed as he was at the end of episode 105. ABBASI (O.S.) Don’t know why we had to do it this way.. -
MEDIA RESOURCE NEWS Suffolk County Community College Libraries August 2014
MEDIA RESOURCE NEWS Suffolk County Community College Libraries August 2014 Ammerman Grant Eastern Rosalie Muccio Lynn McCloat Paul Turano 451-4189 851-6742 548-2542 [email protected] [email protected] [email protected] 8 Women/8 Femmes. A wealthy industrialist is found murdered in his home while his family gathers for the holiday season. The house is isolated and the phone lines have been found to be cut. Eight women are his potential murderers. Each is a suspect and each has a motive. Only one is guilty. In French with subtitles in English or Spanish and English captions for the hearing impaired. DVD 1051 (111 min.) Eastern A La Mar. "Jorge has only a few weeks before his five-year-old son Natan leaves to live with his mother in Rome. Intent on teaching Natan about their Mayan heritage, Jorge takes him to the pristine Chinchorro reef, and eases him into the rhythms of a fisherman's life. As the bond between father and son grows stronger, Natan learns to live in harmony with life above and below the surface of the sea."--Container. In Spanish, with optional English subtitles; closed-captioned in English. DVD 1059 (73 min.) Eastern Adored, The. "Maia is a struggling model. After suffering a major loss, her relationship with her husband is thrown into turmoil. She holds high hopes that a session with the prolific celebrity photographer, Francesca Allman, will rejuvenate her career and bring her out of her depression. However, Francesca suffers from severe OCD and has isolated herself in remote North West Wales in a house with an intriguing past. -
Outstanding Casting for a Drama Series
Outstanding Casting for a Drama Series Episode 511, “Confessions”: Walt, Skylar, Hank & Marie meet to discuss what's next. Trent, just doing his job, interrupts this very tense situation...more than once. Walter White … Bryan Cranston Skyler White … Anna Gunn Hank Schrader … Dean Norris Marie Schrader … Betsey Brandt Trent* … Guy Wilson Episode 515, “Granite State”: The Disappearer returns to Walt at his hideout in New Hampshire to bring him supplies. Walter White … Bryan Cranston The Disappearer* … Robert Forrester Episode 516, “Felina”: Walt returns to Elliott & Gretchen's. Our fan favorites Badger & Skinny Pete are not far behind. Walter White … Bryan Cranston Elliott … Adam Godley Gretchen … Jessica Hecht Badger … Matt Jones Skinny Pete … Charles Baker Lydia & Todd have an unexpected visit from Walt at the weekly coffee shop meeting Walter White … Bryan Cranston Lydia* … Laura Fraser Todd* … Jesse Plemons The shootout between Jack’s gang and Walter’s machine. The final good-bye. Walter White … Bryan Cranston Jesse Pinkman … Aaron Paul Todd* … Jesse Plemons Uncle Jack* … Michael Bowen Kenny* … Kevin Rankin Lester* … Tait Fletcher Jack’s Man* … Matthew T. Metzler Frankie* … Patrick Shane *Cast this season Casting Summary for Production 12-20-2012 BREAKING BAD Artist Episode # Episode Title Role Name Series Stars: BRANDT, BETSY MARIE CRANSTON, BRYAN WALTER WHITE GUNN, ANNA SKYLER WHITE MITTE, RJ WALTER, JR. NORRIS, DEAN HANK ODENKIRK, BOB SAUL GOODMAN PAUL, AARON JESSE Guest Cast: BAKER, CHARLES 509 BLOOD MONEY SKINNY PETE BRUMMETT, -
BREAKING BAD by Vince Gilligan
BREAKING BAD by Vince Gilligan 5/27/05 AMC Sony Pictures Television TEASER EXT. COW PASTURE - DAY Deep blue sky overhead. Fat, scuddy clouds. Below them, black and white cows graze the rolling hills. This could be one of those California "It's The Cheese" commercials. Except those commercials don't normally focus on cow shit. We do. TILT DOWN to a fat, round PATTY drying olive drab in the sun. Flies buzz. Peaceful and quiet. until ••• ZOOOM! WHEELS plow right through the shit with a SPLAT. NEW ANGLE - AN RV Is speeding smack-dab through the pasture, no road in sight. A bit out of place, to say the least. It's an old 70's era Winnebago with chalky white paint and Bondo spots. A bumper sticker for the Good Sam Club is stuck to the back. The Winnebago galumphs across the landscape, scattering cows. It catches a wheel and sprays a rooster tail of red dirt. INT. WINNEBAGO - DAY Inside, the DRIVER's knuckles cling white to the wheel. He's got the pedal flat. Scared, breathing fast. His eyes bug wide behind the faceplate of his gas mask. Oh, by the way, he's wearing a GAS MASK. That, and white jockey UNDERPANTS. Nothing else. Buckled in the seat beside him lolls a clothed PASSENGER, also wearing a gas mask. Blood streaks down from his ear, blotting his T-shirt. He's passed out cold. Behind them, the interior is a wreck. Beakers and buckets and flasks -- some kind of ad-hoc CHEMICAL LAB -- spill their noxious contents with every bump we hit. -
The Hero As Villain in Contemporary Televised Narratives
THE ONE WHO KNOCKS: THE HERO AS VILLAIN IN CONTEMPORARY TELEVISED NARRATIVES Maria João Brasão Marques Dissertação de Mestrado em Línguas, Literaturas e Culturas Estudos Ingleses e Norte-Americanos Março de 2016 Dissertação apresentada para cumprimento dos requisitos necessários à obtenção do grau de Mestre em Línguas, Literaturas e Culturas – Estudos Ingleses e Norte-Americanos realizada sob a orientação científica da Professora Doutora Isabel Oliveira Martins. Show me a hero and I will write you a tragedy. F. Scott Fitzgerald AGRADECIMENTOS À minha orientadora, a Professora Doutora Isabel Oliveira Martins, pela confiança e pelo carinho nesta jornada e fora dela, por me fazer amar e odiar os Estados Unidos da América em igual medida (promessa feita no primeiro ano da faculdade), por me ensinar a ser cúmplice de Twain, Fitzgerald, Melville, McCarthy, Whitman, Carver, tantos outros. Agradeço principalmente a sua generosidade maior e uma paixão que contagia. Às Professoras Iolanda Ramos e Teresa Botelho, por encorajarem o meu investimento académico e por me facultarem materiais indispensáveis nesta dissertação, ao mesmo tempo que contribuíram para o meu gosto pela cultura inglesa e norte-americana. À professora Júlia Cardoso, por acreditar nesta demanda comigo e me fazer persistir até chegar a bom porto. Ao Professor João Maria Mendes, para sempre responsável pela minha paixão pelas narrativas, pelos heróis, pelo prazer de contar histórias que se mostram, pelo gosto de construir personagens que falham constantemente e que constantemente se reerguem. Aos meus pais, por me deixarem continuar a estudar. THE ONE WHO KNOCKS: THE HERO AS VILLAIN IN CONTEMPORARY TELEVISED NARRATIVES MARIA JOÃO BRASÃO MARQUES RESUMO PALAVRAS-CHAVE: herói, anti-herói, protagonista, storytelling televisivo, revolução criativa, paradigma do herói, vilão. -
The Lynching of Cleo Wright
University of Kentucky UKnowledge United States History History 1998 The Lynching of Cleo Wright Dominic J. Capeci Jr. Missouri State University Click here to let us know how access to this document benefits ou.y Thanks to the University of Kentucky Libraries and the University Press of Kentucky, this book is freely available to current faculty, students, and staff at the University of Kentucky. Find other University of Kentucky Books at uknowledge.uky.edu/upk. For more information, please contact UKnowledge at [email protected]. Recommended Citation Capeci, Dominic J. Jr., "The Lynching of Cleo Wright" (1998). United States History. 95. https://uknowledge.uky.edu/upk_united_states_history/95 The Lynching of Cleo Wright The Lynching of Cleo Wright DOMINIC J. CAPECI JR. THE UNIVERSITY PRESS OF KENTUCKY Publication of this volume was made possible in part by a grant from the National Endowment for the Humanities. Copyright © 1998 by The University Press of Kentucky Scholarly publisher for the Commonwealth, serving Bellarmine College, Berea College, Centre College of Kentucky, Eastern Kentucky University, The Filson Club Historical Society, Georgetown College, Kentucky Historical Society, Kentucky State University, Morehead State University, Murray State University, Northern Kentucky University, Transylvania University, University of Kentucky, University of Louisville, and Western Kentucky University. All rights reserved Editorial and Sales Offices: The University Press of Kentucky 663 South Limestone Street, Lexington, Kentucky 40508-4008 02 01 00 99 98 5 4 3 2 1 Library of Congress Cataloging-in-Publication Data Capeci, Dominic J. The lynching of Cleo Wright / Dominic J. Capeci, Jr. p. cm. Includes bibliographical references and index. -
Honors 102 Dr. Klodt the THESIS STATEMENT What Does a Thesis Statement Accomplish?
DEVELOPING THE THESIS STATEMENT Honors 102 Dr. Klodt THE THESIS STATEMENT What does a thesis statement accomplish? A thesis statement… …establishes the goal your writing will achieve …proves a specific argument to your reader …anticipates your reader’s questions How? + Why? …forecasts your interpretation to your reader THE THESIS STATEMENT What does a thesis statement accomplish? Theme → Topic What you are writing about Thesis → Goal What you will accomplish THE THESIS STATEMENT What is it? • A thesis is a specific interpretation you will prove to your reader. • A thesis transcends obvious + common knowledge. • You write about a theme (e.g.: A topic: the role of money), but you prove a thesis (e.g.: A goal: the indictment of the American dream for inherent materialism). • The analytical essay comes full circle, connecting the interpretation (conclusion) back to the thesis (introduction). THE THESIS STATEMENT Writing a thesis statement is a process. Writing a thesis statement takes time + effort + multiple drafts. If you write a thesis statement quickly and blithely, your essay will inevitably be superficial and will earn a poor grade. Translation: ����! THE THESIS STATEMENT “I’m in the Empire Business”: Money, Avarice, and the American Dream in Breaking Bad (Vince Gilligan 2008-2013) By analyzing the evolution of Walter White’s greed in five episodes of the Emmy Award-winning series, Breaking Bad becomes an allegory for contemporary American culture, in which money sanitizes moral depravity. Walter White (Bryan Cranston) repeatedly insists that his motives are noble: He justifies the profits from cooking methamphetamine to ensure his family’s security after he succumbs to cancer. -
State University of New York at New Paltz Breaking Bad and the Intersection of Critical Theory at Race, Disability, and Gender
Breaking Bad and the intersection of critical theory at race, disability, and gender Item Type Honor's Project Authors McDonough, Matthew Rights Attribution-NonCommercial-NoDerivatives 4.0 International Download date 01/10/2021 02:24:17 Item License http://creativecommons.org/licenses/by-nc-nd/4.0/ Link to Item http://hdl.handle.net/20.500.12648/1578 State University of New York at New Paltz Breaking Bad and the Intersection of Critical Theory at Race, Disability, and Gender Matthew McDonough Independent Study Honors 495-06 Professor Sarah Wyman 8 December 2020 Thesis Abstract: The television series Breaking Bad (created by Vince Gilligan) is considered by audience and critics alike as one of the greatest television series ever made. It tells the story of the rise and fall of Walter White (Bryan Cranston), a mild-mannered chemistry teacher turned meth kingpin. He turns to a life of crime after having been diagnosed with terminal cancer, and he sees meth manufacturing as the most lucrative way to provide for his family. It has been nearly a decade since the series finale, yet it endures through sequel films, spin-offs, and online streaming. My thesis investigates the series’ staying power, and I would argue that lies in its thematic content. Breaking Bad is not just a straightforward story of one man’s descent into a life of crime, but it is also a mediation on dominant, repressive power structures. The series offers a look at these structures through the lens of race, gender, and disability through the actions of characters and their interactions with one another. -
Write It in INK!, Perform There
University of South Carolina Scholar Commons February 2015 2-11-2015 The aiD ly Gamecock, Wednesday, February 11, 2015 University of South Carolina, Office oftude S nt Media Follow this and additional works at: https://scholarcommons.sc.edu/gamecock_2015_feb Recommended Citation University of South Carolina, Office of Student Media, "The aiD ly Gamecock, Wednesday, February 11, 2015" (2015). February. 8. https://scholarcommons.sc.edu/gamecock_2015_feb/8 This Newspaper is brought to you by the 2015 at Scholar Commons. It has been accepted for inclusion in February by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. UNIVERSITY OF SOUTH CAROLINA WEDNESDAY, FEBRUARY 11, 2015 VOL. 116, NO. 87 • SINCE 1908 Does SG serve its Head-to-Head purpose? | Page 6 David Roberts @DAVIDJAYROBERTS Thornwell ew teams in the Southeastern Conference have struggled as Fmightily as South Carolina, who beat Missouri 65-60 Tuesday night, has thus far. powers In fact, only Missouri has. The Tigers are dead last in SEC play and are now 0-5 in conference road games after their loss to South Gamecocks Carolina. The Gamecocks are not much better, however, as they sit in second- to-last place in the conference. past Tigers South Carolina had lost six of its last seven games entering Tuesday’s matchup, which caused head coach Frank Martin to challenge members of his team to step into leadership roles. “Leadership is who’s willing to stand up and embrace the moment,” Martin said Monday afternoon before the game. “Who’s willing to stand up in front of their peers and say, ‘Hey, enough of this.