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DANCING DAY MUSIC FORCHRISTMAS FIFTH AVENUE,NEWYORK JOHN SCOTT CONDUCTOR Matthew Martin (B
DANCING DAY MUSIC FOR CHRISTMAS SAINT THOMAS CHOIR OF MEN & BOYS, FIFTH AVENUE, NEW YORK JOHN SCOTT CONDUCTOR RES10158 Matthew Martin (b. 1976) John Rutter (b. 1945) Dancing Day 1. Novo profusi gaudio [3:36] Dancing Day Part 1 Music for Christmas Patrick Hadley (1899-1973) 17. Prelude [3:35] 2. I sing of a maiden [2:55] 18. Angelus ad virginem [1:55] 19. A virgin most pure [5:04] Benjamin Britten (1913-1976) 20. Personent hodie [1:57] A Ceremony of Carols, Op. 28 Part 2 Saint Thomas Choir of Men & Boys, Fifth Avenue, New York 3. Procession [1:32] 21. Interlude [4:05] 4. Wolcum Yole! [1:24] 22. There is no rose [1:53] 3-15 & 17-24 5. There is no Rose [2:26] 23. Coventry Carol [3:54] Sara Cutler harp [1:46] 1 & 16 6. That yonge child 24. Tomorrow shall be my Stephen Buzard organ 7. Balulalow [1:21] dancing day [3:03] Benjamin Sheen organ 2 & 25-26 8. As dew in Aprille [1:02] 9. This little babe [1:30] Traditional English 10. Interlude [3:32] arr. Philip Ledger (1937-2012) John Scott conductor 11. In Freezing Winter Night [3:50] 25. On Christmas Night [2:00] 12. Spring Carol [1:14] (Sussex Carol) 13. Adam lay i-bounden [1:12] 14. Recession [1:37] William Mathias (1934-1992) [1:41] 26. Wassail Carol Benjamin Britten 15. A New Year Carol [2:19] Total playing time [63:58] Traditional Dutch arr. John Scott (b. 1956) About the Saint Thomas Choir of Men & Boys: 16. -
COCKEREL Education Guide DRAFT
VICTOR DeRENZI, Artistic Director RICHARD RUSSELL, Executive Director Exploration in Opera Teacher Resource Guide The Golden Cockerel By Nikolai Rimsky-Korsakov Table of Contents The Opera The Cast ...................................................................................................... 2 The Story ...................................................................................................... 3-4 The Composer ............................................................................................. 5-6 Listening and Viewing .................................................................................. 7 Behind the Scenes Timeline ....................................................................................................... 8-9 The Russian Five .......................................................................................... 10 Satire and Irony ........................................................................................... 11 The Inspiration .............................................................................................. 12-13 Costume Design ........................................................................................... 14 Scenic Design ............................................................................................... 15 Q&A with the Queen of Shemakha ............................................................. 16-17 In The News In The News, 1924 ........................................................................................ 18-19 -
Rimsky-Korsakov Overture and Suites from the Operas
CHAN 10369(2) X RIMSKY-KORSAKOV OVERTURE AND SUITES FROM THE OPERAS Scottish National Orchestra Neeme Järvi 21 CCHANHAN 110369(2)X0369(2)X BBOOK.inddOOK.indd 220-210-21 221/8/061/8/06 110:02:490:02:49 Nikolai Andreyevich Rimsky-Korsakov (1844–1908) COMPACT DISC ONE 1 Overture to ‘May Night’ 9:06 Suite from ‘The Snow Maiden’ 13:16 2 I Beautiful Spring 4:28 Drawing by Ilya Repin /AKG Images 3 II Dance of the Birds 3:18 4 III The Procession of Tsar Berendey 1:49 5 IV Dance of the Tumblers 3:40 Suite from ‘Mlada’ 19:18 6 I Introduction 3:19 7 II Redowa. A Bohemian Dance 3:55 8 III Lithuanian Dance 2:24 9 IV Indian Dance 4:21 10 V Procession of the Nobles 5:18 Suite from ‘Christmas Eve’ 29:18 11 Christmas Night – 6:15 12 Ballet of the Stars – 5:21 13 Witches’ sabbath and ride on the Devil’s back – 5:30 14 Polonaise – 5:47 15 Vakula and the slippers 6:23 TT 71:30 Nikolai Andreyevich Rimsky-Korsakov, 1888 3 CCHANHAN 110369(2)X0369(2)X BBOOK.inddOOK.indd 22-3-3 221/8/061/8/06 110:02:420:02:42 COMPACT DISC TWO Rimsky-Korsakov: Overture and Suites from the Operas Musical Pictures from ‘The Tale of Tsar Saltan’ 21:29 1 I Tsar’s departure and farewell 4:57 2 II Tsarina adrift at sea in a barrel 8:43 Among Russian composers of the same year he was posted to the clipper Almaz on 3 III The three wonders 7:48 generation as Tchaikovsky, who were which he sailed on foreign service for almost prominent in the latter part of the three years, putting in at Gravesend (with a 4 The Flight of the Bumble-bee 3:22 nineteenth century, Nikolai Andreyevich visit to London), cruising the Atlantic coasts Interlude, Act III, from The Tale of Tsar Saltan Rimsky-Korsakov is unrivalled in his of North and South America, the Cape Verde mastery of orchestral resource. -
Nikolai Tcherepnin UNDER the CANOPY of MY LIFE Artistic, Creative, Musical Pedagogy, Public and Private
Nikolai Tcherepnin UNDER THE CANOPY OF MY LIFE Artistic, creative, musical pedagogy, public and private Translated by John Ranck But1 you are getting old, pick Flowers, growing on the graves And with them renew your heart. Nekrasov2 And ethereally brightening-within-me Beloved shadows arose in the Argentine mist Balmont3 The Tcherepnins are from the vicinity of Izborsk, an ancient Russian town in the Pskov province. If I remember correctly, my aged aunts lived on an estate there which had been passed down to them by their fathers and grandfathers. Our lineage is not of the old aristocracy, and judging by excerpts from the book of Records of the Nobility of the Pskov province, the first mention of the family appears only in the early 19th century. I was born on May 3, 1873 in St. Petersburg. My father, a doctor, was lively and very gifted. His large practice drew from all social strata and included literary luminaries with whom he collaborated as medical consultant for the gazette, “The Voice” that was published by Kraevsky.4 Some of the leading writers and poets of the day were among its editors. It was my father’s sorrowful duty to serve as Dostoevsky’s doctor during the writer’s last illness. Social activities also played a large role in my father’s life. He was an active participant in various medical societies and frequently served as chairman. He also counted among his patients several leading musical and theatrical figures. My father was introduced to the “Mussorgsky cult” at the hospitable “Tuesdays” that were hosted by his colleague, Dr. -
The Gifts of Midwinter Notes and Lyrics
We have been threatening to put together a Christmas If your Latin isn’t what it should be, the verses are as And so to merry England then The whole world trembles with hope album for a ridiculous number of years, but when I was follows: Old Christmas brings his sport again. In this night which gives us a savior moved to write “The Gifts of Midwinter” the project At Christmas broach the mightiest ale; became real. A further ridiculous number of years have The time of grace comes At Christmas tell the merriest tale; People on your knees, await your deliverance passed, but quality takes time. (That’s our story, and we’re That for which we have wished Let chill winds whistle as they will, Noël, Noël, here is your Redeemer sticking to it.) With songs of joy We’ll keep our Christmas merry still. Noël, Noël, here is your Redeemer We the faithful return (God’s) love Since then we have set out to find songs you don’t hear on Words by Sir Walter Scott The Redeemer has broken our bonds EVERY Christmas album, though we couldn’t resist putting God is made man From the introduction to Canto VI of “Marmion,” The earth is free, and Heaven is open our stamp on a couple of personal favorites. So here they By this wonderful birth Dedicated to Richard Heber, Esquire, One now sees a brother where there was a slave are, from the sacred to the secular, from medieval to The world is renewed and set at “Mertoun House, Christmas.” Love unites those once bound in chains of iron modern. -
Rimsky-Korsakov and His World
© Copyright, Princeton University Press. No part of this book may be distributed, posted, or reproduced in any form by digital or mechanical means without prior written permission of the publisher. David Brodbeck The Professor and the Sea Princess: Letters of Nikolai Rimsky-Korsakov and Nadezhda Zabela-Vrubel EDITED BY MARINA FROLOVA-WALKER TRANSLATED BY JONATHAN WALKER I am still filled, my dear, dear friend, Filled with your visage, filled with you! . It is as if a light-winged angel Descended to converse with me. Leaving the angel at the threshold Of holy heaven, now alone, I gather some angelic feathers Shed by rainbow wings . —Apollon Maykov (1852), set by Rimsky-Korsakov as No. 4 of his Opus 50 songs and dedicated to Nadezhda Zabela-Vrubel “I am rather dry by nature,” confessed Rimsky-Korsakov in one of his letters.1 This is indeed the prevailing impression we are likely to draw from his biographies, or even from his own memoirs. We know so much about the externals of his life, and yet the inner man somehow eludes us, obscured by his professorial image: a kindly but reserved man, with a pos- itive outlook on life, dignified and of impeccable morals. The contrast with the wild biographies of Musorgsky and Tchaikovsky allows us to suppose that Rimsky-Korsakov was really rather ordinary, even a little dreary. 1. Maykov’s Russian original of the epigraph above is as follows: Yeshcho ya poln, o drug moy milïy, / Tvoim yavlen'yem, poln toboy!. ./ Kak budto angel legkokrïlïy / Sletal besedovat' so mnoy, / I, provodiv yego v preddver'ye svyatïkh nebes, ya bez nego / Sbirayu vïpavshiye per'ya / Iz krïl'yev raduzhnïkh yego… • 3 • For general queries, contact [email protected] © Copyright, Princeton University Press. -
Classical Christmas
Classical Friday, Dec. 9 CHristmas 10:30am Stefan Sanders leads the BPO and Buffalo Philharmonic Chorus in this festival celebration of timeless musical treasures, including Bach’s Christmas Oratorio REPERTOIRE: and Handel’s Messiah . Rimsky-Korsakov: Suite from Christmas Eve Eric Whitacre: Winter, Naryan Padmanabha, sitar Respighi: L’Adorazione dei Magi from Trittico Botticelliano Bach: Weihnachtsoratorium, BWV 248 [Christmas Oratorio] Cantana IV: On New Year’s Day (The Feast of Circumcision) No. 36 Fallt mit Danken, fallt mit Loben (chorus) No. 38 Recitativ: Immanuel, o susses Wort ! (baritone and soprano) No. 39 Aria: Flost, mein Heiland, lost dein Namon (soprano and boy soprano) Cantata V: On the Sunday After New Year (King Herod) No. 53 Choral: Zwar ist solche Herzensstube Cantata VI: On the Feast of the Epiphany (The Adoration of Magi) No. 64 Choral: Nun said ihr wohl gerochen Emily Helenbrook, Brad Hutchings, Ayden Herried, Buffalo Philharmonic Chorus Intermission: Randol Bass: Festival Magnificat. Buffalo Philharmonic Chorus Arr. John Rutter: I saw Three Ships. Buffalo Philharmonic Chorus John Rutter: Mary’s Lullaby. Buffalo Philharmonic Chorus Adam/ John Rutter: O Holy Night. Buffalo Philharmonic Chorus Handel/ John Rutter: Joy to the World. Buffalo Philharmonic Chorus Tchaikovsky: Finale to Act 1 of The Nutcracker, Op. 71 6. Scena 7. Scena (Battle) 8. Scena 9. Waltz of the Snowflakes Women of the Buffalo Philharmonic Chorus Handel: Hallelujah Chorus from Messiah. Buffalo Philharmonic Chorus Nikolai Rimsky-Korsakov: “Christmas Eve” Russian Composer (1844-1908) Rimsky-Korsakov’s Opera Christmas Eve was completed in 1895. The four act libretto (text of the opera) by the composer is based on a short story by Nikolai Gogol from his collection titled “Evenings on a farm near Dikanka”, published in 1832. -
The Proms Listening Service Radio 3’S Tom Service Proposes Onward Sonic Explorations Inspired by the Music of Tonight’S Prom
The Proms Listening Service Radio 3’s Tom Service proposes onward sonic explorations inspired by the music of tonight’s Prom WAGNER STRAVINSKY Tannhäuser – overture The Song of the Nightingale; For all the voluptuous pleasures of the Venusberg and the The Firebird sensuality of Wagner’s music, it’s striking how often these Stravinsky’s fairy tales in music and ballet seem to have sprung dramas become hymns to the dubious pleasures of renunciation. fully formed into the world thanks to Paris’s mania for all things Parsifal refuses Kundry’s kiss to save the Brotherhood of the Russian in the early 20th century, and the exotic visions of the Grail; Tristan and Isolde is an erotic agony precisely because the country, its art and its stories with which Sergey Diaghilev and lovers’ eroticism his Ballets Russes flooded the city’s stages. But the father of is never fulfilled, so that love-death replaces love-life; and the these infectiously fantastical dramatic fairy tales wasn’t Diaghilev entire dramaturgy of The Ring is about pleasure postponed or or Stravinsky but Rimsky-Korsakov, who was also Stravinsky’s apocalyptically destroyed. The paradox is that the sensorium of teacher. Rimsky made the genre of the fairy-tale opera his own, Wagner’s music defining along the way the sounds and ideas that Stravinsky is a sonic substitute for the physical fulfilment that his characters would develop: melodic directness, rhythmic invention, harmonic are rarely, if ever, granted. Psychologists would have a field day exoticism, orchestral dazzle and new patterns of repetition. with all this – and, indeed, they have, as you can read in That’s why, to hear where Stravinsky comes from in music, you countless Wagner commentaries. -
Program Notes by Michael Moore a Feast of Carols Performed December 18, 2004
Program Notes by Michael Moore A Feast of Carols Performed December 18, 2004 Fantasia on Christmas Carols Gaudete The Dream Isaiah Saw This evening's concert, A Feast of Carols, brings together traditional carols, heard both in familiar and modern arrangements, and a contemporary work, Pittsburgh composer Glenn Rudolph's popular The Dream Isaiah Saw. The name of Alice Parker (b. 1925) is synonymous with choral music in America. Conductor, educator and composer, she has written more than 400 works ranging from operas to song cycles, and in collaboration with the late Robert Shaw produced numerous settings of American folk songs, hymns and spirituals. Gaudete, Six Latin Christmas Hymns, was commissioned by Shaw for the Atlanta Symphony Orchestra and Chorus and was premiered by them in 1973. Corde natus ex Parentis (Of the Father's love begotten) is the earliest piece in this set, written by Marcus Aurelius Clemens Prudentius (348-ca 413). Prudentius was a Roman citizen born in Spain. He studied law and served as a judge for a number of years, before a religious awakening late in life inspired him to devote his remaining years to writing hymns. Like many of the pieces in this set, the hymn tune originally appeared in the Piae Cantiones (Devout Songs), a remarkable compilation of medieval Latin hymns published in Finland in 1582. Interestingly, the work was unknown in the English-speaking world until the mid-1800's, when an original edition was given to British hymnist James Mason Neale, who translated and published 12 Christmas carols in 1853. Neale's translations, along with compilations of traditional carols by Sir John Stainer, sparked something of a revival of interest in traditional Christmas music and provided many of the now-familiar carols and settings that are in use today. -
Répertoire Concerts Sestina.Pages
2018 • Dietrich BUXTEHUDE – Jesu meines lebens Leben • Dietrich BUXTEHUDE – Membra jesu nostri • Bernard DE CREPY (arr.) – I’ve been working on the railroad • Eriks ESENVALDS (arr.) – This is my father’s world • Andrew FISCHER (arr.) – Bonse aba • Josef HADAR (arr. Jack KLEBANOW) – Erev shel shoshanim • Sten KALLMAN (arr.) – Fre o • Stephen LEEK (arr.) – Monkey and turtle • Petar LIONDEV – Erghen diado • Stéphan NICOLAY (arr.) - Calant de Villafranca • Stéphan NICOLAY (arr.) - Nissa la Bella • Stéphan NICOLAY (arr.) - Lamaa badaa yatathannaa • Stéphan NICOLAY (arr.) – Sakura • Stéphan NICOLAY (arr.) – Shkoj e vij flut’rim • Fabian OBISPO (arr.) – Soleram • Donald PATRIQUIN (arr.) – J’entends le moulin • Sid ROBINOVITCH – Noche de lluvia • Renata ROSA (arr.) – Mãe da lua fala • Lin SHENG-SHIH (arr.) – Shui Xian Hua • Henning SOMMERRO (arr.) – Bruremarsj fra Valsoyfjord • Robert SUND (arr.) – The drunken sailor 2017 • Ernani AGUIAR – Psalmo 150 • Max BAUMANN – Ave Maria • Luigi CHERUBINI – Requiem en ut mineur • Eriks ESENVALDS – Only in sleep • Ola GJEILO - Northern Lights • Ola GJEILO – The spheres • Kenneth LEIGHTON - Drop, drop, slow tears • Wolfgang Amadeus MOZART – Ave verum • Stéphan NICOLAY – Missa in simplicitate • Francis POULENC - Salve regina • Josef RHEINBERGER – Abendlied • Eric WHITACRE – Water night 2016 • Ernani AGUIAR – Psalmo 150 • Samuel BARBER – Agnus dei • Max BAUMANN – Ave Maria • Luigi CHERUBINI – Requiem en ut mineur • David CHILDS - The choir invisible • David CHILDS - The moon is distant from the sea • Patrick -
CHRISTMAS EVE CANDLELIGHT SERVICE December 24, 2016 11
CHRISTMAS EVE CANDLELIGHT SERVICE In a manger for his bed: Light and life to all He brings, December 24, 2016 Mary was that mother mild, Ris’n with healing in His wings. 11:00pm Jesus Christ her little child. Mild He lays His glory by, Born that man no more may die, Choir: Born to raise the sons of earth, The congregation speaks the bold and italicized words. He came down to earth from heaven Born to give them second birth, Who is God and Lord of all, *The congregation is invited to stand in body or in spirit. And his shelter was a stable, Hark! the herald angels sing! And his cradle was a stall; “Glory to the newborn King!” PRELUDE MUSIC (10:30pm) With the poor and mean and lowly Lived on earth our Saviour holy. SCRIPTURE READING Luke 1:26-35, 38 AnnMarie Graham The Little Drummer Boy Katherine Davis Thom Dreeze, baritone Choir: *CAROL #143 Angels, from the Realms of Glory REGENT SQUARE For he is our childhood’s pattern, Domine Deus from Great Mass in C Minor K. 427 W.A. Mozart Day by day like us he grew, SCRIPTURE READING John 1:1-5 Couper Gardiner Erin Keesy & Jackie Stevens, sopranos He was little, weak, and helpless, Tears and smiles like us he knew: ANTHEM Mary Had a Baby arr. Malcolm Sargent Domine Deus, Rex coelestis, And he feeleth for our sadness, Text: Traditional African-American Spiritual O Lord God, Heavenly King, And he shareth in our gladness. Deus Pater omnipotens. Refrain: God the Father Almighty. -
CHRISTMAS Christmas with Naxos
CATALOGUE 2018 CHRISTMAS Christmas with Naxos Christmas is one of the most richly celebrated seasons around the world. While its focus rests on just a few days of the year, the wealth of music that has been written to mark its spirit and story is astonishingly plentiful and varied. Musicians continue to be inspired by the message of Christmas: in the following pages you will find examples of contemporary choral works by British composers John Tavener, James MacMillan and Sasha Johnson Manning alongside the established masterpieces of composers such as J. S. Bach, Handel and Berlioz. The Christmas story has also been recorded in opera, ballet and instrumental music, in a range of expression that runs from piety to jollity. Easy-listening compilations are well represented in the listings, including regional collections and the gamut of carols that are annual favourites, heard either in the splendour of Europe's historic cathedrals or in the local community. We hope our catalogue will serve you with music that is both comfortingly familiar and refreshingly novel. May you spend a very happy Christmas with Naxos. Contents Listing by Composer ...............................................................................................................................4 Collections .............................................................................................................................................15 Audiovisual ............................................................................................................................................27