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Thomas Nast 1840–1902
Name _____________________________ Class _________________ Date __________________ Life at the Turn of the 20th Century Biography Thomas Nast 1840–1902 WHY HE MADE HISTORY Thomas Nast has been called the father of modern American political cartooning. He is best known for his cartoons exposing the corruption of Boss Tweed’s political machine. As you read the biography below, think about how Thomas Nast influenced public opinion. How did he use images to communicate? CORBIS © By the late 1800s the governments of most major cities were run by political machines. These informal groups of professional politicians controlled local government. Often these politicians were corrupt and abused the public trust. Thomas Nast, a political cartoonist, exposed the corruption of one of the biggest political machines of his day. His drawings led to the downfall of Boss Tweed’s Tammany Hall political machine. Thomas Nast was born in Germany in 1840, the son of a musician. His family immigrated to the U.S. and settled in New York City when he was six years old. Nast studied art at the National Academy of Design. At the age of 15, he was hired as a staff artist for Frank Leslie’s Illustrated Newspaper. By the time he was 18, Nast was a freelance artist for Harper’s Weekly and the New York Illustrated News. In 1862 Harper’s Weekly hired Nast to draw images of the Civil War. His editors hoped he would draw realistic battle scenes. Instead, Nast drew images that supported the Union and opposed slavery. Nast distorted and exaggerated the physical traits of his subjects to convey strong social and political messages. -
Selected Bibliography of American History Through Biography
DOCUMENT RESUME ED 088 763 SO 007 145 AUTHOR Fustukjian, Samuel, Comp. TITLE Selected Bibliography of American History through Biography. PUB DATE Aug 71 NOTE 101p.; Represents holdings in the Penfold Library, State University of New York, College at Oswego EDRS PRICE MF-$0.75 HC-$5.40 DESCRIPTORS *American Culture; *American Studies; Architects; Bibliographies; *Biographies; Business; Education; Lawyers; Literature; Medicine; Military Personnel; Politics; Presidents; Religion; Scientists; Social Work; *United States History ABSTRACT The books included in this bibliography were written by or about notable Americans from the 16th century to the present and were selected from the moldings of the Penfield Library, State University of New York, Oswego, on the basis of the individual's contribution in his field. The division irto subject groups is borrowed from the biographical section of the "Encyclopedia of American History" with the addition of "Presidents" and includes fields in science, social science, arts and humanities, and public life. A person versatile in more than one field is categorized under the field which reflects his greatest achievement. Scientists who were more effective in the diffusion of knowledge than in original and creative work, appear in the tables as "Educators." Each bibliographic entry includes author, title, publisher, place and data of publication, and Library of Congress classification. An index of names and list of selected reference tools containing biographies concludes the bibliography. (JH) U S DEPARTMENT Of NIA1.114, EDUCATIONaWELFARE NATIONAL INSTITUTE OP EDUCATION THIS DOCUMENT HAS BEEN REPRO DUCED ExAC ICY AS RECEIVED FROM THE PERSON OR ORGANIZATIONORIGIN ATING IT POINTS OF VIEW OR OPINIONS STATED DO NOT NECESSARILYREPRE SENT OFFICIAL NATIONAL INSTITUTEOF EDUCATION POSITION OR POLICY PREFACE American History, through biograRhies is a bibliography of books written about 1, notable Americans, found in Penfield Library at S.U.N.Y. -
The Art of Reading: American Publishing Posters of the 1890S
6. Artist unknown 15. Joseph J. Gould Jr. 19. Joseph Christian Leyendecker 35. Edward Penfield 39. Edward Penfield CHECKLIST The Delineator October, 1897 (American, ca. 1876–after 1932) (American, 1875–1951) (American, 1866–1925) (American, 1866–1925) All dimensions listed are for the sheet size; Color lithograph Lippincott’s November, 1896 Inland Printer January, 1897 Harper’s July, 1897 Harper’s March, 1899 9 9 height precedes width. Titles reflect the text 11 /16 × 16 /16 inches Color lithograph Color lithograph Color lithograph Color lithograph 9 1 1 1 3 3 as it appears on each poster. The majority Promised Gift of Daniel Bergsvik and 16 /16 × 13 /8 inches 22 /4 × 16 /4 inches 14 × 19 inches 15 /8 × 10 /4 inches of posters were printed using lithography, Donald Hastler Promised Gift of Daniel Bergsvik and Promised Gift of Daniel Bergsvik and Museum Purchase: Funds Provided by Promised Gift of Daniel Bergsvik and but many new printing processes debuted Donald Hastler Donald Hastler the Graphic Arts Council Donald Hastler 7. William H. Bradley during this decade. Because it is difficult or 2019.48.2 (American, 1868–1962) 16. Walter Conant Greenough 20. A. W. B. Lincoln 40. Edward Henry Potthast THE ART OF READING impossible to determine the precise method Harper’s Bazar Thanksgiving Number (American, active 1890s) (American, active 1890s) 36. Edward Penfield (American, 1857–1927) of production in the absence of contemporary 1895, 1895 A Knight of the Nets, 1896 Dead Man’s Court, 1895 (American, 1866–1925) The Century, July, 1896 documentation, -
View / Open Thesis Final-Bisson.Pdf
NO LAUGHING MATTER: XENOPHOBIA AND ANTI-RADICALISM IN EARLY AMERICAN POLITICAL CARTOONS by BIANCA RENEE BISSON A THESIS Presented to the Department of Political Science and the Robert D. Clark Honors College in partial fulfillment of the requirements for the degree of Bachelor of Arts June 2014 An Abstract of the Thesis of Bianca Renee Bisson for the degree of Bachelor of Arts in the Department of Political Science to be taken June 2014 Title: No Laughing Matter: Xenophobia and Anti-Radicalism in Early American Political Cartoons Approved: __d_---l ~--~--------- Anita Chari While political cartoons have a reputation for upholding the tenants of democracy and freedom, the editorial images of the late 19th century and early 20th century show quite the contrary. In fact, they promote elements of early American life such as racism, misogyny and anti-radicalism, and make negative statements about the aspects of society that did not conform to conservative White Anglo-Saxon Protestantism. [j Acknowledgements First of all, I would like to thank my thesis advisors, Professors Anita Chari, Alison Gash, and Casey Shoop. Professor Chari is a wonderful instructor, whose class on radical political theory motivated me to continually think critically about the world. Professor Gash teaches in a captivating way that drove me to question the status quo from a legal perspective. Professor Shoop, though I have not had the chance to take a class from him, made me feel at ease and comfortable despite the often high demands of the Clark Honors College. I would also like to thank my parents for supporting my education from afar and my friends for creating a safe and warm environment to come home to at the end of a long day of studying. -
World War I Posters from the Newark Public Library
World War I Posters from the Newark Public Library 1 For Home and Country: World War I Posters from the Newark Public Library September 11 – December 13, 2017 University Galleries William Paterson University Inside front cover Clockwise from top left Exhibition checklist 1, 2, 3, 6, 9, 10 2 polished publication. He was patient and diligent while Introduction offering fresh perspectives on these historical prints. Special thanks go to William Paterson University Kristen Evangelista Director, University Galleries President Dr. Kathleen Waldron, Provost and Senior Vice President of Academic Affairs Dr. Warren Sandmann, Associate Provost for Academic Affairs Dr. Sandra Hill, former Associate Provost for Academic Affairs Dr. Stephen Hahn, Dean of the College of the Arts and Communication Daryl J. Moore, Associate Dean of the College of the Arts ome of our nation’s most iconic First and foremost, I would like to thank WP Professor of and Communication Loretta McLaughlin Vignier, and Chair images were created as propaganda History George Robb for his unwavering cooperation, vision, of the Art Department Professor Lauren Razzore. during World War I. From 1917-1918, and dedication to realizing this exhibition and publication. I would like to especially thank the entire gallery staff S several hundred artists worked This significant undertaking reflects his astute judgment, for their hard work and commitment to all that we do. diligently in concert with government focused scholarship, and curatorial expertise. Emily Johnsen adeptly coordinated numerous aspects agencies to design posters that supported the nation, We received indispensable guidance from Professor of the exhibition and publication with a constant eye for upheld values of liberty, and promoted participation in Alejandro Anreus and Professor Thomas Uhlein in the re- detail. -
Yeats at Petitpas' 1910/C
National Gallery of Art NATIONAL GALLERY OF ART ONLINE EDITIONS American Paintings, 1900–1945 John Sloan American, 1871 - 1951 Yeats at Petitpas' 1910/c. 1914 oil on canvas overall: 66.2 × 81.28 cm (26 1/16 × 32 in.) framed: 80.96 × 96.36 × 6.51 cm (31 7/8 × 37 15/16 × 2 9/16 in.) Inscription: lower right: John Sloan Corcoran Collection (Museum Purchase, Gallery Fund) 2014.136.54 ENTRY In August 1910 the realist painter John Sloan began this group portrait of regulars at Petitpas’, a French restaurant and boardinghouse in the Chelsea district of Manhattan. The work joined other Ashcan school artists’ depictions of casual dining experiences in urban eateries that focused on portraiture and narrative, such as At Mouquin’s by William Glackens (American, 1870 - 1938) [fig. 1]. [1] The Ashcan school, informally led by Robert Henri (American, 1865 - 1929), generally focused on the everyday life of the working classes rather than idealized views of the city. George Luks (American, 1866 - 1933) and George Bellows (American, 1882 - 1925) completed a watercolor and a print, respectively, featuring Petitpas’ as well [fig. 2], but Sloan’s large image in oil is the most ambitious of the three. [2] The scene takes place in the enclosed backyard of the restaurant, where the dining room was located in the hot summer months. The party gathers around a table placed under an awning decorated with a French flag. [3] At the head sits John Butler Yeats, smoking and sketching. Yeats, the Irish portrait painter and father of the poet William Butler Yeats, lived at Petitpas’ from 1909 until his death in 1922. -
VINTAGE POSTERS FEBRUARY 25 Our Annual Winter Auction of Vintage Posters Features an Exceptional Selection of Rare and Important Art Nouveau Posters
SCALING NEW HEIGHTS There is much to report from the Swann offices these days as new benchmarks are set and we continue to pioneer new markets. Our fall 2013 season saw some remarkable sales results, including our top-grossing Autographs auction to date—led by a handwritten Mozart score and a collection of Einstein letters discussing his general theory of relativity, which brought $161,000 each. Check page 7 for more post-sale highlights from the past season. On page 7 you’ll also find a brief tribute to our beloved Maps specialist Gary Garland, who is retiring after nearly 30 years with Swann, and the scoop on his replacement, Alex Clausen. Several special events are in the works for our winter and spring sales, including a talk on the roots of African-American Fine Art that coincides with our February auction, a partnership with the Library Company of Philadelphia and a discussion of the growing collecting field of vernacular photography. Make sure we have your e-mail address so you’ll receive our invites. THE TRUMPET • WINTER / SPRING 2014 • VOLUME 28, NUMBER 2 20TH CENTURY ILLUSTRATION JANUARY 23 Following the success of Swann’s first dedicated sale in this category, our 2014 auction features more excellent examples by famous names. There are magazine and newspaper covers and cartoons by R.O. Blechman, Jules Feiffer, David Levine, Ronald Searle, Edward Sorel, Richard Taylor and James Thurber, as well as works by turn-of-the-20th-century magazine and book illustrators such as Howard Chandler Christy and E.W. Kemble. Beloved children’s book artists include Ludwig Bemelmans, W.W. -
Eighth Annual Exhibition of Miniatures Catalogue
EIGHTH ANNUAL EXHIBITION OF MINIATURES CATALOGUE THE PENNSYLVANIA ACADEMY OF THE FINE ARTS MDCCCCIX THE PENNSYL VANIA ACADEMY OF THE FINE ARTS FOUNDED 1805 THE PENNSYLVANIA SOCIETY OF MINIATURE PAINTERS CATALOGUE OF THE EIGHTH ANNUAL EXHIBITION OF MINIATURES, NOVEMBER 8 TO DECEMBER 19, 1909 PHILADELPHIA MCMIX MANAGEMENT OF THE PENNSYL VANIA ACADEMY OF THE FINE ARTS PRESIDENT, JOHN FREDERICK LEWIS. VICE· PRESIDENT I CLEMENT B. NEWBOLD. HONORARY VICE-PRESIDENTS, JOH N H. CONVERSE, E. BURGESS WARREN. DIRECTORS, THEOPHILUS P. CHANDLER, ALFRED C . HARRISON, HERBERT M. HOWE, M.D., CLARENCE C. ZANTZINGER, GEORGE H. McFADDEN, GEORGE D. WIDENER, CLEMENT B. NEWBOLD, T. DE 'WITT CUYLER, EDWARD T. STOTESBURY, ARTHUR H. LEA, THEODORE N. ELY, CHARLEMAGNE TOWER, FRANK H. CAVEN. TREASURER, ~ GEORGE H. McFADDEN. SECRETARY AND MANAGER, JOHN E. D. TRASK. ASSISTANT TO SECRETARY AND TREASURER, HARRY P. RHOADS. CURATOR OF SCHOOLS, CHARLES F. RAMSEY. SOLICITOR, JOHN G, JOHNSON. COMMITTEE ON EXHIBITIONS, CLEMENT B. NEWBOLD, CHAIRMAN, GEORGE H. McFADDEN, ALFRED C. HARRISON, EDWARD T. STOTESBURY, THEODORE N. ELY, CHARLEMAGNE TOWER. 2 @ff(cers ant> members of tl)e lDennsog{\?anta Soctet\? of miniature lDainters PRESIDENT EMILY DRAYTON TAYLOR VICE· PRESIDENT LUDWIG E. FABER SECRETARY A. MARGARETTA ARCHA~IBAULT TREASURER SARAH YOCUM McFADDEN EXECUTIVE COMMITTEE ELLEN WETHERALD AHRENS AMY OTIS REBECCA PEALE PATTERSON MEMBERS ELLEN WETHERALD AHRENS REBECCA BURD PEALE PATTERSON A. MARGARETTA ARCHAMBAULT EVELYN PURDIE ALICE BECKINGTON EDNA F. HUESTIS SIMPSON ELLA SHEPARD BUSH Lucy MAY STANTON SALLY CROSS MARIA JUDSON STREAN HERMAN DEIGENDESCH MARY H. TANNAHILL EULABEE DIX EMILY DRAYTON TAYLOR LUDWIG E. FABER HELEN M. TURNER JEAN WILLIAMS LUCAS MABEL R. -
Papers/Records /Collection
A Guide to the Papers/Records /Collection Collection Summary Collection Title: World War I Poster and Graphic Collection Call Number: HW 81-20 Creator: Cuyler Reynolds (1866-1934) Inclusive Dates: 1914-1918 Bulk Dates: Abstract: Quantity: 774 Administrative Information Custodial History: Preferred Citation: Gift of Cuyler Reynolds, Albany Institute of History & Art, HW 81-20. Acquisition Information: Accession #: Accession Date: Processing Information: Processed by Vicary Thomas and Linda Simkin, January 2016 Restrictions Restrictions on Access: 1 Restrictions on Use: Permission to publish material must be obtained in writing prior to publication from the Chief Librarian & Archivist, Albany Institute of History & Art, 125 Washington Avenue, Albany, NY 12210. Index Term Artists and illustrators Anderson, Karl Forkum, R.L. & E. D. Anderson, Victor C. Funk, Wilhelm Armstrong, Rolf Gaul, Gilbert Aylward, W. J. Giles, Howard Baldridge, C. LeRoy Gotsdanker, Cozzy Baldridge, C. LeRoy Grant, Gordon Baldwin, Pvt. E.E. Greenleaf, Ray Beckman, Rienecke Gribble, Bernard Benda, W.T. Halsted, Frances Adams Beneker, Gerritt A. Harris, Laurence Blushfield, E.H. Harrison, Lloyd Bracker, M. Leone Hazleton, I.B. Brett, Harold Hedrick, L.H. Brown, Clinton Henry, E.L. Brunner, F.S. Herter, Albert Buck, G.V. Hoskin, Gayle Porter Bull, Charles Livingston Hukari, Pvt. George Buyck, Ed Hull, Arthur Cady, Harrison Irving, Rea Chapin, Hubert Jack. Richard Chapman, Charles Jaynes, W. Christy, Howard Chandler Keller, Arthur I. Coffin, Haskell Kidder Copplestone, Bennett King, W.B. Cushing, Capt. Otho Kline, Hibberd V.B Daughterty, James Leftwich-Dodge, William DeLand, Clyde O. Lewis, M. Dick, Albert Lipscombe, Guy Dickey, Robert L. Low, Will H. Dodoe, William de L. -
THE MUSEUM of MODERN ART Jl^^L-MS^&D STREET, NEW YORK 19, N
THE MUSEUM OF MODERN ART jl^^l-MS^&D STREET, NEW YORK 19, N. Y. TELEPHONE: CIRCLE 5-8900 FOR IMMEDIATE RELEASE EXHIBITION OF AMERICAN BATTLE PAINTING OPENS AT MUSEUM OF MODERN ART Under the auspices of the Armed Services Program of the Museum of Modern Art an exhibition of American Battle Painting; 1776-1918 will be held at the Museum from September 27 through November 12. Planned in collaboration with the National Gallery of Art in Washington, the exhibition reveals the continuing American tradition, from the Revolutionary War through World War I, of the use of artists to record war. For the many contemporary American artists who are now inter preting their nation's bitterest struggle, it is hoped that American Battle Painting; 1776-1918 will provide encouragement, as the exhibi tion demonstrates the overwhelming documentary value of our visual records of past wars and emphasizes the need of preserving the chronicles made by artists of the present war. The exhibition was assembled by Pvt. Lincoln Kirstein, now in service in France, and by Mrs. Margaret D. Garrett of the staff of the National Gallery in Washington. The exhibition includes paintings by Trumbull, Peale, Eastman Johnson, Winslow Homer, David Blythe, Conrad Wise Chapman, Alfred Sully, Remington, Sargent, Henry N. Walke, Adalbert Johann Volck, Slackens, Peixotto, Wallace Morgan, Harvey T. Dunn, Kerr Eby and others. George Harding, who is now a combat artist with the Marines, is represented by a drawing made when he was an official artist in World War 1. A study for the picture which generations of American school children have known—George Washington Crossing the Delaware—will also be shown. -
Olio Volume 19 Issue 2 2002
~olio Volume 19 The ·po Issue 2 2002 The From the Director Norman Rockwell I am pleased to announce the formation the museum will offer of the Norman Rockwell Museum National a sampler of foods to Museum Council, upon the conclusion of our museum visitors at at Stockbridge national tour, Pictures for the American our new Terrace Cafe People. The Council will provide a forum during the summer and fall. Sip a refreshing BOARD OF TRUSTEES for the Museum's national patrons and iced tea and enjoy the view after your visit to Bobbie Crosby· President Perri Petricca • First Vice President collectors, who will serve as ambassadors our wonderful summer exhibitions. We thank Lee Williams' Second Vice President for the Museum across the nation. the Town of Stockbridge Board of Selectmen Steven Spielberg· Third Vice President James W. Ireland' Treasurer and the Red Lion Inn for being our partner in Roselle Kline Chartock • Clerk The Board of Trustees has nominated a offering hospitality to our visitors. Robert Berle Ann Fitzpatrick Brown select group of friends and supporters to Daniel M. Cain join us in the stewardship of our mission. Jan Cohn As part of the Berkshire County-wide arts Catharine B. Deely The Council is advisory to and complements festival, the Vienna Project, the museum Michelle Gillett Elaine S. Gunn the work of Norman Rockwell Museum opened Viennese illustrator Lisbeth Zwerger's Ellen Kahn Trustees and staff. Council members will Land of Oz with a Viennese coffee house, Jeffrey Kleiser Luisa Kreisberg provide national outreach and offer advice remarks by Dr. -
The Buffalo Fine Arts Academy Albright Art Gallery
1. : ,*t - •; - . « . «• if The Buffalo Fine Arts Academy Albright Art Gallery- CATALOGUE OF AN EXHIBITION OF WAR POSTERS DRAWINGS and LITHOGRAPHS «$• January 12th to February 3rd 166—1918—II NOTES This exhibition is installed in Galleries XII, Xlll, XIV, XVI, XVII and XVIII (north of the Sculpture Court). Many of the posters, drawings and lithographs are for sale. For prices, apply at the desk in Gallery XIII or of members of the staff. 1 • -0 i « mm-'•*. Is* M Cd Q S o « ^Lw'ß ta w J < Ü •Pt» « t » vil X Ü s m BUFFALO FINE ARTS ACADEMY ALBRIGHT ART GALLERY Catalogue of an Exhibition of 'War Posters, Drawings and Lithographs. Collection of War Posters, in the Official Exhibit of the Committee on Public Information, Washington, D C (American, French, Russian, Italian, Can adian'and English). Traveling under the direc tion of the Free Public Library, Newark, N. J. Collection of American Posters, organized by Charles Dana Gibson, Esquire, and F. D. Casey, Secre tary, Committee on Public Information, New York City. Collection of War Posters, lent by the U. S. Navy Re cruiting Bureau, New York City. Collection of Canadian War Posters, lent by G. M. Gest, Esquire, New York City. War Cartoons by Louis Raemackers. Under the direc tion of Brown-Robertson Company, Inc., New York City. Lithographs of War Work in rf^cat Britain and the United States by Joseph Penneil. Exhibited un der the auspices of the American Federation of Arts, Washington, D. C. Drawings and Lithographs by Vernon Howe Bailey. Lent by the artist.