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Downloaded from: justpaste.it/4kw1 Breaking Bad Season 5 Episode 11 | Watch Breaking Bad - S05E11 online Summary Jesse decides to make a change, while Walt and Skyler try to deal with an unexpected demand. Click here to Watch the Full Video Previously on Breaking Bad Season 5 Episode 10 "Buried", While Skyler's past catches up with her, Walt covers his tracks. Jesse continues to struggle with his guilt. On this week's Episode title "Confessions", Jesse decides to make a change, while Walt and Skyler try to deal with an unexpected demand. Breaking Bad is an American television drama series created and produced by Vince Gilligan. Set and produced in Albuquerque, New Mexico, Breaking Bad is the story of Walter White (Bryan Cranston), a struggling high school chemistry teacher who is diagnosed with advanced lung cancer at the beginning of the series. He turns to a life of crime, producing and selling methamphetamine with a former student, Jesse Pinkman (Aaron Paul), with the aim of securing his family's financial future before he dies. Breaking Bad has received widespread critical acclaim, particularly for its writing, cinematography, and the acting ability of its cast. The series has won six Emmy Awards— including three consecutive wins for Lead Actor in a Drama Series for Cranston, one win for Supporting Actor in a Drama Series for Paul, and two nominations for Outstanding Drama Series. Cranston has also been nominated twice for a Golden Globe Award for Best Performance by an Actor in a Television Series – Drama. Watch Breaking Bad Season 5 Episode 11 Confessions, Breaking Bad Season 5 Episode 11 Free Streaming, Breaking Bad Season 5 Episode 11 Putlocker, Breaking Bad Season 5 Episode 11 online, Breaking Bad Season 5 Episode 11 Novamov, Breaking Bad Season 5 Episode 11 Youtube, Watch Breaking Bad S05E11 Confessions online, Watch Breaking Bad S05E11 Confessions Free Streaming, Watch Breaking Bad S05E11 Confessions Putlocker, Watch Breaking Bad S05E11 Confessions Novamov, Watch Breaking Bad S05E11 Confessions Youtube, Download Breaking Bad Season 5 Episode 11 Online, Download Breaking Bad Season 5 Episode 11 Full Video, Download Breaking Bad Season 5 Episode 11 HD Quality, Breaking Bad S05E11 Download Online, Breaking Bad S05E11 HD Quality Download, Breaking Bad S05E11 Full Video Download.

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Breaking Bad and Cinematic Television
temp Breaking Bad and Cinematic Television ANGELO RESTIVO Breaking Bad and Cinematic Television A production of the Console- ing Passions book series Edited by Lynn Spigel Breaking Bad and Cinematic Television ANGELO RESTIVO DUKE UNIVERSITY PRESS Durham and London 2019 © 2019 Duke University Press All rights reserved Printed in the United States of America on acid- free paper ∞ Typeset in Warnock and News Gothic by Tseng Information Systems, Inc. Library of Congress Cataloging-in-Publication Data Names: Restivo, Angelo, [date] author. Title: Breaking bad and cinematic television / Angelo Restivo. Description: Durham : Duke University Press, 2019. | Series: Spin offs : a production of the Console-ing Passions book series | Includes bibliographical references and index. Identifiers: LCCN 2018033898 (print) LCCN 2018043471 (ebook) ISBN 9781478003441 (ebook) ISBN 9781478001935 (hardcover : alk. paper) ISBN 9781478003083 (pbk. : alk. paper) Subjects: LCSH: Breaking bad (Television program : 2008–2013) | Television series— Social aspects—United States. | Television series—United States—History and criticism. | Popular culture—United States—History—21st century. Classification: LCC PN1992.77.B74 (ebook) | LCC PN1992.77.B74 R47 2019 (print) | DDC 791.45/72—dc23 LC record available at https: // lccn.loc.gov/2018033898 Cover art: Breaking Bad, episode 103 (2008). Duke University Press gratefully acknowledges the support of Georgia State University’s College of the Arts, School of Film, Media, and Theatre, and Creative Media Industries Institute, which provided funds toward the publication of this book. Not to mention that most terrible drug—ourselves— which we take in solitude. —WALTER BENJAMIN Contents note to the reader ix acknowledgments xi Introduction 1 1 The Cinematic 25 2 The House 54 3 The Puzzle 81 4 Just Gaming 116 5 Immanence: A Life 137 notes 159 bibliography 171 index 179 Note to the Reader While this is an academic study, I have tried to write the book in such a way that it will be accessible to the generally educated reader.
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Outstanding Casting for a Drama Series
Outstanding Casting for a Drama Series Episode 511, “Confessions”: Walt, Skylar, Hank & Marie meet to discuss what's next. Trent, just doing his job, interrupts this very tense situation...more than once. Walter White … Bryan Cranston Skyler White … Anna Gunn Hank Schrader … Dean Norris Marie Schrader … Betsey Brandt Trent* … Guy Wilson Episode 515, “Granite State”: The Disappearer returns to Walt at his hideout in New Hampshire to bring him supplies. Walter White … Bryan Cranston The Disappearer* … Robert Forrester Episode 516, “Felina”: Walt returns to Elliott & Gretchen's. Our fan favorites Badger & Skinny Pete are not far behind. Walter White … Bryan Cranston Elliott … Adam Godley Gretchen … Jessica Hecht Badger … Matt Jones Skinny Pete … Charles Baker Lydia & Todd have an unexpected visit from Walt at the weekly coffee shop meeting Walter White … Bryan Cranston Lydia* … Laura Fraser Todd* … Jesse Plemons The shootout between Jack’s gang and Walter’s machine. The final good-bye. Walter White … Bryan Cranston Jesse Pinkman … Aaron Paul Todd* … Jesse Plemons Uncle Jack* … Michael Bowen Kenny* … Kevin Rankin Lester* … Tait Fletcher Jack’s Man* … Matthew T. Metzler Frankie* … Patrick Shane *Cast this season Casting Summary for Production 12-20-2012 BREAKING BAD Artist Episode # Episode Title Role Name Series Stars: BRANDT, BETSY MARIE CRANSTON, BRYAN WALTER WHITE GUNN, ANNA SKYLER WHITE MITTE, RJ WALTER, JR. NORRIS, DEAN HANK ODENKIRK, BOB SAUL GOODMAN PAUL, AARON JESSE Guest Cast: BAKER, CHARLES 509 BLOOD MONEY SKINNY PETE BRUMMETT,
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A Monomyth Analysis of Breaking Bad
Breaking Myths: A monomyth analysis of Breaking Bad. Treball de Fi de Grau Grau d’Estudis d’Anglès i Espanyol Supervised by Jéssica Faciabén Lago Iván Cirilo Ramos 2019-2020 TABLE OF CONTENTS 1. Introduction: a working definition of monomyth .................................................................... 1 2. Methodology ............................................................................................................................ 2 3. The monomyth in Literary Criticism: The Good, the Bad, the Ugly. ......................................... 4 4. Hypothesis and challenges .......................................................................................................... 7 5. Monomyth Archetypes in Breaking Bad .................................................................................... 8 5.1 Heroes ................................................................................................................................ 8 5.2 Shapeshifters .................................................................................................................... 10 5.3Trickster ............................................................................................................................ 12 5.4 Threshold Guardian ......................................................................................................... 13 5.5 Mentors ............................................................................................................................ 14 5.6 Shadows ..........................................................................................................................
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Better Call Saul
BETTER CALL SAUL "Chicanery" Episode #305 Written by Gordon Smith Directed by Daniel Sackheim Production Draft FINAL - 11/21/16 SONY PICTURES TELEVISION INC. All Rights Reserved © 2016 No portion of this script may be performed, or reproduced by any means, or quoted, or published in any medium without prior written consent of SONY PICTURES TELEVISION INC. * 10202 West Washington Boulevard * Culver City, CA 90232* BETTER CALL SAUL "Chicanery" 11/21/16 Cast List JIMMY CHUCK KIM HAMLIN LABORER #1 REBECCA DOCTOR CALDERA BANK COMMISSIONER KEVIN PAIGE ALLEY CHAIRMAN COMMITTEE MEMBER #1 COMMITTEE MEMBER #2 PRIVATE INVESTIGATOR FRANCESCA CLERK HUELL COURT REPORTER Non-speaking DAY LABORER OWNER KID MAN ONLOOKERS ASSISTANT SECURITY GUARD OMITTED AUDIO TECH BETTER CALL SAUL "Chicanery" 11/21/16 Set List Interiors: CHUCK'S HOUSE KITCHEN DINING ROOM GREAT ROOM MUD ROOM VET'S OFFICE LOBBY EXAM ROOM STATE GOV'T BUILDING LOBBY STATE BAR BUILDING HEARING ROOM HALLWAY STAIRWAY KIM'S CONDO BATHROOM LIVING ROOM OMITTED: STATE GOV'T BUILDING HEARING ROOM STATE BAR BUILDING SIDE ROOM ELEVATOR LOBBY KIM'S CAR Exteriors: STATE BAR BUILDING FRONT CHUCK'S HOUSE OMITTED: CHUCK'S HOUSE GARAGE KIM'S CAR TEASER WHIRRR! CLOSE ON: the blade of a LAWNMOWER, spinning. Chewing its way through the lawn of... EXT. CHUCK’S HOUSE - DAY Pushing the mower, a DAY LABORER has already cleared the shaggy green grass from more than half the lawn in nice clean rows. Why is Chuck giving his house a makeover? In the b.g., JIMMY crosses from the direction of the garage, something small and black in hand.
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Better Call Saul: Is You Want Discoverable Communications: the Misrepresentation of the Attorney-Client Privilege on Breaking Bad
Volume 45 Issue 2 Breaking Bad and the Law Spring 2015 Better Call Saul: Is You Want Discoverable Communications: The Misrepresentation of the Attorney-Client Privilege on Breaking Bad Armen Adzhemyan Susan M. Marcella Recommended Citation Armen Adzhemyan & Susan M. Marcella, Better Call Saul: Is You Want Discoverable Communications: The Misrepresentation of the Attorney-Client Privilege on Breaking Bad, 45 N.M. L. Rev. 477 (2015). Available at: https://digitalrepository.unm.edu/nmlr/vol45/iss2/5 This Article is brought to you for free and open access by The University of New Mexico School of Law. For more information, please visit the New Mexico Law Review website: www.lawschool.unm.edu/nmlr \\jciprod01\productn\N\NMX\45-2\NMX208.txt unknown Seq: 1 12-MAY-15 12:16 “BETTER CALL SAUL” IF YOU WANT DISCOVERABLE COMMUNICATIONS: THE MISREPRESENTATION OF THE ATTORNEY- CLIENT PRIVILEGE ON BREAKING BAD Armen Adzhemyan and Susan M. Marcella* INTRODUCTION What if Breaking Bad had an alternate ending? One where the two lead characters and co-conspirators in a large methamphetamine cooking enterprise, Walter White and Jesse Pinkman,1 are called to answer for their crimes in a court of law. Lacking hard evidence and willing (i.e., * Armen Adzhemyan is a litigation associate in the Los Angeles office of Gibson, Dunn & Crutcher LLP where he has researched and litigated numerous issues regarding the attorney-client privilege as a member of the Antitrust, Law Firm Defense, Securities Litigation, and Transnational Litigation Practice Groups. He received his J.D. in 2007 from the University of California, Berkeley School of Law, where he served as a senior editor on the Berkeley Journal of International Law.
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Why We Should Spare Walter White: Breaking Bad and the True Power of Mitigation
Volume 45 Issue 2 Breaking Bad and the Law Spring 2015 Why We Should Spare Walter White: Breaking Bad and the True Power of Mitigation Bidish J. Sarma Recommended Citation Bidish J. Sarma, Why We Should Spare Walter White: Breaking Bad and the True Power of Mitigation, 45 N.M. L. Rev. 429 (2015). Available at: https://digitalrepository.unm.edu/nmlr/vol45/iss2/4 This Article is brought to you for free and open access by The University of New Mexico School of Law. For more information, please visit the New Mexico Law Review website: www.lawschool.unm.edu/nmlr \\jciprod01\productn\N\NMX\45-2\NMX207.txt unknown Seq: 1 7-MAY-15 13:45 WHY WE WOULD SPARE WALTER WHITE: BREAKING BAD AND THE TRUE POWER OF MITIGATION Bidish J. Sarma* INTRODUCTION What if federal authorities captured Walter White? Considering that he committed the murders of many individuals and orchestrated many more in the course of building and running his global meth trade, the prosecution would be able to seek the ultimate punishment against him. But, would a jury give him the death penalty? Walter’s gripping journey stirred within viewers a range of complex emotions, but even those re- volted by his actions must concede that it is extraordinarily difficult to envision a random collection of twelve people unanimously agreeing that he deserves a state-sanctioned execution. Indeed, it seems that many of us actually rooted for Walter throughout the series, even when we strug- gled to understand why. This Essay explores the answer to the question of why we would spare Walter White from the death penalty.
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Formalizing Deceptive Reasoning in Breaking Bad: Default Reasoning in a Doxastic Logic
Deceptive and Counter-Deceptive Machines Papers from the AAAI 2015 Fall Symposium Formalizing Deceptive Reasoning in Breaking Bad: Default Reasoning in a Doxastic Logic John Licato [email protected] Analogical Constructivism and Reasoning Lab (ACoRL) Indiana University and Purdue University-Fort Wayne Abstract In this paper, I will attempt to model the reasoning used by The rich expressivity provided by the cognitive event agents in an episode of the television series Breaking Bad. calculus (CEC) knowledge representation framework Episode 13 of season 5, entitled To’hajiilee, is notably rich in allows for reasoning over deeply nested beliefs, desires, deceptive behaviors between characters, being a point in the intentions, and so on. I put CEC to the test by attempt- series’ overall story arc where the conflict between several ing to model the complex reasoning and deceptive plan- consistently wily characters comes to a climax. One group ning used in an episode of the popular television show (Jesse and Hank) devises a plan to lure, trap, and catch an- Breaking Bad. CEC is used to represent the knowledge other character (Walt), and I try to answer two questions used by reasoners coming up with plans like the ones about their plan in this paper: First, what sort of reasoning devised by the fictional characters I describe. However, and knowledge representation would be necessary to devise it becomes clear that a form of nonmonotonic reason- such a plan as the one created by Jesse and Hank? Second, is ing is necessary—specifically so that an agent can rea- sufficiently powerful to represent such knowledge and son about the nonmonotonic beliefs of another agent.
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Breaking Bad in the Classroom
Volume 45 Issue 2 Breaking Bad and the Law Spring 2015 Breaking Bad in the Classroom Max Minzner University of New Mexico - Main Campus Recommended Citation Max Minzner, Breaking Bad in the Classroom, 45 N.M. L. Rev. 397 (2015). Available at: https://digitalrepository.unm.edu/nmlr/vol45/iss2/3 This Article is brought to you for free and open access by The University of New Mexico School of Law. For more information, please visit the New Mexico Law Review website: www.lawschool.unm.edu/nmlr \\jciprod01\productn\N\NMX\45-2\NMX203.txt unknown Seq: 1 12-MAY-15 12:15 BREAKING BAD IN THE CLASSROOM Max Minzner* ABSTRACT Breaking Bad is often described as the transformation of Walter White—Mr. Chips becomes Scarface.1 Equally significant, though, are the journeys of Hank Schrader, his DEA pursuer, and Hank’s colleagues. The show is a study of law enforcement investigation in action. As a result, Breaking Bad can serve as a tool of pedagogy in criminal procedure. This Essay seeks to serve two ends. First, it provides a map for the use of the Breaking Bad series in the core constitutional criminal procedure course focusing on the limits on police investigation arising from the Fourth and Fifth Amendments. Video is a powerful mechanism for presenting hypotheticals to students. Recent work on other shows such as The Wire has recognized the value of television as an alternative pedagogi- cal technique in the law school curriculum. Breaking Bad deserves to take its place as a teaching aid in a criminal procedure classroom.
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Ozymandias-Litcharts
Get hundreds more LitCharts at www.litcharts.com Ozymandias POEM TEXT THEMES 1 I met a traveller from an antique land, THE TRANSIENCE OF POWER 2 Who said—“Two vast and trunkless legs of stone One of Shelley’s most famous works, “Ozymandias” 3 Stand in the desert. Near them, on the sand, describes the ruins of an ancient king’s statue in a 4 Half sunk a shattered visage lies, whose frown, foreign desert. All that remains of the statue are two “vast” 5 And wrinkled lip, and sneer of cold command, stone legs standing upright and a head half-buried in sand, along with a boastful inscription describing the ruler as the 6 Tell that its sculptor well those passions read “king of kings” whose mighty achievements invoke awe and 7 Which yet survive, stamped on these lifeless things, despair in all who behold them. The inscription stands in ironic 8 The hand that mocked them, and the heart that fed; contrast to the decrepit reality of the statue, however, 9 And on the pedestal, these words appear: underscoring the ultimate transience of political power. The 10 My name is Ozymandias, King of Kings; poem critiques such power through its suggestion that both 11 Look on my Works, ye Mighty, and despair! great rulers and their kingdoms will fall to the sands of time. 12 Nothing beside remains. Round the decay In the poem, the speaker relates a story a traveler told him 13 Of that colossal Wreck, boundless and bare about the ruins of a “colossal wreck” of a sculpture whose 14 The lone and level sands stretch far away.” decaying physical state mirrors the dissolution of its subject’s—Ozymandias’s—power.
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Going West in Breaking Bad: Ambiguous Morality, Violent…
Going West in Breaking Bad: Ambiguous Morality, Violent Masculinity, and the Antihero’s Role in the Evolution of the American Western Amanda Knopf Vince Gilligan’s Breaking Bad tells a story about more than cancer, chemistry, and meth. Viewing the series as a tale of the American West illuminates the ways it highlights and challenges entrenched American ideals. Looking through a historical and cinematic lens to analyze Breaking Bad as a Western, I will argue that we can discover how tropes of the Western genre continue to influence contemporary American identity. Although there have been ambiguous protagonists similar to Walt in Western film and literature, Gilligan takes this trope to a more intimate level, inviting us into an irresistible love-hate relationship with Walt, who at first resembles the typical white, middle-class, American man but transforms into the horrific Machiavellian beast, Heisenberg. Specifically, I will contend that Breaking Bad draws on Western motifs but also that Gilligan, through rethinking the iconic endings of famous Westerns, recharges the genre with new meanings. The open ending of the series suggests that Breaking Bad does not necessarily critique its violent, Western antihero, but indicates that this persona 2 persists today as a powerful depiction of American masculine identity, leading to potentially tragic consequences. Historian Henry Adams once admitted that the process of history is as mysterious and unchangeable as the laws of physics and chemistry: “A dynamic law requires that two masses— nature and man—must go on, reacting upon each other, without stop, as the sun and a comet react on each other, and that any appearance of stoppage is illusive” (Adams 375).1 Retracing Adams’s steps, Robert Morgan applies a chemical metaphor to the story of westward expansion: The tens of thousands of settlers, hungry for land, adventure, opportunity, are like the molecules of an element compelled to combine with another, the territory of the North American West.
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The Origins of Veterans Day
The Origins of Veterans Day 2006 Veterans Day Poster In 1921, an unknown World War I American soldier was buried in Arlington National Cemetery. This site, on a hillside overlooking the Potomac River and the city of Washington, D.C., became the focal point of reverence for America’s veterans. Similar ceremonies occurred earlier in England and France, where an unknown soldier was buried in each nation’s highest place of honor (in England, Westminster Abbey; in France, the Arc de Triomphe). These memorial gestures all took place on November 11, giving universal recognition to the celebrated ending of World War I fighting at 11 a.m., November 11, 1918 (the 11th hour of the 11th day of the 11th month). The day became known as “Armistice Day.” Armistice Day officially received its name in America in 1926 through a Congressional resolution. It became a national holiday 12 years later by similar Congressional action. If the idealistic hope had been realized that World War I was “the War to end all wars,” November 11 might still be called Armistice Day. But only a few years after the holiday was proclaimed, war broke out in Europe. Sixteen and one-half million Americans took part. Four hundred seven thousand of them died in service, more than 292,000 in battle. Armistice Day Changed To Honor All Veterans The first celebration using the term Veterans Day occurred in Birmingham, Alabama, in 1947. Raymond Weeks, a World War II veteran, organized "National Veterans Day," which included a parade and other festivities, to honor all veterans.
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Breaking Bad
BREAKING BAD "One Minute" Episode #307 Written by Thomas Schnauz Directed by Michelle MacLaren As Broadcast SONY PICTURES TELEVISION INC. All Rights Reserved © 2010 No portion of this script may be performed, or reproduced by any means, or quoted, or published in any medium without prior written consent of SONY PICTURES TELEVISION INC. * 10202 West Washington Boulevard * Culver City, CA 90232* BREAKING BAD "One Minute" Cast List WALT SKYLER JESSE HANK MARIE SAUL GOODMAN ASAC TIO MARCO (FIRST COUSIN) LEONEL (SECOND COUSIN) YOUNG MARCO YOUNG LEONEL GALE TRUCKER UNION REP OPR OFFICIAL #1 ABQ DETECTIVE #1 ABQ DETECTIVE #2 PREPPIE SHOPPER - (Non-Speaking) FEMALE SHOPPER - (Non-Speaking) BREAKING BAD "One Minute" Set List Interiors: JESSE'S HOUSE LIVING ROOM SUPERLAB WALT'S CONDO SCHRADER HOUSE BEDROOM HOSPITAL JESSE'S ROOM HALLWAY DEA ABQ HANK'S OFFICE BULLPEN CONFERENCE ROOM ELEVATORS LOBBY TRACTOR TRAILER BED N.D. MOTEL ROOM HANK'S JEEP COMMANDER Exteriors: JESSE'S HOUSE WALT'S CONDO MEXICAN HACIENDA MALL PARKING LOT EMPTY LOT TEASER EXT. BLUE SKY Harsh sunlight. It FLARES in our lens. We hear SOUNDS of a struggle OFF-SCREEN. The FIGURE OF A MAN darts in and out of frame, close to us... quick and out-of-focus... and upsidedown? It’s a few moments before we realize this man is... someone we know. Yes, it’s famous ‘70s action figure: G.I. JOE! WIDE TO REVEAL: EXT. MEXICAN HACIENDA - BACKYARD - DAY Two young, similar looking BROTHERS (age 9) are at odds over the plastic toy. One boy, MARCO, climbs high on a swing set, dangling the G.I.
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