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A RHETORICAL APPROACH to CULTURAL LITERACIES ACROSS MEDIA Randy Nichols Clemson University, [email protected]
Clemson University TigerPrints All Dissertations Dissertations 8-2011 A RHETORICAL APPROACH TO CULTURAL LITERACIES ACROSS MEDIA Randy Nichols Clemson University, [email protected] Follow this and additional works at: https://tigerprints.clemson.edu/all_dissertations Part of the Rhetoric and Composition Commons Recommended Citation Nichols, Randy, "A RHETORICAL APPROACH TO CULTURAL LITERACIES ACROSS MEDIA" (2011). All Dissertations. 759. https://tigerprints.clemson.edu/all_dissertations/759 This Dissertation is brought to you for free and open access by the Dissertations at TigerPrints. It has been accepted for inclusion in All Dissertations by an authorized administrator of TigerPrints. For more information, please contact [email protected]. A RHETORICAL APPROACH TO CULTURAL LITERACIES ACROSS MEDIA A Dissertation Presented to the Graduate School of Clemson University In Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy Rhetorics, Communication and Information Design by Randy D. Nichols August 2011 Accepted by: Tharon Howard, Committee Chair Cynthia Haynes Constancio Nakuma Clifton S.M. Egan ABSTRACT A Rhetorical Approach to Cultural Literacies Across Media finds exigency in the challenges presented to students and teachers by the growing emphasis on globalization, and by the increasing demands for literacy in new media. My research develops a theoretical model for a rhetorical reading of cultural ―texts‖ in the context of cross-cultural learning experiences. This model is built on the metaphor of ―stolons,‖ -
Critical Point of View: a Wikipedia Reader
w ikipedia pedai p edia p Wiki CRITICAL POINT OF VIEW A Wikipedia Reader 2 CRITICAL POINT OF VIEW A Wikipedia Reader CRITICAL POINT OF VIEW 3 Critical Point of View: A Wikipedia Reader Editors: Geert Lovink and Nathaniel Tkacz Editorial Assistance: Ivy Roberts, Morgan Currie Copy-Editing: Cielo Lutino CRITICAL Design: Katja van Stiphout Cover Image: Ayumi Higuchi POINT OF VIEW Printer: Ten Klei Groep, Amsterdam Publisher: Institute of Network Cultures, Amsterdam 2011 A Wikipedia ISBN: 978-90-78146-13-1 Reader EDITED BY Contact GEERT LOVINK AND Institute of Network Cultures NATHANIEL TKACZ phone: +3120 5951866 INC READER #7 fax: +3120 5951840 email: [email protected] web: http://www.networkcultures.org Order a copy of this book by sending an email to: [email protected] A pdf of this publication can be downloaded freely at: http://www.networkcultures.org/publications Join the Critical Point of View mailing list at: http://www.listcultures.org Supported by: The School for Communication and Design at the Amsterdam University of Applied Sciences (Hogeschool van Amsterdam DMCI), the Centre for Internet and Society (CIS) in Bangalore and the Kusuma Trust. Thanks to Johanna Niesyto (University of Siegen), Nishant Shah and Sunil Abraham (CIS Bangalore) Sabine Niederer and Margreet Riphagen (INC Amsterdam) for their valuable input and editorial support. Thanks to Foundation Democracy and Media, Mondriaan Foundation and the Public Library Amsterdam (Openbare Bibliotheek Amsterdam) for supporting the CPOV events in Bangalore, Amsterdam and Leipzig. (http://networkcultures.org/wpmu/cpov/) Special thanks to all the authors for their contributions and to Cielo Lutino, Morgan Currie and Ivy Roberts for their careful copy-editing. -
Capstone FINAL DRAFT – Alex Wilder 2.Pages
Responsible Songwriting: Problems of Ethics and Negotiation in Collaborative Autoethnographic Composition by Alex Wilder Introduction There are five things to write songs about: I'm leaving you. You're leaving me. I want you. You don't want me. I believe in something. Five subjects, and twelve notes. For all that, we musicians do pretty well. —Elvis Costello1 While this statement is clearly tongue-in-cheek, Costello points out an issue here that plagues popular music—a lack of diversity of subject matter. Take, for instance, the top three tracks on the Billboard Top 100 as of the time of this writing (April 4, 2017): “Shape of You” by Ed Sheeran, “That’s What I Like” by Bruno Mars, and “Something Just Like This” by The Chainsmokers and Coldplay.2 All three tracks are, at some level or another, about love, sex, or romantic relationships. This trend is fairly consistent through the rest of the charts—a 2011 study of one thousand Billboard number one hits found that 658 were love songs. An additional 66 songs were so-called “anti-love songs”, falling into Costello’s category of “I’m leaving you”.3 Cumulatively, 72.4% of chart-toppers pertained to romantic and sexual relationships. The effect of this thematic saturation is that we only hear about a very narrow range of experiences when we listen to popular music. While there is certainly diversity 1 Elvis Costello, quoted in Bill DeMain, In Their Own Words: Songwriters Talk About the Creative Process. (Greenwood Publishing Group, 2004), 11. 2 “The Hot 100,” Billboard.com. -
Dance Music Manual This Page Intentionally Left Blank Dance Music Manual Tools, Toys and Techniques
Dance Music Manual This page intentionally left blank Dance Music Manual Tools, Toys and Techniques Second Edition Rick Snoman AMSTERDAM • BOSTON • HEIDELBERG • LONDON • NEW YORK • OXFORD PARIS • SAN DIEGO • SAN FRANCISCO • SINGAPORE • SYDNEY • TOKYO Focal Press is an imprint of Elsevier Focal Press is an imprint of Elsevier Linacre House, Jordan Hill, Oxford OX2 8DP, UK 30 Corporate Drive, Suite 400, Burlington, MA 01803, USA First published 2009 Copyright © 2009, Rick Snoman. Published by Elsevier Ltd. All rights reserved The right of Rick Snoman to be identifi ed as the author of this work has been asserted in accordance with the Copyright, Designs and Patents Act 1988 No part of this publication may be reproduced, stored in a retrieval system or transmit- ted in any form or by any means electronic, mechanical, photocopying, recording or otherwise without the prior written permission of the publisher Permissions may be sought directly from Elsevier’s Science & Technology Rights Department in Oxford, UK: phone ( ϩ 44) (0) 1865 843830; fax ( ϩ 44) (0) 1865 853333; email: [email protected]. Alternatively you can submit your request online by visiting the Elsevier website at http://elsevier.com/locate/permissions, and selecting Obtaining permission to use Elsevier material Notice No responsibility is assumed by the publisher for any injury and/or damage to persons or property as a matter of products liability, negligence or otherwise, or from any use or operation of any methods, products, instructions or ideas contained in the material herein British Library Cataloguing in Publication Data snoman, Rick The dance music manual : tools, toys and techniques. -
Songwriting As Inquiry and Action: Emotion, Narrative Identity, And
University of South Florida Scholar Commons Graduate Theses and Dissertations Graduate School 7-6-2016 Songwriting as Inquiry and Action: Emotion, Narrative Identity, and Authenticity in Folk Music Culture Maggie Colleen Cobb University of South Florida, [email protected] Follow this and additional works at: http://scholarcommons.usf.edu/etd Part of the Social Psychology Commons, and the Sociology Commons Scholar Commons Citation Cobb, Maggie Colleen, "Songwriting as Inquiry and Action: Emotion, Narrative Identity, and Authenticity in Folk Music Culture" (2016). Graduate Theses and Dissertations. http://scholarcommons.usf.edu/etd/6208 This Thesis is brought to you for free and open access by the Graduate School at Scholar Commons. It has been accepted for inclusion in Graduate Theses and Dissertations by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. Songwriting as Inquiry and Action: Emotion, Narrative Identity, and Authenticity in Folk Music Culture by Maggie Colleen Cobb A dissertation submitted in partial fulfillment of the requirement for the degree of Doctor of Philosophy Department of Sociology College of Arts and Sciences University of South Florida Major Professor: Margarethe Kusenbach, Ph.D. Donileen Loseke, Ph.D. Shawn Bingham, Ph.D. Andrew Berish, Ph.D. Date of Approval: June 10, 2016 Keywords: Festival, Creativity, Social Change, Lived Experience, Embodiment Copyright © 2016, Maggie C. Cobb DEDICATION This dissertation is lovingly dedicated to my grandmother and guardian angel, Betty Jane Walker Gibbons. Thank you for everything. We miss you so. ACKNOWLEDGEMENTS Writing a dissertation is lonely and isolating business. It tends to “get on you,” as a friend of mine often says, and there have been many times where I was quite certain that I was terribly alone in it all. -
The Red Book of Death Island
The Red Book of Death Island Entries from the great Sage Gary Gygax The 4th Age, year 975 (Jan. 1987) Excerpts from the Red Book Legends and Tales of the Heroes of Death Island Introduction 1. Against the Giants 2. King Dain Ironfoot II a. Tiger Nomad Conflict b. Under the Lonely Mountain 3. Sleek, the Chosen One a. Transformation 4. Carltons Abandonment 5. Wandering Wonders 6. The Adventures of the Rascal Flatts a. Betrayed b. Pool of Radiance 7. A Night in Nulb 8. The Temple of Elemental Evil a. Hommlet b. Temple of Earth c. Lareth the Beautiful d. Temple of Fire e. Temple of Air f. Temple of Water g. more 1 Excerpts from the Red Book Legends and Tales of the Heroes of Death Island Against the Giants Just as the trail led from the Steading of the Hill Giant Chief to the frozen wastes where was found the Glacial Rift of the Frost Giant Jarl to the Ice Castles of Kuttlefoo, so the adventures of the latter place has led the intrepid party to what they hope will be their last challenge. They are about to venture into the hot and smoking barrens which are in effect Muspelheim, the home of Fire Giants. In the vast, rocky halls of the fire giants doughty liege lord, the dread King Snurre Iron Belly, they hope to find both the answer to the riddle of what or who is behind the strange alliance of many different types of giants as well as great treasure. Surely here in the stronghold of the fire giants will be encountered the evil genius or genii controlling the uprising and planning the well-executed attacks, for Snurre is said to be far stronger than smart. -
You Are Enough: You Do
Digital Galley Edition This is uncorrected advance content collected for your reviewing convenience. Please check with publisher or refer to the finished product whenever you are excerpting or quoting in a review. Copyright © 2018 by Amanda Hale Cover design by TK. Cover copyright © 2018 by Hachette Book Group, Inc. Hachette Book Group supports the right to free expression and the value of copyright. The purpose of copyright is to encourage writers and artists to produce the creative works that enrich our culture. The scanning, uploading, and distribution of this book without permission is a theft of the author’s intellectual property. If you would like permission to use material from the book (other than for review purposes), please contact [email protected]. Thank you for your support of the author’s rights. FaithWords Hachette Book Group 1290 Avenue of the Americas, New York, NY 10104 faithwords.com twitter.com/faithwords First Edition: November 2018 FaithWords is a division of Hachette Book Group, Inc. The FaithWords name and logo are trademarks of Hachette Book Group, Inc. The publisher is not responsible for websites (or their content) that are not owned by the publisher. The Hachette Speakers Bureau provides a wide range of authors for speaking events. To find out more, go to www.hachettespeakersbureau.com or call (866) 376-6591. Scriptures noted (MSG) are taken from The Message. Copyright © 1993, 1994, 1995, 1996, 2000, 2001, 2002. Used by permission of NavPress Publishing Group. Scriptures noted (NIV) are taken from the Holy Bible, New International Version®, NIV®. Copyright © 1973, 1978, 1984, 2011 by Biblica, Inc.™ Used by permission of Zondervan. -
Variations on a Theme: Forty Years of Music, Memories, and Mistakes
University of New Orleans ScholarWorks@UNO University of New Orleans Theses and Dissertations Dissertations and Theses 5-15-2009 Variations on a Theme: Forty years of music, memories, and mistakes Christopher John Stephens University of New Orleans Follow this and additional works at: https://scholarworks.uno.edu/td Recommended Citation Stephens, Christopher John, "Variations on a Theme: Forty years of music, memories, and mistakes" (2009). University of New Orleans Theses and Dissertations. 934. https://scholarworks.uno.edu/td/934 This Thesis is protected by copyright and/or related rights. It has been brought to you by ScholarWorks@UNO with permission from the rights-holder(s). You are free to use this Thesis in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights- holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. This Thesis has been accepted for inclusion in University of New Orleans Theses and Dissertations by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. Variations on a Theme: Forty years of music, memories, and mistakes A Thesis Submitted to the Graduate Faculty of the University of New Orleans in partial fulfillment of the requirements for the degree of Master of Fine Arts In Creative Non-Fiction By Christopher John Stephens B.A., Salem State College, 1988 M.A., Salem State College, 1993 May 2009 DEDICATION For my parents, Jay A. Stephens (July 6, 1928-June 20, 1997) Ruth C. -
00:00:00 Music Transition “Crown Ones” Off the Album Stepfather by People Under the Stairs
00:00:00 Music Transition “Crown Ones” off the album Stepfather by People Under The Stairs. Chill, grooving instrumentals. 00:00:05 Oliver Wang Host Hello, everyone. It’s Oliver Wang from Heat Rocks. Just wanted to let you know that for the next month we are rolling out a new mini- series about movies and music, just in time for award season. We’re calling it Music and Popcorn, and starting next week we’ll have four episodes where guests are invited to talk about one of their favorite soundtracks and the movies that use them. To kick things off, though, we wanted to revisit some of the previous episodes where we’ve explored this exact territory, and we’re gonna start with our conversation with comedian Eliza Skinner about John Huges’ classic 1980s teen drama, Pretty In Pink. 00:00:44 Music Music “Pretty in Pink” off the album Pretty in Pink by The Psychedelic Furs. Upbeat 80s pop. Caroline laughs, and it’s raining all day… [Music fades out as Oliver speaks] 00:00:59 Oliver Host Now, given your penchant for freestyle— [Eliza laughs.] —we thought you would pick a hip hop album, but here you are with Pretty in Pink, an iconic soundtrack from an iconic film to be sure, but about as far from hip hop and the 1980s cultural scale as one could imagine. Why did you want to talk about this album? 00:01:16 Eliza Guest This album was the seminal album for me. This helped create so Skinner much of my um, interesting in music as an adult. -
Kill All Normies: Online Culture Wars from 4Chan and Tumblr to Trump
What people are saying about Kill All Normies Amidst the chaos of our times, it is a relief to have a brilliant and fearless critic like Angela Nagle to turn to. Unwilling to stomach the liberal shibboleths that fail to adequately explain the emergence and significance of right-wing subculture, she’s the only one willing to descend into the grimiest of Internet grottos and give us the benefit of her incisive and cool-headed analysis. (And thank god too, because I’m sure as hell not doing it.) Amber A’Lee Frost, Chapo Trap House Angela Nagle is one of the few writers anywhere who has consistently refused to hold a double standard for virulent racism and misogyny even when it came in edgy countercultural packaging. Kill All Normies is a brilliant exposé of the new faces of online nihilism and fascism, which can no longer be explained away as doing it “for the lulz”. David Golumbia, Author of The Politics of Bitcoin: Software as Right- Wing Extremism With a liberal left dangerously lost in the stormy waters of middle class self-flagellation, Angela Nagle is the lighthouse keeper showing us the way out. Her writing is unsparing in its diagnosis but never cruel. Unlike much of the Left who’ve grown far too accustomed to marginalization and defeat, Nagle still believes in politics as the only way of changing an increasingly brutal world. She is the writer and social critic I’ve been waiting for. Connor Kilpatrick, Jacobin magazine 2 3 First published by Zero Books, 2017 Zero Books is an imprint of John Hunt Publishing Ltd., Laurel House, Station Approach, Alresford, Hants, SO24 9JH, UK [email protected] www.johnhuntpublishing.com www.zero-books.net For distributor details and how to order please visit the ‘Ordering’ section on our website. -
The Last Olympian
THE LAST OLYMPIAN Percy Jackson and the Olympians – Book 5 Rick Riordan ONE I GO CRUISING WITH EXPLOSIVES The end of the world started when a pegasus landed on the hood of my car. Up until then, I was having a great afternoon. Technically I wasn't supposed to be driving because I wouldn't turn sixteen for another week, but my mom and my stepdad, Paul, took my friend Rachel and me to this private stretch of beach on the South Shore, and Paul let us borrow his Prius for a short spin. Now, I know you're thinking, Wow, that was really irresponsible of him, blah, blah, blah, but Paul knows me pretty well. He's seen me slice up demons and leap out of exploding school buildings, so he probably figured taking a car a few hundred yards wasn't exactly the most dangerous thing I'd ever done. Anyway, Rachel and I were driving along. It was a hot August day. Rachel's red hair was pulled back in a ponytail and she wore a white blouse over her swimsuit. I'd never seen her in anything but ratty T- shirts and paint-splattered jeans before, and she looked like a million golden drachmas. "Oh, pull up right there!" she told me. We parked on a ridge overlooking the Atlantic. The sea is always one of my favorite places, but today it was especially nice—glittery green and smooth as glass, as though my dad was keeping it calm just for us. My dad, by the way, is Poseidon. -
Song List 1. 10,000 Reasons 2. a Common Love 3. a New Anointing
Song list 56. Give Us Clean Hands 57. Glory to God Forever 1. 10,000 Reasons 58. God is So Good 2. A Common Love 59. Great Is the Lord 3. A New Anointing 60. Great Is Thy Faithfulness 4. A Shield About Me 61. Had it not been the Lord 5. Above All 62. Hail Jesus, You're My King (Victory Chant) 6. Above All Else 63. Halalalalalalalaujah 7. Angus Dei 64. Hallelujah, Your Love is Amazing 8. All Hail the Power of Jesus Name 65. Have You Seen Jesus My Lord 9. All To Us 66. He Has Made Me Glad 10. All Who Are Thirsty 67. He Is Wonderful 11. Amazed 68. He Leadeth Me 12. Amazing Grace 69. He Paid a Debt 13. Ancient of Days 70. Hear, O Israel 14. Ancient Words 71. Heavenly Medley 15. Arms of Love 72. Heaven's Road 16. As the Deer 73. Here I am to Worship 17. As the Deer Thirsts 74. Hide Me Away Oh Lord 18. At the Name of Jesus 75. Highest Place 19. Awesome God (New) 76. Holy Ground 20. Be Still and Know 77. Holy, Holy, Holy 21. Be Strong and Courageous 78. Holy Lord 22. Be Thou My Vision 79. Holy Spirit 23. Be Unto Your Name 80. Hope of the Nations 24. Beautiful One 81. Hosanna (I See the King of Glory) 25. Before the Throne 82. Hosanna in the Highest 26. Blessed Be the Lord God Almighty 83. Hosanna, You're My King 27. Blessed be Your Name 84. How Can I Keep From Singing 28.