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THERE WAS an OLD WOMAN (William Morrow, on Sale April 2, 2013, ISBN 13: 9780062117601, $25.99)
WILLIAM MORROW An Imprint of HarperCollinsPublishers _____________________________________________________________________________________________________________________________________ 10 East 53rd Street, New York, New York 10022 Publicity Contact: Joanne Minutillo, 212-207-7224 [email protected] Deception, Vulnerability and Doubt Intertwine in Hallie Ephron’s Engrossing Page Turner THERE WAS AN OLD WOMAN (William Morrow, on sale April 2, 2013, ISBN 13: 9780062117601, $25.99) Advanced Praise for THERE WAS AN OLD WOMAN: “In portraying the inner life of an aged widow struggling heroically against her limitations, [THERE WAS AN OLD WOMAN] is very good…Ephron…continues to assert her own thoughtful style.” –Kirkus Reviews “[A] touching novel of suspense... as gripping as any traditional mystery.” – Publishers Weekly “Superb suspense and unforgettable characters make this an absolute must-read. THERE WAS AN OLD WOMAN is so good, I devoured this in one ravenous gulp!” — Tess Gerritsen, New York Times bestselling author of Last to Die Hallie Ephron's work has been called "unputdownable" (Laura Lippman), "unsettling" (Seattle Times), "ingenious" (Joseph Finder), "richly atmospheric" (USA Today), and "deliciously creepy," (Publishers Weekly). Now, with THERE WAS AN OLD WOMAN (William Morrow, on sale April 2, 2013, ISBN: 9780062117601, $25.99), she delivers her most accomplished novel of psychological suspense yet. "Don't let him in until I'm gone," Mina's neighbor says from the gurney as the EMTs load her into the ambulance. Though Mina doesn't know who he is, she dutifully calls Sandra's daughter to relay the message. Evie Ferrante is dismayed when she gets the call: once again, her mother's drinking has landed her in the hospital. -
(#) Indicates That This Book Is Available As Ebook Or E
ADAMS, ELLERY 11.Indigo Dying 6. The Darling Dahlias and Books by the Bay Mystery 12.A Dilly of a Death the Eleven O'Clock 1. A Killer Plot* 13.Dead Man's Bones Lady 2. A Deadly Cliché 14.Bleeding Hearts 7. The Unlucky Clover 3. The Last Word 15.Spanish Dagger 8. The Poinsettia Puzzle 4. Written in Stone* 16.Nightshade 9. The Voodoo Lily 5. Poisoned Prose* 17.Wormwood 6. Lethal Letters* 18.Holly Blues ALEXANDER, TASHA 7. Writing All Wrongs* 19.Mourning Gloria Lady Emily Ashton Charmed Pie Shoppe 20.Cat's Claw 1. And Only to Deceive Mystery 21.Widow's Tears 2. A Poisoned Season* 1. Pies and Prejudice* 22.Death Come Quickly 3. A Fatal Waltz* 2. Peach Pies and Alibis* 23.Bittersweet 4. Tears of Pearl* 3. Pecan Pies and 24.Blood Orange 5. Dangerous to Know* Homicides* 25.The Mystery of the Lost 6. A Crimson Warning* 4. Lemon Pies and Little Cezanne* 7. Death in the Floating White Lies Cottage Tales of Beatrix City* 5. Breach of Crust* Potter 8. Behind the Shattered 1. The Tale of Hill Top Glass* ADDISON, ESME Farm 9. The Counterfeit Enchanted Bay Mystery 2. The Tale of Holly How Heiress* 1. A Spell of Trouble 3. The Tale of Cuckoo 10.The Adventuress Brow Wood 11.A Terrible Beauty ALAN, ISABELLA 4. The Tale of Hawthorn 12.Death in St. Petersburg Amish Quilt Shop House 1. Murder, Simply Stitched 5. The Tale of Briar Bank ALLAN, BARBARA 2. Murder, Plain and 6. The Tale of Applebeck Trash 'n' Treasures Simple Orchard Mystery 3. -
Temples, Tombs, Hieroglyphs, History
TEMPLES, TOMBS & HIEROGLYPHS A Popular History of Ancient Egypt SECOND EDITION Barbara Mertz To John A. Wilson 1899–1976 Scholar, teacher, humanist Contents Foreword to the First Edition vii Foreword to the Second Edition xi A Note on Names xiii Ancient Egyptian Chronology xv List of Black-and-White Illustrations xix List of Color Illustrations in Photograph Insert xxi List of Maps xxiii one: The Two Lands 1 Geb the Hunter 1 The Wagon or the Mountain 16 iv contents Troubles with Time 24 Wearers of the Double Crown 33 Wars of Religion? 41 two: Houses of Eternity 46 King Djoser’s Magician 46 Good King Snefru 54 The Missing Queen 64 Children of Re 75 three: The Good Shepherd 95 Despair and Deliverance 95 Binder of the Two Lands 107 four: The Fight for Freedom 126 Invasion 126 Liberation 132 five: The Woman Who Was king 142 Hatshepsut the Queen 142 The King of Upper and Lower Egypt 145 The Hatshepsut Problem 162 The Other Hatshepsut Problem 164 Photographic Insert six: The Conqueror 168 contents v seven: The Power and The Glory 190 Amenhotep II 190 Amenhotep the Magnificent 198 eight: The Great Heresy 205 nine: The Broken Reed 240 Look on My Works! 240 Ramses II 244 Peoples of the Sea 257 ten: The Long Dying 269 Adventures of a Man of No Consequence 269 The Quick and the Dead 274 Tomb Robbers and Royal Mummies 277 Mummy Musical Chairs 282 The Third Intermediate Period 283 Horse men from the Holy Mountain 286 Back to the Drawing Board 295 The Final Humiliation 299 Additional Reading 309 Sources of Quotes 313 Index 315 About the Author Other Books by Barbara Mertz Credits Cover Copyright About the Publisher Foreword to the First Edition My affaire de coeur with ancient Egypt began in remote childhood, when I first encountered James Henry Breasted’s History of Egypt at the local li- brary; it is still flourishing, although many years and many distractions have intervened. -
August Newsletter
August Newsletter Ed & Hazel Richmond Public Library Vision: Expanding Minds. Empowering People. Enriching Community. 110 N. Lamont St. Aransas Pass, Texas 78336 (361)758-2350 Dear Reader, Upcoming Events Barbara Louise Mertz was an American author who wrote under her own name as Keep Aransas Beautiful well as under the pseudonyms Elizabeth Peters and Barbara Michaels. In 1952 she August 8, 2017 5:15-6:00 p.m. received a PhD in Egyptology from the University of Chicago. While she was best Mahjong Club known for her mystery and suspense novels, in the 1960s she authored two books August 8, 2017 1:00-5:00 p.m. on ancient Egypt, both of which have remained in print ever since. Pre-Natal Wellness Class August 10, 2017 9:00-12:00 p.m. Barbara Mertz was born on September 29, 1927, in Canton, Illinois. She was Silver Sneakers – Members Only graduated from the University of Chicago with a bachelor's degree in 1947, a August 11, 2017 11:00 a.m. master's degree in 1950, and a PhD in Egyptology in 1952, having studied with Food Handlers Class John A. Wilson. She authored two books on ancient Egypt (both of which have August 14, 2017 6:00 p.m. been continuously in print since first publication), but primarily wrote mystery and Library Board Meeting – suspense novels. She became a published writer in 1964. She was married to Peter TBA Mertz for 19 years (1950-1969) which ended in divorce. They had two children, Peter and Elizabeth Mertz. Movie Afternoon at the Library- August 24, 2017 2:00 p.m. -
Winter 2004/2005
By Elizabeth Peters In chronological order: Crocodile on the Sandbank Curse of the Pharaohs The Mummy Case MPM Lion in the Valley Deeds of the Disturber The Last Camel Died at Noon a bulletin on the doings and undoings of The Snake, the Crocodile, and the Dog Barbara Mertz/Elizabeth Peters/Barbara Michaels The Hippopotamus Pool Issue 45 Seeing a Large Cat The Ape Who Guards the Balance Winter 2004/2005 The Falcon at the Portal Kristen Whitbread, Editor He Shall Thunder in the Sky Lord of the Silent The Golden One Children of the Storm Guardian of the Horizon The Amelia Peabody Books Serpent on the Crown also look for: mpmbooks.com MPM: Mertz Peters Michaels The official Barbara Mertz/Elizabeth Peters/Barbara Michaels website by Margie Knauff & Lisa Speckhardt PUBLISHING The Serpent on the Crown April 2005 hardcover WilliamMorrow Guardian of the Horizon March 2005 paperback Avon Suspense Children of the Storm April 2004 paperback Avon Suspense The Golden One April 2003 paperback Avon Suspense Amelia Peabody’s Egypt, A Compendium October 2003 hardcover WilliamMorrow Gardening is an exercise in optimism. Sometimes, it is the triumph of hope over experience. Marina Schinz Visions of Paradise MPM For the first time since I bought my camellia Winter Rose, it is blooming its head off. The flowers are smallish, only a couple of inches in diameter, but they are exquisite--shell pink shading to darker in the center. That’s why I love gardening. One might say, if one were pompous (which I am sometimes inclined to be) that it is a metaphor for life: you win some, you lose some, and a good deal of the time you have no idea why. -
Agatha Awards – Best First Novel the Agatha Awards, Named for Agatha
Agatha Awards – Best First Novel The Agatha Awards, named for Agatha Christie, are literary awards for mystery and crime writers who write in the cozy mystery subgenre. At an annual convention in Washington, D.C., the Agatha Awards are handed out by Malice Domestic Ltd, in six categories: Best Contemporary Novel; Best First Novel; Best Historical Novel; Best Short Story; Best Nonfiction; Best Children's/Young Adult Novel. Additionally, in some years the Poirot Award is presented to honor individuals other than writers who have made outstanding contributions to the mystery genre, but it is not an annual award. 2019 Winner: Tara Laskowski, One Night Gone Nominees: Connie Berry, A Dream of Death S. C. Perkins, Murder Once Removed Ang Pompano, When It’s Time for Leaving Grace Topping, Staging is Murder 2018 Winner: (Tie) Dianne Freeman, A Ladies Guide to Etiquette and Murder and Shari Randall, Curses, Boiled Again Nominees: Edwin Hill, Little Comfort Aimee Hix, What Doesn't Kill You Keenan Powell, Deadly Solution 2017 Winner: Kellye Garrett, Hollywood Homicide Nominees: Micki Browning, Adrift V.M. Burns, The Plot is Murder Laura Oles, Daughters of Bad Men Kathleen Valenti, Protocol 2016 Winner: Cynthia Kuhn, The Semester of Our Discontent Nominees: Marla Cooper, Terror in Taffeta Alexia Gordon, Murder in G Major Nadine Nettmann, Decanting a Murder Renee Patrick, Design for Dying 2015 Winner: Art Taylor, On the Road with Del and Louise Nominees: Tessa Arlen, Death of a Dishonorable Gentleman Cindy Brown, Macdeath Ellen Byron, Plantation Shudders Julianne Holmes, Just Killing Time 2014 Winner: Terrie Farley Moran, Well Read, Then Dead Nominees: Annette Dashoffy, Circle of Influence Sherry Harris, Tagged for Death Susan O'Brien, Finding Sky Tracy Weber, Murder Strikes a Pose 2013 Winner: Leslie Budewitz, Death Al Dente Nominees: Shelley Costa, You Cannoli Die Once Kendel Lynn, Board Stiff Liz Mugavero, Kneading to Die LynDee Walker, Front Page Fatality 2012 Winner: Susan M. -
Historical Mysteries UK
Gaslight Books Catalogue 3: Historical Mysteries set in the UK Email orders to [email protected] Mail: G.Lovett, PO Box 88, Erindale Centre, ACT 2903 All prices are in Australian dollars and are GST-free. Postage & insurance is extra at cost. Orders over $100 to $199 from this catalogue or combining any titles from any of our catalogues will be sent within Australia for a flat fee of $10. Orders over $200 will be sent post free within Australia. Payment can be made by bank transfer, PayPal or bank/personal cheque in Australian dollars. To order please email the catalogue item numbers and/or titles to Gaslight Books. Bank deposit/PayPal details will be supplied with invoice. Books are sent via Australia Post with tracking. However please let me know if you would like extra insurance cover. Thanks. Gayle Lovett ABN 30 925 379 292 THIS CATALOGUE features first editions of mysteries set in the United Kingdom roughly prior to World War II. Most books are from my own collection. I have listed any faults. A very common fault is browning of the paper used by one major publisher, which seems inevitable with most of their titles. Otherwise, unless stated, I would class most of the books as near fine in near fine dustcover and are first printings and not price-clipped. (Jan 27, 2015) ALEXANDER, BRUCE (Bruce Alexander Cook 1932-2003) Blind Justice: A Sir John Fielding Mystery (First Edition) 1994 $25 Hardcover Falsely charged with theft in 1768 London, thirteen-year-old Jeremy Proctor finds his only hope in Sir John Fielding, the founder of the Bow Street Runners police force, who recruits young Jeremy in his mission to fight crime. -
C:\Documents and Settings\Msnll\My Documents\Voyagerreports
Swofford Popular Reading Collection September 1, 2011 Title Author Item Enum Copy #Date of Publication Call Number "B" is for burglar / Sue Grafton. Grafton, Sue. 11994 PBK G737 bi "F" is for fugitive / Sue Grafton. Grafton, Sue. 11990 PBK G737 fi "G" is for gumshoe / Sue Grafton. Grafton, Sue 11991 PBK G737 gi "H" is for homicide / Sue Grafton. Grafton, Sue. 11992 PBK G737 hi "I" is for innocent / Sue Grafton. Grafton, Sue. 11993 PBK G737 ii "K" is for killer / Sue Grafton. Grafton, Sue. 11995 PBK G737 ki "L" is for lawless / Sue Grafton. Grafton, Sue. 11996 PBK G737 li "M" is for malice / Sue Grafton. Grafton, Sue. 11998 PBK G737 mi "N" is for noose / Sue Grafton. Grafton, Sue. 11999 PBK G737 ni "O" is for outlaw Grafton, Sue 12001 PBK G737 ou 10 lb. penalty / Dick Francis. Francis, Dick. 11998 PBK F818 te 100 great fantasy short short stories / edited by Isaac 11985 PBK A832 gr Asimov, Terry Carr, and Martin H. Greenberg, with an introduction by Isaac Asimov. 1001 most useful Spanish words / Seymour Resnick. Resnick, Seymour. 11996 PBK R434 ow 1022 Evergreen Place / Debbie Macomber. Macomber, Debbie. 12010 PBK M171 te 13th warrior : the manuscript of Ibn Fadlan relating his Crichton, Michael, 1942- 11988 PBK C928 tw experiences with the Northmen in A.D. 922. 16 Lighthouse Road / Debbie Macomber. Macomber, Debbie. 12001 PBK M171 si 1776 / David McCullough. McCullough, David G. 12006 PBK M133 ss 1st to die / James Patterson. Patterson, James, 1947- 12002 PBK P317.1 fi 204 Rosewood Lane / Debbie Macomber. Macomber, Debbie. -
ENGL 349 Classic Detective Fiction
STATE UNIVERSITY OF NEW YORK COLLEGE OF TECHNOLOGY CANTON, NEW YORK MASTER SYLLABUS ENGL 349 – Classic Detective Fiction CIP Code: 230101 Prepared By: Emily Hamilton-Honey September 2016 Revised By: Emily Hamilton-Honey July 2019 SCHOOL OF BUSINESS AND LIBERAL ARTS DEPARTMENT OF ENGLISH AND HUMANITIES FALL 2019 A. TITLE: Classic Detective Fiction B. COURSE NUMBER: ENGL 349 C. CREDIT HOURS: 3 Credit Hours 3 Lecture Hours: 3 per week Course Length: 15 Weeks D. WRITING INTENSIVE COURSE: No E. GER CATEGORY: None F. SEMESTER(S) OFFERED: Spring G. CATALOG DESCRIPTION: In this course students become familiar with the genre of detective fiction from its origins in the nineteenth century to the present day. Course content and time periods may vary by semester. Students learn literary elements of detective fiction, examine the development of the detective as a literary figure and detective fiction as a genre, and analyze depictions of the law and legal system. Course may include, but is not limited to, British and American detective fiction by Poe, Collins, Conan Doyle, Chesterton, Sayers, Hammett, Christie, Chandler, MacDonald, James, Rendell, Cross, Elizabeth Peters, Ellis Peters, Perry, George, and King. H. PRE-REQUISITES/CO-REQUISITES: a. Pre-requisite(s): ENGL 101: Expository Writing AND one lower-level literature course AND 45 credit hours earned with a cumulative GPA of 2.0. b. Co-requisite(s): none I. STUDENT LEARNING OUTCOMES: By the end of this course, students will be able to: Course Student Learning PSLO GER ISLO Outcome [SLO] a. Apply terms common to the 1. Communication humanities. Skills (O or W) b. -
Strategic Planning Overview by Laura Disilverio
the Sisters in Crime Quarterly Vol. 26, No. 3 Strategic Planning Overview by Laura DiSilverio f you read inSinC front to back, you women crime writers.” We dropped the goal, ranging from expanding the moni- probably haven’t read Hank’s letter about phrase “to achieve equality in the indus- toring project to developing new edu- Ithe SinC strategic planning session… try” from the 2008 statement not because cational opportunities for members, to what? You haven’t? So go to Page 3 and male and female crime writers operate sharing webinars and information across read it—we’ll wait. Okay. Aren’t you excited on a level playing field, but because we chapters, and many more which you can now? This organization is going places, think the idea of promoting recognition read about in the full report. moving forward, heading for new heights. encapsulates our unchanged commitment Believe us, we came away from the two days to ensuring women crime writers receive Your national board is totally excited about of meetings totally jazzed up, not exhausted the reviews, publishing opportunities and our new direction and committed to it. like you usually get after a couple of days awards their excellence demands. Our hope is that as you read the full plan locked in a conference room. You’re prob- and discuss it, it will stimulate you to come ably wondering however, what, exactly, we • We broadened our mission statement forward with ideas, or even to volunteer accomplished. Let us tell you. to “Serve as the voice for excellence and in one of the goal areas. -
The Sisters in Crime Quarterly September 2020
inSinC the Sisters in Crime quarterly September 2020 inSinC • September 2020 • Page 1 Mission Statement Promote the ongoing advancement, recognition, and professional development of women crime writers. inSinC Board Members The Sisters in Crime Quarterly • September 2020 Lori Rader-Day, President inSinc is the official publication of Sisters in S.G. Wong, Vice President Crime International and is published four Faye Snowden, Secretary Jacki York, Treasurer times a year. One-year dues are $50 for pro- Tracee de Hahn, Membership & fessional US and Canada writers and $40 for Development Liaison non professionals; lifetime, $500 and $400. Kellye Garrett, Member at Large Address and all other changes can be made Stephanie Gayle, Grants/ACA Coordinator by members at our website. Debra H. Goldstein, Monitoring Chair Edwin Hill, Education Liaison Information in inSinC is submitted or Vanessa Lillie, Publicity Chair reprinted from sources listed in each Shari Randall, Library Liaison article. Where required, permission to Barb Ross, Web Liaison reprint has been granted and noted. SinC Alec Peche, Chapter Liaison does not investigate each submission inde- Sherry Harris, Immediate Past President Next Wave Group pendently and articles in no way constitute 550M Ritchie Hwy #271 an endorsement of products or services 833.492.7463 • 410.544.4640 Fax offered. No material may be reprinted ©2019 Sisters in Crime International without written permission from Sisters in inSinC Crime; contact Molly Weston. Molly Weston, Editor Most articles for inSinC are submitted by Margie Bunting, Proofreader SinC members. If you are interested in writ- Priscilla Gruenewald, Proofreader ing an article (or a series), check the SinC Merrilee Robsons, Proofreader website for guidelines. -
Sob Sisters: the Image of the Female Journalist in Popular Culture
SOB SISTERS: THE IMAGE OF THE FEMALE JOURNALIST IN POPULAR CULTURE By Joe Saltzman Director, Image of the Journalist in Popular Culture (IJPC) Joe Saltzman 2003 The Image of the Female Journalist in Popular Culture revolves around a dichotomy never quite resolved. The female journalist faces an ongoing dilemma: How to incorporate the masculine traits of journalism essential for success – being aggressive, self-reliant, curious, tough, ambitious, cynical, cocky, unsympathetic – while still being the woman society would like her to be – compassionate, caring, loving, maternal, sympathetic. Female reporters and editors in fiction have fought to overcome this central contradiction throughout the 20th century and are still fighting the battle today. Not much early fiction featured newswomen. Before 1880, there were few newspaperwomen and only about five novels written about them.1 Some real-life newswomen were well known – Margaret Fuller, Nelly Bly (Elizabeth Cochrane), Annie Laurie (Winifred Sweet or Winifred Black), Jennie June (Jane Cunningham Croly) – but most female journalists were not permitted to write on important topics. Front-page assignments, politics, finance and sports were not usually given to women. Top newsroom positions were for men only. Novels and short stories of Victorian America offered the prejudices of the day: Newspaper work, like most work outside the home, was for men only. Women were supposed to marry, have children and stay home. To become a journalist, women had to have a good excuse – perhaps a dead husband and starving children. Those who did write articles from home kept it to themselves. Few admitted they wrote for a living. Women who tried to have both marriage and a career flirted with disaster.2 The professional woman of the period was usually educated, single, and middle or upper class.