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Notas Sobre El Estilo El Último Entuerto Que Conviene Desfacer Es El Que Habla De King Como De Un Cineasta “Sin Estilo”
Notas sobre el estilo El último entuerto que conviene desfacer es el que habla de King como de un cineasta “sin estilo”. Si por estilo se entiende llamar la atención sobre la cámara, forzar los ángulos, montar aparatosos encuadres y hacer notar el trabajo del director, King es, en efecto, un director sin estilo. Algunas de sus películas, como Deep Waters, adoptan además una forma visual aparentemente anodina, que puede pasar por impersonal si a la carencia de atractivos externos se une una extrema funcionalidad narrativa, como sucede en dos de sus obras fundamentales, I’d Climb the Highest Mountain y Wait Till the Sun Shines, Nellie. Un examen detallado de estas y otras películas revela la existencia de una personalidad cinematográfica muy acusada, aunque no llamativa ni evidente. Más que afanarse en la búsqueda de un estilo propio, King intentó desarrollar a lo largo de su carrera un lenguaje que se correspondiese, visual y narrativamente, con los modos de sus personajes, por lo general inteligentes y discretos, observadores y dinámicos, inconformistas y sensibles a los cambios que se producen en su entorno. Conforme avanzaba su obra, películas y personajes fueron haciéndose progresivamente más complejos, sin que King violentara por ello su estilo, cada vez más refinado y transparente, permeable a los avances técnicos (el sonido, el color, la pantalla ancha) pero no a las modas ni a retóricas pasajeras. Tal vez por ello, o por una fidelidad a su propia visión, las bases del estilo visual de King apenas experimentaron variaciones significativas a lo largo del tiempo, de hecho Tol’able David podría haberse rodado en 1951 y I’d Climb the Highest Mountain treinta años antes sin que el espectador hubiera notado el menor desajuste. -
The Buddhist Jātaka Stories. an Analytical Survey of a Few Jātakas and Their Use in Schools in the City of Benares, Uttar Pradesh, India
The Buddhist Jātaka Stories. An analytical survey of a few Jātakas and their use in schools in the city of Benares, Uttar Pradesh, India. De Buddhistiska Jātaka berättelserna. En analytisk undersökning av några Jātakas och deras användning i skolor i staden Benares, Uttar Pradesh, Indien. Henrik Janné Faculty of Social and Life Sciences History of religions 91-120 ECTS Kerstin Von Brömsen Sören Dalevi 2014-01-15 Serial number In dedication to Omji Dhanyevadh for Leading Me to Such Brilliant People. You Have a Special Place in My Heart. _/\_ Abstract Title: The Buddhist Jātaka stories. An analytical survey of a few Jātakas and their use in schools in the city of Benares Uttar Pradesh, India. Author: Henrik Janné Number of pages: 52 Abstract: The research for this thesis tries to find out how the Buddhist jātaka stories are used in the classroom in Benares, Uttar Pradesh India. The subjective also incorporates an aspect of evaluation of Buddhist ethics and a presentation of it. This study project is conducted with an inductive empirical qualitative methodological orientation. This research has found that the Buddhist jātaka tales are a beneficial tool to use in the classroom by teachers when teaching ethics and moral to students. Keywords: Buddhism, jātakas, ethics, education, curriculum, schools in Benares. 3 Sammanfattning Titel: The Buddhist Jātaka stories. An analytical survey of a few Jātakas and their use in schools in the city of Benares Uttar Pradesh, India. Författare: Henrik Janné Antal sidor: 52 Sammanfattning: Målet med denna avhandling är att ta reda på hur de Buddhistiska Jātaka berättelser används i klassrummet i Benares, Uttar Pradesh Indien. -
An Analysis of the Vānarinda Jātaka
THE PROMISE OF INTERPRETATION: AN ANALYSIS OF THE VĀNARINDA JĀTAKA by VISHMA KUNU (Under the Direction of Glenn Wallis) ABSTRACT My contention is that the Vānarinda Jātaka (VJ) is a specifically Buddhist narrative, being a strategic reworking of situations and characters common to Indian oral tradition. By way of a fluid, triple-layered construct that is experimental in nature, I support this claim by exploring the interpretive possibilities of the text. Chapter one functions as a philological groundwork, and is a translation of the Pāli text that highlights terminology with distinctive resonances in the Buddhist tradition. The second chapter reveals the ways in which the VJ is marked by generality, drawing out pan-Indian elements through an examination against excerpts from the Pañcatantra, considered nīti literature, and the Sundarakāa in Vālmīki’s Rāmāyaa, a Hindu work, all having pre-literate roots. In the third chapter, I offer a creative explication of the VJ, bringing to light the abundance of Buddhist allusions, and doctrinal references embedded within the narrative. INDEX WORDS: Jātaka, Pāli canon, Gāthā, Buddhist narratives, Indian oral tradition, Hanumān, Pañcatantra THE PROMISE OF INTERPRETATION: AN ANALYSIS OF THE VĀNARINDA JĀTAKA by VISHMA KUNU B.A., University at Albany, State University of New York, 2000 A Thesis Submitted to the Graduate Faculty of The University of Georgia in Partial Fulfillment of the Requirements for the Degree MASTER OF ARTS ATHENS, GEORGIA 2004 © 2004 Vishma Kunu All Rights Reserved THE PROMISE OF INTERPRETATION: AN ANALYSIS OF THE VĀNARINDA JĀTAKA by VISHMA KUNU Major Professor: Glenn Wallis Committee: Dorothy Figueira Carolyn Medine Electronic Version Approved: Maureen Grasso Dean of the Graduate School The University of Georgia May 2004 DEDICATION For my grandmother, Jessodra Tiwary, who never read a single word with her eyes. -
Suppression and Restoration of the Society of Jesus in China
SUPPRESSION AND RESTORATION OF THE SOCIETY OF JESUS IN CHINA by Fr Fernando Mateos S.J. Contributor’s Abstract and Profile Fr. Mateos' s thirty-two pages well documented paper is based on Jesuit correspondence and original documents and depicts three main climax periods of the Jesuit exile in China; suppression of the Society, tribulation of its former members and then their final incorporation into the New Society. The paper gives overview of the Jesuits geographical dispersion and activities in various locations in China; it also stresses the crucial role of superiors and their decisions, their sorrows and afflictions especially manifested by Fathers; François Bourgeois, Superior of the French Jesuits and by Jean Amiot, an astronomer and writer. In 1778, Fr. Louis de Poirot, one from five ex-Jesuits who survived in Peking wrote several letters to the Congregation of Propaganda requesting the re-establishment of the Society of Jesus in China. In the end, the 78-year-old de Poirot remained in Peking alone, and peacefully passed away on December 13, 1813, eight months before the solemn publication of Pius VII’s Bull, “Sollicitudo Omnium Ecclesiarum”, restoring the Society of Jesus in the whole world. Here comes account of the revival of the Jesuit presence in China, its circumstances, challenges and opportunities opened to the Chinese mission in the New Society. Fernando MATEOS, SJ, 沈起元 is long date historian of the Chinese Province of the Society of Jesus. He is also a member of the Taipei Ricci Institute. He authored several books: China: mission de dolor, Siglo de las Missiones, Bilbao, 1961; China, Operación Fuga, Mensajero, Bilbao, 1967; China Jesuits in East- Asia: Starting from zero, 1949-1957, TEC, Taibei, 1995; and co-authored Diccionario Español de la Lengua China, Espasa-Calpe, Madrid, 1 Table of Contents I. -
Cr3v05 Maquetación 1
CAMINO REAL 2:3 (2010): 11-33 Celluloid Conquistadors: Images of the Conquest of Mexico in Captain from Castile (1947) STEPHEN A. COLSTON ABSTRACT The Spanish Conquest of Aztec Mexico (1519-21) forever transformed greater North America, Europe, and regions beyond. In spite of this significance, there is only one extant motion picture that has attempted to portray features of this epic event. Re- leased in 1947 by Twentieth Century-Fox, Captain from Castile was based on a novel of the same title and offers images of the Conquest that are intertwined with fact and fic- tion. Drawing upon the novel and elements of the Conquest story itself, this study se- parates and examines the threads of fact and fantasy that form the fundamental fabric of this film’s recounting of the Spanish Conquest. This analysis is enhanced by infor- mation found in unpublished documents from several collections of motion picture pro- duction materials. Ultimately, the images of the Spanish Conquest that emerge in Captain from Castile reveal some elements of genuine historicity but they more often reflect, in typical Hollywood fashion, the aspirations of a studio more concerned with achieving box office success than historical accuracy. Keywords: film, Hollywood, Conquest, Mexico, Cortés, Aztecs. Stephen A. Colston is an Associate Professor of History at San Diego State University. Colston, S. “Celluloid Conquistadors: Images of the Conquest of Mexico in Captain from Castile (1947).” Camino Real. Estudios de las Hispanidades Norteamericanas. Alcalá de Henares: Instituto Franklin - UAH, 2:3 (2010): 11- 33. Print. Recibido: 27/10/2010; 2ª versión: 26/11/2010 11 CAMINO REAL RESUMEN La conquista española del México azteca (1519 - 1521) transformó para siempre América del Norte, Europa y más allá. -
Jataka Tales: Layers of Meaning from the Universal to the Personal
Jataka Tales: Layers of Meaning from the Universal to the Personal Grade Level or Course Type: English, Social Studies, adaptable for grades 6 through 10 Overview of the Lesson Jataka Tales: Birth Stories of the Buddha are among the world’s oldest collection of stories. Many, about endearing animals who misbehave – and then learn to behave better – are appealing to children throughout the world. In this lesson students compare an Aesop’s fable to a Jataka Tale to see what they share in common. Students then learn about the Buddhist context of the tales, through which they deepen their appreciation of what makes a Jataka Tale unique. Finally, students approach a Jataka Tale through the meaning it held in the life of Noor Inayat Khan (1914-1944), whose classic collection Twenty Jataka Tales is still in print. She was a Muslim who worked as a covert agent for the British in Occupied France. She died at Dachau in 1944. In all three activities, students gain insight into what makes stories important in our lives. Learning Outcomes: • Identify stories by genre as fable, parable, folktale and fairy tale. • Decipher the moral of a story. • Understand Buddhist concepts (Ten Perfections, cycle of death and rebirth) • Learn about the life and appreciate the artistry of Noor Inayat Khan. Materials Needed • This lesson and the handouts included with it. They include: Handout 1. Life of Noor Inayat Khan with photos and scrapbook activity Handout 2. The Monkey and the Dolphin credited to Aesop and genre definitions Handout 3. The Patient Buffalo, a Jataka Tale Handout 4. -
Asian Literary Voices
Publications Series AsianEdited Literary Volumes 12 Asian Literary Asian Literary Voices Philip F. Williams has published nine books in East Asian studies, including The Great Wall of Confinement (UCal, 2004), and has been ProfessorVoices of Chinese at Voices Massey University and Arizona State University. Asian Literary Voices Williams (ed.) Asian Literary Voices: From Marginal to Mainstream brings From Marginal to Mainstream together some of the most exciting recent scholarship on literature and culture in Japan, Korea, China, and India. The contributors combine original findings of interest to specialists with a clear and accessible style of writing; Edited by their unifying aim has been to give voice to a wide range Philip F. Williams of literary and scholarly figures who were important in their time and remain relevant to our epoch, and yet whose significance has been poorly understood. “The ten inquisitive and energetic authors explore a variety of topics from ‘bad-girl’ writers in contemporary China to Sanskrit poetesses in medieval India, from urban migration to avant-garde theater, and from genre paintings to writing systems.” Victor H. Mair, Professor of Chinese Language and Literature, University of Pennsylvania “This excellent book of essays represents the best of the conference volume genre. It includes concepts of the ideal lover, historical fiction and elite women’s reading in Chôson Korea and Meiji Japan, and how Europeans invented ‘Sinology’.” Michael S. Duke, Professor Emeritus of Chinese and Comparative Literature, University of British Columbia “This engaging volume deepens our understanding of how Asian civilizations have evolved not only through their contact with the West, but with one another as well.” Timothy R. -
Biography of the HONORABLE RICHARD DEAN ROGERS Senior United States District Judge by Homer E. Socolofsky
r Biography of THE HONORABLE RICHARD DEAN ROGERS Senior United States District Judge r By Homer E. Socolofsky 1 1 Copyright © 1995 by The United States District Court, Kansas District This biography is made available for research purposes. All rights to the biography, including the right to publish, are reserved to the United States District Court, District of Kansas. No part of the biography may be quoted for publication without the permission of the Court. Requests for permission to quote for publication should be addressed to the Clerk of the Court, United States District Court, District of Kansas, and should include identification of the specific passages to be quoted, anticipated use of the passages, and identification of the user. ff^ It is recommended that this biography be cited as follows: Richard DeanDean Rogers, Rogers, "Biography "Biography of the of Honorable the Honorable Richard RichardDean Rogers, Dean Senior Rogers, United Senior States United States "1 District Judge,*Judge," aa historyhistory prepared 1994-1995 by Homer Socolofsky, United States District Court, DistrictT C i a + T »of i # Kansas, * + 1995. A f l T o n e o o 1 Q O R - > Printed in U.SA. by Mennonite Press, Inc., Newton, Kansas 67114 'v.r The Honorable Richard Dean Rogers | in m ftp) PI TTie United States District Court gratefully ^1 acknowledges the contributions of the Kansas Federal Bar jpt v. W\ spp ifS 1*1 53} p The Honorable Richard Dean Rogers - r r r r r The Honorable Richard Dean Rogers vii ipfy ij$B| Preface wi legal terms and procedure in extended tape- 1B^ last December, inviting me to write recorded sessions. -
Books Owned by F Scott Fitzgerald
Books owned by F. Scott Fitzgerald 1. Aces; A collection of short stories. New York, G.P. Putnam sons, 1924. FSF$$ (Ex)3740.8.3267 2. Adams, Franklin P., and Harry Hansen. Answer This One : Questions for Everybody. New York: Edward J. Clode, 1927. Call Number: Rare Books (Ex) 4294.114 Notes: compiled by Franklin P. Adams (F. P. A.) and Harry Hansen. Romance and chivalry -- The 'nineties -- Music -- Books and authors -- Gilbert and Sullivan -- Popular songs since 1900 -- How long is your memory? -- Golf -- Pugilism -- In little old New York -- Familiar misquotations -- Bible -- Answers -- Lorelei's questionnaire. F. Scott Fitzgerald's copy. Markings and notations. 3. Aeschylus, and E. D. A. Morshead. The House of Atreus; Being the Agamemnon, Libation-Bearers, and Æschylus. Golden Treasury Series. London, Macmillan, 1911. Call Number: Rare Books (Ex) 2559.319.911 Notes: Tr. into English verse by E.D.A. Morshead ... F. Scott Fitzgerald's copy. "First edition 1901. Reprinted 1904, 1911." Inscribed by FSF on front flyleaf. 4. Allen, Frederick Lewis. Only Yesterday; an Informal History of the Nineteen-Twenties. New York, London, Harper & brothers, 1931. Rare Books (Ex) 1088.1195.2 Notes: by Frederick Lewis Allen. "Second printing." "Sources and obligations": p. 358-361. Copy 2-5 Imprint varies. Cop. 4. imperfect. 2 . wanting. 21 cm. Ex copy is "Twenty-ninth printing." [1931]. F. Scott Fitzgerald's copy with his ms. annotations. Notation on front flyleaf: “Pps 11, 90, 91, 226, 234 [referring to mention or quotation of FSF.]” 5. Anderson, Margaret My thirty years’ war; An autobiography. New York, Covici, Friede, 1930. -
Ronald Davis Oral History Collection on the Performing Arts
Oral History Collection on the Performing Arts in America Southern Methodist University The Southern Methodist University Oral History Program was begun in 1972 and is part of the University’s DeGolyer Institute for American Studies. The goal is to gather primary source material for future writers and cultural historians on all branches of the performing arts- opera, ballet, the concert stage, theatre, films, radio, television, burlesque, vaudeville, popular music, jazz, the circus, and miscellaneous amateur and local productions. The Collection is particularly strong, however, in the areas of motion pictures and popular music and includes interviews with celebrated performers as well as a wide variety of behind-the-scenes personnel, several of whom are now deceased. Most interviews are biographical in nature although some are focused exclusively on a single topic of historical importance. The Program aims at balancing national developments with examples from local history. Interviews with members of the Dallas Little Theatre, therefore, serve to illustrate a nation-wide movement, while film exhibition across the country is exemplified by the Interstate Theater Circuit of Texas. The interviews have all been conducted by trained historians, who attempt to view artistic achievements against a broad social and cultural backdrop. Many of the persons interviewed, because of educational limitations or various extenuating circumstances, would never write down their experiences, and therefore valuable information on our nation’s cultural heritage would be lost if it were not for the S.M.U. Oral History Program. Interviewees are selected on the strength of (1) their contribution to the performing arts in America, (2) their unique position in a given art form, and (3) availability. -
Halliburton, Richard (1900-1939) by Mark Staebler
Halliburton, Richard (1900-1939) by Mark Staebler Encyclopedia Copyright © 2015, glbtq, Inc. Entry Copyright © 2007 glbtq, Inc. Reprinted from http://www.glbtq.com Once every schoolboy's idol, a best-selling author, and a household name in the United States and abroad, American adventurer and writer Richard Halliburton became virtually forgotten soon after his death in 1939. Recently, however, there has been renewed interest in him, at least in part because of his homosexuality, which he understandably took efforts to conceal during his lifetime but which nevertheless surfaced in his writing and has subsequently been confirmed. Halliburton was born on January 9, 1900, in Brownsville, Tennessee, near Memphis, to a prosperous family. A sickly child, he manifested a congenital heart problem at age 15 and spent eight months in isolated recovery. His brother's death from a similar condition two years later motivated Halliburton to take the offensive against infirmity, and to determine to seek a life of adventure and daring. After graduating from prep school, Halliburton entered Princeton University. At Princeton he was an indifferent student, but sold an article to Field and Stream magazine for $150. This success encouraged him to pursue a life of traveling and writing. Just weeks after his graduation from Princeton in 1921, Halliburton signed on as a merchant seaman on a freighter bound for Hamburg, Germany. His ceaseless quest for adventure had begun. He climbed the Matterhorn in September of that year. His wanderlust took him through Paris and on to the "rock of Gibraltar," where taking photographs of defense weapon emplacements at the strait landed him in jail. -
Jataka Tales and Realiz Ed the Excellent Use That Might Be Made of Them in the Teaching of Children
J a t a k a T a l e s Re- told by Ellen Babbi C . tt W ith illustrations by Ell sworth ! ou ng N ew ! ork T he C entu ry 1 9 1 2 ! edic ated to ! O ! OREWOR! Long ago I was captivated by the charm of the Jataka Tales and realiz ed the excellent use that might be made of them in the teaching of children . The obvious lessons are many of them suitable for little s people, and beneath the obvious there are depth and depths of meaning which they may learn to fathom later on . The Oriental setting lends an additional I fascination . am glad that Miss Babbitt has under a ut t ken to p together this collection, and commend it freely to teachers and parents . ! E! IX ! ! ER A . vii C O NT ENT S THE MONK E! AND THE CROCODILE How THE TURTLE SA! ED HIS OW N ! I! E THE MERC HANT O! SERI ’ THE TURTLE WHO COU LD N T STOP TALK ING THE Ox WHO WON THE ! OR! EIT THE SAND! ROAD THE ! UARREL O! THE ! UAILS THE MEASURE OP RICE E ! OO IS IM I R BB IT TH L H , T D A ‘ THE WISE AND THE ! OOLISH MERC HANT THE ELEPHANT GIRL! -! ACE THE BAN! AN ! EER THE PRINCES AND THE WATER- SPRITE ’ THE KI NG S WHITE ELEPHANT THE Ox WHO EN! IED THE PIG ’ GRANNIE S BLACK IE THE CRAB AND THE CRANE WH! THE OW! IS NOT KI NG O! THE BIR! S PUBLISHER’ S NOTE a a - r one e The J tak s , or Birth sto ies , form of the sacr d books of the Buddhists and relate to the adventures e of the Buddha in his former existenc s , the best char acter in any story being identified with the Master .