DOCSLIB.ORG

Total Time: 63:37 N June 1944, Darryl F

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Total Time: 63:37 N June 1944, Darryl F 1. Main Title 1:35 • 2. “April Showers” 2:51 3. “I’ll See You in My Dreams” 2:02 • 4. “A Chicago Country Club Dance” 2:02 5. “I’m Forever Blowing Bubbles” 1:45 • 6. “The Missouri Waltz” 1:48 7. “I’ll See You in My Dreams” 1:47 • 8. Larry’s Journey Overseas 1:20 9. Isabel and Larry in Paris 1:46 • 10. Returned Engagement Ring :40 11. Last Night Together 1:38 • 12. Night Clubbing 6:28 13. The Wedding Cake :50 • 14. After the Wedding :45 15. Miner’s Cafe 2:00 • 16. Larry Travels to the East 5:15 17. The Mountain Retreat 6:44 • 18. Larry and Maugham Reunited :11 19. Somerset Maugham and the Princess :41 • 20. The Rue De Lappe 2:47 21. Cocktails at the Ritz 1:52 • 22. Sophie’s Torment 3:09 23. Oboesque 1:43 • 24. Sophie’s Room 2:13 25. After Elliott’s Death 1:43 • 26. Finale :54 27. Exit Music 4:13 28. “J’aime ta Pomme” Demo 2:38 Total Time: 63:37 n June 1944, Darryl F. Zanuck, 20th Cen- questioned the materialistic mode of living and tury-Fox’s studio head, was contemplating were looking for a meaning of existence. making a big decision. In a memo to key In Maugham’s The Razor’s Edge, Larry members of his staff he said: Darrell near the end of World War I is saved from death by a comrade who gives up his life This is my analyzation of The Razor’s in the effort. Larry feels that his life has been Edge [novel] by Somerset Maugham. spared for some particular purpose and wan- Despite the fact that to date no producer ders about the world in search of philosophical on the lot has shown any great enthusiasm and/or spiritual guidance, leaving the woman for this story as a motion picture and he loves and material advantages. In India, despite the fact that no other studio has he eventually achieves insight, tranquility, purchased it, I am inclined to believe that and “goodness of soul.” Larry, at the end, has we should buy it. found himself, and in helping himself he can The book was published in May, and it help others. immediately went on the best-seller list. But as Zanuck said in a memo of December There must be a reason why the 6, 1945: “Larry is not carrying any great mes- American public at this moment is read- sage, nor is he looking to reform the world; ing this book more than any other book. he is looking only for the answer to his own The answer, I think, is simple: Millions of quest for serenity and the key to his own future people today are searching for content- happiness. This, to me, is the theme of Mr. ment and peace in the same manner that Maugham’s book, and the reason it has been Larry searches in the book. such a tremendously big seller. It is a problem which today is close to twelve million Ameri- cans. It is a picture of faith and hope.” The invasion of northern Europe had just Somerset Maugham in a September 1945 taken place on June 6. With the Allies clos- interview said: “I’ve had hundreds – actually ing in on Germany from all sides, confidence hundreds – of letters from soldiers at the front, rose that the end of World War II was in sight. telling me how well they understood Larry And indeed it was. In 1945 the war ended and after their experiences. Some of them have millions of military personnel were return- said they will try to live that way in the years ing home to resume civilian life. But many, ahead, if their lives are spared. You see, men at because of their experiences in the war, were war are either desperately busy or have a good unsettled. They realized that their values were deal of idle time on their hands, so many of in some ways changing. More than a few these letters run to twenty pages or more.” Above left: Director Edmund Goulding studies the mountain top retreat set on stage at Fox. Edmund Goulding discussing “The Razor’s Edge” Religious novels (and films) were extraor- with Tyrone Power. Fox product, he would usually once a year dinarily popular during World War II – The or so select a property to which he would Keys of the Kingdom, The Song of Bernadette, devote a considerable amount of time on a The Robe, The Apostle, etc. They dealt with daily basis during the script’s evolution, pre- Christianity whereas The Razor’s Edge was production, filming, and post-production. the only one that featured a Hindu philosophy. In May, 1945, George Cukor, not a Fox The title of The Razor’s Edge came from the staff director but primarily with MGM Katha-Upanishad: “The sharp edge of a razor at the time, was set to direct The Razor’s is difficult to pass over; thus the wise say the Edge. Cukor was unhappy with the script path to Salvation is hard.” development and suggested to Zanuck that W. Somerset Maugham had been writing the studio ascertain whether Maugham him- novels, plays, and short stories for decades self would be interested in working on the prior to The Razor’s Edge. His first novel, Liza script. Although Zanuck apparently thought of Lambeth, was published in 1897. A 1915 it highly unlikely that Maugham would ac- novel, Of Human Bondage, was made into cept and/or that he would demand too much a feature picture three times. The Moon and money, the author sent Zanuck a telegram Sixpence (1919), based on the life of Gauguin, saying that he would work on the screenplay was filmed in 1942. Both Maugham’s The for no pay whatsoever; surely a unique at- Letter and Rain (Sadie Thompson) were first titude. Maugham then spent June and July, published as short stories, reworked as plays 1945, as George Cukor’s houseguest while by Maugham, and then produced as feature working on his version of the script. pictures. But The Razor’s Edge was his major Maugham had no experience writing “best-seller” novel. screenplays. His first draft of July 20, 1945, Zanuck purchased the screen rights in late was labeled “Story in Dialogue by W. Som- 1944 and assigned long-time Fox scenar- erset Maugham.” The author’s preface stated ist Lamar Trotti to work on the adaptation that “The following is not to be looked upon and script. Trotti’s previous credits include as a script and will be incomprehensible Alexander’s Ragtime Band (1938), Drums unless it is read in conjunction with Lamar Along the Mohawk (1939) Young Mr. Lincoln Trotti’s. It should be looked upon only as a (1939), Man Hunt (1941), The Ox-Bow Inci- story in dialogue. ” dent (1943), and the recently completed per- Then five days later he submitted his sonal production of Zanuck’s for Fox, Wilson “Revised Final.” The following “Author’s (1945). The Razor’s Edge became Zanuck’s Note” at the front of the script surely was next personal production, meaning that in ad- composed at least in part with tongue-in- dition to overall supervision of the entire cheek. Maugham, of course, had been involved over the years in many theatrical ven- scenario on The Razor’s Edge,” Maugham told American film debut in Gaslight (1944). pence, took over the role. Thomas F. Brady in tures of his plays. author Wilmon Menard in the early 1960s. In Anne Baxter’s 1976 autobiography, a July 28, 1946 New York Times article stated “You see, he didn’t use a single line of my Intermission, she says that ex-child actress that Maugham “did insist. that Herbert Please note that this is on the whole a script in the final production. I think Mr. Bonita Granville was about to be cast when Marshall be engaged to play the raconteur of comedy and should be played lightly by Trotti made twelve versions before Mr. Zanuck Baxter, under contract to Fox, asked to be the [Razor’s Edge] tale.” everyone except in the definitely serious approved of one. They took a lot of liber- tested. At the eleventh hour Baxter was set In the one instance of sticking with the passages. The actors should take up one ties with my original novel in the final shooting to play the drunken, opium-addicted, and original casting announcement, Clifton anotherʼs cues as smartly as possible and script.” degraded Sophie – certainly a change of pace Webb portrayed the snobbish socialite Elliott thereʼs no harm if they cut in on one During the particularly long gestation period for her. Templeton. Under contract to Fox since his another as people do in ordinary life. Iʼm from purchase of the screen rights to the start The Production Code Administration, the impressive performance as Waldo Lydecker all against pauses and of filming, several potential film industry’s self-regula- in the studio’s 1944 hit, silences. If the actors casting names for the key tory body, after reading the Laura, Webb was an ideal can’t give significance roles were bandied about submitted script, asked that choice. to their lines without and in some cases tested. references to heavy drink- Britisher Philip Meri- these they’re not Olivia de Havilland’s name ing be removed. Zanuck vale was cast as the holy worth their salaries. pops up in newspaper col- personally responded in man in India that Larry trav- The lines are written umns more than any other a letter: “It is absurd to els to for guidance.
Load more

Recommended publications
  • Notas Sobre El Estilo El Último Entuerto Que Conviene Desfacer Es El Que Habla De King Como De Un Cineasta “Sin Estilo”
    Notas sobre el estilo El último entuerto que conviene desfacer es el que habla de King como de un cineasta “sin estilo”. Si por estilo se entiende llamar la atención sobre la cámara, forzar los ángulos, montar aparatosos encuadres y hacer notar el trabajo del director, King es, en efecto, un director sin estilo. Algunas de sus películas, como Deep Waters, adoptan además una forma visual aparentemente anodina, que puede pasar por impersonal si a la carencia de atractivos externos se une una extrema funcionalidad narrativa, como sucede en dos de sus obras fundamentales, I’d Climb the Highest Mountain y Wait Till the Sun Shines, Nellie. Un examen detallado de estas y otras películas revela la existencia de una personalidad cinematográfica muy acusada, aunque no llamativa ni evidente. Más que afanarse en la búsqueda de un estilo propio, King intentó desarrollar a lo largo de su carrera un lenguaje que se correspondiese, visual y narrativamente, con los modos de sus personajes, por lo general inteligentes y discretos, observadores y dinámicos, inconformistas y sensibles a los cambios que se producen en su entorno. Conforme avanzaba su obra, películas y personajes fueron haciéndose progresivamente más complejos, sin que King violentara por ello su estilo, cada vez más refinado y transparente, permeable a los avances técnicos (el sonido, el color, la pantalla ancha) pero no a las modas ni a retóricas pasajeras. Tal vez por ello, o por una fidelidad a su propia visión, las bases del estilo visual de King apenas experimentaron variaciones significativas a lo largo del tiempo, de hecho Tol’able David podría haberse rodado en 1951 y I’d Climb the Highest Mountain treinta años antes sin que el espectador hubiera notado el menor desajuste.
    [Show full text]
  • Teaching Social Issues with Film
    Teaching Social Issues with Film Teaching Social Issues with Film William Benedict Russell III University of Central Florida INFORMATION AGE PUBLISHING, INC. Charlotte, NC • www.infoagepub.com Library of Congress Cataloging-in-Publication Data Russell, William B. Teaching social issues with film / William Benedict Russell. p. cm. Includes bibliographical references and index. ISBN 978-1-60752-116-7 (pbk.) -- ISBN 978-1-60752-117-4 (hardcover) 1. Social sciences--Study and teaching (Secondary)--Audio-visual aids. 2. Social sciences--Study and teaching (Secondary)--Research. 3. Motion pictures in education. I. Title. H62.2.R86 2009 361.0071’2--dc22 2009024393 Copyright © 2009 Information Age Publishing Inc. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, microfilming, recording or otherwise, without written permission from the publisher. Printed in the United States of America Contents Preface and Overview .......................................................................xiii Acknowledgments ............................................................................. xvii 1 Teaching with Film ................................................................................ 1 The Russell Model for Using Film ..................................................... 2 2 Legal Issues ............................................................................................ 7 3 Teaching Social Issues with Film
    [Show full text]
  • Cr3v05 Maquetación 1
    CAMINO REAL 2:3 (2010): 11-33 Celluloid Conquistadors: Images of the Conquest of Mexico in Captain from Castile (1947) STEPHEN A. COLSTON ABSTRACT The Spanish Conquest of Aztec Mexico (1519-21) forever transformed greater North America, Europe, and regions beyond. In spite of this significance, there is only one extant motion picture that has attempted to portray features of this epic event. Re- leased in 1947 by Twentieth Century-Fox, Captain from Castile was based on a novel of the same title and offers images of the Conquest that are intertwined with fact and fic- tion. Drawing upon the novel and elements of the Conquest story itself, this study se- parates and examines the threads of fact and fantasy that form the fundamental fabric of this film’s recounting of the Spanish Conquest. This analysis is enhanced by infor- mation found in unpublished documents from several collections of motion picture pro- duction materials. Ultimately, the images of the Spanish Conquest that emerge in Captain from Castile reveal some elements of genuine historicity but they more often reflect, in typical Hollywood fashion, the aspirations of a studio more concerned with achieving box office success than historical accuracy. Keywords: film, Hollywood, Conquest, Mexico, Cortés, Aztecs. Stephen A. Colston is an Associate Professor of History at San Diego State University. Colston, S. “Celluloid Conquistadors: Images of the Conquest of Mexico in Captain from Castile (1947).” Camino Real. Estudios de las Hispanidades Norteamericanas. Alcalá de Henares: Instituto Franklin - UAH, 2:3 (2010): 11- 33. Print. Recibido: 27/10/2010; 2ª versión: 26/11/2010 11 CAMINO REAL RESUMEN La conquista española del México azteca (1519 - 1521) transformó para siempre América del Norte, Europa y más allá.
    [Show full text]
  • Not Showing at This Cinema
    greenlit just before he died, was an adaptation of A PIN TO SEE THE NIGHT Walter Hamilton’s 1968 novel All the Little Animals, exploring the friendship between a boy and an THE PEEPSHOW CREATURES old man who patrols roads at night collecting the Dir: Robert Hamer 1949 Dir: Val Guest 1957 roadkill. Reeves prepared a treatment, locations Adaptation of a 1934 novel by F. Tennyson Jesse Robert Neville is the last man on earth after a were scouted and Arthur Lowe was to play the about a young woman wrongly convicted as an mysterious plague has turned the rest of the lead. Thirty years later the book was adapted for accomplice when her lover murders her husband; a population into vampires who swarm around his the screen and directed by Jeremy Thomas starring thinly fictionalised account of Edith Thompson and house every night, hungering for his blood. By day, John Hurt and Christian Bale. the Ilford Murder case of 1922. With Margaret he hunts out the vampires’ lairs and kills them Lockwood in the lead, this was something of a with stakes through the heart, while obsessively dream project that Robert Hamer tried to get off searching for an antidote and trying to work out the ground at Ealing. Despite a dazzling CV that the cause of his immunity. Richard Matheson wrote ISHTAR includes the masterpiece Kind Hearts and Coronets the screenplay for The Night Creatures for Hammer Dir: Donald Cammell 1971-73 (1949), Hamer was unable to persuade studio Films in 1957 based on his own hugely influential The co-director of Performance (1970), Cammell boss Michael Balcon to back the project.
    [Show full text]
  • Ronald Davis Oral History Collection on the Performing Arts
    Oral History Collection on the Performing Arts in America Southern Methodist University The Southern Methodist University Oral History Program was begun in 1972 and is part of the University’s DeGolyer Institute for American Studies. The goal is to gather primary source material for future writers and cultural historians on all branches of the performing arts- opera, ballet, the concert stage, theatre, films, radio, television, burlesque, vaudeville, popular music, jazz, the circus, and miscellaneous amateur and local productions. The Collection is particularly strong, however, in the areas of motion pictures and popular music and includes interviews with celebrated performers as well as a wide variety of behind-the-scenes personnel, several of whom are now deceased. Most interviews are biographical in nature although some are focused exclusively on a single topic of historical importance. The Program aims at balancing national developments with examples from local history. Interviews with members of the Dallas Little Theatre, therefore, serve to illustrate a nation-wide movement, while film exhibition across the country is exemplified by the Interstate Theater Circuit of Texas. The interviews have all been conducted by trained historians, who attempt to view artistic achievements against a broad social and cultural backdrop. Many of the persons interviewed, because of educational limitations or various extenuating circumstances, would never write down their experiences, and therefore valuable information on our nation’s cultural heritage would be lost if it were not for the S.M.U. Oral History Program. Interviewees are selected on the strength of (1) their contribution to the performing arts in America, (2) their unique position in a given art form, and (3) availability.
    [Show full text]
  • Theresa Russell
    PORTRÆT Theresa Russell ar Nicolas Roeg og Theresa Russell af Henrik Lundgren tragter Gustav Klimts maleri Kysset, be­ Htaget endelig død på hinanden? mærker hun, at parret på lærredet ser - Det var det spørgsmål, de britiske lykkelige ud, og Alex (Art Garfunkel) filmkritikere stillede, da Afsporet (Track svarer: 'Det er fordi de ikke kender hin­ 29) havde premiere i sommer. Og for anden godt nok endnu!’ - Replikken englænderne er det et alvorligt spørgs­ rummer et signalement af de fleste The­ mål, ingen tvivl om det. De ser Nicolas resa Russell-figurer: Man har det bedst Roeg som en af de få instruktører, der med dem, så længe man er tiltrukket af har været i stand til at gøre karriere på deres gådefuldhed. Lærer man først de­ de rigtige præmisser: Skabe sig et navn res hemmeligheder at kende, kan man og en indtjening i Amerika uden at give være temmelig sikker på ubehagelighe­ afkald på det 'europæiske’ særpræg. Nu der. Theresa Russells rollefag er på den skulle det lige passe sig, at han gik ned måde de fatale kvinder, men når kvin­ på sin forbindelse med en skuespillerin­ der bliver skæbnesvangre for mænd, er de, der altid har været lidt mere sex­ det i reglen et spørgsmål om de illusio­ symbol, end de konservative britiske ner, mændene har gjort sig på forhånd. anmeldere brød sig om. Roeg ville faktisk oprindelig have kaldt Strengt taget burde de have gennem­ Bad Timing for Illusions: Alex er fascine­ skuet hende som en af deres egne, allere­ ret af pigen Milena (Russell), han gør sig de i hendes første film.
    [Show full text]
  • NPRC) VIP List, 2009
    Description of document: National Archives National Personnel Records Center (NPRC) VIP list, 2009 Requested date: December 2007 Released date: March 2008 Posted date: 04-January-2010 Source of document: National Personnel Records Center Military Personnel Records 9700 Page Avenue St. Louis, MO 63132-5100 Note: NPRC staff has compiled a list of prominent persons whose military records files they hold. They call this their VIP Listing. You can ask for a copy of any of these files simply by submitting a Freedom of Information Act request to the address above. The governmentattic.org web site (“the site”) is noncommercial and free to the public. The site and materials made available on the site, such as this file, are for reference only. The governmentattic.org web site and its principals have made every effort to make this information as complete and as accurate as possible, however, there may be mistakes and omissions, both typographical and in content. The governmentattic.org web site and its principals shall have neither liability nor responsibility to any person or entity with respect to any loss or damage caused, or alleged to have been caused, directly or indirectly, by the information provided on the governmentattic.org web site or in this file. The public records published on the site were obtained from government agencies using proper legal channels. Each document is identified as to the source. Any concerns about the contents of the site should be directed to the agency originating the document in question. GovernmentAttic.org is not responsible for the contents of documents published on the website.
    [Show full text]
  • They're Tasty! L.L.C
    The Goodland Star-News / Tuesday, September 16, 2003 5 abigail Pick up the phone and inform the A few months ago, I told my If you are not employed or do not it’s “his” money, he can give it away Teenager may be police that your underage daughter mother that I think I need to see a have health insurance, you may as he sees fit. He seems to be on van buren is being stalked by an Internet doctor. She acted concerned, but qualify for Medicaid. Contact your everyone’s list. He spreads the let- predator. He belongs in jail. And never mentioned it again. I am get- state or county medical assistance ters out in a semicircle around his victim of sexual they can help to ensure that he winds ting worse every day. Some days I office to see if you meet the eligi- chair every day and sends them all •dear abby up there. Pronto. wish I would die. I know this isn’t bility requirements. $50 checks! Help! — GOING predator DEAR ABBY: I am 20 and used normal. What can I do? Whom do I DEAR ABBY: My 85-year-old BROKE IN MARYLAND DEAR ABBY: I am the mother of stand that this relationship won’t to be an outgoing, smart and attrac- see? — BARELY HERE IN INDI- husband is a cash cow for charities. DEAR G.B.: Talk to an accoun- a 15-year-old girl who is in ninth work. She insists they are both wait- tive female. I planned to attend col- ANA For years, he has given away all of tant or a trusted lawyer and explain grade.
    [Show full text]
  • Pioneer Film Director Honored / HENRY KING
    The Museum of Modern Art 'iWest 53 Street, New York, N.Y. 10019 Tel. 956-6100 Cable: Modemart NO. 57 FOR IMMEDIATE RELEASE PIONEER FILM DIRECTOR HONORED SEVEN WEEK RETROSPECTIVE FOR HENRY KING CO-SPONSORED BY MUSEUM AND DIRECTORS GUILD OF AMERICA "...the most underpublicized filmmaker in Hollywood. This tall, lean, handsome, urbane, but unflamboyant model of a corporation president makes film hits so easily, so efficiently, and so calmly that he is not news in a community of blaring trumpets, crashing cymbals and screaming egos." -Frank Capra Henry King, one of the founding fathers of American film, who began his career early in the century, remains today one of the legendary figures in Hollywood, and though he preserves his privacy, his films such as "The Song of Bernadette," "Twelve O'clock High" and "The Gunfighter" speak for themselves, and these and other major works will be part of a seven week retrospective given in King's honor by New York's Museum of Modern Art in association with the Directors Guild of America. The Virginia-born director, who has specialized, like D.W. Griffith and John Ford, in Americana themes since his first classic, "Tol'able David," and later with "State Fair", "In Old Chicago," "Jesse James" and "Alexander's Ragtime Band," will make a trip from the West Coast to New York to participate in the opening of this program. On June 29 and 30, he will address the Museum audiences, although he seldom makes public appearances. While he contributed to Hollywood's worldwide reputation, King, who recognized such early superstars as Richard Barthelmess, Ronald Colman and Gary Cooper and gave them their first leading roles on the screen, has managed to retain his relative anonymity in an ostentatious environment.
    [Show full text]
  • Boncompagni Docet Esperti De Le Monde Diplomatique
    14SPE04A1411 ZALLCALL 12 20:34:27 11/13/97 Venerdì 14 novembre 1997 8 l’Unità2 IPROGRAMMI DI OGGI TELEPATIE 24 ORE DA VEDERE SCEGLI IL TUO FILM MEDITERRANEO RAITRE 15.00 14.15 MORTI SOSPETTE Riflettori puntati sulla tragedia che sta vivendo Regia di Jacques Deray, con Lino Ventura, Claudine Auger, Paul Cro- l’Algeria attraverso le testimonianze dei giornalisti chet. Francia (1978). 95 minuti. che la vivono. Raccontano le loro esperienze i Un giallo dalle atmosfere kafkiane, una vicen- redattori della tv francese, gli inviati americani, gli da intricata che si snoda attorno ad una miste- Boncompagni docet esperti de Le monde diplomatique. riosa valigetta e una scia di cadaveri, in manie- ra apparentemente illogica, così come illogica MAASTRICHT ITALIA RAITRE 20.40 è l’esistenza stessa. Con la straordinaria e im- Parte stasera il programma di Alan Friedman passibile maschera di Lino Ventura. dedicato ai temi economici. Ospite il presidente del 14SPE04AF01 TELEMONTECARLO E così aveva ragione Boncompagni sulle canzoni Consiglio Romano Prodi . 15.50 LEILA, LE RAGIONI DEL CUORE di Sanremo Giovani. Non ha avuto paura di dire Regia di M. Courtois, con L. Sentz, L. Thuillier, C. Boudraa, H. Daoud. la sua, ritrovando un po‘ della bella sgradevolez- STORIE RAIDUE 0.20 Francia (1992). 90 minuti. za dei tempi di «Alto gradimento». Dopo averli Gianni Minà intervista Ebe Bonafini, presidente Conflitti tra generazioni, e tra diverse culture, sentiti, questi giovani, possiamo dire che, tra tanti che ne ab- del comitato argentino delle mamme di plaza de in questa piccola produzione francese che rac- biamo visti in quattro ore di spettacolo, veramente l’unica Mayo.
    [Show full text]
  • Movies and Mental Illness Using Films to Understand Psychopathology 3Rd Revised and Expanded Edition 2010, Xii + 340 Pages ISBN: 978-0-88937-371-6, US $49.00
    New Resources for Clinicians Visit www.hogrefe.com for • Free sample chapters • Full tables of contents • Secure online ordering • Examination copies for teachers • Many other titles available Danny Wedding, Mary Ann Boyd, Ryan M. Niemiec NEW EDITION! Movies and Mental Illness Using Films to Understand Psychopathology 3rd revised and expanded edition 2010, xii + 340 pages ISBN: 978-0-88937-371-6, US $49.00 The popular and critically acclaimed teaching tool - movies as an aid to learning about mental illness - has just got even better! Now with even more practical features and expanded contents: full film index, “Authors’ Picks”, sample syllabus, more international films. Films are a powerful medium for teaching students of psychology, social work, medicine, nursing, counseling, and even literature or media studies about mental illness and psychopathology. Movies and Mental Illness, now available in an updated edition, has established a great reputation as an enjoyable and highly memorable supplementary teaching tool for abnormal psychology classes. Written by experienced clinicians and teachers, who are themselves movie aficionados, this book is superb not just for psychology or media studies classes, but also for anyone interested in the portrayal of mental health issues in movies. The core clinical chapters each use a fabricated case history and Mini-Mental State Examination along with synopses and scenes from one or two specific, often well-known “A classic resource and an authoritative guide… Like the very movies it films to explain, teach, and encourage discussion recommends, [this book] is a powerful medium for teaching students, about the most important disorders encountered in engaging patients, and educating the public.
    [Show full text]
  • Final Rounds
    TVhome The Daily Home April 26 - May 2, 2015 Final Rounds The ever-smitten Eddie (Paul Schulze, left) is one of the few people who remain by Jackie’s (Edie Falco) side during her most troubled times on “Nurse 000208858R1 Jackie,” airing in its seventh and final season, Sundays at 8 p.m. on Showtime. The Future of Banking? We’ve Got A 167 Year Head Start. You can now deposit checks directly from your smartphone by using FNB’s Mobile App for iPhones and Android devices. No more hurrying to the bank; handle your deposits from virtually anywhere with the Mobile Remote Deposit option available in our Mobile App today. (256) 362-2334 | www.fnbtalladega.com Some products or services have a fee or require enrollment and approval. Some restrictions may apply. Please visit your nearest branch for details. 000209980r1 2 THE DAILY HOME / TV HOME Sun., April 26, 2015 — Sat., May 2, 2015 DISH AT&T DIRECTV CABLE CHARTER CHARTER PELL CITY PELL ANNISTON CABLE ONE CABLE TALLADEGA SYLACAUGA BIRMINGHAM BIRMINGHAM BIRMINGHAM CONVERSION CABLE COOSA SPORTS WBRC 6 6 7 7 6 6 6 6 AUTO RACING 7 p.m. ESPN New York Mets at New WBIQ 10 4 10 10 10 10 York Yankees (Live) Drag Racing WCIQ 7 10 4 Monday WVTM 13 13 5 5 13 13 13 13 Sunday 1 a.m. FOXSS Atlanta Braves at WTTO 21 8 9 9 8 21 21 21 1 p.m. ESPN2 O’Reilly Auto Parts Philadelphia Phillies (Replay) WUOA 23 14 6 6 23 23 23 NHRA Springnationals from 1:30 a.m.
    [Show full text]