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Bibliography BIbLIOGRApHY PRIMARY SOURCEs Alexander, Tasha. 2006. And Only to Deceive. New York: Harper. Braddon, Mary Elizabeth. 2003. Lady Audley’s Secret. Peterborough, ON: Broadview. ———. 2008. The Doctor’s Wife. 1864; Oxford: Oxford University Press. Brightwell, Emily. 2013. The Inspector and Mrs Jeffries. 1993; London: Constable and Robinson. Brontё, Charlotte. 2001. Jane Eyre. 1847; New York: Norton. Chevalier, Tracy. 2009. Remarkable Creatures. London: HarperCollins. Christie, Agatha. 1960. The Adventures of the Christmas Pudding. London: Collins. Collins, Wilkie. 1998. Man and Wife. 1870; Oxford: Oxford University Press. ———. 1999. The Moonstone. 1868; Peterborough, ON: Broadview. ———. 2006a. The Woman in White. 1860; Peterborough, ON: Broadview. ———. 2006b. The Diary of Anne Rodway (1856). In The Broadview Anthology of British Literature. Vol. 5: The Victorian Era, 473–490. Peterborough, ON: Broadview. ———. 2008. No Name. 1862; Oxford: Oxford University Press. ———. 2011. The Woman in White: A Drama. 1871; London: British Library. Cox, Constance. 2005. The Woman in White. London: Samuel French. Cox, Michael. 2008. The Glass of Time. London: John Murray. Dickens, Charles. 1996. Bleak House. 1853; London: Penguin. Du Maurier, Daphne. 2003. My Cousin Rachel. 1951; London: Vintage. Edwards, Amelia. 1864. Barbara’s History. Leipzig: Bernhard Tauchnitz. Fryers, Austin. 2014. A New Lady Audley. 1891; Black Heath Editions (Kindle). Haggard, H. 1888. Rider. Mr Meeson’s Will. London: Spencer Blackett. © The Author(s) 2019 227 J. Cox, Neo-Victorianism and Sensation Fiction, https://doi.org/10.1007/978-3-030-29290-4 228 BiblioGraphy Hardy, Thomas. 1998. A Pair of Blue Eyes. 1873; London: Penguin. Harris, Joanne. 1994. Sleep, Pale Sister. London: Random House. Harwood, John. 2014. The Asylum. 2013; London: Vintage. Holt, Victoria. 2013. Shivering Sands. Naperville, IL: Sourcebooks. Hooper, Mary. 2010. Fallen Grace. London: Bloomsbury. Kelly, Tim. 1975. Egad, The Woman in White. London: Samuel French. Michell, Roger. (writer/director). 2017. My Cousin Rachel. 20th Century Fox. Newbery, Linda. 2006. Set in Stone. London: Random House. Paige, Robin. 1998. Death at Bishop’s Keep. New York: Avon Books. Palliser, Charles. 1989a. The Quincunx: The Inheritance of John Huffam. London: Penguin. Peters, Elizabeth. 2006. Crocodile on the Sandbank. London: Constable & Robinson. Phillips, Watts. 1865. The Woman in Mauve: A Sensation Drama in Three Acts. London: Thomas Hailes Lacy. Pirie, David [screenwriter]. 1997. The Woman in White. Boston: WGBH Educational Foundation, 2005. Pullman, Philip. 2004. The Ruby in the Smoke. London: Scholastic. Raybourn, Deanna. 2006. Silent in the Grave. Richmond, VA: MIRA. Seres, Fiona [screenwriter]. 2018. The Woman in White. BBC. Setterfield, Diane. 2006.The Thirteenth Tale. London: Orion. Thompson, Brian. 2013. The Widow’s Secret. London: Chatto & Windus. Wilson, James. 2001. The Dark Clue. London: Faber & Faber. Wood, Mrs Henry. 2008. East Lynne. Oxford: Oxford University Press. SECONDARY SOURCEs Abi-Ezzi, Nathalie. 2003. The Double in the Fiction of R. L. Stevenson, Wilkie Collins, and Daphne Du Maurier. Bern: Peter Lang. Adams, J. Donald. 1965. Speaking of Books and Life. New York: Holt, Rinehart and Winston. Allan, Janice M. 2013. The Contemporary Response to Sensation Fiction. In The Cambridge Companion to Sensation Fiction, ed. Andrew Mangham, 85–98. Cambridge: Cambridge University Press. Andres, Sophia. 2011. The Pre-­Raphaelite Realism of the Sensation Novel. In A Companion to Sensation Fiction, ed., Pamela Gilbert, 559–575. Oxford: Blackwell. Anon. 1860. Review of The Woman in White. Saturday Review, August 25, 249–250. ———. 1861. Recent Popular Novels. Dublin University Magazine, February, 192–208. ———. 1863a. Lady Audley on the Stage. The London Review of Politics, Society, Literature, Art, and Science. Vol. 6, March 7, 244–245. BiblioGraphy 229 ———. 1863b. Review of No Name. Reader, January 3, 14–15. ———. 1864. Our Female Sensation Novelists. The Christian Remembrancer, Jul–Oct, vol. 46, 209–236. ———. 1865a. The Theatres. Saturday Review, April 15, vol. 18, 441–442. ———. 1865b. The Theatrical Examiner. The Examiner, April 8, 216. ———. 1865c. The Stage from the Front. Punch, April 1, 134. ———. 1865d. Review of The Woman in Mauve. The Athenaeum, March 25, 428. ———. 1868. Review of The Moonstone. The Spectator, July 25, 881–882. ———. 2010. Children’s Fiction: Fallen Grace by Mary Hooper. The Times, June 5. ———. 2018a. Distribution of the Online Audience of goodreads.com in Great Britain (GB) in 2018, by Age Group and Gender. https://www.statista.com/ statistics/490362/gb-online-audience-of-goodreads-com-2015-by-age- group-and-gender/. ———. 2018b. Victorian YA Novels. Goodreads. https://www.goodreads.com/ list/show/4736.Victorian_YA_Novels. Anon. [J. R. De Capel Wise]. 1866. Belles Lettres. Westminster Review 30 (1): 125–132. Arias, Rosario. 2008. (Spirit) Photography and the Past in the Neo-Victorian Novel. LIT: Literature, Interpretation, Theory 19 (1): 92–107. ———. 2016. Neo-Sensation Fiction, or “Appealing to the Nerves”: Sensation and Perception in Neo-­Victorian Fiction. In Neo-Victorian Deviance. Special Issue, RSV, ed. Mariaconcetta Costantini and Saverio Tomaiuolo, vol. 40, 13–30. ———. 2014. Traces and Vestiges of the Victorian Past in Contemporary Fiction. In Neo-Victorian Literature and Culture, ed. Nadine Boehm-Schnitker­ and Susanne Gruss, 111–122. London and New York: Routledge. Arias, Rosario, and Patricia Pulham. 2009. Introduction. In Haunting and Spectrality in Neo-Victorian Fiction: Possessing the Past, xi–xxvi. Basingstoke: Palgrave Macmillan. Bachman, Maria K., and Don Richard Cox. 2006. Introduction to Wilkie Collins. In The Woman in White, 9–37. Peterborough, ON: Broadview. Bardly, Rory. 2008. The Woman in White as a Subtext in The Real Life of Sebastian Knight. Nabokovian 61: 14–23. Beauman, Sally. 2003. Introduction. In My Cousin Rachel, v–x. London: Vintage. Beer, Gillian. 2009. Darwin’s Plots: Evolutionary Narrative in Darwin, George Eliot, and Nineteenth-­Century Fiction. 3rd ed. Cambridge: Cambridge University Press. Beller, Anne-Marie. 2011. Amelia B. Edwards. In A Companion to Sensation Fiction, ed. Pamela K. Gilbert, 349–360. Oxford: Wiley-Blackwell. Berger, John. 2008. Ways of Seeing. London: Penguin. Bloom, Clive. 2008. Bestsellers: Popular Fiction Since 1900. 2nd ed. Basingstoke: Palgrave Macmillan. 230 BiblioGraphy Boehm-Schnitker, Nadine, and Susanne Gruss. 2014a. Introduction: Fashioning the Neo-Victorian—Neo-Victorian Fashions. In Neo-­Victorian Literature and Culture: Immersions and Revisitations, 1–17. Abingdon: Routledge. ———, eds. 2014b. Neo-Victorian Literature and Culture: Immersions and Revisitations. Abingdon: Routledge. Bollen, Katrien. 2009. An Intertext That Counts? Dracula, The Woman in White, and Victorian Imaginations of the Foreign Other. English Studies 90 (4): 403–420. Booth, Michael R. 1991. Theatre in the Victorian Age. Cambridge: Cambridge University Press. Borgia, Danielle N. 2014. Twilight: The Glamorization of Abuse, Codependency, and White Privilege. Journal of Popular Culture. 47 (1): 153–173. Bormann, Daniel. 2002. The Articulation of Science in the Neo-­Victorian Novel. Bern: Lang. Bowser, Rachel A., and Brian Croxall, eds. 2010. Steampunk, Science, and (Neo) Victorian Technologies. Special issue of Neo-Victorian Studies 3 (1). Brantlinger, Patrick. 1982. What Is “Sensational” About the “Sensation Novel”? Nineteenth-Century Fiction 37 (1): 1–28. ———. 2011. Class and Race in Sensation Fiction. In A Companion to Sensation Fiction, ed. Pamela K. Gilbert, 430–441. Oxford: Blackwell. Brindle, Kym. 2014. Epistolary Encounters in Neo-Victorian Fiction: Diaries and Letters. Basingstoke: Palgrave Macmillan. ———. 2012. Dead Words and Fatal Secrets: Rediscovering the Sensational Document in Neo-Victorian­ Gothic. In Neo-Victorian Gothic, ed. Marie-Luise Kohlke and Christian Gutleben, 279–300. Amsterdam: Rodopi. Brockes, Emma, and Peter Walker. 2013. Stephen King Slams Twilight Franchise as “Tweenage Porn”. The Guardian, September 21. Bronfen, Elisabeth. 1992. Over Her Dead Body: Death, Femininity and the Aesthetic. Manchester: Manchester University Press. Brown, Mark. 2016. Frances Hardinge’s The Lie Tree Wins Costa Book of the Year 2015. The Guardian, January 26. Brown, Joanne, and Nancy St. Clair. 2006. The Distant Mirror: Reflections on Young Adult Historical Fiction. Lanham: The Scarecrow Press. Butler, Catherine, and Hallie O’Donovan, eds. 2012. Reading History in Children’s Books. Basingstoke: Palgrave Macmillan. Butts, Dennis. 2003. ’Tis a Hundred Years Since: G. A. Henty’s With Clive in India and Philip Pullman’s The Tin Princess. In The Presence of the Past in Children’s Literature, ed. Ann Lawson Lucas, 81–87. Westport, CT: Praeger. Byatt, A.S. 2001. On Histories and Stories: Selected Essays. London: Vintage. Byron, Glennis. 2012. Gothic, Grabbit and Run: Carlos Ruiz Zafón and the Gothic Marketplace. In The Gothic in Contemporary Literature and Popular Culture: Pop Goth, ed. Justin Edwards and Agnieszka Soltysik Monnet, 71–83. Abingdon: Routledge. BiblioGraphy 231 Campbell, Lisa. 2015. Amazon Integrates Goodreads into UK Devices. The Bookseller, September 2. Caracciolo, Peter. 1971. Wilkie Collins’s ‘Divine Comedy’: The Use of Dante in The Woman in White. Nineteenth-Century Fiction 25 (4): 383–404. Carel, Havi. 2006. Life and Death in Freud and Heidegger. Amsterdam: Rodopi. Carroll, Samantha J. 2010. Putting the “Neo” Back into Neo-Victorian:
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