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Javier BUSTO (1949-)

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Javier BUSTO (1949-) Javier BUSTO (1949-) 16 polyphonies sacrées et profanes pour chœur mixte a cappella 16 sacred and secular polyphonies for mixed voices a cappella 16 cantos sacros y profanos para coro mixto a cappella Ahots nahasien abesbatzerako 16 kantu sakratu eta profano a cappella ÉDITIONS À CŒUR JOIE 2 Javier BUSTO Javier BUSTO Né en 1949 à Hondarribia (Pays Basque - Born in Hondarribia (Basque Country - Espagne), Javier Busto est Docteur en Spain) in 1949 Graduated in Medecine from Médecine, titre obtenu à l’Université de the Valladolid University. Valladolid. He studied choir conducting with Mo Erwin Passionné de musique, il s’est formé à la List. direction chorale auprès d’Erwin List. Conductor of Ederki Choir in Valladolid Il a dirigé le Chœur d’étudiants basques (Basque students choir) (1971-1976). Ederki à Valladolid de 1971 à 1976, puis a Founder-Conductor of Eskifaia Choir in créé et dirigé le Chœur Eskifaia à Hondarribia (1978-1994). Founder of Kanta Hondarribia (1978-1994) et Kanta Cantemus Cantemus Korua (1995-2007). Korua (1995-2007). His choral works are published in Germany, Ses œuvres chorales sont éditées au Pays France, the Basque Country, the United Basque, en Allemagne, aux Etats-Unis, au Kingdom, Sweden and the USA. Royaume Uni, en Suède et maintenant en He takes part in juries in composition and France puisque nos Éditions À Cœur Joie ont interpretation competitions for choirs, in le privilège de publier ce recueil dans lequel Arezzo (Italie), Debrecen (Hungary), Ejea de 13 œuvres sont inédites. los Caballeros, Las Palmas de Gran Canaria, La renommée internationale de Javier Busto Tolosa (Spain), Mérida (Venezuela), Tours l’amène à être invité à des jurys de (France), Takarazuka (Japan). composition et d’interprétation chorale à Guest conductor in Germany, Argentina, travers le monde : Arezzo (Italie), Debrecen Canada, USA, Spain, France, Italy, Japan, (Hongrie), Ejea de los Caballeros, Las Palmas Sweden and Venezuela. de Gran Canaria, Tolosa (Espagne), Mérida (Venezuela), Tours (France), Takarazuka (Japon). Il est également invité comme chef de chœur dans de nombreux pays de différents continents. Nace en Hondarribia en 1949. Licenciado en 1949 an Hondarribian jaioa. Valladolideko Medicina por la Universidad de Valladolid. Unibertsitatean Medikuntzan Lizentziatua. Se inició en la musica coral con el maestro Erwin List maisuarekin hasi zen abesbatza Erwin List. munduan. Director del Coro Ederki (Coro de Ederki abesbatzaren zuzendaria (Euskal estudiantes vascos), Valladolid (1971-1976). abeslariz osatutako abesbatza), Valladoliden Fundador y director del Coro Eskifaia, (1971-1976). Eskifaia Abesbatzaren sortzaile Hondarribia (1978-1994), fundador y eta zuzendaria, Hondarribia (1978-1994). director de Kanta Cantemus Korua (1995- Kanta Cantemos Koruaren sortzaile eta 2007). zuzendaria (1995-2007). Sus obras corales están siendo editadas en el Bere abesbatza lanak Euskal Herrian, País Vasco, Alemania, Francia, EEUU, Reino Alemanian, Estatu Batuetan, Britainia Unido y Suecia. Handian eta Suedian argitaratzen dira. Participa como jurado en los más Abesbatza Lehiaketa garrantsitsutan epaile prestigiosos concursos corales : Arezzo gisa aritzen da : Arezzo (Italia), Debrecen (Italia), Debrecen (Hungría), Ejea de los (Hungaria), Ejea de los Caballeros, Las Caballeros, Las Palmas de Gran Canaria, Palmas de Gran Canaria, Tolosa (Espainia), Tolosa (España), Mérida (Venezuela), Tours Merida (Venezuela), Tours (Frantzia), (Francia), Takarazuka (Japón). Takarazuka (Japonia). Director inviotado en Alemania, Argentina, Zuzendari gonbidatua Alemania, Argentina, Canadá, EEUU, España, Francia, Italia, Kanada, Estatu Batuak, Espainia, Frantzia, Japón, Suecia y Venezuela. Italia, Japonia, Suedia eta Venezuelan. Quelques traductions en anglais et en espagnol sont en fin de recueil (pages 57-59). Algunas traducciones en inglés y en español se encuentran al final de la colección (páginas 57-59). Some English and Spanish translations can be found at the end of this booklet (pages 57-59). 3 SOMMAIRE / CONTENTS INDICE / AURKIBIDEA Page Œuvres sacrées / Sacred works / Música sacra / Musika sakratua 4 CANTO A LA VIRGEN 7 RESPONSORIO DE SEMANA SANTA 10 NOTRE PÈRE 12 BEATI OMNES QUI TIMENT DOMINUM (Psaume 127) 18 EXSULTATE DEO 21 JOSEPH FILI DAVID 24 AVE MARIA 4 motets pour le temps de Noël (Tempore Natalis Domini) / Christmas and advent / 4 Cantos para la Navidad / 4 Eguberri kanta 27 1. JESU REDEMPTOR OMNIUM 31 2. VERBUM CARO FACTUM EST 35 3. TE LUCIS ANTE TERMINUM 38 4. LAETABUNDUS Noëls populaires harmonisés / Harmonized Christmas carols / Villancicos populares armonizados / Moldatutako eguberri kantak 43 O EGUBERRI GAUA 46 NOEYT DE SALUT Compositions et harmonisations profanes / Secular works / Música profana / Musika profanoa 49 FOR US 51 GURE AMAREN SEASKABESTIYA 53 MARIA MARIALEN 4 CANTO A LA VIRGEN A los amigos del coro Interludio de Burgos y a su director Fidel González, con cariño Hymne en l’honneur de la B. Vierge Marie / Hymnus in honorem B. Mariae Virginis Javier BUSTO q = 52 Dolce π Dim. e rit. U b j j j j j j j j j j j j & b c ‰ œ ‰ œ ‰ œ ‰ œ ‰ œ ‰ œ ‰ œ. ‰ œ ‰ œ ‰ œ ‰ œ ‰ œ ‰ œ ‰ œ. S. Vir - go De - i Ge - ni - trix, Vir - go De - i Ge - ni - trix, π Dim. e rit. U bb c ‰j‰j‰ j ‰ j ‰j‰j‰ ‰j‰j‰ j ‰ j ‰j‰j‰ A. & œ œ œ œ œ œ œ. œ œ œ œ œ œ œ. Vir - go De - i Ge - ni - trix, Vir - go De - i Ge - ni - trix, b π j j j Dim. e rit. j j j U b c ‰ œ‰œ ‰ œ ‰ œ ‰ œ‰œ ‰ œ. ‰ œ‰œ ‰ œ ‰ œ ‰ œ‰œ ‰ œ. T. V J J J J J J Vir - go De - i Ge - ni - trix, Vir - go De - i Ge - ni - trix, π Dim. e rit. U ? b c œ œ œ œ œ œ œ ˙ œ œ œ œ œ œ œ ˙ B. b Vir - go De - i Ge - ni - trix, Vir - go De - i Ge - ni - trix, PA tempo Molto espressivo 5 bb œ œ œ œ œ œ & œ œ œ œ œ w œ œ œ. œ œ œ Vir - go De - i Ge - ni - trix, quem to - tus non ca - pit or - bis : bP & b œ œ œ œ œ œ ˙ œ œ œ œ œ œ œ œ œ œ œ PVir - go De - i Ge - ni - trix, quem to - tus non ca - pit or - bis : b œ œ V b œ œ œ œ ˙ œ œ œ œ œ œ œ œ œ œ œ PVir - go De - i Ge - ni - trix, quem to - tus non ca - pit or - bis : ? b œ œ œ œ œ œ œ œ œ œ b œ œ œ ˙ œ œ œ œ œ œ œ œ 3 Vir - go De - i Ge - ni - trix, quem 3 to - tus non ca- pit or - bis : Ten. 9 > A tempo Dim. e rit. bb œ œ œ œ œ œ œ & ˙ œ œ œ œ ˙ œ œ œ In tu - a se clau - sit vi - sce - ra fa-ctus ho - mo, fa-ctus b > Ten. Dim. e rit. & b ˙ œ œ œ œ œ œ œ œ œ œ œ œ ˙ œœœ In tu - a se clau - sit vi - sce - ra fa-ctus ho - mo, fa-ctus b > Ten. Dim. e rit. V b ˙ œ œ œ ˙ œ œ œ œ œ œ ˙ œ œ œ In tu - a se clau> - sit vi - sce - ra fa-ctus ho - mo, fa-ctus ? j j Ten. œ œ œ ˙ œ Dim.œ eœ rit. bb œ œ œ œ œ œ œ œ œ ˙ œ œ In tu - a se clau - sit vi - sce - ra fa-ctus ho - mo, fa-ctus © 2007 ÉDITIONS À CŒUR JOIE, “Les Passerelles”, 24 avenue Joannès Masset, F-69009 Lyon. Tous droits réservés 7 RESPONSORIO DE SEMANA SANTA Para el Coro “Arte Vocal” de Villanueva de la Serena (Badajoz) y su director Manuel Guisado, con todo cariño Graduel de la Messe des Rameaux / Dominica in Palmis, Graduale* Javier BUSTO q = 48 Legato. Espressivo. Intimo p 3 b > > V b c ∑ œ œ T. œ nœ œ œ œ œ nœ œ ˙. > Chri - stus fa - ctus est pro no> - bis, p 3 ? b c 3 œ B. b œ œ œ ˙. w œ œ œ œ œ œ œ œ Chri - stus, Chri - stus, Chri - stus, Chri-stus, 4 p > 3 bb ∑ ∑ œ œ œ œ œ S. & œ œ œ p Chri - stus fa - ctus est pro b > 3 > > 3 & b A. œ œ œ œ œ œ nœ œ œ œ ˙. œ œ œ œ œ œ nœ œ pChri - stus fa - ctus est pro no - bis, Chri - stus fa - ctus est pro > 3 > > 3 bb œ œ T. V œ nœ œ œ œ œ œ nœ œ ˙. œ nœ œ œ œ œ œ Chri - stus fa - ctus est pro no - bis, Chri - stus fa - ctus est pro > 3 ? b 3 3 œ B. b œ œ œ ˙. œ œ œ œ œ œ œ œ œ œ œ ˙. Chri - stus, Chri - stus, Chri - stus, Chri-stus, Chri - stus, 7 > > > > U bb œ œ ˙. œ œ ˙ Dim. & . œ œ ˙. œ œ ˙. no - bis, Chri-stus, Chri-stus, Chri-stus, b > > Dim. > > U & b œ œ ˙. nœ œ ˙. œ œ ˙. œ œ ˙. no> - bis, Chri-stus,> Chri-stus,> Chri-stus,> U bb Dim. V nœ œ ˙. nœ œ ˙. œ œ ˙. œ œ ˙. no> - bis, Chri-stus, Chri-stus, Chri-stus, 3 > > > U ? b Dim. œ ˙. b œ œ œ œ œ œ œ œ œ œ œ ˙. bœ œ ˙. œ Chri - stus, Chri - stus, Chri-stus, Chri-stus, Chri-stus, Chri-stus, 11 P π bb œ nœ œ œ œ œ œ 2 œ œ c œ nœ œ œ œ œ 2 œ œ c & 4 J J 4 PChri - stus fa - ctus est pro no - bis, πChri - stus fa - ctus est pro no - bis, bb 2 c j j 2 c & œ nœ œ œ œ œ œ 4 œ œ œ nœ œ œ œ œ 4 œ œ PChri - stus fa - ctus est pro no - bis, Chri - stus fa - ctus est pro no - bis, b 2 œ π j j 2 œ V b œ œ œ œ œ œ nœ 4 œ c œ œ œ œ œ nœ 4 œ c PChri - stus fa - ctus est pro no - bis, Chri - stus fa - ctus est pro no - bis, ? 2 œ œ π j j 2 œ œ bb œ œ œ œ œ œ nœ 4 c œ œ œ œ œ nœ 4 c Chri - stus fa - ctus est pro no - bis, Chri - stus fa - ctus est pro no - bis, * Graduel V (in Graduale Triplex, Solesmes, 1979) © 2007 ÉDITIONS À CŒUR JOIE, “Les Passerelles”, 24 avenue Joannès Masset, F-69009 Lyon.
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