DOCSLIB.ORG

Milwaukee, Wi April 16 -18, 2021

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

MILWAUKEE, WI APRIL 16 -18, 2021 www.epicdancecompetition.com WELCOME STUDIOS & DANCERS! Academy of Ballet Wauconda All of the Above Dance Company Aspirations Dance Company Dance & Music Academy Elation Dance Center Liberty Dance Center Lisa’s School of Dance North Shore Dance Studio R&B Dance Center Revolution Dance Showcase Dance Studio Warped Studios BRENT OPLOTNIK EPIC DIRECTOR Brent Oplotnik grew up studying at Applause Dance Studio in Oklahoma City under the direction of his mother, Patricia Oplotnik. His television career began at age nine years old when he appeared on Star Search and Univision’s El Sabado Gigante. It wasn’t long before he was cast in The Fox Movie of the Week, “Rise and Walk: The Dennis Byrd Story” starring Peter Berg. His work in lm led to another supporting role in Mark Lester’s HBO Special, “Public Enemy #1” starring Theresa Russell and Alyssa Milano. Brent has performed with world famous Las Vegas magician Melinda, The First Lady of Magic and has appeared with Randy Travis, Creed, Dino, Andy Williams, Jimmy Osmond and Neal McCoy. Brent has also been featured in Dance Spirit magazine with renowned choreographer and master teacher Tymme Reitz. He has created award winning choreography for countless shows in Branson, Missouri and numerous Six Flags theme parks across the nation. His award winning competition choreography can also be seen in dance studios across the country. As a veteran adjudicator, Brent has worked with Dance Masters of America, Hall of Fame, Adrenaline, VIP and Masquerade. And as a master teacher, Brent has been on faculty for conventions like Dance Olympus, LA Dance Magic and Flow 40 Dance Workshops. LAUREN GERARD EPIC MC Always having the desire to be a well-rounded and focused performer, Lauren has been driven by the idea that all obstacles present opportunities. Now living in Los Angeles & represented by Go 2 Talent Agency, Lauren has performed on stages reaching audiences of all kinds. A former member of the University of Virginia NCAA Dance Team, Lauren also performed with the Virginia Dance Company. Throughout her career, she has performed variations from Le Corsaire, taken part in Disneyland’s Holiday Spectacular, worked as a print model for nationally recognized dance apparel companies and danced at The Bellagio Hotel in Las Vegas for New Year’s Eve (featuring Bruno Mars) for two years running. However, she’s always found her way back to Los Angeles. She recently performed in Colombian artist Karol G’s hit music video “Tusa” featuring Nicki Minaj, which is now nominated for “Best Video” at the 2020 Heat Latin Music Awards. Lauren has also been working with choreographer Christian Vincent as part of a skeleton crew for an upcoming Netix series “Madame C.J. Walker” starring Octavia Spencer. As a dancer and certied yoga instructor, Lauren is especially proud to have been a part of the Debbie Reynolds Scholarship Program, and to have trained with the American Ballet Theatre. Lauren has worked with Luther Brown, Lindsey & Craig, Sienna Lyons, Anthony Thomas, Gustavo Vargas, Shawnette Heard, Rhapsody James, Marguerite Derricks, Jackie Sleight, and Scotty Nguyen. As her career continues to grow, so does her dreams. And she hopes to encourage young dancers everywhere to do the same! DEBBI SAMPSON EPIC JUDGES Debbi has been in the dance industry for 30 plus years studying Ballet, Jazz, Tap, Musical Theater and Contemporary. She has enjoyed being a part of multiple dance companies in the Northern California area. Her experience spans beyond her dance training as a teacher and dance educator. She has been the artistic director of her family's award winning studio for almost 20 years and has choreographed and taught numerous nationally acclaimed award winning numbers. Expanding into acting, she has appeared in multiple stage productions including 42nd Street and How to Succeed in Business without Really Trying and has appeared in various television commercials. Many of her students have gone on to professional careers in dance industry which include Broadway, Broadway National tours, Cruise Lines and Disney. Being a dance educator is what Debbi loves, hoping to help young dancers reach their dreams. BRITTANY LORIN From a young age, the world of performance opened to Brittany as she began her training in musical theater. After years of training in San Antonio, she continued her education at Oklahoma City University where she earned a Bachelor of Science in Dance and Arts Management. Upon graduation, she moved to New York City to begin her professional dance career. She has worked with the best of the best at Broadway Dance Center in hip hop and street jazz as well as New York’s most established including Jerry Mitchell, Joshua Bergasse, Marc Kimmelman, and Al Blackstone. Brittany has appeared on New-York-centric platforms that span from the Macy’s Thanksgiving Day Parade to New York Fashion Week. Throughout her career, Brittany has performed all across the United States performing in A Chorus Line, The Music Man and Chicago. Brittany also danced in the opening ceremonies of the Special Olympics, iLuminate, La Shelle, Broadway Bares, Busch Gardens, and Disney Cruise Lines. Now living in Los Angeles, she is continuing her career as a multi-hyphenated performer in television and lm. She wishes all performers this weekend the best with love and support! MEGAN MCLAUGHLIN Megan McLaughlin is a New York City based musical theatre performer. Originally from Des Moines, Iowa, she grew up dancing competitively and performing in numerous live theatre shows. Determined to follow a career in professional dance, Megan attended Oklahoma City University and graduated Suma Cum Laude from with a Bachelor of Performing Arts. Megan is now is based in New York City and has been working professionally ever since. Most recently, she performed on Amazon Prime’s The Marvelous Mrs. Maisel. She has also found a “home on the road” touring the country with Broadway national tours such as 42nd Street and Elf The Musical. Some of Megan’s other favorite theatre credits include Singin in the Rain, Crazy For You, and Oklahoma! Megan has a great love of performing but an even greater love of educating the next generation of dancers. She is so happy to be a part of the Epic Dance Competition team! The ocial on-site photo/video provider of Epic Dance Competition. Visit epicdancephoto.com for your BUY ONE, GET ONE FREE photo oer! For high school students entering their sophomore, junior or senior year interested in Broadway, commercial, or entertainment dance. (high schoolers entering their freshmen year of college are also welcome to attend) Visit: www.okcu.edu/dance/workshops/summerdance Competition Event Schedule MILWAUKEE, WI 2021 April 16-18, 2021 Friday - April 16, 2021 SESSION 1 - 3:30 PM - 7:00 PM Novice Large Group Musical Theatre - Ages: Mini 1 Into The Woods Aeris Avila, Paige Camarda, Kaelynn Revolution Dance Carlson, Kaylie Carlson, Sylvana De La Torre, Ashley Donnahue, Harper Gancarczyk, Willow Kasper, Kailee Lezondra, Abigail Mcclellan, Reagan Oliva, Emerson Ritter, Kasia Sallans, Sydney Sellmeyer, Addelyn Workman Elite Large Group Hip Hop - Ages: Teen 2 Welcome To The Neighborhood Lilyana Bobek, Camila De La Torre, Revolution Dance Kaylee Donnahue, Olivia Gedge, Ava Laurendi, Isabel Lockowitz, Mia Pereda, Brooke Plowman, Jillian Pranckus, Elisa Quaresima, Jared Schultz, Aubree Stevenson, Brooke Wikoff, Grayden Workman Elite Solo Lyrical - Ages: Teen 3 Half Light Dylan Bishop Revolution Dance Novice Large Group Jazz - Ages: Mini 4 September Aeris Avila, Jessica Barrett, Paige Revolution Dance Camarda, Kaelynn Carlson, Kaylie Carlson, Harper Gancarczyk, Willow Kasper, Emily Mcclellan, Abigail Mcclellan, Zoe Mcclelland, Emerson Ritter Elite Solo Open - Ages: Teen 5 Hold Your Breath Leah Ingram Revolution Dance Elite Solo Contemporary - Ages: Junior 6 Telescope Aubree Stevenson Revolution Dance Intermediate Small Group Tap - Ages: Mini 7 Mas Que Nada Aeris Avila, Kaelynn Carlson, Kaylie Revolution Dance Carlson, Ashley Donnahue, Finley Kimmes, Reagan Oliva, Raylee Pleshar, Emerson Ritter Elite Solo Contemporary - Ages: Junior 8 Strange Days Grayden Workman Revolution Dance Intermediate Solo Hip Hop - Ages: Junior 9 Roman's Return Roman Miller Revolution Dance Competition Event Schedule MILWAUKEE, WI 2021 April 16-18, 2021 Elite Large Group Contemporary - Ages: Teen 10 What Have I Done Dylan Bishop, Courtney Boyer, Camila Revolution Dance De La Torre, Miranda Deacon, Kaylee Donnahue, Emily Huskey, Leah Ingram, Micala Loose, Gabriella Quaresima, Aubree Stevenson, Peyton Toman, Brooke Wikoff Novice Large Group Hip Hop - Ages: Mini 11 The Get Down Aeris Avila, Paige Camarda, Kaelynn Revolution Dance Carlson, Kaylie Carlson, Harper Gancarczyk, Willow Kasper, Finley Kimmes, Emily Mcclellan, Abigail Mcclellan, Zoe Mcclelland, Reagan Oliva, Emerson Ritter Intermediate Large Group Hip Hop - Ages: Junior 12 Get Back Up Sylvana De La Torre, Ashley Revolution Dance Donnahue, Layla Lafave, Kailee Lezondra, Miley Loose, Roman Miller, Raylee Pleshar, Kasia Sallans, Emily Sanchez, Sydney Sellmeyer, Olivia Thoele, Addelyn Workman Elite Solo Lyrical - Ages: Junior 13 Thursday Aubree Stevenson Revolution Dance 14 Human Lilyana Bobek Revolution Dance Elite Large Group Hip Hop - Ages: Teen 15 Hip Hop's Finest Dylan Bishop, Nicholas Bobek, Revolution Dance Courtney Boyer, Miranda Deacon, Emily Huskey, Leah Ingram, Micala Loose, Gabriella Quaresima, Alex Rodriguez, David Rodriguez, Peyton Toman Elite Solo Tap - Ages: Junior 16
Recommended publications
  • 2018 Upland CA

    2018 Upland CA

    10/9/2018 Control Panel Upland, CA Results Advanced ~ Solo ~ 8 & Under PLACE ROUTINE STUDIO NAME CATEGORY SOLOIST NAME 1ST WHAT'S MY NAME? The Dance Spot Jazz HAYDEN YU 2ND GIMMIE GIMMIE The Dance Spot Character LEAH SANTOS 3RD MY DESTINY The Dance Spot Lyrical LEAH HUTT 4TH BABY MINE The Dance Spot Lyrical LAURYN BAKH 5TH I GOT LOVE Mather Dance Company Open BELLA BLANDING 6TH FIELDS OF GOLD Mather Dance Company Lyrical MYLIE MURILLO Advanced ~ Solo ~ 9­11 PLACE ROUTINE STUDIO NAME CATEGORY SOLOIST NAME 1ST NICEST THINGS Mather Dance Company Lyrical PEYTON LESSARD 2ND KITRI'S VARIATION The Dance Spot Ballet ALANA ALVARADO 3RD ON MY OWN The Dance Spot Lyrical AVA KO 4TH I'M A LADY Mather Dance Company Jazz ZOEY GARCIA 5TH PAPER SKIN The Dance Spot Lyrical HANNAH NATONIEWSKI 6TH PRAYING The Dance Spot Open ELIANA SWINDLE 7TH EXPENSIVE The Dance Spot Jazz SAMANTHA CHIN 8TH DREAM A LITTLE DREAM The Dance Spot Character SOFIA BORROMEO 9TH FEEL IT STILL Mather Dance Company Jazz ASHLIE MURILLO file:///Users/owner/Downloads/Believe%202018%20Upland%20.htm 1/19 10/9/2018 Control Panel Advanced ~ Solo ~ 12­14 PLACE ROUTINE STUDIO NAME CATEGORY SOLOIST NAME 1ST BROTSJO'R The Dance Spot Ballet MALLORY MCKENNA 2ND YOURS The Dance Spot Lyrical BREANNA MEZA 3RD BROWN EYED GIRL The Dance Spot Lyrical HAILEY GUTIERREZ 4TH LOVE SO SOFT The Dance Spot Jazz MARIAH ALVARADO 5TH GIVE IT TO ME RIGHT The Dance Spot Open KRYSTAL SMALL 6TH KEEP BREATHING The Dance Spot Lyrical LEIA ALVARADO 7TH MADNESS Mather Dance Company Contemporary KATIE MURILLO 8TH GOOD TO
  • Teaching Social Issues with Film

    Teaching Social Issues with Film

    Teaching Social Issues with Film Teaching Social Issues with Film William Benedict Russell III University of Central Florida INFORMATION AGE PUBLISHING, INC. Charlotte, NC • www.infoagepub.com Library of Congress Cataloging-in-Publication Data Russell, William B. Teaching social issues with film / William Benedict Russell. p. cm. Includes bibliographical references and index. ISBN 978-1-60752-116-7 (pbk.) -- ISBN 978-1-60752-117-4 (hardcover) 1. Social sciences--Study and teaching (Secondary)--Audio-visual aids. 2. Social sciences--Study and teaching (Secondary)--Research. 3. Motion pictures in education. I. Title. H62.2.R86 2009 361.0071’2--dc22 2009024393 Copyright © 2009 Information Age Publishing Inc. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, microfilming, recording or otherwise, without written permission from the publisher. Printed in the United States of America Contents Preface and Overview .......................................................................xiii Acknowledgments ............................................................................. xvii 1 Teaching with Film ................................................................................ 1 The Russell Model for Using Film ..................................................... 2 2 Legal Issues ............................................................................................ 7 3 Teaching Social Issues with Film
  • Stand up Participate Program Year I Evaluation Report

    Stand up Participate Program Year I Evaluation Report

    STAND UP PARTICIPATE PROGRAM YEAR I ASIAN MEDIA ACCESS EVALUATION REPORT Prepared by: Rodolfo Gutierrez Eric Armacanqui Yue Zhang November 2015 STAND UP PARTICIPATE (SUP) PROGRAM Year I (09.2014-08.2015) Evaluation Report a Prepared by: HACER with collaboration with Ange Hwang (AMA) HACER HACER’s mission is to provide the Minnesota This report is not copyright protected. Latino community the ability to create and However, HACER must grant permission for the control information about itself in order to affect reproduction of all or part of the enclosed critical institutional decision-making and public material, upon request, information reprinted policy. General support for HACER is provided with permission from other sources, would not by the Center for Urban and Regional Affairs be reproduced. HACER would appreciate (CURA) and Minnesota-based philanthropic acknowledgement, however, as well as two organizations. copies of any material thus reproduced. The content of this report is solely the responsibility of HACER and does not necessarily represent the views of our Executive Director: Rodolfo Gutierrez partners. We are grateful to all who contributed to the making of this report: HACER Thank you to all of those who offered support and 2314 University Ave SE, Apt. 101 expertise for this project, especially Asian Media St. Paul, Minnesota 55114 Access and all SUP program partners (651) 288-1141 www.hacer-mn.org 1 Table of Contents Table of Contents 1 Executive Summary 2 Overview of SUP Program 4 Context Analysis 4 Goal and Objectivities
  • The Symbolic Role of Animals in the Plains Indian Sun Dance Elizabeth

    The Symbolic Role of Animals in the Plains Indian Sun Dance Elizabeth

    17 The Symbolic Role of Animals in the Plains Indian Sun Dance 1 Elizabeth Atwood Lawrence TUFTS UNIVERSITY For many tribes of Plains Indians whose bison-hunting culture flourished during the 18th and 19th centuries, the sun dance was the major communal religious ceremony. Generally held in late spring or early summer, the rite celebrates renewal-the spiritual rebirth of participants and their relatives as well as the regeneration of the living earth with all its components. The sun dance reflects relationships with nature that are characteristic of the Plains ethos, and includes symbolic representations of various animal species, particularly the eagle and the buffalo, that once played vital roles in the lives of the people and are still endowed with sacredness and special powers. The ritual, involving sacrifice and supplication to insure harmony between all living beings, continues to be practiced by many contemporary native Americans. For many tribes of Plains Indians whose buffalo-hunting culture flowered during the 18th and 19th centuries, the sun dance was the major communal religious ceremony. Although details of the event differed in various groups, certain elements were common to most tribal traditions. Generally, the annual ceremony was held in late spring or early summer when people from different bands gathered together again following the dispersal that customarily took place in winter. The sun dance, a ritual of sacrifice performed by virtually all of the High Plains peoples, has been described among the Arapaho, Arikara, Assiniboin, Bannock, Blackfeet, Blood, Cheyenne, Plains Cree, Crow, Gros Ventre, Hidatsa, Kiowa, Mandans, Ojibway, Omaha, Ponca, Sarsi, Shoshone, Sioux (Dakota), and Ute (Spier, 1921, p.
  • Considering Fraud in a Financial Statement Audit : Practical Guidance for Applying SAS No

    Considering Fraud in a Financial Statement Audit : Practical Guidance for Applying SAS No

    University of Mississippi eGrove American Institute of Certified Public Accountants Guides, Handbooks and Manuals (AICPA) Historical Collection 1997 Considering fraud in a financial statement audit : practical guidance for applying SAS no. 82; Michael J. Ramos Anita M. Lyons American Institute of Certified Public Accountants Follow this and additional works at: https://egrove.olemiss.edu/aicpa_guides Part of the Accounting Commons, and the Taxation Commons Recommended Citation Ramos, Michael J.; Lyons, Anita M.; and American Institute of Certified Public Accountants, "Considering fraud in a financial statement audit : practical guidance for applying SAS no. 82;" (1997). Guides, Handbooks and Manuals. 33. https://egrove.olemiss.edu/aicpa_guides/33 This Book is brought to you for free and open access by the American Institute of Certified Public Accountants (AICPA) Historical Collection at eGrove. It has been accepted for inclusion in Guides, Handbooks and Manuals by an authorized administrator of eGrove. For more information, please contact [email protected]. Considering Fraud in a Financial Statement Audit; Practical Guidance lor Applying SAS No. 82 No. SAS Applying lor Guidance Practical Audit; Statement Financial a in Fraud Considering Considering Fraud in a Financial Statement Audit: Practical Guidance for Applying SAS No. 82 AICPA NOTICE TO READERS Considering Fraud in a Financial Statement Audit: Practical Guidance for Applying SAS No. 82 presents the views of the author and others who helped in its development. This publication has not been approved, disapproved, or otherwise acted upon by any senior technical committees of the American Institute of Certified Public Accountants. Therefore, the contents of this publication, including recommendations and suggestions, have no official or authoritative status.
  • A Segment of a Song That Lasts for 8 Counts. Most Songs Are Made up of Many 8-Counts Strung Together

    A Segment of a Song That Lasts for 8 Counts. Most Songs Are Made up of Many 8-Counts Strung Together

    8-COUNT (noun) A segment of a song that lasts for 8 counts. Most songs are made up of many 8-counts strung together. The class danced freestyle for six 8-counts. BEAT (noun) The regular, rhythmic aspect of music that can be counted and felt in order to coordinate movement. Also, one of the single moments of emphasis in the music that, together, make up the overall beat. Anne moved side to side with the song’s beat as she danced. BOUNCE (verb) To move in a way that imitates an object bouncing (moving quickly back or away from a surface after hitting it). Chloe placed her hands on her knees and bounced them to the rhythm of the song. CALL (noun) A specific instruction to be performed immediately within a dance. The teacher spoke the calls of the dance so the class would know which movements to perform. CALLER (noun) A person who speaks specific instructions during a dance in order to provide guidance to the dancers. Bobby did a great job of being the caller for the dance because he had all the instructions memorized perfectly. CHARGE (verb) To rush forward forcefully. Anthony charged forward, acting like a football player trying to break through the defense. CHOREOGRAPHY (noun) The set and sequence of movements that make up a dance when they are performed. Tasfia remembered all the choreography and performed the dance perfectly. CLOCKWISE (adverb) Movement in the same direction as the way the hands of a clock move around. The class walked clockwise in a circle during the Fjaskern dance.
  • Not Showing at This Cinema

    Not Showing at This Cinema

    greenlit just before he died, was an adaptation of A PIN TO SEE THE NIGHT Walter Hamilton’s 1968 novel All the Little Animals, exploring the friendship between a boy and an THE PEEPSHOW CREATURES old man who patrols roads at night collecting the Dir: Robert Hamer 1949 Dir: Val Guest 1957 roadkill. Reeves prepared a treatment, locations Adaptation of a 1934 novel by F. Tennyson Jesse Robert Neville is the last man on earth after a were scouted and Arthur Lowe was to play the about a young woman wrongly convicted as an mysterious plague has turned the rest of the lead. Thirty years later the book was adapted for accomplice when her lover murders her husband; a population into vampires who swarm around his the screen and directed by Jeremy Thomas starring thinly fictionalised account of Edith Thompson and house every night, hungering for his blood. By day, John Hurt and Christian Bale. the Ilford Murder case of 1922. With Margaret he hunts out the vampires’ lairs and kills them Lockwood in the lead, this was something of a with stakes through the heart, while obsessively dream project that Robert Hamer tried to get off searching for an antidote and trying to work out the ground at Ealing. Despite a dazzling CV that the cause of his immunity. Richard Matheson wrote ISHTAR includes the masterpiece Kind Hearts and Coronets the screenplay for The Night Creatures for Hammer Dir: Donald Cammell 1971-73 (1949), Hamer was unable to persuade studio Films in 1957 based on his own hugely influential The co-director of Performance (1970), Cammell boss Michael Balcon to back the project.
  • Song Catalogue February 2020 Artist Title 2 States Mast Magan 2 States Locha E Ulfat 2 Unlimited No Limit 2Pac Dear Mama 2Pac Changes 2Pac & Notorious B.I.G

    Song Catalogue February 2020 Artist Title 2 States Mast Magan 2 States Locha E Ulfat 2 Unlimited No Limit 2Pac Dear Mama 2Pac Changes 2Pac & Notorious B.I.G

    Song Catalogue February 2020 Artist Title 2 States Mast Magan 2 States Locha_E_Ulfat 2 Unlimited No Limit 2Pac Dear Mama 2Pac Changes 2Pac & Notorious B.I.G. Runnin' (Trying To Live) 2Pac Feat. Dr. Dre California Love 3 Doors Down Kryptonite 3Oh!3 Feat. Katy Perry Starstrukk 3T Anything 4 Non Blondes What's Up 5 Seconds of Summer Youngblood 5 Seconds of Summer She's Kinda Hot 5 Seconds of Summer She Looks So Perfect 5 Seconds of Summer Hey Everybody 5 Seconds of Summer Good Girls 5 Seconds of Summer Girls Talk Boys 5 Seconds of Summer Don't Stop 5 Seconds of Summer Amnesia 5 Seconds of Summer (Feat. Julia Michaels) Lie to Me 5ive When The Lights Go Out 5ive We Will Rock You 5ive Let's Dance 5ive Keep On Movin' 5ive If Ya Getting Down 5ive Got The Feelin' 5ive Everybody Get Up 6LACK Feat. J Cole Pretty Little Fears 7Б Молодые ветра 10cc The Things We Do For Love 10cc Rubber Bullets 10cc I'm Not In Love 10cc I'm Mandy Fly Me 10cc Dreadlock Holiday 10cc Donna 30 Seconds To Mars The Kill 30 Seconds To Mars Rescue Me 30 Seconds To Mars Kings And Queens 30 Seconds To Mars From Yesterday 50 Cent Just A Lil Bit 50 Cent In Da Club 50 Cent Candy Shop 50 Cent Feat. Eminem & Adam Levine My Life 50 Cent Feat. Snoop Dogg and Young Jeezy Major Distribution 101 Dalmatians (Disney) Cruella De Vil 883 Nord Sud Ovest Est 911 A Little Bit More 1910 Fruitgum Company Simon Says 1927 If I Could "Weird Al" Yankovic Men In Brown "Weird Al" Yankovic Ebay "Weird Al" Yankovic Canadian Idiot A Bugs Life The Time Of Your Life A Chorus Line (Musical) What I Did For Love A Chorus Line (Musical) One A Chorus Line (Musical) Nothing A Goofy Movie After Today A Great Big World Feat.
  • Theresa Russell

    Theresa Russell

    PORTRÆT Theresa Russell ar Nicolas Roeg og Theresa Russell af Henrik Lundgren tragter Gustav Klimts maleri Kysset, be­ Htaget endelig død på hinanden? mærker hun, at parret på lærredet ser - Det var det spørgsmål, de britiske lykkelige ud, og Alex (Art Garfunkel) filmkritikere stillede, da Afsporet (Track svarer: 'Det er fordi de ikke kender hin­ 29) havde premiere i sommer. Og for anden godt nok endnu!’ - Replikken englænderne er det et alvorligt spørgs­ rummer et signalement af de fleste The­ mål, ingen tvivl om det. De ser Nicolas resa Russell-figurer: Man har det bedst Roeg som en af de få instruktører, der med dem, så længe man er tiltrukket af har været i stand til at gøre karriere på deres gådefuldhed. Lærer man først de­ de rigtige præmisser: Skabe sig et navn res hemmeligheder at kende, kan man og en indtjening i Amerika uden at give være temmelig sikker på ubehagelighe­ afkald på det 'europæiske’ særpræg. Nu der. Theresa Russells rollefag er på den skulle det lige passe sig, at han gik ned måde de fatale kvinder, men når kvin­ på sin forbindelse med en skuespillerin­ der bliver skæbnesvangre for mænd, er de, der altid har været lidt mere sex­ det i reglen et spørgsmål om de illusio­ symbol, end de konservative britiske ner, mændene har gjort sig på forhånd. anmeldere brød sig om. Roeg ville faktisk oprindelig have kaldt Strengt taget burde de have gennem­ Bad Timing for Illusions: Alex er fascine­ skuet hende som en af deres egne, allere­ ret af pigen Milena (Russell), han gør sig de i hendes første film.
  • B31682637.Pdf

    B31682637.Pdf

    PREVIOUS BOOKS BY JEFFREY KOTTLER Introduction to Therapeutic Counseling (with Robert Brown),Third Edition. Pacific Grove, Calif.: Brooks/Cole, 1996. Growing a Therapist. San Francisco:Jossey-Bass, 1995. Beyond Blame: A New Way of Resolving Conflicts in Relationships. San Francisco:Jossey-Bass, 1994. The Heart of Healing: Relationships in Therapy (with Tom Sexton and Susan Whiston). San Francisco: Jossey-Bass, 1994. Classrooms Under the Influence: Counteracting Problems of Addiction (with Richard Powell and Stan Zehm). Newbury Park, Calif.: Corwin Press, 1994. The Emerging Professional Counselor: From Dreams to Realities (with Richard Hazier). Alexandria,Va.: American Counseling Association Press, 1994. On Being a Therapist (Revised Edition). San Francisco: Jossey-Bass, 1993. Teacher As Counselor (with Ellen Kottler). Newbury Park, Calif.: Corwin Press, 1993. Advanced Group Leadership. Pacific Grove, Calif.: Brooks/Cole, 1993. On Being a Teacher (with Stan Zehm). Newbury Park, Calif.: Corwin Press, 1993. Compassionate Therapy: WorKing with Difficult Clients. San Francisco: Jossey-Bass, 1992. The Compleat Therapist. San Francisco: Jossey-Bass, 1991. Private Moments, Secret Selves: Enriching Our Time Alone. New York: Ballantine, 1990. The Imperfect Therapist: Learning from Failure in Therapeutic Practice (with Diane Blau). San Francisco:Jossey-Bass, 1989. Pragmatic Group Leadership. Pacific Grove, Calif.: Brooks/Cole, 1983. Mouthing Off: A Study of Oral Behavior, Its Causes and Treatments. New York: Libra, 1981. Ethical and Legal Issues in Counseling and Psychotherapy: A Comprehensive Guide (with William Van Hoose). San Francisco: Jossey-Bass, 1977. THE LANGUAGE OF TEARS JEFFREY A. KOTTLER Copyright © 2013 International Psychotherapy Institute (1996 Jeffrey Kottler) All Rights Reserved This e-book contains material protected under International and Federal Copyright Laws and Treaties.
  • Songs by Title

    Songs by Title

    16,341 (11-2020) (Title-Artist) Songs by Title 16,341 (11-2020) (Title-Artist) Title Artist Title Artist (I Wanna Be) Your Adams, Bryan (Medley) Little Ole Cuddy, Shawn Underwear Wine Drinker Me & (Medley) 70's Estefan, Gloria Welcome Home & 'Moment' (Part 3) Walk Right Back (Medley) Abba 2017 De Toppers, The (Medley) Maggie May Stewart, Rod (Medley) Are You Jackson, Alan & Hot Legs & Da Ya Washed In The Blood Think I'm Sexy & I'll Fly Away (Medley) Pure Love De Toppers, The (Medley) Beatles Darin, Bobby (Medley) Queen (Part De Toppers, The (Live Remix) 2) (Medley) Bohemian Queen (Medley) Rhythm Is Estefan, Gloria & Rhapsody & Killer Gonna Get You & 1- Miami Sound Queen & The March 2-3 Machine Of The Black Queen (Medley) Rick Astley De Toppers, The (Live) (Medley) Secrets Mud (Medley) Burning Survivor That You Keep & Cat Heart & Eye Of The Crept In & Tiger Feet Tiger (Down 3 (Medley) Stand By Wynette, Tammy Semitones) Your Man & D-I-V-O- (Medley) Charley English, Michael R-C-E Pride (Medley) Stars Stars On 45 (Medley) Elton John De Toppers, The Sisters (Andrews (Medley) Full Monty (Duets) Williams, Sisters) Robbie & Tom Jones (Medley) Tainted Pussycat Dolls (Medley) Generation Dalida Love + Where Did 78 (French) Our Love Go (Medley) George De Toppers, The (Medley) Teddy Bear Richard, Cliff Michael, Wham (Live) & Too Much (Medley) Give Me Benson, George (Medley) Trini Lopez De Toppers, The The Night & Never (Live) Give Up On A Good (Medley) We Love De Toppers, The Thing The 90 S (Medley) Gold & Only Spandau Ballet (Medley) Y.M.C.A.
  • Final Nominations List the National Academy of Recording Arts & Sciences, Inc

    Final Nominations List the National Academy of Recording Arts & Sciences, Inc

    NATIONAL ACADEMY OF RECORDING ARTS & SCIENCES, INC. FINAL NOMINATIONS LIST THE NATIONAL ACADEMY OF RECORDING ARTS & SCIENCES, INC. Final Nominations List 63rd Annual GRAMMY® Awards For recordings released during the Eligibility Year September 1, 2019 through August 31, 2020 Note: More or less than 5 nominations in a category is the result of ties. General Field Category 1 8. SAVAGE Record Of The Year Megan Thee Stallion Featuring Beyoncé Award to the Artist and to the Producer(s), Recording Engineer(s) Beyoncé & J. White Did It, producers; Eddie “eMIX” and/or Mixer(s) and mastering engineer(s), if other than the artist. Hernández, Shawn "Source" Jarrett, Jaycen Joshua & Stuart White, engineers/mixers; Colin Leonard, mastering 1. BLACK PARADE engineer Beyoncé Beyoncé & Derek Dixie, producers; Stuart White, engineer/mixer; Colin Leonard, mastering engineer 2. COLORS Black Pumas Adrian Quesada, producer; Adrian Quesada, engineer/mixer; JJ Golden, mastering engineer 3. ROCKSTAR DaBaby Featuring Roddy Ricch SethinTheKitchen, producer; Derek "MixedByAli" Ali, Chris Dennis, Liz Robson & Chris West, engineers/mixers; Glenn A Tabor III, mastering engineer 4. SAY SO Doja Cat Tyson Trax, producer; Clint Gibbs & Kalani Thompson, engineers/mixers; Mike Bozzi, mastering engineer 5. EVERYTHING I WANTED Billie Eilish Finneas O'Connell, producer; Rob Kinelski & Finneas O'Connell, engineers/mixers; John Greenham, mastering engineer 6. DON'T START NOW Dua Lipa Caroline Ailin & Ian Kirkpatrick, producers; Josh Gudwin, Drew Jurecka & Ian Kirkpatrick, engineers/mixers; Chris Gehringer, mastering engineer 7. CIRCLES Post Malone Louis Bell, Frank Dukes & Post Malone, producers; Louis Bell & Manny Marroquin, engineers/mixers; Mike Bozzi, mastering engineer © The Recording Academy 2020 - all rights reserved 1 Not for copy or distribution 63rd Finals - Press List General Field Category 2 8.