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Gregg Turkington on What He Learned from Punk Rock
June 13, 2017 - Gregg Turkington is best known for his "anti-comedy" character, Neil Hamburger. The Australian actor co-stars in the film review web series "On Cinema at the Cinema" with Tim Heidecker and is the co-writer and co-star of the Adult Swim series, Decker. He had a part in the 2015 film Ant-Man, and that same year, starred in Entertainment, a drama he co-wrote. In the 1990s, he ran the music label, Amarillo Records, and played in bands like Caroliner, Zip Code Rapists, Faxed Head, and has released a number of albums as Neil Hamburger, mostly on the Chicago independent music label, Drag City. He contributed artwork and live recordings to Flipper's Public Flipper Limited Live 1980-1985. As told to Charlie Sextro, 2383 words. Tags: Culture, Music, Comedy, Inspiration, Beginnings, Independence. Gregg Turkington on what he learned from punk rock I’m interested to hear how your fascination with showmanship began. As a kid, how interested were you in entertainment? Super interested. Initially really with music, and then I got more into movies. I was a complete obsessive about all the things I liked. I grew up in Tempe, Arizona. I was really into Phil Ochs. He was my absolute idol. I was really into the Bee Gees and The Who. Then I got really into a revival, repertoire theater, The Valley Art. It was like $2 or something and I would pretty much go to any movie that was playing, to see what was going on. Then when I saw something that interested me, I would go over to the campus at ASU. -
Soul City Records Discography
Soul City Records Discography 91000 series SCM 91000/SCS 92000 - Up, Up And Away - The 5TH DIMENSION [1967] Up-Up And Away/Another Day, Another Heartache/Which Way To Nowhere/California My Way/Misty Roses//Go Where You Wanna Go/Never Gonna Be The Same/Pattern People/Rosecrans Boulevard/Learn How To Fly/Poor Side Of Town SCM 91001/SCS 92001 - The Magic Garden - The 5TH DIMENSION [1968] (reissued as The Worst That Could Happen) Prologue/The Magic Garden/Summer’s Daughter/Dreams-Pax-Nepenthe/Carpet Man/Ticket To Tide//Requiem: 820 Latham/The Girls’ Song/The Worst That Could Happen/Orange Air/Paper Cup/Epilogue SCS 92002 - Stoned Soul Picnic - The 5TH DIMENSION [1968] Sweet Blindness/I’ll Never Be The Same Again/The Sailboat Song/It’s A Great Life/Stoned Soul Picnic//California Soul/Lovin’ Stew/Broken Wing Bird/Good News/Bobbie’s Blues (Who Do You Think Of?)/The Eleventh Song (What A Groovy Day!) SCS 92003 - The Songs Of James Hendricks - JAMES HENDRICKS [1968] Big Wheels/City Ways/Colorado Rocky Mountains/Good Goodbye/I Think Of You/Lily Of The Valley/Look To Your Soul/Shady Green Pastures/Summer Rain/Sunshine Showers/You Don’t Know My Mind [*] SCS 92005 - The Age Of Aquarius - The 5TH DIMENSION [1969] Medley: Aquarius-Let The Sunshine In (The Flesh Failures)/Blowing Away/Skinny Man/Wedding Bell Blues/Don’ Tcha Hear Me Callin’ To Ya/The Hideaway//Workin’ On A Groovy Thing/Let It Be Me/Sunshine Of Your Love/The Winds Of Heaven/Those Were The Days/Let The Sunshine In (Reprise) SCS 92006 - Searching For The Dolphins - AL WILSON [1969] The Dolphins/By -
The Prince of Tides a Novel by Pat Conroy
The Prince of Tides A Novel by Pat Conroy You're readind a preview The Prince of Tides A Novel ebook. To get able to download The Prince of Tides A Novel you need to fill in the form and provide your personal information. Ebook available on iOS, Android, PC & Mac. Unlimited ebooks*. Accessible on all your screens. *Please Note: We cannot guarantee that every book is in the library. But if You are still not sure with the service, you can choose FREE Trial service. Book File Details: Review: There is graphic violence and sexual content. However, none of it is gratuitous. It is well- used in telling the story. This is my FAVORITE novel. It is a challenging read, in that it is extremely evocative of deep emotion. Pat Conroys writing is so lovely. I visited the southern part of NC Coast and northern part of SC coast almost every summer as... Original title: The Prince of Tides: A Novel 704 pages Publisher: Dial Press Trade Paperback; Reprint edition (October 2002) Language: English ISBN-10: 0553381547 ISBN-13: 978-0553381542 Product Dimensions:5.2 x 1.6 x 8.2 inches File Format: PDF File Size: 3507 kB Book File Tags: pat conroy pdf, prince of tides pdf, south carolina pdf, years ago pdf, tom wingo pdf, new york pdf, read this book pdf, well written pdf, beach music pdf, beautifully written pdf, low country pdf, ever read pdf, wingo family pdf, english language pdf, lords of discipline pdf, seen the movie pdf, dysfunctional family pdf, highly recommend pdf, nick nolte pdf, great santini Description: “A big, sprawling saga of a novel” (San Francisco Chronicle), this epic family drama is a masterwork by the revered author of The Great Santini.Pat Conroy’s classic novel stings with honesty and resounds with drama. -
Bransford of Rainbow Range
RANG BRANSFORD OF RAINBOW RANGE THE HORSES WERE TTNWILLING TO F.NTKR THE CIRCLE OF FTRKI.K;H r Page 181 Originally Published under tht title of BRANSFORD IN ARCADIA OR, THE LITTLE EOHIPPUS BY EUGENE MANLOVE RHODES AUTHOR OF THE DESIRE OF THE MOTH, GOOD MEN AND TRUE, WEST IS WEST, ETC. FRONTISPIBCE BY HARVEY T. DUNN GROSSET & DUNLAP PUBLISHERS NEW YORK M*de in the United Stale* of Anwic* Copyright, 1913. by CURTIS PUBLISHING COMPANY Copyright, 1914, by HENRY HOLT AND COMPANY Copyright, 1920, by THE H. K. FLY COMPANY CONTENTS MH PROLOGUE ......... i THE PITCHER THAT WENT TO THE WELL . ay FIRST AID 35 MAXWELTON BRAES 47 THE ROAD TO ROME 61 THE MASKERS 71 THE ISLE OF ARCADY 86 STATES-GENERAL 95 ARCADES AMBO 106 TAKEN 113 THE ALIBI 125 THE NETTLE, DANGER 136 THE SIEGE OF DOUBLE MOUNTAIN . .150 THE SIEGE OF DOUBLE MOUNTAIN (continued) 169 FLIGHT 181 GOOD-BY 194 THE LAND OF AFTERNOON 205 . TWENTIETH CENTURY r. ; . 215 AT THE RAINBOW'S END . 226 BRANSFORD OF RAINBOW RANGE BRANSFORD IN ARCADIA PROLOGUE long fall round-up was over. The THEwagon, homeward bound, made camp for the last night out at the Sinks of Lost River. Most of the men, worn with threescore night- guards, were buried under their tarps in the deep sleep of the weary; sound as that of the just, and much more common. By the low campfire a few yet lingered: old- timers, iron men, whose wiry and seasoned strength was toil-proof and Leo Ballinger, for whom youth, excitement and unsated novelty served in lieu of fitness. -
Honey, You Know I Can't Hear You When You Aren
Networking Knowledge Honey, You Know I Can’t Hear You (Jun. 2017) Honey, You Know I Can’t Hear You When You Aren’t in the Room: Key Female Filmmakers Prove the Importance of Having a Female in the Writing Room DR ROSANNE WELCH, Stephens College MFA in Screenwriting; California State University, Fullerton ABSTRACT The need for more diversity in Hollywood films and television is currently being debated by scholars and content makers alike, but where is the proof that more diverse writers will create more diverse material? Since all forms of art are subjective, there is no perfect way to prove the importance of having female writers in the room except through samples of qualitative case studies of various female writers across the history of film. By studying the writing of several female screenwriters – personal correspondence, interviews and their writing for the screen – this paper will begin to prove that having a female voice in the room has made a difference in several prominent films. It will further hypothesise that greater representation can only create greater opportunity for more female stories and voices to be heard. Research for my PhD dissertation ‘Married: With Screenplay’ involved the work of several prominent female screenwriters across the first century of filmmaking, including Anita Loos, Dorothy Parker, Frances Goodrich and Joan Didion. In all of their memoirs and other writings about working on screenplays, each mentioned the importance of (often) being the lone woman in the room during pitches and during the development of a screenplay. Goodrich summarised all their experiences concisely when she wrote, ‘I’m always the only woman working on the picture and I hold the fate of the women [characters] in my hand… I’ll fight for what the gal will or will not do, and I can be completely unfeminine about it.’ Also, the rise of female directors, such as Barbra Streisand or female production executives, such as Kathleen Kennedy, prove that one of the greatest assets to having a female voice in the room is the ability to invite other women inside. -
«Itos a I Page 6 Oictif 1*Mb Television `Simpsons' Again Denied Shot at Comedy Category
Daily News L.A.LIFEThursday. February 20. 1992 Ccpyrlghl .0 1992 New tune Any way you slice it, Popeil will sing about it Page 5 Fashion Women right in style with that menswear look «itos a I Page 6 OiCtif 1*Mb Television `Simpsons' again denied shot at comedy category Page 24 Hollywood Gerald() delves sh Belle in "Beauty and the Beast" into Natalie Wood's death Highlights box: Page 25 —Streisand snubbed — 'Secret," Singleton make history Music —Caregory-by-category analysis — Let of nominees John Mellencamp — Full coverage begins on page 29 performs blah set to adoring fans Page 26 Annette Bening and Warren Beatty In "Bugsy," which led all films with 10 Oscar nominations. '12. • •• •• DAILY NEWS THLFWAY TEESUARY 20, 1992 LA. 1.11111-3 PAGE 3 .01""'N .si' ,NortN."4'6%. err ".avroe144 Page 3 Talk Line Were mar Me Academy of Motion Who could can forget the Picture Aru and Sciences folks are heartwarming story of a conniving dims Jeeping in this morning after drifter and his ever so cute "I could Wednesdays !JO a.01. command have played Annie on Broadway, if I terfirmance. had a better agent father" in "Curly But Page 3 Talk Line callers can't be Sue." The only downside of the picture was that Brian Dennehy wasn't in it. 'aught 'Winne. — }Lamy Fleckman Yen acre risk an top of the academy, North Hollywood astigating voters for slighting Barbra ;treatise!. heaping praise on "Beauty "I FK" represents the foss of and the Beam ' 'VFW" and 'The Prince S1101106 innocence and the last of the great if Tides." the films. -
A Dialogue Restored Rooms Open at Robie House
For Members of the Volume 45 : Issue 2 Summer – Fall 2018 Frank Lloyd Wright Trust Wright Angles: A DIALOGUE RESTORED ROOMS OPEN AT ROBIE HOUSE From the President & CEO In August the Trust completed phase 1 restoration of the Robie House interior, and visitors began touring the restored front entry hall, main stairway, billiard room and living room. Refreshed wall and ceiling plaster and vibrant original coloration have transformed the rooms, and the reinstallation of lighting and leaded glass windows illuminate the space with a balanced mixture of natural and incandescent light. With renewed excitement, we welcome guests from around the world to see Robie House restored to Wright’s 1910 vision. Unanimously recognized by European critics in 1930 as the precursor to international modernism, Robie House today is Photo: James Caulfield Photo: re-evaluated by contemporary audiences. A grant from the Getty The restored Robie House living room open for tours. Foundation has facilitated our preparation of a Robie House Conservation Management Plan that will establish guiding principles and policies for generations to come. A value-based assessment is part of this plan. I hope you will participate in the 2018 Board of Directors survey described on pages 10-11. John M. Rafkin, Chairman Join us on Tuesday, October 2, for the Trust’s 7th annual Robert Miller, Vice-Chair and Chair, Executive Committee Thinking into the Future: Robie House Series on Architecture, David Dunning, Treasurer Design and Ideas. This year’s speaker, Mark Sexton, will discuss Graham J. Rarity, Secretary Architect / Artist Collaborations, a hallmark of his distinguished Peter R. -
Stephen-King-Book-List
BOOK NERD ALERT: STEPHEN KING ULTIMATE BOOK SELECTIONS *Short stories and poems on separate pages Stand-Alone Novels Carrie Salem’s Lot Night Shift The Stand The Dead Zone Firestarter Cujo The Plant Christine Pet Sematary Cycle of the Werewolf The Eyes Of The Dragon The Plant It The Eyes of the Dragon Misery The Tommyknockers The Dark Half Dolan’s Cadillac Needful Things Gerald’s Game Dolores Claiborne Insomnia Rose Madder Umney’s Last Case Desperation Bag of Bones The Girl Who Loved Tom Gordon The New Lieutenant’s Rap Blood and Smoke Dreamcatcher From a Buick 8 The Colorado Kid Cell Lisey’s Story Duma Key www.booknerdalert.com Last updated: 7/15/2020 Just After Sunset The Little Sisters of Eluria Under the Dome Blockade Billy 11/22/63 Joyland The Dark Man Revival Sleeping Beauties w/ Owen King The Outsider Flight or Fright Elevation The Institute Later Written by his penname Richard Bachman: Rage The Long Walk Blaze The Regulators Thinner The Running Man Roadwork Shining Books: The Shining Doctor Sleep Green Mile The Two Dead Girls The Mouse on the Mile Coffey’s Heads The Bad Death of Eduard Delacroix Night Journey Coffey on the Mile The Dark Tower Books The Gunslinger The Drawing of the Three The Waste Lands Wizard and Glass www.booknerdalert.com Last updated: 7/15/2020 Wolves and the Calla Song of Susannah The Dark Tower The Wind Through the Keyhole Talisman Books The Talisman Black House Bill Hodges Trilogy Mr. Mercedes Finders Keepers End of Watch Short -
The Gloria Anzaldua Reader
GLORIA E. ANZALDU .. \ The Gloria Anzaldua Reader AnaLouise Keating, editor DUKE UNIVERSITY PRESS DURH.~M ~ND LONDON 2009 © 2009 Duke University Press All rights reserved Printed in the United States of America on acid-free paper@) Designed by C. H. Westmoreland Typeset in Quadraat by Tseng Information Systems, Inc. Library of Congress Cataloging-in-Publication Data appear on the last printed page of this book. "Haciendo caras, una entrada." From Making Face, Making Soul/Haciendo caras. © 1990 by Gloria Anzaldua. Reprinted by permission of Aunt Lute Books. "Metaphors in the Tradition of the Shaman." From Convmant Essays: Contemporary Poets on Poetry, edited by James McCorkle. © 1990 Wayne State University Press. Reprinted by permission of Wayne State University Press. "(Un)natural bridges, (Un)safe spaces." From this bridge we call home: radical visions for transformation. © 2002 by Gloria E. Anzaldua. Reprinted by permission of Routledge Publishers. frontispiece: photograph of Gloria Anzaldua by Victoria G. Alvarado Para almas afines, for everyone working to create EI Mundo Zurdo Contents Editor's Acknowledgments ix Introduction: Reading Gloria Anzaldua, Reading Ourselves ... Complex Intimacies, Intricate Connections 1 Part One "Early" Writings TIHUEQUE 19 To Delia, Who Failed on Principles 20 Reincarnation 21 The Occupant 22 I Want To Be Shocked Shitless 23 The New Speakers 24 Speaking in Tongues: A Letter to Third World Women Writers 26 The coming of el mundo surdo 36 La Prieta 38 EI paisano is a bird of good omen 51 Dream of the Double-Faced -
Frank Lloyd Wright - Wikipedia, the Free Encyclopedia
Frank Lloyd Wright - Wikipedia, the free encyclopedia http://en.wikipedia.org/w/index.php?title=Frank_... Frank Lloyd Wright From Wikipedia, the free encyclopedia Frank Lloyd Wright (born Frank Lincoln Wright, June 8, 1867 – April 9, Frank Lloyd Wright 1959) was an American architect, interior designer, writer and educator, who designed more than 1000 structures and completed 532 works. Wright believed in designing structures which were in harmony with humanity and its environment, a philosophy he called organic architecture. This philosophy was best exemplified by his design for Fallingwater (1935), which has been called "the best all-time work of American architecture".[1] Wright was a leader of the Prairie School movement of architecture and developed the concept of the Usonian home, his unique vision for urban planning in the United States. His work includes original and innovative examples of many different building types, including offices, churches, schools, Born Frank Lincoln Wright skyscrapers, hotels, and museums. Wright June 8, 1867 also designed many of the interior Richland Center, Wisconsin elements of his buildings, such as the furniture and stained glass. Wright Died April 9, 1959 (aged 91) authored 20 books and many articles and Phoenix, Arizona was a popular lecturer in the United Nationality American States and in Europe. His colorful Alma mater University of Wisconsin- personal life often made headlines, most Madison notably for the 1914 fire and murders at his Taliesin studio. Already well known Buildings Fallingwater during his lifetime, Wright was recognized Solomon R. Guggenheim in 1991 by the American Institute of Museum Architects as "the greatest American Johnson Wax Headquarters [1] architect of all time." Taliesin Taliesin West Robie House Contents Imperial Hotel, Tokyo Darwin D. -
Writing Communities: Aesthetics, Politics, and Late Modernist Literary Consolidation
WRITING COMMUNITIES: AESTHETICS, POLITICS, AND LATE MODERNIST LITERARY CONSOLIDATION by Elspeth Egerton Healey A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (English Language and Literature) in the University of Michigan 2008 Doctoral Committee: Associate Professor John A. Whittier-Ferguson, Chair Associate Professor Kali A. K. Israel Associate Professor Joshua L. Miller Assistant Professor Andrea Patricia Zemgulys © Elspeth Egerton Healey _____________________________________________________________________________ 2008 Acknowledgements I have been incredibly fortunate throughout my graduate career to work closely with the amazing faculty of the University of Michigan Department of English. I am grateful to Marjorie Levinson, Martha Vicinus, and George Bornstein for their inspiring courses and probing questions, all of which were integral in setting this project in motion. The members of my dissertation committee have been phenomenal in their willingness to give of their time and advice. Kali Israel’s expertise in the constructed representations of (auto)biographical genres has proven an invaluable asset, as has her enthusiasm and her historian’s eye for detail. Beginning with her early mentorship in the Modernisms Reading Group, Andrea Zemgulys has offered a compelling model of both nuanced scholarship and intellectual generosity. Joshua Miller’s amazing ability to extract the radiant gist from still inchoate thought has meant that I always left our meetings with a renewed sense of purpose. I owe the greatest debt of gratitude to my dissertation chair, John Whittier-Ferguson. His incisive readings, astute guidance, and ready laugh have helped to sustain this project from beginning to end. The life of a graduate student can sometimes be measured by bowls of ramen noodles and hours of grading. -
A Cultural Trade? Canadian Magazine Illustrators at Home And
A Cultural Trade? Canadian Magazine Illustrators at Home and in the United States, 1880-1960 A Dissertation Presented by Shannon Jaleen Grove to The Graduate School in Partial Fulfillment of the Requirements for the Degree of Doctor oF Philosophy in Art History and Criticism Stony Brook University May 2014 Copyright by Shannon Jaleen Grove 2014 Stony Brook University The Graduate School Shannon Jaleen Grove We, the dissertation committee for the above candidate for the Doctor of Philosophy degree, hereby recommend acceptance of this dissertation. Michele H. Bogart – Dissertation Advisor Professor, Department of Art Barbara E. Frank - Chairperson of Defense Associate Professor, Department of Art Raiford Guins - Reader Associate Professor, Department of Cultural Analysis and Theory Brian Rusted - Reader Associate Professor, Department of Art / Department of Communication and Culture University of Calgary This dissertation is accepted by the Graduate School Charles Taber Dean of the Graduate School ii Abstract of the Dissertation A Cultural Trade? Canadian Magazine Illustrators at Home and in the United States, 1880-1960 by Shannon Jaleen Grove Doctor of Philosophy in Art History and Criticism Stony Brook University 2014 This dissertation analyzes nationalisms in the work of Canadian magazine illustrators in Toronto and New York, 1880 to 1960. Using a continentalist approach—rather than the nationalist lens often employed by historians of Canadian art—I show the existence of an integrated, joint North American visual culture. Drawing from primary sources and biography, I document the social, political, corporate, and communication networks that illustrators traded in. I focus on two common visual tropes of the day—that of the pretty girl and that of wilderness imagery.