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Breaking Bad and Cinematic Television
temp Breaking Bad and Cinematic Television ANGELO RESTIVO Breaking Bad and Cinematic Television A production of the Console- ing Passions book series Edited by Lynn Spigel Breaking Bad and Cinematic Television ANGELO RESTIVO DUKE UNIVERSITY PRESS Durham and London 2019 © 2019 Duke University Press All rights reserved Printed in the United States of America on acid- free paper ∞ Typeset in Warnock and News Gothic by Tseng Information Systems, Inc. Library of Congress Cataloging-in-Publication Data Names: Restivo, Angelo, [date] author. Title: Breaking bad and cinematic television / Angelo Restivo. Description: Durham : Duke University Press, 2019. | Series: Spin offs : a production of the Console-ing Passions book series | Includes bibliographical references and index. Identifiers: LCCN 2018033898 (print) LCCN 2018043471 (ebook) ISBN 9781478003441 (ebook) ISBN 9781478001935 (hardcover : alk. paper) ISBN 9781478003083 (pbk. : alk. paper) Subjects: LCSH: Breaking bad (Television program : 2008–2013) | Television series— Social aspects—United States. | Television series—United States—History and criticism. | Popular culture—United States—History—21st century. Classification: LCC PN1992.77.B74 (ebook) | LCC PN1992.77.B74 R47 2019 (print) | DDC 791.45/72—dc23 LC record available at https: // lccn.loc.gov/2018033898 Cover art: Breaking Bad, episode 103 (2008). Duke University Press gratefully acknowledges the support of Georgia State University’s College of the Arts, School of Film, Media, and Theatre, and Creative Media Industries Institute, which provided funds toward the publication of this book. Not to mention that most terrible drug—ourselves— which we take in solitude. —WALTER BENJAMIN Contents note to the reader ix acknowledgments xi Introduction 1 1 The Cinematic 25 2 The House 54 3 The Puzzle 81 4 Just Gaming 116 5 Immanence: A Life 137 notes 159 bibliography 171 index 179 Note to the Reader While this is an academic study, I have tried to write the book in such a way that it will be accessible to the generally educated reader. -
BREAKING BAD by Vince Gilligan
BREAKING BAD by Vince Gilligan 5/27/05 AMC Sony Pictures Television TEASER EXT. COW PASTURE - DAY Deep blue sky overhead. Fat, scuddy clouds. Below them, black and white cows graze the rolling hills. This could be one of those California "It's The Cheese" commercials. Except those commercials don't normally focus on cow shit. We do. TILT DOWN to a fat, round PATTY drying olive drab in the sun. Flies buzz. Peaceful and quiet. until ••• ZOOOM! WHEELS plow right through the shit with a SPLAT. NEW ANGLE - AN RV Is speeding smack-dab through the pasture, no road in sight. A bit out of place, to say the least. It's an old 70's era Winnebago with chalky white paint and Bondo spots. A bumper sticker for the Good Sam Club is stuck to the back. The Winnebago galumphs across the landscape, scattering cows. It catches a wheel and sprays a rooster tail of red dirt. INT. WINNEBAGO - DAY Inside, the DRIVER's knuckles cling white to the wheel. He's got the pedal flat. Scared, breathing fast. His eyes bug wide behind the faceplate of his gas mask. Oh, by the way, he's wearing a GAS MASK. That, and white jockey UNDERPANTS. Nothing else. Buckled in the seat beside him lolls a clothed PASSENGER, also wearing a gas mask. Blood streaks down from his ear, blotting his T-shirt. He's passed out cold. Behind them, the interior is a wreck. Beakers and buckets and flasks -- some kind of ad-hoc CHEMICAL LAB -- spill their noxious contents with every bump we hit. -
State University of New York at New Paltz Breaking Bad and the Intersection of Critical Theory at Race, Disability, and Gender
Breaking Bad and the intersection of critical theory at race, disability, and gender Item Type Honor's Project Authors McDonough, Matthew Rights Attribution-NonCommercial-NoDerivatives 4.0 International Download date 01/10/2021 02:24:17 Item License http://creativecommons.org/licenses/by-nc-nd/4.0/ Link to Item http://hdl.handle.net/20.500.12648/1578 State University of New York at New Paltz Breaking Bad and the Intersection of Critical Theory at Race, Disability, and Gender Matthew McDonough Independent Study Honors 495-06 Professor Sarah Wyman 8 December 2020 Thesis Abstract: The television series Breaking Bad (created by Vince Gilligan) is considered by audience and critics alike as one of the greatest television series ever made. It tells the story of the rise and fall of Walter White (Bryan Cranston), a mild-mannered chemistry teacher turned meth kingpin. He turns to a life of crime after having been diagnosed with terminal cancer, and he sees meth manufacturing as the most lucrative way to provide for his family. It has been nearly a decade since the series finale, yet it endures through sequel films, spin-offs, and online streaming. My thesis investigates the series’ staying power, and I would argue that lies in its thematic content. Breaking Bad is not just a straightforward story of one man’s descent into a life of crime, but it is also a mediation on dominant, repressive power structures. The series offers a look at these structures through the lens of race, gender, and disability through the actions of characters and their interactions with one another. -
Write It in INK!, Perform There
University of South Carolina Scholar Commons February 2015 2-11-2015 The aiD ly Gamecock, Wednesday, February 11, 2015 University of South Carolina, Office oftude S nt Media Follow this and additional works at: https://scholarcommons.sc.edu/gamecock_2015_feb Recommended Citation University of South Carolina, Office of Student Media, "The aiD ly Gamecock, Wednesday, February 11, 2015" (2015). February. 8. https://scholarcommons.sc.edu/gamecock_2015_feb/8 This Newspaper is brought to you by the 2015 at Scholar Commons. It has been accepted for inclusion in February by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. UNIVERSITY OF SOUTH CAROLINA WEDNESDAY, FEBRUARY 11, 2015 VOL. 116, NO. 87 • SINCE 1908 Does SG serve its Head-to-Head purpose? | Page 6 David Roberts @DAVIDJAYROBERTS Thornwell ew teams in the Southeastern Conference have struggled as Fmightily as South Carolina, who beat Missouri 65-60 Tuesday night, has thus far. powers In fact, only Missouri has. The Tigers are dead last in SEC play and are now 0-5 in conference road games after their loss to South Gamecocks Carolina. The Gamecocks are not much better, however, as they sit in second- to-last place in the conference. past Tigers South Carolina had lost six of its last seven games entering Tuesday’s matchup, which caused head coach Frank Martin to challenge members of his team to step into leadership roles. “Leadership is who’s willing to stand up and embrace the moment,” Martin said Monday afternoon before the game. “Who’s willing to stand up in front of their peers and say, ‘Hey, enough of this. -
A Monomyth Analysis of Breaking Bad
Breaking Myths: A monomyth analysis of Breaking Bad. Treball de Fi de Grau Grau d’Estudis d’Anglès i Espanyol Supervised by Jéssica Faciabén Lago Iván Cirilo Ramos 2019-2020 TABLE OF CONTENTS 1. Introduction: a working definition of monomyth .................................................................... 1 2. Methodology ............................................................................................................................ 2 3. The monomyth in Literary Criticism: The Good, the Bad, the Ugly. ......................................... 4 4. Hypothesis and challenges .......................................................................................................... 7 5. Monomyth Archetypes in Breaking Bad .................................................................................... 8 5.1 Heroes ................................................................................................................................ 8 5.2 Shapeshifters .................................................................................................................... 10 5.3Trickster ............................................................................................................................ 12 5.4 Threshold Guardian ......................................................................................................... 13 5.5 Mentors ............................................................................................................................ 14 5.6 Shadows .......................................................................................................................... -
Better Call Saul: Is You Want Discoverable Communications: the Misrepresentation of the Attorney-Client Privilege on Breaking Bad
Volume 45 Issue 2 Breaking Bad and the Law Spring 2015 Better Call Saul: Is You Want Discoverable Communications: The Misrepresentation of the Attorney-Client Privilege on Breaking Bad Armen Adzhemyan Susan M. Marcella Recommended Citation Armen Adzhemyan & Susan M. Marcella, Better Call Saul: Is You Want Discoverable Communications: The Misrepresentation of the Attorney-Client Privilege on Breaking Bad, 45 N.M. L. Rev. 477 (2015). Available at: https://digitalrepository.unm.edu/nmlr/vol45/iss2/5 This Article is brought to you for free and open access by The University of New Mexico School of Law. For more information, please visit the New Mexico Law Review website: www.lawschool.unm.edu/nmlr \\jciprod01\productn\N\NMX\45-2\NMX208.txt unknown Seq: 1 12-MAY-15 12:16 “BETTER CALL SAUL” IF YOU WANT DISCOVERABLE COMMUNICATIONS: THE MISREPRESENTATION OF THE ATTORNEY- CLIENT PRIVILEGE ON BREAKING BAD Armen Adzhemyan and Susan M. Marcella* INTRODUCTION What if Breaking Bad had an alternate ending? One where the two lead characters and co-conspirators in a large methamphetamine cooking enterprise, Walter White and Jesse Pinkman,1 are called to answer for their crimes in a court of law. Lacking hard evidence and willing (i.e., * Armen Adzhemyan is a litigation associate in the Los Angeles office of Gibson, Dunn & Crutcher LLP where he has researched and litigated numerous issues regarding the attorney-client privilege as a member of the Antitrust, Law Firm Defense, Securities Litigation, and Transnational Litigation Practice Groups. He received his J.D. in 2007 from the University of California, Berkeley School of Law, where he served as a senior editor on the Berkeley Journal of International Law. -
IMTA ALUM AARON PAUL SHINES in TWO NEW FILMS IMTA Press Release October 3, 2019 the Parts You Lose Is in Select Theatres and VOD Friday, October 4
IMTA ALUM AARON PAUL SHINES IN TWO NEW FILMS IMTA Press Release October 3, 2019 The Parts You Lose is in select theatres and VOD Friday, October 4. El Camino: A Breaking Bad Movie arrives on Netflix on October 11th and is set for a limited theatrical release from October 11th to 13th. “I really loved Jesse. I knew him better than anyone, but it was a big weight off of my shoulders to hang up the cleats and walk away. I thought it was goodbye, and I was OK with that.” — Aaron Paul on the “Breaking Bad” series finale Since the iconic series “Breaking Bad” ended in 2013, IMTA alum Aaron Paul has taken on a variety of roles in feature films such as Need for Speed, Exodus: Gods and Kings, Eye in the Sky and Central Intelligence, as well as TV series that include Hulu’s “The Path” and Netflix’s adult animated “Bojack Horseman,” on which he also serves as an Executive Producer. He had just completed the independent feature The Parts You Lose in early 2018 when “Breaking Bad” creator Vince Gilligan secretly contacted him to see if he would be interested in an idea he had for a movie about Jesse Pinkman, Paul’s character in the series about a high school chemistry teacher diagnosed with inoperable lung cancer who turns to manufacturing and selling methamphetamine in order to secure his family's future. Skip forward 18 months to August 2019. The Samuel Goldwyn Company reveals the trailer and October 4 release date for The Parts You Lose. -
“I Am the One Who Knocks!”: What It Means to Be a Man in Breaking Bad. by Stephanie Wille Submitted to the Graduate Degree P
“I am the one who knocks!”: What It Means to Be a Man in Breaking Bad. By Stephanie Wille Submitted to the graduate degree program in Film and Media Studies and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Master of Arts. ________________________________ Chairperson Dr. John C. Tibbetts ________________________________ Dr. Ron Wilson ________________________________ Dr. Germaine Halegoua Date Defended: August 18, 2014 ii The Dissertation Committee for Stephanie Wille certifies that this is the approved version of the following dissertation: “I am the one who knocks!”: What It Means to Be a Man in Breaking Bad. ________________________________ Chairperson Dr. John C. Tibbetts Date approved: October 30, 2014 iii Abstract Breaking Bad (AMC, 2008-2013) dramatizes the rise and fall of Walter White, a mild- mannered high school chemistry teacher who, through a series of misfortunes and freak opportunities, is transformed into a notorious, brutal drug kingpin -- a trajectory described as "Mr. Chips" to "Scarface." I contextualize and conduct a textual analysis of this acclaimed television series as a case study that demonstrates the increasingly complex construction of masculine identity in contemporary television. This study examines the reception of specific characters among critics and audiences, as well as investigates the ways in which the setting and depiction of ethnicities influence representations of masculinity. Calling for attention to the apparent lack in masculinity studies on television, the complex male representation in Breaking Bad suggests that men are not merely experiencing a crisis of their masculinity in contemporary society, but demonstrates that there is a problem with uniform white, hetero-normative representation of masculinity on TV. -
Breaking Bad Pilot Screenplay Pdf
Breaking bad pilot screenplay pdf Continue Share the Deep Blue Sky above your head. Thick, scuddy clouds. Beneath them, black and white cows graze hills. This could be one of those California It's Cheese adverts that's a description of the original script specifications written by Vince Gilligan pitched on AMC and Sony. It's a little different from the Pilot, which ends up on the air. A teaser plot of cow dung is working on a wildly caring RV vehicle invading the cow pasture, scattering cows. It crashes into a ravine and stops. Walt comes out, dresses only in white tights and records a video of his family. He clutches a chrome gun and directs it towards the police sirens moving towards him. Overall the teaser, as envisioned, was almost identical to the final cut footage, the only obvious difference being a shot of manure over the run was replaced by Walt's trousers flying through the air and knocked down. Act 1 He gets up at 5:02 a.m. to train on the stairs. He then goes to the bathroom and masturbates. Skyler serves breakfast for Walt and Walt Jr. complaining that the bacon isn't real, but Skyler explains that Walt looks for cholesterol. He teaches chemistry classes when Chad and his girlfriend cause distraction. After class he sits in an empty room and scores quizzes while eating a sandwich. Margaret enters the room and buys soda. Walt wishes her a happy birthday, and she smokes a cigarette, telling him: Don't go. Cut at the car wash: Amir is on the phone with his son, who appears to quit his job. -
Breaking Bad in the Classroom
Volume 45 Issue 2 Breaking Bad and the Law Spring 2015 Breaking Bad in the Classroom Max Minzner University of New Mexico - Main Campus Recommended Citation Max Minzner, Breaking Bad in the Classroom, 45 N.M. L. Rev. 397 (2015). Available at: https://digitalrepository.unm.edu/nmlr/vol45/iss2/3 This Article is brought to you for free and open access by The University of New Mexico School of Law. For more information, please visit the New Mexico Law Review website: www.lawschool.unm.edu/nmlr \\jciprod01\productn\N\NMX\45-2\NMX203.txt unknown Seq: 1 12-MAY-15 12:15 BREAKING BAD IN THE CLASSROOM Max Minzner* ABSTRACT Breaking Bad is often described as the transformation of Walter White—Mr. Chips becomes Scarface.1 Equally significant, though, are the journeys of Hank Schrader, his DEA pursuer, and Hank’s colleagues. The show is a study of law enforcement investigation in action. As a result, Breaking Bad can serve as a tool of pedagogy in criminal procedure. This Essay seeks to serve two ends. First, it provides a map for the use of the Breaking Bad series in the core constitutional criminal procedure course focusing on the limits on police investigation arising from the Fourth and Fifth Amendments. Video is a powerful mechanism for presenting hypotheticals to students. Recent work on other shows such as The Wire has recognized the value of television as an alternative pedagogi- cal technique in the law school curriculum. Breaking Bad deserves to take its place as a teaching aid in a criminal procedure classroom. -
Walter White, Heisenberg, and the Dark Revenge of Science J
Georgia State University ScholarWorks @ Georgia State University Middle and Secondary Education Faculty Department of Middle and Secondary Education Publications 2018 A Teacher Goes Gothic: Walter White, Heisenberg, and the Dark Revenge of Science J. Patrick McGrail Jacksonville State University, [email protected] Ewa McGrail Georgia State University, [email protected] Alicja Rieger [email protected] Follow this and additional works at: https://scholarworks.gsu.edu/mse_facpub Part of the Curriculum and Instruction Commons, and the Junior High, Intermediate, Middle School Education and Teaching Commons Recommended Citation McGrail, J. Patrick; McGrail, Ewa; and Rieger, Alicja, "A Teacher Goes Gothic: Walter White, Heisenberg, and the Dark Revenge of Science" (2018). Middle and Secondary Education Faculty Publications. 136. https://scholarworks.gsu.edu/mse_facpub/136 This Article is brought to you for free and open access by the Department of Middle and Secondary Education at ScholarWorks @ Georgia State University. It has been accepted for inclusion in Middle and Secondary Education Faculty Publications by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. A TEACHER GOES GOTHIC A Teacher Goes Gothic: Walter White, Heisenberg and the Dark Revenge of Science J. Patrick McGrail, Ewa McGrail, Alicja Rieger Abstract Much has been written on the natures and personalities of teachers in educational research and publications (Carter, 2009; Beck, 2012; Bulman, 2015; Dalton, 2013; Gillard, 2012; Kelly & Caughlan, 2011). However, mass media can have a powerful influence on how people see teachers. The television series Breaking Bad (Gilligan, 2007-2013) and its representation of teachers, has contributed a unique – if warped -perspective on the subject of teachers and teaching in America. -
Precarious Masculinity, Emasculation, Sexuality, and Violence in Breaking Bad Jamie Pond1
Precarious Masculinity Pond “You can go fuck yourself!”: Precarious Masculinity, Emasculation, Sexuality, and Violence in Breaking Bad Jamie Pond1 1 University of North Carolina - Wilmington, NC, USA Jamie Pond e-mail: [email protected] Received April 3, 2018 Accepted for publication January 24, 2019 Published February 13, 2019 Abstract This paper examines how emasculation as a fallen status within the gender order reinforces narrowly defined masculine expectations of behavior based on violence and power in the show Breaking Bad. Since masculinity is precarious, it is fragile and constantly has to be proven to other men. The male characters in this show deal with their emasculation by using violence towards others to re-establish their position within the gender order (Vandello and Bosson 2013; Connell 2005). The exception, Jesse (played by Aaron Paul), fails to recover and prove his masculinity and becomes the “permanent fag” as he struggles with the emotional turmoil associated with violence (Pascoe 2005). Since someone’s masculine status within the gender order is based in relation to age, social class, race and/or ethnicity, these are discussed as well. Furthermore, as masculinity is defined in opposition to femininity, the subornation of women assists in confirming one’s masculinity. Finally, the death of main characters reinforces normative gender constructions of masculinity as they fall victim to the violence inherent in patriarchal systems that equate violence with status. This examination is particularly important as the violence of white men in U.S. society becomes commonplace and normalized. This paper does not examine Breaking Bad from a Criminological standpoint, but instead focuses on masculinity and violence as social practices that reinforce the gender order.