DOCSLIB.ORG

«Itos a I Page 6 Oictif 1*Mb Television `Simpsons' Again Denied Shot at Comedy Category

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
«Itos a I Page 6 Oictif 1*Mb Television `Simpsons' Again Denied Shot at Comedy Category Daily News L.A.LIFEThursday. February 20. 1992 Ccpyrlghl .0 1992 New tune Any way you slice it, Popeil will sing about it Page 5 Fashion Women right in style with that menswear look «itos a I Page 6 OiCtif 1*Mb Television `Simpsons' again denied shot at comedy category Page 24 Hollywood Gerald() delves sh Belle in "Beauty and the Beast" into Natalie Wood's death Highlights box: Page 25 —Streisand snubbed — 'Secret," Singleton make history Music —Caregory-by-category analysis — Let of nominees John Mellencamp — Full coverage begins on page 29 performs blah set to adoring fans Page 26 Annette Bening and Warren Beatty In "Bugsy," which led all films with 10 Oscar nominations. '12. • •• •• DAILY NEWS THLFWAY TEESUARY 20, 1992 LA. 1.11111-3 PAGE 3 .01""'N .si' ,NortN."4'6%. err ".avroe144 Page 3 Talk Line Were mar Me Academy of Motion Who could can forget the Picture Aru and Sciences folks are heartwarming story of a conniving dims Jeeping in this morning after drifter and his ever so cute "I could Wednesdays !JO a.01. command have played Annie on Broadway, if I terfirmance. had a better agent father" in "Curly But Page 3 Talk Line callers can't be Sue." The only downside of the picture was that Brian Dennehy wasn't in it. 'aught 'Winne. — }Lamy Fleckman Yen acre risk an top of the academy, North Hollywood astigating voters for slighting Barbra ;treatise!. heaping praise on "Beauty "I FK" represents the foss of and the Beam ' 'VFW" and 'The Prince S1101106 innocence and the last of the great if Tides." the films. I think it deserves to win The list of nominees and — Stella Perez aspannouncement analysis by the of the lands Santa Clarlta spells can be found in L.4. Life's cater tory. starling on Page 20. The choices are pretty predictable. although I was a little surprised Stersand But these are the people's choicer. OK wasn't nominated. But with her cademy, the people have spoken. personality toward fans, I'm happy she tom N•Arafilejd.y MA. wasn't I think "IFK" was the best movie of You have to gel op pretty early in the momng to announce Oscar nominees. — Janet Anderson II. and I think that Gary Oldman Aceoemy president Karl Malden and actress Kathleen Tuner give it their best shot. North Hollywood usuld win an Oscar for his erformance in it Actor, (Kate Nelligani for the Best I think "Beauty and the Beast" is the Serial murders. government — Emily Fuller Supporting Actress, and Barbra Stersand best movie of' the year. and no one corruption, dysfunctional family life, the Sylmar not be up for best director? Is this a deserves to win more. My husband errs Mafia. and oh, yes, a fairy tale. Thanks popularity contest. or what? went to see it twice. for the beautiful selection. academy. How can "The Prince of Tides" be up — Colleen Gamer — Tim Plantanida c Best Picture, Nick Nolte (fort Best — Reannie Rodriguez West Van Nuys Sylmar North llollyisood Sign of the times These days. Al's up to you to teach the kids how to make an apron and gym Law year it was Deem Storm; Chu au It Domestic bag Storm. We're talking However, if you have a 10-year-old, NEWS OF THE west shins, and the latest wearable you're in luck. Pierce College Extension, nestage says, "Domestic Storm — Buy TODAY' 6201 vomit:an Made." TIPS Winocike Ave., Woodland Hills, is offering a basic hand-sewing class for The this age group only, beginning Saturday. V79 IMO- colorful shirts sporting a patriotic theyll put the company name on ogle design are S24.95 at California the Participants will mate their own back for no extra charge. stuffed animal or pillow, plus learn how * From the Ponce Reports 7ceemethes Inc.. 2100 Lassen St.. column of the Glen Ellyn (III.) Press larsworth Call (S00) 366-8243. to sew buttons. A stitch in time Class time is 9:30 am, to 11:30 am. of Dec. 19; Eric Hoyt 21, and Peter And for those companies we think for six consecutive Saturdays, and A. Thordason, 25, were charged Baby boomers will remember the joys the with stealing Christmas trees'from a eneral Motors and Boeing could use of seventh-grade sewing class. but, alas, fee is 536. To register, call 1815) ern) that order six dozen or more. 719-6425. food store lot. they're a thing of the past. — Barbara DeWlo However, the two denied they intended to steal the trees: "Therdason allegedly told police he wanted to see how Meg it would GR8 PL8 take him to rim around the building :hicago baseball fens everywlere all up (honest!) carrying the tree while Hoyt timed stognire the plaintive pennant plea We don't make this stuff him." Owed or this car, seen in e Ventura Parent: No, I don't know if from a 3oulevard parking lot In Woodland Hills: Here's a real excerpt she Magtaces. she * Michael Spahr. 26. was trial transcript, collected by usarygn Do you know hsee nt to voodoo? arrested for counterfeiting in lawyer John Haugh and buys publications of Madison, Wis., in September after Boule of t We both do. it:CALIFORNIA ttl2) to by Margie Parent clerks at a printing supply store Portland Oreaonan. voodoo? tipped off federal investigators do. We love this one. Parent We about a man who had been It reads like an Abbott and Lawyer. You de browsing around. Costello routine: Parent Yes. voodoo. I read a Clerks said the man lingered in Lawyer Do you know lot on it. yes. the store holding.dollar bills CUBS whether your daughter has ever — Doug Robanhek up to a or Charlotte obseffer color chart and totally placing an been involved in voodoo order for a particular shade of green ink. — Chuck Shepherd 341,4?".../ THE CA $ 4MER6 pr2,NoP(...e" SYLVIA Id au ,1' A% mat osai by Nicole Hollander agar.* Msettri Aeon As S4a4f4Aft UOA6 ,,AgAbilMf WILAaritC Awlaine ,squia U c,noKUs* 4 dma, OttwA■110 trraWCY-• tvgaG- 9PaaT.ta _amp, s-Dasi aw.:c wo 1ii51101) Agvall.s.an e4Irssers .1LL ... w A ArerAhrfiAT A VI. Cfe,,e1 WI ierra.s y Sof IIL saner glkegl Eau A ...A vii' aiishiue Oar moleP4112:1 fax rtcsams sP Reraten -fhe APCOun 0045-1-AOF tar cia÷aja. 21.5 -wAulAita- eAtorer 6,AterAr Lc, Ar.p they golSi• tvts NAmeo .,t ye+ a. piton} Ate if. .-AAAL.Ar4A1-• Page 3 by Janet Firestefn Noonan and Kann Domiriello 20—LL LIFE -rPJFISCPY FEBRUARY 20. 19E12 , cAltv.NEWS ART. S & ENTERTAINMENT BEST BET What about Barbra? Tides' fails to sweep Streisand into directors' club By Bob Strauss Astir Newt Rim Wpm MULTIPLE NOMINEES by can't the big boys 10 play nice? Sure, the Academy "The Priam of ...... 7 of Motion Picture Stssami at the 7 W Arts and Sciences' "Beauty and Ina Boast" directors branch had every reason "'Moms 8 Louise" — to exclude Barbra Streisand from its "Terminator 2: Jalgrued five Oscar nomination slots. ,"The Flitter raw" "The Prince of Tides," when it 5 ..sockdom" 3 wasn't awash in simple-minded. "Barton Fink- 3 !alien piano virtuoso picture-posscard compositions, was Benedetto Lupo, above, "Boys N the Hood" 2 usually ineptly framed; it had all the "Cap* Few" 2 mares his Los Angeles subtlety of an elephant stampede debut at S tonight at Me "Fried Green Torinneti" ..... 2 and the Moistest score in a movie enniasselor nullematrn "half Trek Wr 2 Paaadene se one at Ma year top-heavy tssissz.rising stars in the COMMENT with syrupy piano wane, Lupo von the soundtracks. branze mere at the eighth But since when have those been Fainted Monde grounds for an Oscar snub? Vsn Clihum eliminated • Seat tliretiar riSIVII1444 21 Competition in 1982. The academy usually interprets Arnisesaaaor Auctilanum is that kind of stuff as outstanding • Contendere' reactions located at 300 W. Orson achievement. especially when it 11/ Bast ante, Actress nanlit12411 22 St., Piteadens. tale) works for audiences. as "Prince of MI Supporting nominees 22 3044141 ea 05001 Title*" definitely has. It has for 286.2375 most academy voters. too: &they're • Gambler, lilt at Gear nominees 23 going to give the thing IMAM other nominations, including one for Best IN BRIEF Picture, why not acknowledge the we fearlessly predict that the hea- vier-therned pictures will cancel 'Beaty Chan. Steatite sensibility responsible — Strei- sand's? each other out vote-wise, and Chair,' by Anne Bray end -Beauty and the Beast" will win the Molly Cleator. is estimated Pore sexism. that's why. No Oscar for Best Picture of 1991. Iron, n ant. la 8 pre American woman has earned an The acting categoriti came out today al the Santa Wawa academy directing nomination: the pretty much as expected. The Mutton at Art, Edgernsr, only female in history who has is 24T Main St., Santa Was it pure sexism that leap! Barbra Streisand from berg nominated Midler and Dern-Ladd nominations Italy's Linn Wei-nutter (for "Seven for a directing Oscar for "Prime of Tidos—, were the biggest surprises. and those Monica. Call {310) Beauties," 1976). And this year's 3740433- weren't exactly impossible to pre.. omission is not simple. deserved minated, attempt at adult filmmak- "Color — Two vet of contemporary Hollywood en- diet Streisand-bashing (although she also ing. "The Color Purple." tertainment anyway. An even milder surprise was Rob- PILIWOCLIV.W." WiWinhigs lost out in the lead-actress category. The academy's lag-boys club ob- aY snalual Jacobi and Their sexism aside, the directors ert De Niro's inclusion in the lead- Leeman Lids, are when even "For the Boys " Bette viously doesn't like little boys any acquitted themselves rather admi- ing actor race.
Load more

Recommended publications
  • Black Soldiers in Liberal Hollywood
    Katherine Kinney Cold Wars: Black Soldiers in Liberal Hollywood n 1982 Louis Gossett, Jr was awarded the Academy Award for Best Supporting Actor for his portrayal of Gunnery Sergeant Foley in An Officer and a Gentleman, becoming theI first African American actor to win an Oscar since Sidney Poitier. In 1989, Denzel Washington became the second to win, again in a supporting role, for Glory. It is perhaps more than coincidental that both award winning roles were soldiers. At once assimilationist and militant, the black soldier apparently escapes the Hollywood history Donald Bogle has named, “Coons, Toms, Bucks, and Mammies” or the more recent litany of cops and criminals. From the liberal consensus of WWII, to the ideological ruptures of Vietnam, and the reconstruction of the image of the military in the Reagan-Bush era, the black soldier has assumed an increasingly prominent role, ironically maintaining Hollywood’s liberal credentials and its preeminence in producing a national mythos. This largely static evolution can be traced from landmark films of WWII and post-War liberal Hollywood: Bataan (1943) and Home of the Brave (1949), through the career of actor James Edwards in the 1950’s, and to the more politically contested Vietnam War films of the 1980’s. Since WWII, the black soldier has held a crucial, but little noted, position in the battles over Hollywood representations of African American men.1 The soldier’s role is conspicuous in the way it places African American men explicitly within a nationalist and a nationaliz- ing context: U.S. history and Hollywood’s narrative of assimilation, the combat film.
    [Show full text]
  • 31 Days of Oscar® 2010 Schedule
    31 DAYS OF OSCAR® 2010 SCHEDULE Monday, February 1 6:00 AM Only When I Laugh (’81) (Kevin Bacon, James Coco) 8:15 AM Man of La Mancha (’72) (James Coco, Harry Andrews) 10:30 AM 55 Days at Peking (’63) (Harry Andrews, Flora Robson) 1:30 PM Saratoga Trunk (’45) (Flora Robson, Jerry Austin) 4:00 PM The Adventures of Don Juan (’48) (Jerry Austin, Viveca Lindfors) 6:00 PM The Way We Were (’73) (Viveca Lindfors, Barbra Streisand) 8:00 PM Funny Girl (’68) (Barbra Streisand, Omar Sharif) 11:00 PM Lawrence of Arabia (’62) (Omar Sharif, Peter O’Toole) 3:00 AM Becket (’64) (Peter O’Toole, Martita Hunt) 5:30 AM Great Expectations (’46) (Martita Hunt, John Mills) Tuesday, February 2 7:30 AM Tunes of Glory (’60) (John Mills, John Fraser) 9:30 AM The Dam Busters (’55) (John Fraser, Laurence Naismith) 11:30 AM Mogambo (’53) (Laurence Naismith, Clark Gable) 1:30 PM Test Pilot (’38) (Clark Gable, Mary Howard) 3:30 PM Billy the Kid (’41) (Mary Howard, Henry O’Neill) 5:15 PM Mr. Dodd Takes the Air (’37) (Henry O’Neill, Frank McHugh) 6:45 PM One Way Passage (’32) (Frank McHugh, William Powell) 8:00 PM The Thin Man (’34) (William Powell, Myrna Loy) 10:00 PM The Best Years of Our Lives (’46) (Myrna Loy, Fredric March) 1:00 AM Inherit the Wind (’60) (Fredric March, Noah Beery, Jr.) 3:15 AM Sergeant York (’41) (Noah Beery, Jr., Walter Brennan) 5:30 AM These Three (’36) (Walter Brennan, Marcia Mae Jones) Wednesday, February 3 7:15 AM The Champ (’31) (Marcia Mae Jones, Walter Beery) 8:45 AM Viva Villa! (’34) (Walter Beery, Donald Cook) 10:45 AM The Pubic Enemy
    [Show full text]
  • BRIEF CHRONICLE Artistic Director the Official Newsmagazine of Writers’ Theatre Kathryn M
    ISSUE twEnty-nInE MAY 2010 1 A STREETCAR NAMED DESIRE: On Stage Table of ConTenTs Dear Friends .................................................................................................... 3 “DroppeD overboarD… on Stage: A Streetcar Named Desire ...................................................................... 5 The Man. The Play. The Legend. ........................................................ 6 Director's Sidebar .................................................................................... 10 into an ocean Acting Cromer ............................................................................................. 12 Setting the Scene ..................................................................................... 13 Why Here? Why Now? ............................................................................ 14 Announcing the 2010/11 Season ................................................. 16 baCksTage: as blue as Event Wrap Up – Behind-the-Scenes Brunch ........................... 20 Event Wrap Up – Literary Luncheon ............................................ 22 Sponsor Salute ........................................................................................... 24 Tales of a True Fourth Grade Nothing .......................................... 26 Performance Calendar .......................................................................... 29 my first lover’s eyes!” - blanChe, A Streetcar named desire 2 A STREETCAR NAMED DESIRE: On Stage A STREETCAR NAMED DESIRE: On Stage 1 Michael halberstam tHe
    [Show full text]
  • Widescreen Weekend 2008 Brochure (PDF)
    A5 Booklet_08:Layout 1 28/1/08 15:56 Page 41 THIS IS CINERAMA Friday 7 March Dirs. Merian C. Cooper, Michael Todd, Fred Rickey USA 1952 120 mins (U) The first 3-strip film made. This is the original Cinerama feature The Widescreen Weekend continues to welcome all which launched the widescreen those fans of large format and widescreen films – era, and is about as fun a piece of CinemaScope, VistaVision, 70mm, Cinerama and IMAX – Americana as you are ever likely and presents an array of past classics from the vaults of to see. More than a technological curio, it's a document of its era. the National Media Museum. A weekend to wallow in the nostalgic best of cinema. HAMLET (70mm) Sunday 9 March Widescreen Passes £70 / £45 Dir. Kenneth Branagh GB/USA 1996 242 mins (PG) Available from the box office 0870 70 10 200 Kenneth Branagh, Julie Christie, Derek Jacobi, Kate Winslet, Judi Patrons should note that tickets for 2001: A Space Odyssey are priced Dench, Charlton Heston at £10 or £7.50 concessions Anyone who has seen this Hamlet in 70mm knows there is no better-looking version in colour. The greatest of Kenneth Branagh’s many achievements so 61 far, he boldly presents the full text of Hamlet with an amazing cast of actors. STAR! (70mm) Saturday 8 March Dir. Robert Wise USA 1968 174 mins (U) Julie Andrews, Daniel Massey, Richard Crenna, Jenny Agutter Robert Wise followed his box office hits West Side Story and The Sound of Music with Star! Julie 62 63 Andrews returned to the screen as Gertrude Lawrence and the film charts her rise from the music hall to Broadway stardom.
    [Show full text]
  • In 1925, Eight Actors Were Dedicated to a Dream. Expatriated from Their Broadway Haunts by Constant Film Commitments, They Wante
    In 1925, eight actors were dedicated to a dream. Expatriated from their Broadway haunts by constant film commitments, they wanted to form a club here in Hollywood; a private place of rendezvous, where they could fraternize at any time. Their first organizational powwow was held at the home of Robert Edeson on April 19th. ”This shall be a theatrical club of love, loy- alty, and laughter!” finalized Edeson. Then, proposing a toast, he declared, “To the Masquers! We Laugh to Win!” Table of Contents Masquers Creed and Oath Our Mission Statement Fast Facts About Our History and Culture Our Presidents Throughout History The Masquers “Who’s Who” 1925: The Year Of Our Birth Contact Details T he Masquers Creed T he Masquers Oath I swear by Thespis; by WELCOME! THRICE WELCOME, ALL- Dionysus and the triumph of life over death; Behind these curtains, tightly drawn, By Aeschylus and the Trilogy of the Drama; Are Brother Masquers, tried and true, By the poetic power of Sophocles; by the romance of Who have labored diligently, to bring to you Euripedes; A Night of Mirth-and Mirth ‘twill be, By all the Gods and Goddesses of the Theatre, that I will But, mark you well, although no text we preach, keep this oath and stipulation: A little lesson, well defined, respectfully, we’d teach. The lesson is this: Throughout this Life, To reckon those who taught me my art equally dear to me as No matter what befall- my parents; to share with them my substance and to comfort The best thing in this troubled world them in adversity.
    [Show full text]
  • Seville Film
    SEVILLE IS CINEMA Seville is a city for recording films. Seville has been and continues to be the setting for many national and international television productions and series. We are very pleased to show you the tourist interest places of that have been the setting for these films, as well as information regarding them. How many times have you seen the Plaza de España in “Lawrence of Arabia” or in “Star Wars: Episode II”, and the Casa de Pilatos in “1492: Conquest of Paradise”? Come and visit these prominent landmarks in situ! The Real Alcázar The Real Alcázar is a monumental complex that date back to the Early Middle Ages, constituting the most important civil building in Seville. The surrounding walls, which can be admired from the Plaza del Triunfo, date from the early 10th century. The Patio del Yeso (Courtyard of the Plaster) belongs to the Almohad period between 1147 and 1237. Its ornamentation inspired later Nasrid architecture, but it was the Christian constructions that gave the complex its current appearance. The Gothic Palace, built during the reign of Alfonso X, has been modified due to the work carried out in the 16th century by the Lisbon earthquake of 1755. The most outstanding features in its rooms are the tiled plinths, the work of Cristóbal Augusta between 1577 and 1583, the set of 18th century tapestries depicting the Conquest of Tunis and the reproduction of the Virgin de La Antigua. The Courtroom, built in the middle of the 14th century during the reign of Alfonso XI, is the first example of the Mudejar style in this area, representing a perfect combination of the Islamic and Christian styles.
    [Show full text]
  • The Prince of Tides a Novel by Pat Conroy
    The Prince of Tides A Novel by Pat Conroy You're readind a preview The Prince of Tides A Novel ebook. To get able to download The Prince of Tides A Novel you need to fill in the form and provide your personal information. Ebook available on iOS, Android, PC & Mac. Unlimited ebooks*. Accessible on all your screens. *Please Note: We cannot guarantee that every book is in the library. But if You are still not sure with the service, you can choose FREE Trial service. Book File Details: Review: There is graphic violence and sexual content. However, none of it is gratuitous. It is well- used in telling the story. This is my FAVORITE novel. It is a challenging read, in that it is extremely evocative of deep emotion. Pat Conroys writing is so lovely. I visited the southern part of NC Coast and northern part of SC coast almost every summer as... Original title: The Prince of Tides: A Novel 704 pages Publisher: Dial Press Trade Paperback; Reprint edition (October 2002) Language: English ISBN-10: 0553381547 ISBN-13: 978-0553381542 Product Dimensions:5.2 x 1.6 x 8.2 inches File Format: PDF File Size: 3507 kB Book File Tags: pat conroy pdf, prince of tides pdf, south carolina pdf, years ago pdf, tom wingo pdf, new york pdf, read this book pdf, well written pdf, beach music pdf, beautifully written pdf, low country pdf, ever read pdf, wingo family pdf, english language pdf, lords of discipline pdf, seen the movie pdf, dysfunctional family pdf, highly recommend pdf, nick nolte pdf, great santini Description: “A big, sprawling saga of a novel” (San Francisco Chronicle), this epic family drama is a masterwork by the revered author of The Great Santini.Pat Conroy’s classic novel stings with honesty and resounds with drama.
    [Show full text]
  • W Talking Pictures
    Wednesday 3 June at 20.30 (Part I) Wednesday 17 June at 20.30 Thursday 4 June at 20.30 (Part II) Francis Ford Coppola Ingmar Bergman Apocalypse Now (US) 1979 Fanny And Alexander (Sweden) 1982 “One of the great films of all time. It shames modern Hollywood’s “This exuberant, richly textured film, timidity. To watch it is to feel yourself lifted up to the heights where packed with life and incident, is the cinema can take you, but so rarely does.” (Roger Ebert, Chicago punctuated by a series of ritual family Sun-Times) “To look at APOCALYPSE NOW is to realize that most of us are gatherings for parties, funerals, weddings, fast forgetting what a movie looks like - a real movie, the last movie, and christenings. Ghosts are as corporeal an American masterpiece.” (Manohla Darghis, LA Weekly) “Remains a as living people. Seasons come and go; majestic explosion of pure cinema. It’s a hallucinatory poem of fear, tumultuous, traumatic events occur - projecting, in its scale and spirit, a messianic vision of human warfare Talking yet, as in a dream of childhood (the film’s stretched to the flashpoint of technological and moral breakdown.” perspective is that of Alexander), time is (Owen Gleiberman, Entertainment Weekly) “In spite of its limited oddly still.” (Philip French, The Observer) perspective on Vietnam, its churning, term-paperish exploration of “Emerges as a sumptuously produced Conrad and the near incoherence of its ending, it is a great movie. It Pictures period piece that is also a rich tapestry of grows richer and stranger with each viewing, and the restoration [in childhood memoirs and moods, fear and Redux] of scenes left in the cutting room two decades ago has only April - July 2009 fancy, employing all the manners and added to its sublimity.” (Dana Stevens, The New York Times) Audience means of the best of cinematic theatrical can choose the original version or the longer 2001 Redux version.
    [Show full text]
  • Honey, You Know I Can't Hear You When You Aren
    Networking Knowledge Honey, You Know I Can’t Hear You (Jun. 2017) Honey, You Know I Can’t Hear You When You Aren’t in the Room: Key Female Filmmakers Prove the Importance of Having a Female in the Writing Room DR ROSANNE WELCH, Stephens College MFA in Screenwriting; California State University, Fullerton ABSTRACT The need for more diversity in Hollywood films and television is currently being debated by scholars and content makers alike, but where is the proof that more diverse writers will create more diverse material? Since all forms of art are subjective, there is no perfect way to prove the importance of having female writers in the room except through samples of qualitative case studies of various female writers across the history of film. By studying the writing of several female screenwriters – personal correspondence, interviews and their writing for the screen – this paper will begin to prove that having a female voice in the room has made a difference in several prominent films. It will further hypothesise that greater representation can only create greater opportunity for more female stories and voices to be heard. Research for my PhD dissertation ‘Married: With Screenplay’ involved the work of several prominent female screenwriters across the first century of filmmaking, including Anita Loos, Dorothy Parker, Frances Goodrich and Joan Didion. In all of their memoirs and other writings about working on screenplays, each mentioned the importance of (often) being the lone woman in the room during pitches and during the development of a screenplay. Goodrich summarised all their experiences concisely when she wrote, ‘I’m always the only woman working on the picture and I hold the fate of the women [characters] in my hand… I’ll fight for what the gal will or will not do, and I can be completely unfeminine about it.’ Also, the rise of female directors, such as Barbra Streisand or female production executives, such as Kathleen Kennedy, prove that one of the greatest assets to having a female voice in the room is the ability to invite other women inside.
    [Show full text]
  • Teaching World History with Major Motion Pictures
    Social Education 76(1), pp 22–28 ©2012 National Council for the Social Studies The Reel History of the World: Teaching World History with Major Motion Pictures William Benedict Russell III n today’s society, film is a part of popular culture and is relevant to students’ as well as an explanation as to why the everyday lives. Most students spend over 7 hours a day using media (over 50 class will view the film. Ihours a week).1 Nearly 50 percent of students’ media use per day is devoted to Watching the Film. When students videos (film) and television. With the popularity and availability of film, it is natural are watching the film (in its entirety that teachers attempt to engage students with such a relevant medium. In fact, in or selected clips), ensure that they are a recent study of social studies teachers, 100 percent reported using film at least aware of what they should be paying once a month to help teach content.2 In a national study of 327 teachers, 69 percent particular attention to. Pause the film reported that they use some type of film/movie to help teach Holocaust content. to pose a question, provide background, The method of using film and the method of using firsthand accounts were tied for or make a connection with an earlier les- the number one method teachers use to teach Holocaust content.3 Furthermore, a son. Interrupting a showing (at least once) national survey of social studies teachers conducted in 2006, found that 63 percent subtly reminds students that the purpose of eighth-grade teachers reported using some type of video-based activity in the of this classroom activity is not entertain- last social studies class they taught.4 ment, but critical thinking.
    [Show full text]
  • November Movies at 6 Pm
    NOVEMBER MOVIES AT 6 PM Sun Nov 1 – Jesse Stone : Lost In Paradise Jesse investigates the grim works of a serial killer in Boston and becomes concerned with a wayward teen in Paradise. Tom Selleck, Kohl Sudduth, Gloria Reuben, 86min, 2015, TV14 Thurs Nov 5 – Johnny Dangerously Set in the 1930s, an honest, goodhearted man is forced to turn to a life of crime to finance his neurotic mother's skyrocketing medical bills. Michael Keaton, Joe Piscopo, Marilu Henner, 99min, 1984, PG13 Fri Nov 6 – Silent Hill A woman, Rose, goes in search for her adopted daughter within the confines of a strange, desolate town called Silent Hill. Radha Mitchell, Laurie Holden, Sean Bean, 125min, 2006, R Sat Nov 7 – Bombshell A group of women take on Fox News head Roger Ailes and the toxic atmosphere he presided over at the network. Charlize Theron, Nicole Kidman, Margot Robbie, 109min, 2019, R Sun Nov 8 – Police Academy 4: Citizens On Patrol The misfit Police Academy (1984) graduates now are assigned to train a group of civilian volunteers to fight crime once again plaguing the streets. Steve Guttenberg, Bubba Smith, Michael Winslow, 88min, 1987, PG Thurs Nov 12 – Patton The World War II phase of the career of controversial American general George S. Patton. George C. Scott, Karl Malden, Stephen Young, 172min, 1970, PG Fri Nov 13 – The Boys in Company C In 1967, five young men undergo boot camp training before being shipped out to Vietnam. Once they get there, the experience proves worse than they could have imagined. Stan Shaw, Andrew Stevens, James Canning, 125min, 1978, R Sat Nov 14 – The Man With The Golden Gun James Bond is targeted by the world's most expensive assassin, while he attempts to recover sensitive solar cell technology that is being sold to the highest bidder.
    [Show full text]
  • Portrayal of African American English in Mainstream Media
    This is the published version of the bachelor thesis: Ruiz Garcia, Laura; Tubau, Susagna, dir. Portrayal of African American English in Mainstream Media. 2016. (997 Grau en Estudis d’Anglès i de Francès) This version is available at https://ddd.uab.cat/record/165489 under the terms of the license Portrayal of African American English in Mainstream Media TFG Estudis d’Anglès i Francès Supervisor: Dr Susagna Tubau Laura Ruiz Garcia June 2016 TABLE OF CONTENTS ABSTRACT 1 1. Introduction 2 1.1. Aim and scope of the paper 2 1.2. A linguistic description of African American English 3 2. Methodology 8 3. Results and discussion 10 3.1. Syntactic features 10 3.2. Phonological features 15 3.3. Discussion 18 4. Conclusions 22 5. Bibliography 24 6. Movies and TV Shows 24 i INDEX OF TABLES AND FIGURES Table 1. Syntactic features expected to be attested (Green, 2002) 3 Table 2. Syntactic features not expected to be attested (Green, 2002) 5 Table 3. Main phonological features of African American English (Green, 2002) 8 Table 4. Instances of multiple negation markers in one single clause 10 Table 5. Instances of yes/no questions without auxiliary verb 11 Table 6. Instances of lack of 3rd person singular –s in Present Simple 12 Table 7. Instances of elimination of present copula be 12 Table 8. Instances of elimination of auxiliary be in Present Progressive 12 Table 9. Instances of substitution of auxiliary were for was in all plural persons 13 Table 10. Instances of future be going to as gonna 14 Table 11.
    [Show full text]