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August Newsletter
August Newsletter Ed & Hazel Richmond Public Library Vision: Expanding Minds. Empowering People. Enriching Community. 110 N. Lamont St. Aransas Pass, Texas 78336 (361)758-2350 Dear Reader, Upcoming Events Barbara Louise Mertz was an American author who wrote under her own name as Keep Aransas Beautiful well as under the pseudonyms Elizabeth Peters and Barbara Michaels. In 1952 she August 8, 2017 5:15-6:00 p.m. received a PhD in Egyptology from the University of Chicago. While she was best Mahjong Club known for her mystery and suspense novels, in the 1960s she authored two books August 8, 2017 1:00-5:00 p.m. on ancient Egypt, both of which have remained in print ever since. Pre-Natal Wellness Class August 10, 2017 9:00-12:00 p.m. Barbara Mertz was born on September 29, 1927, in Canton, Illinois. She was Silver Sneakers – Members Only graduated from the University of Chicago with a bachelor's degree in 1947, a August 11, 2017 11:00 a.m. master's degree in 1950, and a PhD in Egyptology in 1952, having studied with Food Handlers Class John A. Wilson. She authored two books on ancient Egypt (both of which have August 14, 2017 6:00 p.m. been continuously in print since first publication), but primarily wrote mystery and Library Board Meeting – suspense novels. She became a published writer in 1964. She was married to Peter TBA Mertz for 19 years (1950-1969) which ended in divorce. They had two children, Peter and Elizabeth Mertz. Movie Afternoon at the Library- August 24, 2017 2:00 p.m. -
Winter 2004/2005
By Elizabeth Peters In chronological order: Crocodile on the Sandbank Curse of the Pharaohs The Mummy Case MPM Lion in the Valley Deeds of the Disturber The Last Camel Died at Noon a bulletin on the doings and undoings of The Snake, the Crocodile, and the Dog Barbara Mertz/Elizabeth Peters/Barbara Michaels The Hippopotamus Pool Issue 45 Seeing a Large Cat The Ape Who Guards the Balance Winter 2004/2005 The Falcon at the Portal Kristen Whitbread, Editor He Shall Thunder in the Sky Lord of the Silent The Golden One Children of the Storm Guardian of the Horizon The Amelia Peabody Books Serpent on the Crown also look for: mpmbooks.com MPM: Mertz Peters Michaels The official Barbara Mertz/Elizabeth Peters/Barbara Michaels website by Margie Knauff & Lisa Speckhardt PUBLISHING The Serpent on the Crown April 2005 hardcover WilliamMorrow Guardian of the Horizon March 2005 paperback Avon Suspense Children of the Storm April 2004 paperback Avon Suspense The Golden One April 2003 paperback Avon Suspense Amelia Peabody’s Egypt, A Compendium October 2003 hardcover WilliamMorrow Gardening is an exercise in optimism. Sometimes, it is the triumph of hope over experience. Marina Schinz Visions of Paradise MPM For the first time since I bought my camellia Winter Rose, it is blooming its head off. The flowers are smallish, only a couple of inches in diameter, but they are exquisite--shell pink shading to darker in the center. That’s why I love gardening. One might say, if one were pompous (which I am sometimes inclined to be) that it is a metaphor for life: you win some, you lose some, and a good deal of the time you have no idea why. -
The Prince of Tides a Novel by Pat Conroy
The Prince of Tides A Novel by Pat Conroy You're readind a preview The Prince of Tides A Novel ebook. To get able to download The Prince of Tides A Novel you need to fill in the form and provide your personal information. Ebook available on iOS, Android, PC & Mac. Unlimited ebooks*. Accessible on all your screens. *Please Note: We cannot guarantee that every book is in the library. But if You are still not sure with the service, you can choose FREE Trial service. Book File Details: Review: There is graphic violence and sexual content. However, none of it is gratuitous. It is well- used in telling the story. This is my FAVORITE novel. It is a challenging read, in that it is extremely evocative of deep emotion. Pat Conroys writing is so lovely. I visited the southern part of NC Coast and northern part of SC coast almost every summer as... Original title: The Prince of Tides: A Novel 704 pages Publisher: Dial Press Trade Paperback; Reprint edition (October 2002) Language: English ISBN-10: 0553381547 ISBN-13: 978-0553381542 Product Dimensions:5.2 x 1.6 x 8.2 inches File Format: PDF File Size: 3507 kB Book File Tags: pat conroy pdf, prince of tides pdf, south carolina pdf, years ago pdf, tom wingo pdf, new york pdf, read this book pdf, well written pdf, beach music pdf, beautifully written pdf, low country pdf, ever read pdf, wingo family pdf, english language pdf, lords of discipline pdf, seen the movie pdf, dysfunctional family pdf, highly recommend pdf, nick nolte pdf, great santini Description: “A big, sprawling saga of a novel” (San Francisco Chronicle), this epic family drama is a masterwork by the revered author of The Great Santini.Pat Conroy’s classic novel stings with honesty and resounds with drama. -
ENGL 349 Classic Detective Fiction
STATE UNIVERSITY OF NEW YORK COLLEGE OF TECHNOLOGY CANTON, NEW YORK MASTER SYLLABUS ENGL 349 – Classic Detective Fiction CIP Code: 230101 Prepared By: Emily Hamilton-Honey September 2016 Revised By: Emily Hamilton-Honey July 2019 SCHOOL OF BUSINESS AND LIBERAL ARTS DEPARTMENT OF ENGLISH AND HUMANITIES FALL 2019 A. TITLE: Classic Detective Fiction B. COURSE NUMBER: ENGL 349 C. CREDIT HOURS: 3 Credit Hours 3 Lecture Hours: 3 per week Course Length: 15 Weeks D. WRITING INTENSIVE COURSE: No E. GER CATEGORY: None F. SEMESTER(S) OFFERED: Spring G. CATALOG DESCRIPTION: In this course students become familiar with the genre of detective fiction from its origins in the nineteenth century to the present day. Course content and time periods may vary by semester. Students learn literary elements of detective fiction, examine the development of the detective as a literary figure and detective fiction as a genre, and analyze depictions of the law and legal system. Course may include, but is not limited to, British and American detective fiction by Poe, Collins, Conan Doyle, Chesterton, Sayers, Hammett, Christie, Chandler, MacDonald, James, Rendell, Cross, Elizabeth Peters, Ellis Peters, Perry, George, and King. H. PRE-REQUISITES/CO-REQUISITES: a. Pre-requisite(s): ENGL 101: Expository Writing AND one lower-level literature course AND 45 credit hours earned with a cumulative GPA of 2.0. b. Co-requisite(s): none I. STUDENT LEARNING OUTCOMES: By the end of this course, students will be able to: Course Student Learning PSLO GER ISLO Outcome [SLO] a. Apply terms common to the 1. Communication humanities. Skills (O or W) b. -
Strategic Planning Overview by Laura Disilverio
the Sisters in Crime Quarterly Vol. 26, No. 3 Strategic Planning Overview by Laura DiSilverio f you read inSinC front to back, you women crime writers.” We dropped the goal, ranging from expanding the moni- probably haven’t read Hank’s letter about phrase “to achieve equality in the indus- toring project to developing new edu- Ithe SinC strategic planning session… try” from the 2008 statement not because cational opportunities for members, to what? You haven’t? So go to Page 3 and male and female crime writers operate sharing webinars and information across read it—we’ll wait. Okay. Aren’t you excited on a level playing field, but because we chapters, and many more which you can now? This organization is going places, think the idea of promoting recognition read about in the full report. moving forward, heading for new heights. encapsulates our unchanged commitment Believe us, we came away from the two days to ensuring women crime writers receive Your national board is totally excited about of meetings totally jazzed up, not exhausted the reviews, publishing opportunities and our new direction and committed to it. like you usually get after a couple of days awards their excellence demands. Our hope is that as you read the full plan locked in a conference room. You’re prob- and discuss it, it will stimulate you to come ably wondering however, what, exactly, we • We broadened our mission statement forward with ideas, or even to volunteer accomplished. Let us tell you. to “Serve as the voice for excellence and in one of the goal areas. -
Barbara Mertz
http://oi.uchicago.edu in memoriam ———————————————————— Barbara Mertz Egyptologists and mystery lovers throughout the world joined the Oriental Institute in mark- ing the passing of Barbara Mertz in August 2013. Barbara was the author of two nonfiction books on Egyptology, Temples, Tombs, and Hieroglyphs: A Popular History of Ancient Egypt and Red Land, Black Land: Daily Life in Ancient Egypt, which have remained in print for more than thirty years. Writing as Elizabeth Peters, Barbara was the author of the beloved Amelia Peabody se- ries of thirty-seven mystery-suspense novels, many set in Egypt. Under her Barbara Michaels pseudonym, she produced an additional twenty-nine suspense novels. Barbara was born in Canton, Illinois, and moved to the Chicago suburbs as a schoolgirl. At thirteen, she was introduced to the Oriental Institute on a visit with an aunt. She at- tended the University of Chicago and recalled that she was “supposed to be preparing myself to teach …. I took two education courses before I stopped kidding myself and headed for the Oriental Institute.” She earned her bachelor of arts, master of arts, and doctorate from the University of Chicago, specializing in Egyptology. Positions in academia were highly competitive and Barbara did not receive appropriate encouragement to enter that job market. Instead, she married, raised children, and began writing, incorporating her vast knowledge of Egyptology into her many books. Barbara was a frequent visitor to Chicago House in Luxor, where she conducted research for her novels in the library and at various archaeological sites. She is remem- bered fondly by the generations of Chicago House staff as a valued friend, a dedicated supporter, and an insightful colleague. -
Honey, You Know I Can't Hear You When You Aren
Networking Knowledge Honey, You Know I Can’t Hear You (Jun. 2017) Honey, You Know I Can’t Hear You When You Aren’t in the Room: Key Female Filmmakers Prove the Importance of Having a Female in the Writing Room DR ROSANNE WELCH, Stephens College MFA in Screenwriting; California State University, Fullerton ABSTRACT The need for more diversity in Hollywood films and television is currently being debated by scholars and content makers alike, but where is the proof that more diverse writers will create more diverse material? Since all forms of art are subjective, there is no perfect way to prove the importance of having female writers in the room except through samples of qualitative case studies of various female writers across the history of film. By studying the writing of several female screenwriters – personal correspondence, interviews and their writing for the screen – this paper will begin to prove that having a female voice in the room has made a difference in several prominent films. It will further hypothesise that greater representation can only create greater opportunity for more female stories and voices to be heard. Research for my PhD dissertation ‘Married: With Screenplay’ involved the work of several prominent female screenwriters across the first century of filmmaking, including Anita Loos, Dorothy Parker, Frances Goodrich and Joan Didion. In all of their memoirs and other writings about working on screenplays, each mentioned the importance of (often) being the lone woman in the room during pitches and during the development of a screenplay. Goodrich summarised all their experiences concisely when she wrote, ‘I’m always the only woman working on the picture and I hold the fate of the women [characters] in my hand… I’ll fight for what the gal will or will not do, and I can be completely unfeminine about it.’ Also, the rise of female directors, such as Barbra Streisand or female production executives, such as Kathleen Kennedy, prove that one of the greatest assets to having a female voice in the room is the ability to invite other women inside. -
«Itos a I Page 6 Oictif 1*Mb Television `Simpsons' Again Denied Shot at Comedy Category
Daily News L.A.LIFEThursday. February 20. 1992 Ccpyrlghl .0 1992 New tune Any way you slice it, Popeil will sing about it Page 5 Fashion Women right in style with that menswear look «itos a I Page 6 OiCtif 1*Mb Television `Simpsons' again denied shot at comedy category Page 24 Hollywood Gerald() delves sh Belle in "Beauty and the Beast" into Natalie Wood's death Highlights box: Page 25 —Streisand snubbed — 'Secret," Singleton make history Music —Caregory-by-category analysis — Let of nominees John Mellencamp — Full coverage begins on page 29 performs blah set to adoring fans Page 26 Annette Bening and Warren Beatty In "Bugsy," which led all films with 10 Oscar nominations. '12. • •• •• DAILY NEWS THLFWAY TEESUARY 20, 1992 LA. 1.11111-3 PAGE 3 .01""'N .si' ,NortN."4'6%. err ".avroe144 Page 3 Talk Line Were mar Me Academy of Motion Who could can forget the Picture Aru and Sciences folks are heartwarming story of a conniving dims Jeeping in this morning after drifter and his ever so cute "I could Wednesdays !JO a.01. command have played Annie on Broadway, if I terfirmance. had a better agent father" in "Curly But Page 3 Talk Line callers can't be Sue." The only downside of the picture was that Brian Dennehy wasn't in it. 'aught 'Winne. — }Lamy Fleckman Yen acre risk an top of the academy, North Hollywood astigating voters for slighting Barbra ;treatise!. heaping praise on "Beauty "I FK" represents the foss of and the Beam ' 'VFW" and 'The Prince S1101106 innocence and the last of the great if Tides." the films. -
Suspense Magazine December 2011
Suspense, Mystery, Horror and Thriller Fiction June 2012 Featuring Erik Larson Justin scott Don Mann Meet Debut Authors Stephanie Jaye evanS Shannon Dittemore Anthony FrAnze Peek InsIde new Brings you Releases FRom AmericA’s FAvorite alan Jacobson suspense Authors JeRemy RobInson on Writing Fiction &VIckI Tyley C r e di t s John Raab From the Editor President & Chairman Shannon Raab Summer reading and blockbuster movies are Creative Director what June brings. I know that the blockbuster season technically starts in May, but most of the Romaine Reeves country hasn’t really hit the summer weather ’til CFO June, so I’m starting there. Starr Gardinier Reina The grill is on and the beer is flowing, but Executive Editor something is missing. That’s right: you are still deciding on how to spend your money on the Terri Ann Armstrong Executive Editor books you love. But maybe this year you made a resolution to go out and try some new authors, but J.S. Chancellor are confused when you search Amazon. Because Associate Editor there really are so many choices, you end up picking up the old standby author, because Jim Thomsen you know what you’ll get for your twenty bucks. But where is the fun in that? You are Copy Editor reading the same story with a different cover, aren’t you? I can understand the pros and cons of having the market become flooded with new Contributors authors that either have come from a small publisher, or are self-published. But this is the Donald Allen Kirch future of publishing, so you better get used to it even if you don’t like it. -
Bibliography
BIbLIOGRApHY PRIMARY SOURCEs Alexander, Tasha. 2006. And Only to Deceive. New York: Harper. Braddon, Mary Elizabeth. 2003. Lady Audley’s Secret. Peterborough, ON: Broadview. ———. 2008. The Doctor’s Wife. 1864; Oxford: Oxford University Press. Brightwell, Emily. 2013. The Inspector and Mrs Jeffries. 1993; London: Constable and Robinson. Brontё, Charlotte. 2001. Jane Eyre. 1847; New York: Norton. Chevalier, Tracy. 2009. Remarkable Creatures. London: HarperCollins. Christie, Agatha. 1960. The Adventures of the Christmas Pudding. London: Collins. Collins, Wilkie. 1998. Man and Wife. 1870; Oxford: Oxford University Press. ———. 1999. The Moonstone. 1868; Peterborough, ON: Broadview. ———. 2006a. The Woman in White. 1860; Peterborough, ON: Broadview. ———. 2006b. The Diary of Anne Rodway (1856). In The Broadview Anthology of British Literature. Vol. 5: The Victorian Era, 473–490. Peterborough, ON: Broadview. ———. 2008. No Name. 1862; Oxford: Oxford University Press. ———. 2011. The Woman in White: A Drama. 1871; London: British Library. Cox, Constance. 2005. The Woman in White. London: Samuel French. Cox, Michael. 2008. The Glass of Time. London: John Murray. Dickens, Charles. 1996. Bleak House. 1853; London: Penguin. Du Maurier, Daphne. 2003. My Cousin Rachel. 1951; London: Vintage. Edwards, Amelia. 1864. Barbara’s History. Leipzig: Bernhard Tauchnitz. Fryers, Austin. 2014. A New Lady Audley. 1891; Black Heath Editions (Kindle). Haggard, H. 1888. Rider. Mr Meeson’s Will. London: Spencer Blackett. © The Author(s) 2019 227 J. Cox, Neo-Victorianism and Sensation Fiction, https://doi.org/10.1007/978-3-030-29290-4 228 BiblioGraphy Hardy, Thomas. 1998. A Pair of Blue Eyes. 1873; London: Penguin. Harris, Joanne. 1994. Sleep, Pale Sister. London: Random House. Harwood, John. -
The Ruth Eleanor Brown Memorial Library of the Barbara C.L.G. Anderson Gallery Presented by Daniel R
The Ruth Eleanor Brown Memorial Library of the Barbara C.L.G. Anderson Gallery presented by Daniel R. Hirtler and Flatfield Designs This catalog represents the part of the collection of the library which is ready to be loaned to members of the library. Membership is open to all, and the use of the library is free of charge. The library is focused on serving local members, therefore certain restrictions and conditions are placed on long distance members. If you are interested in borrowing any of the books in this collection, please send me an email message to become a member. My email address is [email protected] Catalog Contents Division 0 General Knowledge and Compiled Works Division 1 Human Thought and Spirit Division 2 Religion Division 3 Social Sciences Division 4 Language Division 5 Physical Sciences Division 6 Technique Division 7 Arts and Recreation Division 8 Subjective Description Division 9 Objective Description Use the bookmarks to move to the desired division of the collection. Use the search function to find particular material in the collection. The page numbering in this file starts at the beginning of the collection list. Add 1 to the collection page you are looking for in order to navigate using the PDF page number. This catalog can be navigated using the bookmarks, and the search functions of the reader. Compiled Works 0 General Knowledge (not catalogued yet) 0 Human Thought and Spirit 1 Religion 2 Social Science 3 Language 4 Physical Science 5 Technique 6 Art and Recreation 7 Subjective Description 8 Objective -
SHSU Video Archive Basic Inventory List Department of Library Science
SHSU Video Archive Basic Inventory List Department of Library Science A & E: The Songmakers Collection, Volume One – Hitmakers: The Teens Who Stole Pop Music. c2001. A & E: The Songmakers Collection, Volume One – Dionne Warwick: Don’t Make Me Over. c2001. A & E: The Songmakers Collection, Volume Two – Bobby Darin. c2001. A & E: The Songmakers Collection, Volume Two – [1] Leiber & Stoller; [2] Burt Bacharach. c2001. A & E Top 10. Show #109 – Fads, with commercial blacks. Broadcast 11/18/99. (Weller Grossman Productions) A & E, USA, Channel 13-Houston Segments. Sally Cruikshank cartoon, Jukeboxes, Popular Culture Collection – Jesse Jones Library Abbott & Costello In Hollywood. c1945. ABC News Nightline: John Lennon Murdered; Tuesday, December 9, 1980. (MPI Home Video) ABC News Nightline: Porn Rock; September 14, 1985. Interview with Frank Zappa and Donny Osmond. Abe Lincoln In Illinois. 1939. Raymond Massey, Gene Lockhart, Ruth Gordon. John Ford, director. (Nostalgia Merchant) The Abominable Dr. Phibes. 1971. Vincent Price, Joseph Cotton. Above The Rim. 1994. Duane Martin, Tupac Shakur, Leon. (New Line) Abraham Lincoln. 1930. Walter Huston, Una Merkel. D.W. Griffith, director. (KVC Entertaiment) Absolute Power. 1996. Clint Eastwood, Gene Hackman, Laura Linney. (Castle Rock Entertainment) The Abyss, Part 1 [Wide Screen Edition]. 1989. Ed Harris. (20th Century Fox) The Abyss, Part 2 [Wide Screen Edition]. 1989. Ed Harris. (20th Century Fox) The Abyss. 1989. (20th Century Fox) Includes: [1] documentary; [2] scripts. The Abyss. 1989. (20th Century Fox) Includes: scripts; special materials. The Abyss. 1989. (20th Century Fox) Includes: special features – I. The Abyss. 1989. (20th Century Fox) Includes: special features – II. Academy Award Winners: Animated Short Films.