2021-2022 High School Choral Required List Table of Contents
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Computer Gaming Music: Composition
KSKS45 Computer gaming music: composition James Manwaring by James Manwaring is Director of Music for Windsor Learning Partnership, and has been teaching music for 15 years. He is a member of INTRODUCTION the MMA and ISM, and he writes his One of the key emerging genres of music over the last 35 years has been computer game music. Since the own music blog. first playable version of Tetris in 1984, music in this genre has grown. We now see key orchestral and cinema composers turning their hands to computer game soundtracks. If we’re going to prepare our students for future work in the music industry, it’s crucial for them to embrace all styles and genres. Following an earlier resource on gaming music (AQA AoS2: Computer gaming music, Music Teacher, November 2018), here I’m going to consider ways of teaching computer game music using composition. This will include some compositional ideas that can easily be adapted for other genres. STARTING POINT Composition is a key component for all the GCSE exam boards, and while each exam board has different criteria, they all share similar, overarching compositional goals. The ideas in this resource can either lead to something suitable for a GCSE entry, or help with the overall teaching of composition. The aim is to use computer games as the key focus for the composing process. Students will probably spend a great deal of time playing computer games. Not only will they have an excellent grasp of music from this genre, but they will also be keen to have a go at composing it for themselves. -
There's an App for That!
There’s an App for That! FPSResources.com Business Bob Class An all-in-one productivity app for instructors. Clavier Companion Clavier Companion has gone digital. Now read your favorite magazine from your digital device. Educreations Annotate, animate and narrate on interactive whiteboard. Evernote Organizational app. Take notes, photos, lists, scan, record… Explain Everything Interactive whiteboard- create, rotate, record and more! FileApp This is my favorite app to send zip files to when downloading from my iPad. Reads PDF, Office, plays multi-media contents. Invoice2go Over 20 built in invoice styles. Send as PDF’s from your device; can add PayPal buttons. (Lite version is free but only lets you work with three invoices at a time.) Keynote Macs version of PowerPoint. Moosic Studio Studio manager app. Student logs, calendar, invoicing and more! Music Teachers Helper If you subscribe to MTH you can now log in and do your business via your iPhone or iPad! Notability Write in PDF’s and more! Pages Word Processing App PayPal Here OR Square Card reader app. Reader is free, need a PayPal account. Ranging from 2.70 (PayPal) - 2.75% (Square) per swipe Piano Bench Magazine An awesome piano teacher magazine you can read from your iPad and iPhone! PDF Expert Reads, annotates, mark up and edits PDF documents. Remind Formerly known as Remind 101, offers teachers a free, safe and easy to use way to instantly text students and parents. Skitch Mark up, annotate, share and capture TurboScan or TinyScan Pro or Scanner Pro Scan and email jpg or pdf files. Easy! Week Calendar Let’s you color code events. -
MA Thesis: Linguistics: English Language and Linguistics
MA thesis: Linguistics: English Language and Linguistics Sean de Goede S0871346 First reader: Tony Foster Second reader: Lettie Dorst Leiden University Faculty of Humanities Department of Linguistics 08-06-2015 Language Switches in Eurovision Song Contest Lyrics 1 The Stylistics of Language Switches in Lyrics of Entries of the Eurovision Song Contest MA thesis: Linguistics: English Language and Linguistics Sean de Goede S0871346 First reader: Tony Foster Second reader: Lettie Dorst Leiden University Faculty of Humanities Department of Linguistics 08-06-2015 Language Switches in Eurovision Song Contest Lyrics 2 Acknowledgements It did not come as a surprise to the people around me when I told them that the subject for my Master’s thesis was going to be based on the Eurovision Song Contest. Ever since I was a little boy I have been a fan, and some might even say that I became somewhat obsessed, for which I cannot really blame them. Moreover, I have always had a special interest in mixed language songs, so linking the two subjects seemed only natural. Thanks to a rather unfortunate turn of events, this thesis took a lot longer to write than was initially planned, but nevertheless, here it is. Special thanks are in order for my supervisor, Tony Foster, who has helped me in many ways during this time. I would also like to thank a number of other people for various reasons. The second reader Lettie Dorst. My mother, for being the reason I got involved with the Eurovision Song Contest. My father, for putting up with my seemingly endless collection of Eurovision MP3s in the car. -
1971-06-05 the Main Point-Page 20
08120 JUNE 5, 1971 $1.25 A BILLBOARD PUBLICATION t..bl)b;,!RIKE100*-ri.3wZ9 F _) 72 ">¡Ai'2(HAl\I; J 4A1-EN SEVENTY -SEVENTH YEAR BOX 10005 The International i i;N;lEf?. CO 80210 Music-Record-Tape Newsweekly CARTRIDGE TV PAGE 16 HOT 100 PAGE 56 TOP LP'S PAGES 54, 55 C S Sales Soari Car Tapes osts p Puts Pub on ® 5 >s .f*'? Sets bîversiIîc .p t® Sign on rk; Asks 5 Mil By LEE ZHITO By MIKE GROSS NEW YORK - CBS Inter- and today has expanded its own- Ci;ssette Units national enters its second decade ership in foreign subsidiaries to NEW YORK -Capitol Rec- operation of the Capitol Record with an estimated $100 million 24 countries. Its representation By RADCLIFFE JOE ords is planning to unload Club. in annual sales, and a program in the international marketplace NEW YORK - Car Tapes, its music publishing division, Bhaskar Menon, newly ap- - Glenwood Music. of accelerated expansion and consists of countries which are Inc. will phase out two of its Beechwood of Capitol diversification. The asking price for the firm is pointed president responsible for approximately 95 three auto cassette units, pos- up The company started with percent of the record industry's reported to be $5 million. One Records, has been shaking sibly by year's end. The Cali- picture firms in three countries abroad, dollar volume outside of the fornia -based company had three of the bids under consideration the diskery's structural U.S. with price tags has come from Longine's, which during the past few weeks and units available of publishing t' : Harvey Schein, president of $80 to $160. -
ED085301.Pdf
DOCUMENT RESUME ED 085 301 SO 006 691 AUTHOR Taylor, Hortense P. TITLE A Handbook for Music Education. INSTITUTION District of Columbia Public Schools, Washington, D.C. Dept. of Music. PUB DATE' 73 NOTE 171p. EDRS PRICE MF-$0.65 HC -$6.S8 DESCRIPTORS *Applied Music; Bands (Music) ;Choral Music; Curriculum Guides; Elementary Education; Enrichment Activities; *Music Activities; *Music Appreciation; *Music Education; Music Techniques; Music Theory; Orchestras; Program Descriptions; Resource Materials; Secondary Education; Teaching Skills ABSTRACT 4 The music education program for the public schools of Washington, D.C. is presented in this handbook of K-12 music programs, collateral music programs, resource information, and teacher competencies. A philosophy, calendar, and sequential skills chart precede the main body of the handbook which first outlines the elementary program (grades K-6), a general and instrumental program. Details of this program, as for all levels, describe the basic instructional program, scheduling, and supplementary activities. The junior high school program (grades 7-9) also includes general music and instrumental music, but expands into choral, band, 'and orchestra activities. The senior high program (grades 10-12) introduces music appreciation, black music, history of music, piano, organ, humanities, and music theory in addition to existing choral and instrumental programs. Special programs at the high school level are a comprehensive musicianship program and a related arts program. Each course is outlined in a statement of course content, terminal performance objectives, enabling Objectives, and teaching suggestions. (KSM) I t.) DEPARTMENT OFHEALTH EDUCATION & WEIFARE NATIONAL INSTITUTE OF EDUCATION DOC ff s fif DuCED f 0 f11-. ,r4u. ':' '1 f, PIJV pc.% 1. -
Répertoire Concerts Sestina.Pages
2018 • Dietrich BUXTEHUDE – Jesu meines lebens Leben • Dietrich BUXTEHUDE – Membra jesu nostri • Bernard DE CREPY (arr.) – I’ve been working on the railroad • Eriks ESENVALDS (arr.) – This is my father’s world • Andrew FISCHER (arr.) – Bonse aba • Josef HADAR (arr. Jack KLEBANOW) – Erev shel shoshanim • Sten KALLMAN (arr.) – Fre o • Stephen LEEK (arr.) – Monkey and turtle • Petar LIONDEV – Erghen diado • Stéphan NICOLAY (arr.) - Calant de Villafranca • Stéphan NICOLAY (arr.) - Nissa la Bella • Stéphan NICOLAY (arr.) - Lamaa badaa yatathannaa • Stéphan NICOLAY (arr.) – Sakura • Stéphan NICOLAY (arr.) – Shkoj e vij flut’rim • Fabian OBISPO (arr.) – Soleram • Donald PATRIQUIN (arr.) – J’entends le moulin • Sid ROBINOVITCH – Noche de lluvia • Renata ROSA (arr.) – Mãe da lua fala • Lin SHENG-SHIH (arr.) – Shui Xian Hua • Henning SOMMERRO (arr.) – Bruremarsj fra Valsoyfjord • Robert SUND (arr.) – The drunken sailor 2017 • Ernani AGUIAR – Psalmo 150 • Max BAUMANN – Ave Maria • Luigi CHERUBINI – Requiem en ut mineur • Eriks ESENVALDS – Only in sleep • Ola GJEILO - Northern Lights • Ola GJEILO – The spheres • Kenneth LEIGHTON - Drop, drop, slow tears • Wolfgang Amadeus MOZART – Ave verum • Stéphan NICOLAY – Missa in simplicitate • Francis POULENC - Salve regina • Josef RHEINBERGER – Abendlied • Eric WHITACRE – Water night 2016 • Ernani AGUIAR – Psalmo 150 • Samuel BARBER – Agnus dei • Max BAUMANN – Ave Maria • Luigi CHERUBINI – Requiem en ut mineur • David CHILDS - The choir invisible • David CHILDS - The moon is distant from the sea • Patrick -
Sunday, April 12, 2009 Wednesday, April 15, 2009 Thursday, April 16, 2009
s d n a l s I c i r a e l a B , a c r o l l a M , a m l a P f o l a r d e h t a C KENNEDY CENTER Sunday, April 12, 2009 6 pm 2700 F St. NW • WASHINGTON, D.C. 20566 THE CATHEDRAL CHURCH OF ST. JOHN THE DIVINE Wednesday, April 15, 2009 1 pm 1047 Amsterdam Avenue • NEW YORK, NY 10025 FOUNDATION FOR IBERIAN MUSIC Thursday, April 16, 2009 7 pm Elebash Recital Hall The Graduate Center • The City University of New York • 365 Fifth Avenue • NEW YORK, NY 10016 KENNEDY CENTER FOUNDATION FOR IBERIAN MUSIC Sunday, April 12, 2009 6 pm Thursday, April 16, 2009 7 pm Introductory Remarks by Candice Agree host of weekend evening music on WQXR, the Classical station of the NEW YORK TIMES Program Medieval to Modern Iberian Polyphony I. Sacred Music Cant de la Sibil·la (Medieval Melody) Solo: Margalida Arbona / Choral Interludes by Antoni Riera (1911-1966) Mariam matrem (from Llibre Vermell of Montserrat [13th & 14th c.]) Salve regina (two choirs) ......................... Joan Cererols (1618-1680) Ave Maria (two choirs) ................. Tomás Luis de Victoria (ca. 1548-1611) Salve regina ................................Joan M. Thomàs (1896-1966) O vos omnes .................................... Pau Casals (1876-1973) Ecce quomodo .................................... Albert Alcaraz (1978) Pulchra es, et decora (three choirs) . Alejandro Yagüe (1947) Sanctus-benedictus ................................... Josep Vila (1966) II. Secular Music Què farem del pobre Joan? (from Cancionero de Uppsala [16th c.]) ................ Mateo Flecha (the elder) Teresica hermana (from Cancionero de Uppsala [16th c.]) ................ Mateo Flecha (the elder) III. -
2022 North Texas Madrigal & Chamber Choir Festival February
2022 North Texas Madrigal & Chamber Choir Festival February 26, 2022 Canyon Creek Presbyterian Church Richardson, TX ADJUDICATORS Dianne Brumley is Director of Choral Music Studies and Professor of Music Education, Emerita at The University of Texas Rio Grande Valley – Brownsville. She was appointed in 2003 and was the first person to hold the position of Director of Choral Studies at the University. Brumley was the founding conductor of the University Master Chorale. During her ten-year tenure at UTRGV, the Master Chorale was selected to perform at the 2011 Texas Music Educators Association Convention and toured internationally. Brumley also served for 20 years as the founding Conductor and Artistic Director of the South Texas Chorale and Orchestra.Brumley is a frequent guest conductor, clinician, motivational speaker, and adjudicator throughout Texas and the United States. Currently, she serves as a choral music education consultant. Before her time with the University of Texas Rio Grande Valley, Brumley was a successful choral music educator in public schools. Choirs under her direction were selected for honor performances at Texas Music Educators Association conventions, American Choral Directors Association regional and national conventions, and a featured performance at the Texas Choral Directors Association convention. Active in Texas choral music endeavors for many years, in 2011 Brumley was honored to receive the Texas Choral Excellence Award and in 2018 the Texas Choir Master Award from the Texas Choral Directors Association. Conductor-teacher Kristina Caswell MacMullen has devoted her career to sharing music and inspiration with students and audiences. Her collaborations with fellow musicians continue to confirm her abiding hope for the future and an unflagging belief in the power of choral music. -
September-October 1967 Te
SEPTEMBER-OCTOBER 1967 TE Official Publication of the AMERICAN CHORAL DIRECTORS ASSOCIATION 1fJ./UUn tIt.e --__--, Executive Secretary's r I Id 1------:JJeMe fr The second week in July proved a val uable and interesting one when we were guest clinician-director for the Alfred Institute for AGO members :held at Al fred state University in that city with r n r Lois Scholes as director for the 19th year. A delightfully charming lady with an equally charming husband, long a world fESTIVAL ANTHEMS WITH BRASS figure in ceramics and ·now retired, the Scholes made the week an enjoyable ex perience of wQrking with about 150 Five well·known octavos specially arranged for brass accompaniment. All church organists and choir directors from are SATB. Each copy, 35¢ the northeast and Canada for the week to present a concert of some of the works covered, devoting the remainder of the General time to reading other materials and dis cussing choral techniques and ideas. "All Nature's Works His Praise Declare;" trumpet obligato Jack H. Butler While in Alfred, we had a chance to "Give Unto the Lord;" trumpet Philip Landgrave spend ,considerable time with Anthony Cappadonia and his family and make "Now Thank We All Our God;" 2 trumpets, 2 trombones Walter Ehret plans for next year's choral festival which Alfred state A&I College spon Christmas sors each spring. Cappy is record review er for The Choral Journal and requests "God Rest You Merry, Gentlemen;" 3 trumpets, 2 trombones. Bob Burroughs that all members interesting in 'having their choirs reviewed, send him copies of their records preferably with copies Easter of the music used to facilitate a more valid evaluation. -
Degrieck Patrick 11/01/2019 P. 1
Degrieck Patrick 11/01/2019 Amor Dean Martin Cha Cha Cha Cha cha cha Raymond v. h. Groenewoud Cha Cha Cha Cherry pink & apple blossom white James Last Cha Cha Cha Corazon Espinado Santana Cha Cha Cha Guantanamera Helmut Lotti Cha Cha Cha Me lo diga adela Bert Kaempfert Cha Cha Cha Pata Pata Coumba Gawlo Cha Cha Cha Pata Pata Miriam Makeba Cha Cha Cha Pepito Los Machucambos Cha Cha Cha Sway Michael Bublé Cha Cha Cha Sway Pussycat Dolls Cha Cha Cha Tea for two cha cha Tommy Dorsey Cha Cha Cha Un Rayo del Sol Los Diablos Cha Cha Cha 1 Life Xandee Dance 00 1 Life Xandee Dance 00 1 Life Xandee Dance 00 6th Gate D-Devils Dance 00 A bit patchy Switch Dance 00 Adagio for Strings Tiësto Dance 00 Adelante Sash Dance 00 Ain't no party like an alcoholic party The Jumpaholic Dance 00 Alejandro Lady Gaga Dance 00 Alive Kate Ryan Dance 00 All alone Splitter Dance 00 All day, all night X-Session Dance 00 All day, All night X-Session Dance 00 All for you Kate Ryan Dance 00 All I need The Mackenzie Feat. Jessy Dance 00 All I need The Mackenzie feat. Jessy Dance 00 All night long Lasgo Dance 00 All or nothing Natalia Dance 00 Allein Allein Polarkreis Dance 00 Allejoppa Gunther D Dance 00 Alone Lasgo Dance 00 Alors on danse Stromae Dance 00 Amoré Loco Elsie Moraïs Dance 00 Annie hou jij m'n tassie ff vast Nienke Dance 00 Another Chance Roger Chance Dance 00 Another world Checkmate Dance 00 Anyplace anywhere anytime Nena & Kim Wilde Dance 00 Anyplace, anywhere, anytime Nena & Kim Wilde Dance 00 Attention Da Rick Dance 00 Axel F Crazy Frog Dance 00 Baby when the light David Guetta Dance 00 Back in my life Alice Deejay Dance 00 Bad habit A.T.F.C. -
The Choral Art Society
The Choral Art Society Robert Russell, music director presents Christmas at the Cathedral featuring The Choral Art Singers Portland Brass Quintet • Dan Moore, organist Cathedral of the Immaculate Conception, Portland, Maine Saturday, December 5, 2015, noon & 8 pm Sunday, December 6, 2015, 2:30 & 7:30 pm Angelus ad virginem 13th c. Latin carol Verbum caro factum est 14th c. Latin carol Personent hodie voces puerulae (from Piae Cantiones, 1582) arr. Hoggard/Russell In dulci jubilo Michael Praetorius (1571–1621) Verleih uns Frieden gnädiglich Felix Mendelssohn (1809–1847) Portland Brass Quintet All arranged by Richard Price Rejoice and be Merry Tautum Ergo Gloucestshire Wassail Betty Rines and Tucker Barney, trumpet; John Boden, horn; Mark Manduca, trombone; Jobey Wilson, tuba From Messiah George Frideric Handel Overture (1685-1759) And the glory of the Lord For unto us a child is born Hallelujah INTERMISSION Intrada Alfred Reed (1921–2005) Welcome all wonders Richard Dirksen (1921–2003) 1 Ave verum Karl Jenkins b. 1944 Sarah Bailey, soprano & Andrea Graichen, mezzo-soprano Christmas Day Gustav Holst (1874–1934) Portland Brass Quintet All arranged by Jack Gale God Rest Ye Merry Gentlemen O Little Town of Bethlehem We Wish you a Merry Christmas Hark! the herald-angels sing Felix Mendelssohn We invite all to sing with us the first and third stanzas (please refer to program notes, page 11) He Never Failed Me Yet Robert Ray b. 1946 Aileen Andrews, contralto We Wish You a Merry Christmas (English traditional) arr. Arthur Warrell Silent Night -
Swarthmore Folk Alumni Songbook 2019
Swarthmore College ALUMNI SONGBOOK 2019 Edition Swarthmore College ALUMNI SONGBOOK Being a nostalgic collection of songs designed to elicit joyful group singing whenever two or three are gathered together on the lawns or in the halls of Alma Mater. Nota Bene June, 1999: The 2014 edition celebrated the College’s Our Folk Festival Group, the folk who keep sesquicentennial. It also honored the life and the computer lines hot with their neverending legacy of Pete Seeger with 21 of his songs, plus conversation on the folkfestival listserv, the ones notes about his musical legacy. The total number who have staged Folk Things the last two Alumni of songs increased to 148. Weekends, decided that this year we’d like to In 2015, we observed several anniversaries. have some song books to facilitate and energize In honor of the 125th anniversary of the birth of singing. Lead Belly and the 50th anniversary of the Selma- The selection here is based on song sheets to-Montgomery march, Lead Belly’s “Bourgeois which Willa Freeman Grunes created for the War Blues” was added, as well as a new section of 11 Years Reunion in 1992 with additional selections Civil Rights songs suggested by three alumni. from the other participants in the listserv. Willa Freeman Grunes ’47 helped us celebrate There are quite a few songs here, but many the 70th anniversary of the first Swarthmore more could have been included. College Intercollegiate Folk Festival (and the We wish to say up front, that this book is 90th anniversary of her birth!) by telling us about intended for the use of Swarthmore College the origins of the Festivals and about her role Alumni on their Alumni Weekend and is neither in booking the first two featured folk singers, for sale nor available to the general public.