A Trans-Atlantic Journey Saturday, May 23, 2015 - 8:00 PM John Brough, conductor Programme Da Camera Singers

Morgenlied – Josef Gabriel Rheinberger (1839-1901)

Kyrie – Felix Mendelssohn (1809-1847) Ehre Sei Gott in der Höhe – Felix Mendelssohn Heilig – Felix Mendelssohn In der Passionszeit – Felix Mendelssohn Ellen Whatley, soprano Kathleen Brough, alto RJ Chambers, tenor Gordon Ritchie, bass

O Quam Gloriosum – Tomas Luis de Victoria (1548-1611) Crucifixus –Antonio Lotti (1667-1740) Exultate Deo – Giovanni Pierluigi da Palestrina (1525-1594) Since its inception in 1961, Da Camera Singers on many occasions with the Edmonton has established a strong presence in Alberta and Symphony Orchestra and the Alberta Baroque Abendlied – Josef Gabriel Rheinberger holds the distinction of being Edmonton’s longest- Ensemble. In March 2012, Da Camera Singers, standing chamber choir. The choir performs a including many alumni singers from the choir, diverse repertoire that encompasses classical celebrated its 50th anniversary with a presentation I n t e r m i s s i o n * music from the Renaissance to the 21st century. In of Carl Orff ’sCarmina Burana. In December 2013, addition to being active with its own annual three- Da Camera recorded a new Christmas CD, Kings concert season, Da Camera Singers has performed and Shepherds, which is now available for purchase. Ubi Caritas – Paul Mealor (b. 1975) – Javier Busto (b. 1949) Artistic Director Miriam Krause, Meghan Rayment, and Wendy Vanderwel, sopranos John Brough Water Night – Eric Whitacre (b. 1970) Accompanist Loretta Dueck In Paradisum – Kathleen Allan (b. 1989) Choral Assistant and Business Manager Nadine Seguin, soprano RJ Chambers Soprano Alto Tenor Bass Soleils couchants – Robert Ingari (b. 1962) Kathy Drouin-Carey *Michelle Andrews George Bennett Scott Allison Chanson d’automne – Robert Ingari Miriam Krause *Jo-Anne Bacon RJ Chambers Bill Baynes Cheryl Krueger Kathleen Baergen *Jeff Gabert Robert Begg Salve, Regina – Josep Vila i Casañas (b. 1966) Larissa Kubke Kathleen Brough Wayne Poon Fred Osman Kasujja Sarah Thomsen, alto Wendy Legaarden Anne McCune Kevin Riep Gary Krueger Meghan Rayment Amanda Nix-Lemko Russ Wilkinson *Willem Kubke The Battle of Jericho –Moses Hogan (1957-2003) Nadine Seguin *Karen Onizaki Fred Wright *Alto Lo *Elizabeth Stolte Judith Plumb John McCune Nicole Toupin Barb Sabo Gordon Ritchie Wendy Vanderwel Sarah Thomsen Bruce Shaw *Katie Wells Catie Wannamaker Frank Thede Ellen Whatley * Please join us for a reception in the lower hall during intermission *Not singing this concert John Brough, Artistic Director RJ Chambers, Choral Assistant John Brough began music lessons at an early age, RJ Chambers began his love of music in early childhood. singing as a boy chorister with the Men and Boys’ He started studying piano as a young boy and Choir at Ottawa’s Christ Church Cathedral under began vocal and choral training shortly after. After Frances Macdonnell. He attended the University graduating from high school, RJ pursued a Bachelor of Ottawa and was awarded a Bachelor of Music of Arts degree in Music with an emphasis in vocal in Organ Performance in 1997. Concurrently, he performance and graduated with honours. In the completed associate degrees with both the Royal summer of 2014, RJ completed a Masters in Music Conservatory of Music in Organ Performance and degree in Choral Conducting at the University of the Royal Canadian College of Organists. While at Alberta. the University of Ottawa, he sang as a countertenor RJ currently teaches voice, piano, and advanced soloist and chorister with the University of Ottawa music theory in Spruce Grove and accompanies Calixa Lavallée Ensemble, as well as an early music voice students at many local events. As well, RJ group, Musica Divina. Pursuing graduate studies at serves as the Chair of the Parkland Music Festival the University of Alberta, John received a Master of and the President of the Parkland Music Teachers’ Music Association. At this time, RJ sings with Da Camera Singers and serves as the Music Director for the in Choral Conducting in 2000, and his Doctor Parkland Celebration Choir in Spruce Grove. of Music in 2007. His teachers have included Lawrence Ewashko (Ottawa), Leonard Ratzlaff, Debra Cairns and Malcolm Forsyth (Edmonton), Frieder Bernius () and Jon Washburn (Vancouver). John Brough has been Artistic Director of Da Camera Singers since the choir’s 2005 season. He has led the choir in concerts featuring such works as Rachmaninoff’s All-Night Vigil, Duruflé’s Requiem, and Orff’s Carmina Burana. In 2009, the choir released its first recording under Dr. Brough’s direction, entitled Eulogies, a CD comprising Canadian a cappella choral compositions. Loretta Dueck, Accompanist Dr. Brough travels throughout Canada as an A native Albertan, Loretta Dueck completed her examiner with Conservatory Canada, and as a Bachelor of Music degree in piano at the University choral clinician. He has appeared as an adjudicator of Alberta with Professor Alexandra Munn. Previous in the disciplines of piano, organ, choral and studies include a B.Ed. and a B.A. in music. In 1975, voice in festivals across Canada, including Ottawa, upon completion of her B.Ed. degree, Ms. Dueck Toronto and London, Ontario, as well as many taught high school in Brisbane, Australia. In 1984, locations within Alberta, and Whitehorse, Yukon. Ms. Dueck was employed by the University of He has also adjudicated the provincial festivals Alberta as an accompanist in the voice studios and of Ontario and New Brunswick, and last year was continued in that position until 1991. She has also co-adjudicator for the choral classes of the National toured with the Alberta Opera Touring Association, Music Festival. He is an adjunct professor at the and is presently involved in teaching privately and Concordia University College in Edmonton, where accompanying. Da Camera is delighted to have he teaches music history and conducting, as well Loretta Dueck as our resident pianist, a position she as appearing as guest conductor of their choral has held for many glorious years! ensembles. He is organist and director of music at Holy Trinity Anglican Church in Edmonton, and appears regularly as tenor chorister and soloist with Pro Coro Canada. John lives in Sherwood Park, Alberta with his wife, Kathleen, and their daughter, Annie. the choir gave a national premiere of one of at the time of composition. The poetry is her Program Notes his newer works. own, and is interspersed with fragments of the Latin funeral mass. Josef Gabriel Rheinberger was an organist antiphony. The final movement bears no Largely a self-taught composer and musician, and composer, born in Liechtenstein but connection at all to the first three; however, Javier Busto actually holds a degree in Robert Ingari is an associate professor and resident for most of his life in Germany. as Mendelssohn never wrote a setting of the medicine. Despite his lack of early training in director of choral activities at Université de Rheinberger’s sacred choral works include Agnus Dei, it seemed to be the best fit, and music, he has established himself as a well- Sherbrooke, in Sherbrooke, Quebec, where twelve Masses, a Requiem and a Stabat so I include here as a closing to this “Mass for respected Spanish choral conductor, juror and he has developed a unique and innovative Mater. The two works we are performing this Double Choir.” “In der Passionzeit” is the fourth clinician. His “Ave Maris Stella” was composed French-language master’s degree program in evening, “Morgenlied” to start our program movement of his Sechs Sprüche, op. 79, the in 1995 for Grex Vocalis, an award willing choral conducting. He has been the artistic and “Abendlied” to end our first half, are from a Lenten movement from this collection of Norwegian choir. Busto utilizes non-standard director of le Choeur de Chambre du Québec, small collection of three sacred songs on the works designed to be performed throughout notation to communicate his innovative ideas, a 17-voice professional ensemble devoted to poetry of August Heinrich Hoffman, who is the liturgical year. The text calls on penitential such as when he directs the chorus to sustain creating, performing and recording choral better known for having written “Deutschland, themes, much like that of the final movement particular sounds while the soloist continues settings of French texts, including the two Deutschland, über Alles”. The works are of a traditional mass. As with the previous a spinning, chant-like declamation. The ideas Ingari works that we present this evening, as typical of Rheinberger’s divided-choir writing, movements, it is written for double choir, and of fanning out and contracting in unify the well as composers from the French-speaking treating the women’s voices and men’s voices makes use of a quartet of soloists. piece. Busto’s style hallmarks, consisting of and English-speaking communities in Canada. separately as if in conversation with one The three Latin motets presented this evening lovely and sensitive melodic touch and the These two unique settings of Paul Verlaine’s another, and building to large full-chorus are representative of the Italian Renaissance influence of jazz harmonies, are prominent in poetry by Ingari are a beautiful example of his fortissimos. and Baroque period, to which Mendelssohn this short work. style, accessible and hauntingly beautiful. Three of the four mass movements of was paying tribute in his compositions Whitacre’s setting of Octavio Paz’s “Water Relatively unknown to North American Mendelssohn we are presenting tonight we presented this evening. Tomas Luis de Night,” or rather a setting of the translation audiences, Josep Vila was born in Sabadell, were composed likely with the intention to Victoria’s “O Quam Gloriosum,” a motet for All of Paz’s poetry, pairs well with Busto’s “Ave , in 1966. He began his musical training constitute a cohesive mass setting; however, Saints’ Day, and Palestrina’s “Exsultate Deo,” Maris Stella.” Largely composed within a tonal at the Conservatory of Sabadell, studying Medelssohn’s Die deutsche Liturgie was never an exuberant setting of a portion of Psalm framework, the work seems to expand and piano with Gloria Peig, and later studied completed. The Sanctus, Ehre Sei Gott and 81, both employ Renaissance techniques of contract both harmonically and dynamically. conducting and choral music with Eric Ericson Heilig were composed at different times in his imitation and polyphony you’d expect from There is much use of divisi within the choir – in . As a composer, he dedicates career. The Kyrie, in A major, and the Ehre sei the Italian Rennasiance tradition. Antonio anywhere from 4 to 13 individual lines can be himself essentially to choral music and he Gott, in D major, are both without catalogue Lotti’s “Crucifixus,” taken from a portion of heard through the work. The piece is a study has been awarded the composition prize number, and very little is known about the the Credo from the Catholic Mass, was most in suspended animation, where the long lines “Premis Reus” for works for children’s choirs. occasion there were written for. There are likely set to be sung at a Good Friday service move slowly, but with continued interest, a He conducted the World Youth Choir in 2010, many similarities between the two, so it is or during Holy week. It also shows tribute to natural musical expression of the beautiful and it was for this appointment that he wrote conceivable that they were intended to be his Renaissance masters, but leans towards poetry. this invigorating and ambitious setting of the paired together. Mendelssohn makes great a more complicated Baroque harmonic . use of the antiphonal effect of the double language. The young Canadian composer Kathleen choir, and incorporates a solo quartet in the Allan is an equally accomplished singer. Traditional spiritual choral arrangements are Paul Mealor is quickly becoming one of the slower, quieter middle section of the Gloria. Originally from St. John’s, Newfoundland, synonymous with American composer and United Kingdom’s most notable and prolific The Heilig, also in D major, is published she relocated to Vancouver to complete arranger Moses Hogan. Hogan was a pianist, composers for choir. His fame is largely due separately from the other two, composed in degrees in composition from the University conductor and arranger of international to his “Ubi Caritas,” which was composed 1844, three years before his death. The work of British Columbia, where she also worked as renown. His works are celebrated and for the wedding of Prince William and Kate shows Mendelssohn’s keen awareness of a conductor and soprano. She has received performed by high school, college, church, Middleton and broadcast around the world. his Renaissance and Baroque antecedents. commissions from many choirs in Vancouver, community and professional choirs today. Mealor has conducted workshops with choirs They contrast massed choral effects (note including the Vancouver Chamber Choir, Chor “The Battle of Jericho” is a short, energetic in many countries, most recently here in especially the gradual accumulation of the Leoni and the Elektra Women’s Choir. Her arrangement with quick interplay between Edmonton with Pro Coro Canada and the grand proclamation “Heilig!”) with passages of “In Paradisum” is a remarkably complex and the women’s and men’s voices of the choir. University of Alberta Madrigal singers, where imitative counterpoint and call-and-answer mature work for a composer who was only 19 Text and Translations Kyrie Kyrie eleison. Lord, have mercy. Morgenlied Christe eleison. Christ, have mercy. Text by A.H. Hoffmann von Fallersleben Kyrie eleison. Lord, have mercy. Die Sterne sind erblichen The stars have faded Ehre Sei Gott in der Höhe mit ihrem güldnen Schein, with their golden glow, bald ist die Nacht entwichen soon will the night be past, Ehre sei Gott in der Höhe Glory to God in the highest der Morgen dringt herein. the morning will arrive. und Friede auf Erden and peace on earth und den Menschen ein Wohlgefallen! and good will to mankind! Noch waltet tiefes Schweigen Now deep silence reigns Wir loben dich, wir benedeien dich, We praise You, we bless You, im Tal und überall. in the valley and over all. wir beten dich an, wir preisen dich, we worship You, we glorify You, Auf frischbetauten Zweigen On freshly bedewed branches wir sagen dir Dank we give You thanks singt nur die Nachtigall. sings only the nightingale. um deiner großen Herrlichkeit willen. for Your great glory. Herr Gott! Himmlischer König! Allmächtiger Vater! Lord God! King of Heaven! Sie singet Lob und Ehre She sings praise and glory Herr, du eingeborner Sohn, God the Father Almighty! dem hohen Herrn der Welt, to the exalted Lord of the world Jesu Christe! Lord, only-begotten Son, der über’m Land und Meere Who over land and sea Herr, Gott, du Lamm Gottes, Jesus Christ! die Hand des Segens hält. holds the hand of blessing. Sohn des Vaters! Lord God, Lamb of God, Der du die Sünde der Welt trägst, Son of the Father! Er hat die Nacht vertrieben He has banished the night, erbarme dich unser! You who take away the sin of the world, ihr Kindlein fürchtet nichts, fear nothing, you children; Der du die Sünde der Welt trägst, have mercy on us! stets kommt zu seinen Lieben always comes to those whom He loves nimm an unser Gebet. You who take away the sin of the world, der Vater alles Lichts. the Father of all lights. Der du sitzest zur Rechten des Vaters, erbarme dich Hear our prayer. unser! You who sit at the right hand of the Father, Denn du allein bist heilig, have mercy on us! denn du allein bist der Herr, For You alone are holy, du allein bist der Allerhöchste, You alone are Lord, Jesus Christus You alone are the Most High, mit dem Heiligen Geiste Jesus Christ in der Herrlichkeit Gottes, des Vaters. with the Holy Spirit Amen! in the glory of God the Father, Amen!

Heilig

Holy, holy, holy Join us between June 4th and 7th for ArtSpirit Heilig, heilig, heilig, ist Gott der Herr Zebaoth! Lord God of Hosts! ! Events include an art exhibition, readings 2015 Alle Lande sind seiner Ehre voll. Heaven and earth are full of your glory. from authors and poets, an afternoon of tea and Hosianna in der Höh! Hosanna in the highest. opera, a cabaret, mini film festival, baroque string Gelobt sei der da kommt Blessed is he who comes ensemble concert, and a script reading with the im Namen des Herrn! in the name of the Lord! playwright. All events feature local Edmonton Hosianna in der Höh! Hosanna in the highest! artists, and many are PayWhatYouWill.

More information and full schedule at: www.holytrinity.ab.ca.

All events at Holy Trinity Anglican Church 10037 84 Avenue NW, Edmonton. In der Passionszeit Ubi Caritas Herr, gedenke nicht unsrer Übelthaten, Lord, remember not our wrongdoings, Ubi caritas et amor, Deus ibi est. Where charity and love are, God is there. und erbarme dich unseres Elends. and have mercy on us in our affliction. Congregavit nos in unum Christi amor. Christ’s love has gathered us into one. Herr, der du unser Heiland bist, Lord, who is our saviour, Exultemus, et in ipso iucundemur. Let us rejoice and be pleased in Him. stehe uns bei, erlöse uns help us, redeem us Timeamus, et amemus Deum vivum. Let us fear, and let us love the living God. und vergieb uns unsere Sünden and pardon our sins, Et ex corde diligamus nos sincero. And may we love each other with a sincere heart. um der Herrlichkeit deines Names willen. for the sake of your glorious name. Hallelujah! Hallelujah! Ave Maris Stella

O Quam Gloriosum Ave, maris stella, Hail, star of the sea, Dei Mater alma, loving Mother of God, O quam gloriosum est regnum, O how glorious is the kingdom, Atque semper Virgo, and also always a virgin, in quo cum Christo gaudent omnes Sancti! in which all the saints rejoice with Christ! Felix caeli porta. Happy gate of heaven. Amicti stolis albis, Clad in robes of white, sequuntur Agnum, quocumque ierit. they follow the Lamb, wherever he goes. Sumens illud Ave Receiving that Ave Gabrielis ore, from Gabriel’s mouth, Crucifixus Funda nos in pace, confirm us in peace, Mutans Evae nomen. Reversing Eva’s name. Crucifixus etiam pro nobis He was crucified also for us sub Pontio Pilato: under Pontius Pilate: Solve vincla reis, Break the chains of sinners, Passus, et sepultus est. He suffered and was buried. Profer lumen caecis, Bring light to the blind, Mala nostra pelle, Drive away our evils, Et resurrexit tertia die, And on the third day he rose again, according to the Bona cuncta posce. Ask for all good. secundum Scripturas. scriptures. Et ascendit in coelum: And ascended into heaven: Monstra te esse matrem Show yourself to be a mother sedet ad dexteram Patris. and sitteth at the right hand of the Father. Sumat per te preces, May he accept prayers through you, Et iterum venturus est cum gloria And he shall come again in glory Qui pro nobis natus He Who born for us judicare vivos et mortuos; to judge the living and the dead; Tulit esse tuus. Chose to be yours. Cujus regni non erit finis. Whose kingdom shall have no end. Virgo singularis, O unique virgin, Exsultate Deo Inter omnes mitis, Meek above all, Nos culpis solutos, Make us absolved from sin, Exsultate Deo adjutori nostro: Rejoice in God our helper: Mites fac et castos. Gentle and chaste. jubilate Deo Jacob. sing aloud to the God of Jacob. Sumite psalmum, et date tympanum: Take the psalm and bring hither the timbrel: Vitam praesta puram, Keep life pure, psalterium jucundum cum cithara. the merry harp with the lute. Iter para tutum, Make the journey safe, Buccinate in neomenia tuba, Blow the trumpet in the new moon, Ut videntes Jesum, So that seeing Jesus, insigni die solemnitatis vestræ. even on our solemn feast day. Semper collaetemur. We may always rejoice together.

Abendlied Sit laus Deo Patri, Let there be praise to God the Father, Summo Christo decus Glory to Christ in the highest Bleib bei uns, Bide with us, Spiritui Sancto, To the Holy Spirit, denn es will Abend werden, for evening shadows darken, Tribus honor unus. Amen. One honour to all three. Amen. und der Tag hat sich geneiget. and the day will soon be over.

Water Night Soleils couchants Original Spanish text by Octavio Paz. English translation by Muriel Rukeyser. Text by Paul Verlaine

Night with the eyes of a horse that trembles in the If you open your eyes, Une aube affaiblie A weakened dawn night, night opens, doors of musk, Verse par les champs Pours over the fields night with eyes of water in the field asleep the secret kingdom of the water opens La mélancolie The melancholy is in your eyes, a horse that trembles, flowing from the center of night. Des soleils couchants. Of sunsets. is in your eyes of secret water. La mélancolie The melancholy And if you close your eyes, Berce de doux chants Rocks with sweet songs Eyes of shadow-water, a river, a silent and beautiful current, Mon coeur qui s’oublie My heart that leaves itself out eyes of well-water, fills you from within, Aux soleils couchants. To sunsets. eyes of dream-water. flows forward, darkens you: Et d’étranges rêves And strange dreams night brings its wetness to beaches in your soul. Comme des soleils As suns Silence and solitude, Couchants sur les grèves, Sets on shores, two little animals moon-led, Fantômes vermeils, Ruddy ghosts, drink in your eyes, Défilent sans trêves, Incessantly parade, drink in those waters. Défilent, pareils Parade, such À des grands soleils As great suns In Paradisum Couchants sur les grèves. Set on shores. Latin Text : Chanson d’automne Text by Paul Verlaine In paradisum deducant te angeli, May the angels lead you into paradise, in tuo adventu suscipiant te martyres, at your coming may the martyrs receive you, Les sanglots longs When a sighing begins et perducant te and may they guide you Des violons In the violins in civitatem sanctam Ierusalem. into the holy city of Jerusalem. De l’automne Of the autumn-song Chorus angelorum te suscipiat, May the chorus of angels receive you, Blessent mon coeur My heart is drowned et cum Lazaro quondam paupere and with Lazarus once poor D’une langueur In the slow sound aeternam habeas requiem. may you have eternal rest. Monotone. Languorous and long.

English Text: Tout suffocant Pale as with pain Et blême quand Breath fails me when breath of sunset, colour Sonne l’heure The hours toll deep a snapshot of fresh air is framed in memory. in and out tide; Je me souviens My thoughts recover Sailing still, still... breathing beyond horizons framed. Des jours anciens The days that are over Let me lead you up away, Your eyes are seeing still, Et je pleure. And I weep. beyond the sunset, beyond the sea your flash is welcome. where the still living memories are sailing. May the angels lead you into paradise, Et je m’en vais And I go Let us into the sky stand across the sunlight, at your coming may the martyrs receive you, Au vent mauvais Where the winds know beyond the day and may they guide you Qui m’emporte Broken and brief towards living horizons still breathing, into the holy city of Jerusalem. Deçà, delà, To and fro, still, still into the horizon. May the chorus of angels receive you, Pareil à la As the winds blow A focused journey through the lens of true breath. and with Lazarus once poor Feuille morte. A dead leaf. Waves wash out and in, inhaling and exhaling may you have eternal rest. Salve, Regina Salve Regina, Mater misericordiae, Hail, Holy Queen, Mother of mercy, DA CAMERA SINGERS - 2015 CONCERT TOUR Vita, dulcedo, et spes nostra, Salve! [Hail] our life, our sweetness and our hope! Ad te clamamus, To thee do we cry, Budapest - Eger - Bojnice - Vienna exsules filii Hevae, poor banished children of Eve, Ad te suspiramus, gementes et flentes, to you we sigh, mourning and weeping, July 2 - 12, 2015 In hac lacrimarum valle. in this valley of tears. Eia ergo, Advocata nostra, Turn, then, our advocate, If you would like to help support our tour, please find and fill out the enclosed “Adopt-A-Chorister” form. Illos tuos misericordes oculos thine eyes of mercy Donations will be accepted at the front of the house or by mail to Da Camera Singers, Box 903, Edmonton, AB, T5J 2L8. ad nos converte toward us, All donations over $20.00 will receive a tax receipt Et Iesum, benedictum fructum ventris tui, And Jesus, the blessed fruit of thy womb, after our Nobis, post hoc exilium, ostende, exile, show us, O clemens, O pia, O dulcis Virgo Maria. O mild, O loving, O sweet Virgin Mary.

The Battle of Jericho Right up to the walls of Jericho, Joshua fit the battle of Jericho, Jericho, Jericho. he marched with spear in hand. Joshua fit the battle of Jericho and the walls come “Go blow that ram-horn!” Joshua cried. tumblin’ down. “’Cause the battle am in my hand.”

Talk about your kings of Gideon, Then the lamb, ram, sheep horns begin to blow talk about your men of Saul, and the trumpet begins to sound. but none like good old Joshua Joshua commanded the children to shout! at the battle of Jericho. and the walls come tumbalin’ down. Please join us for our 2015/2016 season Saturday, December 5, 2015, 7:30 pm Holy Trinity Anglican Church Da Camera Singers thanks all of our donors! “Carols and Lullabies” Saturday, February 27, 2016, 7:30 pm Alberta Choral Federation RJ and Janette Chambers TELUS Corporation Holy Trinity Anglican Church Michelle and Ed Andrews Cathy Grant Frank Thede “Brahms Requiem” John and Kathleen Brough Barb Sabo Fred Wright Sunday, May 1, 2016, 3:00pm Da Camera Singers relies on generous support from our audience members and from the community. Please Venue TBD consider donating to Da Camera Singers. “The Spirit Sings!” with the Edmonton Youth Choir as special guests. Donations will be accepted at the front of house tonight, or by mail at Da Camera Singers, Box 903, Edmonton, Alberta, T5J 2L8 All donations will receive a tax receipt. If you like the new Acknowledgements Da Camera women’s outfits, Erik Visser – graphic design you can see the complete line Judith Plumb of Sympli at: Our front-of-house volunteers Holy Trinity reception hosts: David and Suzanne Connell 10462 – 82 Avenue (Upstairs Studio) Phone: 587-759-8542 WWW.DACAMERA.AB.CA www.originalyouinc.com Holy Trinity Concert Series Presents

KEYBOARD CONCERTOS SOLOBach CANTATAS Saturday JUNE 27th 2015 at 8 PM

FEATURING MAGDALENA ADAMEK PIANO BWV 1056 & 1058 JOLAINE KERLEY SOPRANO BWV 199 RODERICK BRYCE BARITONE BWV 82

WITH THE TRINITY CONSORT ROBERT UCHIDA, LAURA VEEZE VIOLINS CHARLES PILON VIOLA JAN URKE BASS COLIN RYAN CELLO LIDIA KHANER OBOE JOHN BROUGH CONDUCTOR & ORGAN

HOLY TRINITY ANGLICAN CHURCH 10037-84 AVENUE FREE ADMISSION (CHARITABLE DONATIONS WELCOME) FOR INFORMATION: 780-570-5070