BREAKING BAD by Vince Gilligan
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Oktoberfest’ Comes Across the Pond
Friday, October 5, 2012 | he Torch [culture] 13 ‘Oktoberfest’ comes across the pond Kaesespaetzle and Brezeln as they Traditional German listened to traditional German celebration attended music. A presentation with a slideshow was also given presenting by international, facts about German history and culture. American students One of the facts mentioned in the presentation was that Germans Thomas Dixon who are learning English read Torch Staff Writer Shakespeare because Shakespearian English is very close to German. On Friday, Sept. 28, Valparaiso Sophomore David Rojas Martinez University students enjoyed expressed incredulity at this an American edition of a famous particular fact, adding that this was German festival when the Valparaiso something he hadn’t known before. International Student Association “I learned new things I didn’t and the German know about Club put on German and Oktoberfest. I thought it was English,” Rojas he event great. Good food, Martinez said. was based on the good people, great “And I enjoyed annual German German culture. the food – the c e l e b r a t i o n food was great.” O k t o b e r f e s t , Other facts Ian Roseen Matthew Libersky / The Torch the largest beer about Germany Students from the VU German Club present a slideshow at Friday’s Oktoberfest celebration in the Gandhi-King Center. festival in the Senior mentioned in world. he largest the presentation event, which takes place in included the existence of the Munich, Germany, coincided with Weisswurstaequator, a line dividing to get into the German culture. We c u ltu re .” to have that mix and actual cultural VU’s own festival and will Germany into separate linguistic try to do things that have to do with Finegan also expressed exchange,” Finegan said. -
Popular Television Programs & Series
Middletown (Documentaries continued) Television Programs Thrall Library Seasons & Series Cosmos Presents… Digital Nation 24 Earth: The Biography 30 Rock The Elegant Universe Alias Fahrenheit 9/11 All Creatures Great and Small Fast Food Nation All in the Family Popular Food, Inc. Ally McBeal Fractals - Hunting the Hidden The Andy Griffith Show Dimension Angel Frank Lloyd Wright Anne of Green Gables From Jesus to Christ Arrested Development and Galapagos Art:21 TV In Search of Myths and Heroes Astro Boy In the Shadow of the Moon The Avengers Documentary An Inconvenient Truth Ballykissangel The Incredible Journey of the Batman Butterflies Battlestar Galactica Programs Jazz Baywatch Jerusalem: Center of the World Becker Journey of Man Ben 10, Alien Force Journey to the Edge of the Universe The Beverly Hillbillies & Series The Last Waltz Beverly Hills 90210 Lewis and Clark Bewitched You can use this list to locate Life The Big Bang Theory and reserve videos owned Life Beyond Earth Big Love either by Thrall or other March of the Penguins Black Adder libraries in the Ramapo Mark Twain The Bob Newhart Show Catskill Library System. The Masks of God Boston Legal The National Parks: America's The Brady Bunch Please note: Not all films can Best Idea Breaking Bad be reserved. Nature's Most Amazing Events Brothers and Sisters New York Buffy the Vampire Slayer For help on locating or Oceans Burn Notice reserving videos, please Planet Earth CSI speak with one of our Religulous Caprica librarians at Reference. The Secret Castle Sicko Charmed Space Station Cheers Documentaries Step into Liquid Chuck Stephen Hawking's Universe The Closer Alexander Hamilton The Story of India Columbo Ansel Adams Story of Painting The Cosby Show Apollo 13 Super Size Me Cougar Town Art 21 Susan B. -
Monachopsis Living in an Americanized, Hispanic Household
Monachopsis Living in an Americanized, Hispanic household with Mexican heritage, the intersectional ties I face prove difficult to accept. The disconnection with my culture and realization of its subjectivity lead me in an attempt to understand myself. Influential aspects with the preservation and diffusion of my culture inspired my process and mixed media installation of my tree of life. This installation utilizes contrasting positive and negative space (with a limited pallet) while focusing on significant places, people, and moments that shaped my culture. Myself and significant family members have been removed from the photographs, and our family has been mapped on the regional map of the United States and Mexico. Elements of collage, found objects, painting, and pieces of trees are present to construct the tree and a Dìa de los Muertos altar. In this way, I am commemorating my culture and life that has been filled with loss and a sense of being out of place. As my work evolved with time, I reminisced on my life thus far, and I wonder where it is headed. I have discovered the various factors—such as history and society— that dismantle a culture, leaving me to shape my own for future generations. This sculptural installation poses questions about adaptability, assimilation, and the inevitability of cultural change. Elijah C. New Mexico Guero Elijah C. Based on realizations from my life so far, I question the social constructs of race and ethnicity in relation to my cultural identity. For centuries, these concepts have influenced society greatly and stratifying humans based on appearance. With history Hot air balloons from the Balloon Fiesta1 scattered across the warm sunrise over the Sandia Mountains, the cottonwood Bosque running along the murky Rio Grande River and the smell and taste of chile in the majority of meals is what I have grown up with. -
Bad Cops: a Study of Career-Ending Misconduct Among New York City Police Officers
The author(s) shown below used Federal funds provided by the U.S. Department of Justice and prepared the following final report: Document Title: Bad Cops: A Study of Career-Ending Misconduct Among New York City Police Officers Author(s): James J. Fyfe ; Robert Kane Document No.: 215795 Date Received: September 2006 Award Number: 96-IJ-CX-0053 This report has not been published by the U.S. Department of Justice. To provide better customer service, NCJRS has made this Federally- funded grant final report available electronically in addition to traditional paper copies. Opinions or points of view expressed are those of the author(s) and do not necessarily reflect the official position or policies of the U.S. Department of Justice. This document is a research report submitted to the U.S. Department of Justice. This report has not been published by the Department. Opinions or points of view expressed are those of the author(s) and do not necessarily reflect the official position or policies of the U.S. Department of Justice. Bad Cops: A Study of Career-Ending Misconduct Among New York City Police Officers James J. Fyfe John Jay College of Criminal Justice and New York City Police Department Robert Kane American University Final Version Submitted to the United States Department of Justice, National Institute of Justice February 2005 This project was supported by Grant No. 1996-IJ-CX-0053 awarded by the National Institute of Justice, Office of Justice Programs, U.S. Department of Justice. Points of views in this document are those of the authors and do not necessarily represent the official position or policies of the U.S. -
Breaking Bad | Dialogue Transcript | S3:E13
CREATED BY Vince Gilligan EPISODE 3.13 “Full Measure” After taking out two of his boss's street dealers, Walt realizes that Gus is planning to kill him and Jesse and replace him with his former assistant. WRITTEN BY: Vince Gilligan DIRECTED BY: Vince Gilligan ORIGINAL BROADCAST: June 13, 2010 NOTE: This is a transcription of the spoken dialogue and audio, with time-code reference, provided without cost by 8FLiX.com for your entertainment, convenience, and study. This version may not be exactly as written in the original script; however, the intellectual property is still reserved by the original source and may be subject to copyright. MAIN EPISODE CAST Bryan Cranston ... Walter White Anna Gunn ... Skyler White Aaron Paul ... Jesse Pinkman Dean Norris ... Hank Schrader (credit only) Betsy Brandt ... Marie Schrader (credit only) RJ Mitte ... Walter White, Jr. Bob Odenkirk ... Saul Goodman Giancarlo Esposito ... Gustavo 'Gus' Fring Jonathan Banks ... Mike Ehrmantraut David Costabile ... Gale Boetticher Jeremiah Bitsui ... Victor Louis Herthum ... Realtor Kaija Bales ... Kaylee Ehrmantraut James Ning ... Duane Chow Tiley Chao ... Peng Eddie J. Fernandez ... Cartel Gunman #1 Ben Hernandez Bray ... Cartel Gunman #2 Toby Holguin ... Cartel Gunman #3 Eddie Perez ... Cartel Gunman #4 1 00:00:43,377 --> 00:00:46,171 -Well, hello again. -Hi, I hope we're not too late. 2 00:00:46,380 --> 00:00:47,965 -No, no. Perfect timing. -Okay. 3 00:00:48,173 --> 00:00:50,175 -Stan, this is my husband, Walt. -Hi. 4 00:00:50,384 --> 00:00:52,302 -Good to meet you. -Nice to meet you. -
The Netflix Effect: Teens, Binge Watching, and On-Demand Digital Media Trends
The Netflix Effect: Teens, Binge Watching, and On-Demand Digital Media Trends Sidneyeve Matrix Jeunesse: Young People, Texts, Cultures, Volume 6, Issue 1, Summer 2014, pp. 119-138 (Article) Published by The Centre for Research in Young People's Texts and Cultures, University of Winnipeg DOI: https://doi.org/10.1353/jeu.2014.0002 For additional information about this article https://muse.jhu.edu/article/553418 Access provided at 9 Jul 2019 13:25 GMT from University of Pittsburgh The Netflix Effect: Teens, Binge Watching, and On-Demand Digital Media Trends —Sidneyeve Matrix Introduction first time Netflix had released an entire season of an original program simultaneously and caused a Entertainment is fast becoming an all-you-can-eat nationwide video-on-demand stampede. When House buffet. Call it the Netflix effect. of Cards and Orange Is the New Black premiered in –Raju Mudhar, Toronto Star 2013, huge percentages of Netflix subscribers watched back-to-back episodes, devouring a season of content Whatever our televisual drug of choice—Battlestar in just days. Although these three shows belong to Galactica, The Wire, Homeland—we’ve all put different genres—one a sitcom and the others adult- off errands and bedtime to watch just one more, a themed melodramas—what they share is an enormous thrilling, draining, dream -influencing immersion popularity among the millennial cohort that makes up experience that has become the standard way to the majority of the subscriber base of Netflix. When consume certain TV programs. all episodes of a season -
Breaking Bad and Cinematic Television
temp Breaking Bad and Cinematic Television ANGELO RESTIVO Breaking Bad and Cinematic Television A production of the Console- ing Passions book series Edited by Lynn Spigel Breaking Bad and Cinematic Television ANGELO RESTIVO DUKE UNIVERSITY PRESS Durham and London 2019 © 2019 Duke University Press All rights reserved Printed in the United States of America on acid- free paper ∞ Typeset in Warnock and News Gothic by Tseng Information Systems, Inc. Library of Congress Cataloging-in-Publication Data Names: Restivo, Angelo, [date] author. Title: Breaking bad and cinematic television / Angelo Restivo. Description: Durham : Duke University Press, 2019. | Series: Spin offs : a production of the Console-ing Passions book series | Includes bibliographical references and index. Identifiers: LCCN 2018033898 (print) LCCN 2018043471 (ebook) ISBN 9781478003441 (ebook) ISBN 9781478001935 (hardcover : alk. paper) ISBN 9781478003083 (pbk. : alk. paper) Subjects: LCSH: Breaking bad (Television program : 2008–2013) | Television series— Social aspects—United States. | Television series—United States—History and criticism. | Popular culture—United States—History—21st century. Classification: LCC PN1992.77.B74 (ebook) | LCC PN1992.77.B74 R47 2019 (print) | DDC 791.45/72—dc23 LC record available at https: // lccn.loc.gov/2018033898 Cover art: Breaking Bad, episode 103 (2008). Duke University Press gratefully acknowledges the support of Georgia State University’s College of the Arts, School of Film, Media, and Theatre, and Creative Media Industries Institute, which provided funds toward the publication of this book. Not to mention that most terrible drug—ourselves— which we take in solitude. —WALTER BENJAMIN Contents note to the reader ix acknowledgments xi Introduction 1 1 The Cinematic 25 2 The House 54 3 The Puzzle 81 4 Just Gaming 116 5 Immanence: A Life 137 notes 159 bibliography 171 index 179 Note to the Reader While this is an academic study, I have tried to write the book in such a way that it will be accessible to the generally educated reader. -
National Security and Local Police
BRENNAN CENTER FOR JUSTICE NATIONAL SECURITY AND LOCAL POLICE Michael Price Brennan Center for Justice at New York University School of Law ABOUT THE BRENNAN CENTER FOR JUSTICE The Brennan Center for Justice at NYU School of Law is a nonpartisan law and policy institute that seeks to improve our systems of democracy and justice. We work to hold our political institutions and laws accountable to the twin American ideals of democracy and equal justice for all. The Center’s work ranges from voting rights to campaign finance reform, from racial justice in criminal law to Constitutional protection in the fight against terrorism. A singular institution — part think tank, part public interest law firm, part advocacy group, part communications hub — the Brennan Center seeks meaningful, measurable change in the systems by which our nation is governed. ABOUT THE BRENNAN CENTER’S LIBERTY AND NATIONAL SECURITY PROGRAM The Brennan Center’s Liberty and National Security Program works to advance effective national security policies that respect Constitutional values and the rule of law, using innovative policy recommendations, litigation, and public advocacy. The program focuses on government transparency and accountability; domestic counterterrorism policies and their effects on privacy and First Amendment freedoms; detainee policy, including the detention, interrogation, and trial of terrorist suspects; and the need to safeguard our system of checks and balances. ABOUT THE BRENNAN CENTER’S PUBLICATIONS Red cover | Research reports offer in-depth empirical findings. Blue cover | Policy proposals offer innovative, concrete reform solutions. White cover | White papers offer a compelling analysis of a pressing legal or policy issue. -
Identification of Biogenic Volatile Organic Compounds for Improved Border Biosecurity
Lincoln University Digital Thesis Copyright Statement The digital copy of this thesis is protected by the Copyright Act 1994 (New Zealand). This thesis may be consulted by you, provided you comply with the provisions of the Act and the following conditions of use: you will use the copy only for the purposes of research or private study you will recognise the author's right to be identified as the author of the thesis and due acknowledgement will be made to the author where appropriate you will obtain the author's permission before publishing any material from the thesis. Identification of Biogenic Volatile Organic Compounds for Improved Border Biosecurity A thesis submitted in partial fulfilment of the requirements for the Degree of PhD of Chemical Ecology at Lincoln University by Laura Jade Nixon Lincoln University 2017 Abstract of a thesis submitted in partial fulfilment of the requirements for the Degree of PhD of Chemical Ecology. Abstract Identification of Biogenic Volatile Organic Compounds for Improved Border Biosecurity by Laura Jade Nixon Effective border biosecurity is a high priority in New Zealand. A fragile and unique natural ecosystem combined with multiple crop systems, which contribute substantially to the New Zealand economy, make it essential to prevent the establishment of invasive pests. Trade globalisation and increasing tourism have facilitated human-assisted movement of invasive invertebrates, creating a need to improve pest detection in import pathways and at the border. The following works explore a potential new biosecurity inspection and monitoring concept, whereby unwanted, invasive insects may be detected by the biogenic volatile organic compounds (VOCs) they release within contained spaces, such a ship containers. -
DCD Newsletter – December 2020
December 2020 December 2020 COMMUNITY UPDATE Division of Community Development Newsletter In this Issue James Adakai and Captain David Harvey • James Adakai and Captain David Harvey Receive the Agnese Nelms Haury Receive the Agnese Nelms Haury 2020 2020 Tribal Resilience Leadership Award • DCD AND NECA Provide Bathroom Tribal Resilience Leadership Award Additions to Over 70 Families on the Nation • D C D H a rd a t Wo r k o n C h a p t e r Distributions • On the front line: Diné scientist working toward cure for COVID-19 • Nation’s top librarian turns the page on an epic chapter • CWC Alum Goes Far with Passion for Renewable Energ • The FCC, 2.5 GHz Spectrum, And The Tribal Priority Window: Something Po s i t i v e A m i d T h e C O V I D - 1 9 Pandemic • Creating water out of thin air in the Navajo Nation • To’Hajiilee President, WALH laud water deal • Bulletin Board • Personnel News • Navajo Nation Census Information Center News • Navajo Nation Dikos Ntsaaigii-19 (COVID-19) Stuation Report # 296 • Social Distancing is Beautiful • Don't Invite COVID-19 to Christmas • National Native American Veterans On November 24, Memorial Celebrates A Complicated Tradition Of Service 2020, the Agnese • COVID-19 Information and Flyers Nelms Haury Program Did You Know.. presented the Tribal Késhmish is Navajo for Christmas. Késhmish will often refer to the time Resilience Leadership surrounding Christmas only – descriptive Award to Mr. James in the same sense that a milepost marks distance on a road. So one may use Adakai, Navajo Nation Késhmish in regular speech, without implying that he or she is of any Capital Projects particular faith or belief. -
LOST the Official Show Auction
LOST | The Auction 156 1-310-859-7701 Profiles in History | August 21 & 22, 2010 572. JACK’S COSTUME FROM THE EPISODE, “THERE’S NO 574. JACK’S COSTUME FROM PLACE LIKE HOME, PARTS 2 THE EPISODE, “EGGTOWN.” & 3.” Jack’s distressed beige Jack’s black leather jack- linen shirt and brown pants et, gray check-pattern worn in the episode, “There’s long-sleeve shirt and blue No Place Like Home, Parts 2 jeans worn in the episode, & 3.” Seen on the raft when “Eggtown.” $200 – $300 the Oceanic Six are rescued. $200 – $300 573. JACK’S SUIT FROM THE EPISODE, “THERE’S NO PLACE 575. JACK’S SEASON FOUR LIKE HOME, PART 1.” Jack’s COSTUME. Jack’s gray pants, black suit (jacket and pants), striped blue button down shirt white dress shirt and black and gray sport jacket worn in tie from the episode, “There’s Season Four. $200 – $300 No Place Like Home, Part 1.” $200 – $300 157 www.liveauctioneers.com LOST | The Auction 578. KATE’S COSTUME FROM THE EPISODE, “THERE’S NO PLACE LIKE HOME, PART 1.” Kate’s jeans and green but- ton down shirt worn at the press conference in the episode, “There’s No Place Like Home, Part 1.” $200 – $300 576. JACK’S SEASON FOUR DOCTOR’S COSTUME. Jack’s white lab coat embroidered “J. Shephard M.D.,” Yves St. Laurent suit (jacket and pants), white striped shirt, gray tie, black shoes and belt. Includes medical stetho- scope and pair of knee reflex hammers used by Jack Shephard throughout the series. -
Breaking Down Breaking Bad 35
The MelodRama of the UnkNown MaN A Genre of Ethics and Poetics Timna Rauch – 5971942 Research Master Media Studies Final Thesis February 11 2015 Supervisor: G.W. van der Pol Second Reader: J. W. Kooijman Third Reader: W. Staat The Melodrama of the Unknown Man A Genre of Ethics and Poetics Timna Rauch – 5971942 Weberstraat 32 1223 JT Hilversum 06 28 88 99 12 [email protected] February 11 2015 Final Thesis Research Master Media Studies Supervisor: G. W. van der Pol Second Reader: J. W. Kooijman Third Reader: W. Staat University of Amsterdam, Amsterdam Table of Contents INTRODUCTION – COOKING GENRE 4 CHAPTER 1 – TOWARDS A POETICS OF SERIAL DRAMA 8 §1 STUDYING SERIAL DRAMA 8 §2 A POETICS BASED APPROACH 11 §3 (NEO-) FORMALISM 14 CHAPTER 2 – GENRE, MELODRAMA AND TV 16 §1 GENRE AND ‘CLASSIC’ MELODRAMA 17 §2 MELODRAMA ON TV 21 CHAPTER 3 – GENRE AS MORAL REGISTER 25 §1 MORAL PERFECTIONISM 26 §2 THE MELODRAMA OF THE UNKNOWN WOMAN 31 § 3 FROM MAN TO WOMAN 33 CHAPTER 4 – BREAKING DOWN BREAKING BAD 35 §1 A STORY OF CHANGE 38 §2 THE TRANSFORMATION OF MR. WHITE 46 §3 FELINA 54 CONCLUSION – THE MELODRAMA OF THE UNKNOWN MAN 59 FINAL THOUGHTS – MY OWN FELINA 62 BIBLIOGRAPHY 64 APPENDIX I 69 APPENDIX II 70 Introduction – Cooking Genre Introduction – Cooking Genre “Some straight like you, giant stick up his ass, all of a sudden at age like what, sixty, he's just gonna break bad?” (‘Breaking Bad’ 1.01 TC: 36:21) When Breaking Bad’s (AMC 2008-2013) creator Vince Gilligan stumbled upon a newspaper article about a man who was caught cooking methamphetamine in the back of his recreational vehicle, he couldn’t stop wondering what happened.