Not Even Past NOT EVEN PAST
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
The Pulitzer Prizes for International Reporting in the Third Phase of Their Development, 1963-1977
INTRODUCTION THE PULITZER PRIZES FOR INTERNATIONAL REPORTING IN THE THIRD PHASE OF THEIR DEVELOPMENT, 1963-1977 Heinz-Dietrich Fischer The rivalry between the U.S.A. and the U.S.S.R. having shifted, in part, to predomi- nance in the fields of space-travel and satellites in the upcoming space age, thus opening a new dimension in the Cold War,1 there were still existing other controversial issues in policy and journalism. "While the colorful space competition held the forefront of public atten- tion," Hohenberg remarks, "the trained diplomatic correspondents of the major newspa- pers and wire services in the West carried on almost alone the difficult and unpopular East- West negotiations to achieve atomic control and regulation and reduction of armaments. The public seemed to want to ignore the hard fact that rockets capable of boosting people into orbit for prolonged periods could also deliver atomic warheads to any part of the earth. It continued, therefore, to be the task of the responsible press to assign competent and highly trained correspondents to this forbidding subject. They did not have the glamor of TV or the excitement of a space shot to focus public attention on their work. Theirs was the responsibility of obliging editors to publish material that was complicated and not at all easy for an indifferent public to grasp. It had to be done by abandoning the familiar cliches of journalism in favor of the care and the art of the superior historian .. On such an assignment, no correspondent was a 'foreign' correspondent. The term was outdated. -
31 Days of Oscar® 2010 Schedule
31 DAYS OF OSCAR® 2010 SCHEDULE Monday, February 1 6:00 AM Only When I Laugh (’81) (Kevin Bacon, James Coco) 8:15 AM Man of La Mancha (’72) (James Coco, Harry Andrews) 10:30 AM 55 Days at Peking (’63) (Harry Andrews, Flora Robson) 1:30 PM Saratoga Trunk (’45) (Flora Robson, Jerry Austin) 4:00 PM The Adventures of Don Juan (’48) (Jerry Austin, Viveca Lindfors) 6:00 PM The Way We Were (’73) (Viveca Lindfors, Barbra Streisand) 8:00 PM Funny Girl (’68) (Barbra Streisand, Omar Sharif) 11:00 PM Lawrence of Arabia (’62) (Omar Sharif, Peter O’Toole) 3:00 AM Becket (’64) (Peter O’Toole, Martita Hunt) 5:30 AM Great Expectations (’46) (Martita Hunt, John Mills) Tuesday, February 2 7:30 AM Tunes of Glory (’60) (John Mills, John Fraser) 9:30 AM The Dam Busters (’55) (John Fraser, Laurence Naismith) 11:30 AM Mogambo (’53) (Laurence Naismith, Clark Gable) 1:30 PM Test Pilot (’38) (Clark Gable, Mary Howard) 3:30 PM Billy the Kid (’41) (Mary Howard, Henry O’Neill) 5:15 PM Mr. Dodd Takes the Air (’37) (Henry O’Neill, Frank McHugh) 6:45 PM One Way Passage (’32) (Frank McHugh, William Powell) 8:00 PM The Thin Man (’34) (William Powell, Myrna Loy) 10:00 PM The Best Years of Our Lives (’46) (Myrna Loy, Fredric March) 1:00 AM Inherit the Wind (’60) (Fredric March, Noah Beery, Jr.) 3:15 AM Sergeant York (’41) (Noah Beery, Jr., Walter Brennan) 5:30 AM These Three (’36) (Walter Brennan, Marcia Mae Jones) Wednesday, February 3 7:15 AM The Champ (’31) (Marcia Mae Jones, Walter Beery) 8:45 AM Viva Villa! (’34) (Walter Beery, Donald Cook) 10:45 AM The Pubic Enemy -
The Capitol Dome
THE CAPITOL DOME The Capitol in the Movies John Quincy Adams and Speakers of the House Irish Artists in the Capitol Complex Westward the Course of Empire Takes Its Way A MAGAZINE OF HISTORY PUBLISHED BY THE UNITED STATES CAPITOL HISTORICAL SOCIETYVOLUME 55, NUMBER 22018 From the Editor’s Desk Like the lantern shining within the Tholos Dr. Paula Murphy, like Peart, studies atop the Dome whenever either or both America from the British Isles. Her research chambers of Congress are in session, this into Irish and Irish-American contributions issue of The Capitol Dome sheds light in all to the Capitol complex confirms an import- directions. Two of the four articles deal pri- ant artistic legacy while revealing some sur- marily with art, one focuses on politics, and prising contributions from important but one is a fascinating exposé of how the two unsung artists. Her research on this side of can overlap. “the Pond” was supported by a USCHS In the first article, Michael Canning Capitol Fellowship. reveals how the Capitol, far from being only Another Capitol Fellow alumnus, John a palette for other artist’s creations, has been Busch, makes an ingenious case-study of an artist (actor) in its own right. Whether as the historical impact of steam navigation. a walk-on in a cameo role (as in Quiz Show), Throughout the nineteenth century, steam- or a featured performer sharing the marquee boats shared top billing with locomotives as (as in Mr. Smith Goes to Washington), the the most celebrated and recognizable motif of Capitol, Library of Congress, and other sites technological progress. -
Crooklyn Johanne Larue
Document generated on 09/30/2021 11:13 a.m. Séquences La revue de cinéma Crooklyn Johanne Larue Number 172, May–June 1994 URI: https://id.erudit.org/iderudit/59453ac See table of contents Publisher(s) La revue Séquences Inc. ISSN 0037-2412 (print) 1923-5100 (digital) Explore this journal Cite this article Larue, J. (1994). Crooklyn . Séquences, (172), 37–38. Tous droits réservés © La revue Séquences Inc., 1994 This document is protected by copyright law. Use of the services of Érudit (including reproduction) is subject to its terms and conditions, which can be viewed online. https://apropos.erudit.org/en/users/policy-on-use/ This article is disseminated and preserved by Érudit. Érudit is a non-profit inter-university consortium of the Université de Montréal, Université Laval, and the Université du Québec à Montréal. Its mission is to promote and disseminate research. https://www.erudit.org/en/ la Fontaine (Julie), Dominique MicheKAline veut une fresque sociale. Notons jeune Troy au contact de ce nouvel Jobin), Yves Jacques (Jean-François Gobeil), cependant, qu'ici comme ailleurs dans le environnement familial (sa tante vit dans Patricia Tulasne (Charlotte Dubreuil), Benoit film, la réalisation vient à la rescousse de une maison proprette de banlieue au Brière (Caméraman Gourmand), Gilbert Lachance (Rémi), Jean L'Italien (Roger) — Prod.: cette scénarisation déficiente. Parmi les charme horriblement kitsch). Richard Sadler et Jacques Dorfmann — plans d'ouverture en mouvements, par À l'origine, Joie et Cinqué Lee devait Canada/France — 1994 — 93 minutes — Dist.: ailleurs très beaux, un seul demeure fixe et développer une série pour la télévision. -
A Pedagogical Tool for the Application of Critical Discourse Analysis in the Interpretation of Film and Other Multimodal Discursive Practices
University of Tennessee, Knoxville TRACE: Tennessee Research and Creative Exchange Doctoral Dissertations Graduate School 12-2015 Active Critical Engagement (ACE): A Pedagogical Tool for the Application of Critical Discourse Analysis in the Interpretation of Film and Other Multimodal Discursive Practices Sultana Aaliuah Shabazz University of Tennessee - Knoxville, [email protected] Follow this and additional works at: https://trace.tennessee.edu/utk_graddiss Part of the Social and Philosophical Foundations of Education Commons Recommended Citation Shabazz, Sultana Aaliuah, "Active Critical Engagement (ACE): A Pedagogical Tool for the Application of Critical Discourse Analysis in the Interpretation of Film and Other Multimodal Discursive Practices. " PhD diss., University of Tennessee, 2015. https://trace.tennessee.edu/utk_graddiss/3607 This Dissertation is brought to you for free and open access by the Graduate School at TRACE: Tennessee Research and Creative Exchange. It has been accepted for inclusion in Doctoral Dissertations by an authorized administrator of TRACE: Tennessee Research and Creative Exchange. For more information, please contact [email protected]. To the Graduate Council: I am submitting herewith a dissertation written by Sultana Aaliuah Shabazz entitled "Active Critical Engagement (ACE): A Pedagogical Tool for the Application of Critical Discourse Analysis in the Interpretation of Film and Other Multimodal Discursive Practices." I have examined the final electronic copy of this dissertation for form and content and recommend that it be accepted in partial fulfillment of the equirr ements for the degree of Doctor of Philosophy, with a major in Education. Barbara J. Thayer-Bacon, Major Professor We have read this dissertation and recommend its acceptance: Harry Dahms, Rebecca Klenk, Lois Presser Accepted for the Council: Carolyn R. -
Applying the Rome Statute of the International Criminal Court: a Case Study of Henry Kissinger
Applying the Rome Statute of the International Criminal Court: A Case Study of Henry Kissinger Steven Feldsteint TABLE OF CONTENTS Introduction .......................................... 1665 I. Background ........... ....... ..................... 1671 A . H enry Kissinger ........................................................................ 1672 B. The Development of International Humanitarian Law ............. 1675 1. Sources of International Law ............................................. 1676 2. Historical Development of International Humanitarian L aw ..................................................................................... 16 7 7 3. Post-World War 11 Efforts to Codify International Hum anitarian Principles ................................................. 1680 a. The 1948 Genocide Convention ......................................... 1680 b. The Geneva Conventions ................................................... 1682 c. United Nations Suite of Human Rights Conventions ......... 1684 C. The Development of International War Crimes Tribunals ....... 1685 1. N urem berg Tribunal ........................................................... 1685 2. IC TY and IC TR .................................................................. 1687 3. The International Criminal Court ....................................... 1688 4. U niversal Jurisdiction ......................................................... 1694 5. A lien Tort Claim s A ct ........................................................ 1695 I1. Individual Accountability -
Film Reference Guide
REFERENCE GUIDE THIS LIST IS FOR YOUR REFERENCE ONLY. WE CANNOT PROVIDE DVDs OF THESE FILMS, AS THEY ARE NOT PART OF OUR OFFICIAL PROGRAMME. HOWEVER, WE HOPE YOU’LL EXPLORE THESE PAGES AND CHECK THEM OUT ON YOUR OWN. DRAMA 1:54 AVOIR 16 ANS / TO BE SIXTEEN 2016 / Director-Writer: Yan England / 106 min / 1979 / Director: Jean Pierre Lefebvre / Writers: Claude French / 14A Paquette, Jean Pierre Lefebvre / 125 min / French / NR Tim (Antoine Olivier Pilon) is a smart and athletic 16-year- An austere and moving study of youthful dissent and old dealing with personal tragedy and a school bully in this institutional repression told from the point of view of a honest coming-of-age sports movie from actor-turned- rebellious 16-year-old (Yves Benoît). filmmaker England. Also starring Sophie Nélisse. BACKROADS (BEARWALKER) 1:54 ACROSS THE LINE 2000 / Director-Writer: Shirley Cheechoo / 83 min / 2016 / Director: Director X / Writer: Floyd Kane / 87 min / English / NR English / 14A On a fictional Canadian reserve, a mysterious evil known as A hockey player in Atlantic Canada considers going pro, but “the Bearwalker” begins stalking the community. Meanwhile, the colour of his skin and the racial strife in his community police prejudice and racial injustice strike fear in the hearts become a sticking point for his hopes and dreams. Starring of four sisters. Stephan James, Sarah Jeffery and Shamier Anderson. BEEBA BOYS ACT OF THE HEART 2015 / Director-Writer: Deepa Mehta / 103 min / 1970 / Director-Writer: Paul Almond / 103 min / English / 14A English / PG Gang violence and a maelstrom of crime rock Vancouver ADORATION A deeply religious woman’s piety is tested when a in this flashy, dangerous thriller about the Indo-Canadian charismatic Augustinian monk becomes the guest underworld. -
Tribeca Film in Partnership with American Express and Entertainment 1 Present
Tribeca Film in Partnership with American Express and Entertainment 1 Present Release: April 22, 2011 – NY/LA/Chicago/Irvine April 29, 2011 – Washington DC/Seattle/Santa Monica May 6, 2011 – Landsdowne, PA/Monterey, CA/Long Beach, CA May 13, 2011 – San Diego May 20, 2011 – Palm Desert, CA With additional marKets TBC VOD - April 20 – June 23 PRESS CONTACT Distributor: Publicity: Tribeca Film ID PR Tammie Rosen Dani Weinstein 212-941-2003 Sara Serlen [email protected] Sheri Goldberg 375 Greenwich Street 212-334-0333 New York, NY 10011 [email protected] 150 West 30th Street, 19th Floor New York, NY 10001 1 SYNOPSIS The Bang Bang Club is the real life story of a group of four young combat photographers - Greg Marinovich, Joao Silva, Kevin Carter and Ken Oosterbroek - bonded by friendship and their sense of purpose to tell the truth. They risked their lives and used their camera lenses to tell the world of the brutality and violence associated with the first free elections in post Apartheid South Africa in the early 90s. This intense political period brought out their best work – two won Pulitzers during the period – but cost them a heavy price. Based on the book of the same name by Marinovich and Silva, the film stars Ryan Phillipe, Malin Akerman and Taylor Kitsch and explores the thrill, danger and moral questions associated with exposing the truth. 2 ABOUT THE DIRECTOR Written and directed by Steven Silver, The Bang Bang Club is a Canada/South Africa co-production from producer Daniel Iron of Foundry Films Inc. -
The Making of Hollywood Production: Televising and Visualizing Global Filmmaking in 1960S Promotional Featurettes
The Making of Hollywood Production: Televising and Visualizing Global Filmmaking in 1960s Promotional Featurettes by DANIEL STEINHART Abstract: Before making-of documentaries became a regular part of home-video special features, 1960s promotional featurettes brought the public a behind-the-scenes look at Hollywood’s production process. Based on historical evidence, this article explores the changes in Hollywood promotions when studios broadcasted these featurettes on television to market theatrical films and contracted out promotional campaigns to boutique advertising agencies. The making-of form matured in the 1960s as featurettes helped solidify some enduring conventions about the portrayal of filmmaking. Ultimately, featurettes serve as important paratexts for understanding how Hollywood’s global production work was promoted during a time of industry transition. aking-of documentaries have long made Hollywood’s flm production pro- cess visible to the public. Before becoming a staple of DVD and Blu-ray spe- M cial features, early forms of making-ofs gave audiences a view of the inner workings of Hollywood flmmaking and movie companies. Shortly after its formation, 20th Century-Fox produced in 1936 a flmed studio tour that exhibited the company’s diferent departments on the studio lot, a key feature of Hollywood’s detailed division of labor. Even as studio-tour short subjects became less common because of the restructuring of studio operations after the 1948 antitrust Paramount Case, long-form trailers still conveyed behind-the-scenes information. In a trailer for The Ten Commandments (1956), director Cecil B. DeMille speaks from a library set and discusses the importance of foreign location shooting, recounting how he shot the flm in the actual Egyptian locales where Moses once walked (see Figure 1). -
Descargar Libro
NORODOM SIHANOUK Y EL HERMANO NÚMERO ZERO La tragedia de Kampuchea Democrática 3 NORODOM SIHANOUK Y EL HERMANO NÚMERO ZERO La tragedia de Kampuchea Democrática GUILLERMO GARCÍA EDI S • TO O R I E D S O Ñ E U Q E P 5 Norodom Sihanouk y el Hermano Número Zero: La tragedia de Kampuchea Democrática [texto impreso] / Guillermo García 1ª edición. Pequeño Dios Editores, 2011. 236 páginas. 16,5 x 21 cm. R.P.I.: 201026 I.S.B.N.: 978-956-8558-06-2 © Guillermo García. R.P.I.: 201026 I.S.B.N.: 978-956-8558-06-2 © Pequeño Dios Editores Nueva de Lyon 19, departamento 21, Metro Los Leones, Providencia, Santiago de Chile 56-2-3356301 info@pequeñodios.cl www.pequeñodios.cl © Youk Chhang, de la introducción. © Guillermo García, de la fotografía portada. Diseño portada e interior: Antonia Sabatini. Impreso en Chile / Salesianos Impresores S.A. Primera edición 1.000 ejemplares. Santiago de Chile, marzo de 2011. 6 The only way that Cambodians can put their terrible past behind them –the tragedy of Democratic Kampuchea which describes Guillermo García- and begin to build a new future, is by revealing the truth. I was fourteen when the Khmer Rouge came to Phnom Penh in April 1975. At the time, I lived in Toul Kauk, a Phnom Penh suburb. I was home alone when young Khmer Rouge comrades came to chase me out of the house on the morning of 17 April. My mother, who’d been hoping to collect me later, had previously moved with the rest of the family to my uncle’s house for greater safety. -
Boxoffice Barometer (March 6, 1961)
MARCH 6, 1961 IN TWO SECTIONS SECTION TWO Metro-Goldwyn-Mayer presents William Wyler’s production of “BEN-HUR” starring CHARLTON HESTON • JACK HAWKINS • Haya Harareet • Stephen Boyd • Hugh Griffith • Martha Scott • with Cathy O’Donnell • Sam Jaffe • Screen Play by Karl Tunberg • Music by Miklos Rozsa • Produced by Sam Zimbalist. M-G-M . EVEN GREATER IN Continuing its success story with current and coming attractions like these! ...and this is only the beginning! "GO NAKED IN THE WORLD” c ( 'KSX'i "THE Metro-Goldwyn-Mayer presents GINA LOLLOBRIGIDA • ANTHONY FRANCIOSA • ERNEST BORGNINE in An Areola Production “GO SPINSTER” • • — Metrocolor) NAKED IN THE WORLD” with Luana Patten Will Kuluva Philip Ober ( CinemaScope John Kellogg • Nancy R. Pollock • Tracey Roberts • Screen Play by Ranald Metro-Goldwyn-Mayer pre- MacDougall • Based on the Book by Tom T. Chamales • Directed by sents SHIRLEY MacLAINE Ranald MacDougall • Produced by Aaron Rosenberg. LAURENCE HARVEY JACK HAWKINS in A Julian Blaustein Production “SPINSTER" with Nobu McCarthy • Screen Play by Ben Maddow • Based on the Novel by Sylvia Ashton- Warner • Directed by Charles Walters. Metro-Goldwyn-Mayer presents David O. Selznick's Production of Margaret Mitchell’s Story of the Old South "GONE WITH THE WIND” starring CLARK GABLE • VIVIEN LEIGH • LESLIE HOWARD • OLIVIA deHAVILLAND • A Selznick International Picture • Screen Play by Sidney Howard • Music by Max Steiner Directed by Victor Fleming Technicolor ’) "GORGO ( Metro-Goldwyn-Mayer presents “GORGO” star- ring Bill Travers • William Sylvester • Vincent "THE SECRET PARTNER” Winter • Bruce Seton • Joseph O'Conor • Martin Metro-Goldwyn-Mayer presents STEWART GRANGER Benson • Barry Keegan • Dervis Ward • Christopher HAYA HARAREET in “THE SECRET PARTNER” with Rhodes • Screen Play by John Loring and Daniel Bernard Lee • Screen Play by David Pursall and Jack Seddon Hyatt • Directed by Eugene Lourie • Executive Directed by Basil Dearden • Produced by Michael Relph. -
Chapter I Introduction
CHAPTER I INTRODUCTION A. Background of the study Power is the skill to make something strictly in a distinctive method. Power can make a big change of the people life and can be good or bad. There is suspended with their perspective to exploit that chance. Many people not use wise measure when they got a power. All people crave power . Especially for officials who want the full power of a job. We often see people can do anything for power. A little more, power can affect a person's life. From there will arise. Will is the willingness to do or get someone wants. As will have been obtained, that person will also get power if the person is determined to what he wants it. Such as J. Edgar, he is someone who has power and is remembered as the founder of the FBI, because from the beginning he was the first chairman of the Federation of Bureau Federation. Many people who do not know about his personality so well, because he is a mysterious person. He did not want people to know about his personal life, but is known as a person that influence political change in America. He is a controvercial person, so many people talked about him. Behind all that he was a man of great power and will in advancing the state, with works in mysterious ways and and dare violate the rules. He is one of the powerful man in America. He is occupy an 1 2 office in FBI from the first periode until died.