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Town of South Hadley, Ma 2019 Street Listing V No
TOWN OF SOUTH HADLEY, MA 2019 STREET LISTING V NO. APT. NAME BORN OCCUPATION PCT V NO. APT. NAME BORN OCCUPATION PCT ABBEY LN ABBEY ST Con't U 125 CLEGG COLIN H 12/22/1992 CONCRETE FINISH E D 1 ROSARIO NORMA 04/08/1971 HOME MAKER E D 125 CLEGG SHEILA 08/13/1954 UNDERWRITER E D 1 SANTIAGO JUAN R 11/27/1995 STUDENT E U 130 CRAWFORD WALTER H 11/17/1950 HUMAN SERV E 1 SANTIAGO THALIAN 03/17/1998 STUDENT E U 130 ROBINSON PATRICIA E 09/20/1946 HUMAN RES DIR E U 3 KALVINEK JENNIFER P 07/26/1971 SEAMSTRESS E U 132 NAPIORKOWSKI LISA A 05/15/1967 COA ASST DIR E 3 SPINNEY PAYTON 12/09/1994 UNKNOWN E U 132 NAPIORKOWSKI THOMAS A 01/28/1965 SHIPPING/RECEIV E D 5 GARCIA SARAH P 11/26/1980 AT HOME E U 134 STJACQUES BARBARA J 08/11/1957 ADMIN ASST E D 5 GONZALEZ ONIX O 09/14/1980 UNKNOWN E U 134 STJACQUES PAUL L 05/12/1954 MECHANIC E U 7 RIVERA LIZ J 04/24/1988 UNKNOWN E U 137 TAYLOR MAUREEN A 12/02/1955 HOMEMAKER E U 9 ALVES ROBERT A 04/08/1953 UNKNOWN E U 137 TAYLOR THOMAS B 10/08/1953 SHEET METAL E 9 BOISVERT WILLIAM 07/01/1955 UNKNOWN E U 139 KUROWSKI LINDA R 04/01/1947 LIBRARIAN E 9 LEWIS ROBERT 11/27/1954 UNKNOWN E U 140 VANKRUININGEN SHARON A 04/23/1960 CUSTOMER SERVIC E 9 PETE ROBERT 05/12/1937 UNKNOWN E R 143 BRUSO LINDSAY M 06/02/1986 OPTICAL TECH E 9 SCANLON SHAUN 09/18/1957 UNKNOWN E R 143 BRUSO JEREMY H 04/27/1984 SALES E 11 ALEXANDER KAREN 07/27/1953 DISABLED E R 147 LAMONTAGNE SEAN L 05/02/1968 MECHANICAL ENG E 11 GEMME LILLIAN 08/24/1928 DISABLED E R 147 LAMONTAGNE ROXANNE M 01/28/1966 DISABLED E R 11 LAROCHE DEBRA L 12/30/1956 DISABLED -
Harrisonburg, Va
Harrisonburg, Va. j-wwa-tv May 22-May 28 • Secret (These Eastern Standard Times) 5:30 p.m.—Huckleberry Hound (Thursday) 10:30 p.m I've Gos (CBS) Are P.M. Final 5:30 p.m.—Popeyo Theater (Friday) 11:00 p.m.—ll SUNDAY Paar 6:00 p.m.—Agri Business (Monday and 11:15 p.m.—The Jack Shaw (NBC) Off 12:00 noon—Sign On Wednesday) 12:30 a.m.—Sign 12:05 p.m.—News, Sports, Weather 6:00 p.m.—Talk Back THURSDAY EVENING 12:15 p.m.—Baseball Leadoff (CBS) 6:00 p.m.—Viewpoint (Thursday) 12:25 p.m.—Baseball Game of the Week 6:15 p.m.—Shenandoah Showcase (Mon- 7:00 p.m.—Lockup 7:30 ot the Plainsman (NBC) (CBS) day, Wednesday, Friday) p.m.—Law p.m.—Bat Masterson (NBC) 3:00 p.m.—Faith for Today 6:25 p.m.—Nows Report 8:00 p.m.—Producers Chbice (NBC) 3:30 p.m.—This Is The Life 6:35 p.m.—Market Report 8:30 P.M.—Bachelor Father (NBC) 4:00 p.m.—World Championship Golf 6:40 p.m.—Woathor 9:00 6:45 Edwards With the 9:30 p.m.—Markham (CBS) (NBC) p.m.—Douglas Evening With Fred 5:00 Fennsyl- News (CBS) 10:00 p.m.—Another p.m.—Highway Holiday: Astaire (NBC) vania MONDAY EVENING Jack Paar Show (NBC) 5:30 Disney Presents (ABC) 11:15 p.m.—The p.m.—Walt Off 6:30 p.m.—Oonnis the Menace (CBS) 7:00 p.m.—26 Men 12:30 p.m.—Sign 7:00 p.m.—Lassie (CBS) 7:30 p.m.—Kate Smith (CBS) FRIDAY EVENING 7:30 p.m.—Ford Show (NBC) 8:00 p.m.—The Texan (CBS) 7.00 p.m.—Klub Kwii 8:00 Sullivan (CBS) 8:30 p.m.—Tales at Wells Fargo (NBC) p.m.—Ed 7:30 p.m.—Rowhide (CBS) 9:00 p.m.—GE Theater (CBS) 9.00 p.m.—Peter Gunn (NBC) • p.m.—Hotel de Paree (CBS) 9:30 p.m.—Alfred Hitchcock Presents (CBS) 9:30 p.m.—Highway Patrol 8:30 9:00 p.m.—Cavalcade of Sports (NBC) 10:00 Gobel Show (CBS) 10.00 p.m.—Hennesey (CBS) p.m.—Goorgo 9:50 Bowling (NBC) 10:30 p.m.—M Squad (NBC) 10:30 p.m.—June Allyson Show (CBS) p.m.—Jackpot 10:00 p.m.—Art Carney Show (NBC) 11:00 Nows (CBS) 11:00 p.m.—ll P.M. -
31 Days of Oscar® 2010 Schedule
31 DAYS OF OSCAR® 2010 SCHEDULE Monday, February 1 6:00 AM Only When I Laugh (’81) (Kevin Bacon, James Coco) 8:15 AM Man of La Mancha (’72) (James Coco, Harry Andrews) 10:30 AM 55 Days at Peking (’63) (Harry Andrews, Flora Robson) 1:30 PM Saratoga Trunk (’45) (Flora Robson, Jerry Austin) 4:00 PM The Adventures of Don Juan (’48) (Jerry Austin, Viveca Lindfors) 6:00 PM The Way We Were (’73) (Viveca Lindfors, Barbra Streisand) 8:00 PM Funny Girl (’68) (Barbra Streisand, Omar Sharif) 11:00 PM Lawrence of Arabia (’62) (Omar Sharif, Peter O’Toole) 3:00 AM Becket (’64) (Peter O’Toole, Martita Hunt) 5:30 AM Great Expectations (’46) (Martita Hunt, John Mills) Tuesday, February 2 7:30 AM Tunes of Glory (’60) (John Mills, John Fraser) 9:30 AM The Dam Busters (’55) (John Fraser, Laurence Naismith) 11:30 AM Mogambo (’53) (Laurence Naismith, Clark Gable) 1:30 PM Test Pilot (’38) (Clark Gable, Mary Howard) 3:30 PM Billy the Kid (’41) (Mary Howard, Henry O’Neill) 5:15 PM Mr. Dodd Takes the Air (’37) (Henry O’Neill, Frank McHugh) 6:45 PM One Way Passage (’32) (Frank McHugh, William Powell) 8:00 PM The Thin Man (’34) (William Powell, Myrna Loy) 10:00 PM The Best Years of Our Lives (’46) (Myrna Loy, Fredric March) 1:00 AM Inherit the Wind (’60) (Fredric March, Noah Beery, Jr.) 3:15 AM Sergeant York (’41) (Noah Beery, Jr., Walter Brennan) 5:30 AM These Three (’36) (Walter Brennan, Marcia Mae Jones) Wednesday, February 3 7:15 AM The Champ (’31) (Marcia Mae Jones, Walter Beery) 8:45 AM Viva Villa! (’34) (Walter Beery, Donald Cook) 10:45 AM The Pubic Enemy -
The Capitol Dome
THE CAPITOL DOME The Capitol in the Movies John Quincy Adams and Speakers of the House Irish Artists in the Capitol Complex Westward the Course of Empire Takes Its Way A MAGAZINE OF HISTORY PUBLISHED BY THE UNITED STATES CAPITOL HISTORICAL SOCIETYVOLUME 55, NUMBER 22018 From the Editor’s Desk Like the lantern shining within the Tholos Dr. Paula Murphy, like Peart, studies atop the Dome whenever either or both America from the British Isles. Her research chambers of Congress are in session, this into Irish and Irish-American contributions issue of The Capitol Dome sheds light in all to the Capitol complex confirms an import- directions. Two of the four articles deal pri- ant artistic legacy while revealing some sur- marily with art, one focuses on politics, and prising contributions from important but one is a fascinating exposé of how the two unsung artists. Her research on this side of can overlap. “the Pond” was supported by a USCHS In the first article, Michael Canning Capitol Fellowship. reveals how the Capitol, far from being only Another Capitol Fellow alumnus, John a palette for other artist’s creations, has been Busch, makes an ingenious case-study of an artist (actor) in its own right. Whether as the historical impact of steam navigation. a walk-on in a cameo role (as in Quiz Show), Throughout the nineteenth century, steam- or a featured performer sharing the marquee boats shared top billing with locomotives as (as in Mr. Smith Goes to Washington), the the most celebrated and recognizable motif of Capitol, Library of Congress, and other sites technological progress. -
Summer Classic Film Series, Now in Its 43Rd Year
Austin has changed a lot over the past decade, but one tradition you can always count on is the Paramount Summer Classic Film Series, now in its 43rd year. We are presenting more than 110 films this summer, so look forward to more well-preserved film prints and dazzling digital restorations, romance and laughs and thrills and more. Escape the unbearable heat (another Austin tradition that isn’t going anywhere) and join us for a three-month-long celebration of the movies! Films screening at SUMMER CLASSIC FILM SERIES the Paramount will be marked with a , while films screening at Stateside will be marked with an . Presented by: A Weekend to Remember – Thurs, May 24 – Sun, May 27 We’re DEFINITELY Not in Kansas Anymore – Sun, June 3 We get the summer started with a weekend of characters and performers you’ll never forget These characters are stepping very far outside their comfort zones OPENING NIGHT FILM! Peter Sellers turns in not one but three incomparably Back to the Future 50TH ANNIVERSARY! hilarious performances, and director Stanley Kubrick Casablanca delivers pitch-dark comedy in this riotous satire of (1985, 116min/color, 35mm) Michael J. Fox, Planet of the Apes (1942, 102min/b&w, 35mm) Humphrey Bogart, Cold War paranoia that suggests we shouldn’t be as Christopher Lloyd, Lea Thompson, and Crispin (1968, 112min/color, 35mm) Charlton Heston, Ingrid Bergman, Paul Henreid, Claude Rains, Conrad worried about the bomb as we are about the inept Glover . Directed by Robert Zemeckis . Time travel- Roddy McDowell, and Kim Hunter. Directed by Veidt, Sydney Greenstreet, and Peter Lorre. -
Kevin Costner, America's Teacher
H-Announce CFP Extended: Kevin Costner, America's Teacher Announcement published by Edward Janak on Monday, June 8, 2020 Type: Call for Papers Date: June 5, 2020 to August 30, 2020 Location: United States Subject Fields: Cultural History / Studies, Film and Film History, Humanities, Public History, Teaching and Learning Call for Proposals: Kevin Costner: America’s Teacher Deadline for Abstracts Extended We are looking for chapter proposals for an edited collection on Kevin Costner examining the role of/potential of/problematization of Costner in educational settings domestically and abroad. Costner’s career is a myriad of successes and failures. In the past 35 years, his movies grossed 2 billion dollars in ticket sales worldwide and he has he won/been nominated for several Academy Awards; he also experienced critical and box office failures with Waterworld and the Postman. However, in the past 20 years Costner has been able to reinvent himself as a versatile character actor appearing in leading roles in films as well as on cable (Hatfields & McCoys, Yellowstone) and streaming (The Highwaymen) television platforms. He has also become a quiet, but notable, philanthropist, giving both his time and money. Through the films in his oeuvre, Kevin Costner has been teaching audiences around the world about the United States--its history, people and culture. Some viewers and scholars recognize this as positive, others as problematic. This book will serve as a place for teachers and scholars to explore ways in which Costner may be tapped for research and teaching purposes at all levels of education, including problematizing his oeuvre. -
1 Language Skills Worksheet
1 Language Skills worksheet Reading 1 Read about the British actor Daniel Craig. What famous film character does he play? Britain’s Special Secret Agent Life is good now for the British actor Daniel Craig. He is rich and famous. He lives in a fantastic house in London and he owns a luxury apartment in New York. He’s good friends with supermodel Kate Moss and actress Nicole Kidman. He is, of course, James Bond, the word’s most famous spy! Daniel Craig is the sixth actor to play James Bond in the 007 films. He’s also the first actor with fair hair to play the superhero. And a lot of people think he’s amazing in the role. But Daniel wasn’t always so successful. When he was a young actor it wasn’t always easy for him to find any work and for a time he was a waiter in a restaurant. That all changed in 2001 when he became world famous for his role in Lara Croft: Tomb Raider with Angelina Jolie. Since then he has starred in Road to Perdition with Tom Hanks, the British film Layer Cake and Steven Spielberg’s Munich. In late 2005 he signed a contract for three James Bond films. Casino Royale (2006) and Quantum of Solace (2008) were both very successful, but the most successful was Skyfall, which was released in 2012. Spectre (2015) was Daniel’s fourth film as James Bond. In real life, Daniel is quiet and easygoing, and he doesn’t like being famous. He’s a very private man and he’s always cautious when talking about his private life. -
The Archaeology of Time Travel Represents a Particularly Significant Way to Bring Experiencing the Past the Past Back to Life in the Present
This volume explores the relevance of time travel as a characteristic contemporary way to approach (Eds) & Holtorf Petersson the past. If reality is defined as the sum of human experiences and social practices, all reality is partly virtual, and all experienced and practised time travel is real. In that sense, time travel experiences are not necessarily purely imaginary. Time travel experiences and associated social practices have become ubiquitous and popular, increasingly Chapter 9 replacing more knowledge-orientated and critical The Archaeology approaches to the past. The papers in this book Waterworld explore various types and methods of time travel of Time Travel and seek to prove that time travel is a legitimate Bodil Petersson and timely object of study and critique because it The Archaeology of Time Travel The Archaeology represents a particularly significant way to bring Experiencing the Past the past back to life in the present. in the 21st Century Archaeopress Edited by Archaeopress Archaeology www.archaeopress.com Bodil Petersson Cornelius Holtorf Open Access Papers Cover.indd 1 24/05/2017 10:17:26 The Archaeology of Time Travel Experiencing the Past in the 21st Century Edited by Bodil Petersson Cornelius Holtorf Archaeopress Archaeology Archaeopress Publishing Ltd Gordon House 276 Banbury Road Oxford OX2 7ED www.archaeopress.com ISBN 978 1 78491 500 1 ISBN 978 1 78491 501 8 (e-Pdf) © Archaeopress and the individual authors 2017 Economic support for publishing this book has been received from The Krapperup Foundation The Hainska Foundation Cover illustrations are taken from the different texts of the book. See List of Figures for information. -
The Problem with Borat
Taboo: The Journal of Culture and Education Volume 11 | Issue 1 Article 9 December 2007 The rP oblem with Borat Ghada Chehade Follow this and additional works at: https://digitalcommons.lsu.edu/taboo Recommended Citation Chehade, G. (2017). The rP oblem with Borat. Taboo: The Journal of Culture and Education, 11 (1). https://doi.org/10.31390/ taboo.11.1.09 Taboo, Spring-Summer-Fall-WinterGhada Chehade 2007 63 The Problem with Borat Ghada Chehade There is just something about Borat, Sacha Baron Cohen’s barbaric alter-ego who The Observer’s Oliver Marre (2006) aptly describes as “…homophobic, rac- ist, and misogynist as well as anti-Semitic.” While on the surface, Cohen’s Borat may seem to offend all races equally—the one group he offends the most is the very group he portrays as homophobic, racist, misogynist, and anti-Semitic. Or in other words, the real parties vilified by Cohen are not Borat’s victims but Borat himself. The humour is ultimately directed at this uncivilized buffoon-Borat. He is the butt of every joke. He is the one we laugh at, and are intended to laugh at, the most inasmuch as he is more vulgar, savage, ignorant, barbaric, and racist than any of the bigoted Americans “exposed” in the 2006 film Borat: Cultural Learn- ings of America for Make Benefit Glorious Nation of Kazakhstan. This would not be quite as problematic if the fictional Borat did not come from a very real place and did not so obviously (mis)represent Muslims. While the 2006 film has received coverage and praise for revealing the racism of Americans, very few people are asking whether Cohen’s caricature of a savage, homophobic, misogynist, racist, and hard core Jew-hating Muslim is not actually a form of anti-Muslim racism. -
Actors Anonymous of Legion the Watching from Thrill Different a Be Will That Me, for But, Audience
NOTES FROM THE DREAM FACTORY BY TOM ROSTON he first met when they were both in the 2002 Broadway play Burn This. And although we’re talking about Burrell, Norton might as well be speaking about his own brilliant debut in 1996’s Primal Fear, when he, seemingly out of nowhere, rocketed to recognition. “It is a very particular kind of excitement,” he says. “There is no sense of the artifice. That’s what’s really thrilling.” I am always hoping for pure moments when I watch a movie: those times when my disbelief is so entirely suspended that I forget that I’m watching one. Going into a theater, I often feel overwhelmed with baggage—who the main actor slept with last week, how the director mortgaged his house to get the movie made, and how the production designer only used three shades of green on the set. It even bugs me that once I like a director or an actor, I expect something from him or her, and so the work has an added layer of self-consciousness. When the lights go down, it’s hard to wash the slate entirely clean and just watch. That’s why my eyes tend to drift toward the margins for something surprising. And, often, I see it in an actor whom I know nothing about, and who brings something deeper and richer to his character even though he may have just two minutes of screen time. This may seem random (and that’s the point), but do you remember in the Will Smith movie Hitch, which I just caught on DVD, that there’s this misogynist asshole who is, well, such an asshole? Actor Jeffrey Donovan gets it just right. -
Well Kevin Costnerfc 12Jh.Indd
PROFILE Oscar winner, sex symbol, eco-warrior, father of seven. So A Man of His Wordthere is a clear message in this story who is the real Kevin Costner? “I take my promises very seriously.” that I think people can take away.” As Kim Izzo discovers, all of It’s the sort of line spoken by the lead- and her father, Spencer’s son, is bat- Articulate and passionate about the above – and then some ing man, the classically handsome, tling drug addiction and has been ab- his work and the world around him, tall and laconic type who shows up sent from the girl’s entire life up until as Costner speaks he brings to mind when the chips are down and with now. The plot, as Costner suggests, is certain actors of another generation. eyes that never waver and a voice that intricate and deftly explores racial Often compared to screen legend resonates, who saves the day. You can and class barriers as well as the deli- Gary Cooper, a lanky and laconic easily imagine the likes of mega mov- cate nature of family ties. “I was star- leading man if there ever was one, ie star Kevin Costner speaking such a tled by how much I was a ected by Costner strikes me more like another line and you wouldn’t be wrong. Only [the script]. Every time I thought the Hollywood icon, James Stewart, a Costner wasn’t reading from a script movie was going one way it went an- man who played characters known when he said them. -
SLATE,SHOW Sunday! Equal of the Famous St and Catholic University’S 1, 4, 7
Drama News and Reviews AMUSEMENTS. J_AMUSEMENTS._ Where and When •☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆'☆to "On* Current Screen Attractions 2 of th* most imaginative i wrf/givw^/ri Summer Theater in Area film productions of all time.”— "t and Time of Showing ☆ Carmody, Star \ Stage. JICKETS NOW,AT BOX OFFICE To Be on Arena—“The Glass Expanded Scale Menagerie”; PREMIER! • 2:30 and 8:30 ; p.m. .APRIL IB th \ By Jay Carmody New Gayety—“The Guards- LondPn Film?Presents There will be more, not less, of summer theater around here man”; 2:30 and 8:30 p.m. ffils year. Screen. [dupont isiykrftl Let television, night baseball, women’s wrestling and other cul- Ambassador—“Lightning Strikes Mmm 1 turally competitive pursuits make what Twice”; 7:35 and by Jacques Offenbach black narcissus terrifying faces they will, 1:35, 3:35, 5:35, color [ 1 the living drama is not afraid of 9:35 by nCWEICOlU AND dying. p.m. “SERVED ... SEATS Olney, for instance, is not — I MAIL STAIRWAY TO only going to carry on as if it had Capitol “Royal Wedding”; 'PLAYHOUfti* ORDERS ACCEPTED HEAVEN I a aivine (fHHf ^*'<e Chech or Order “ ‘ injunction, it is evei r--- 10:30 a.m., 1:05, 3:45. 6:25, 9:05 i.u', Money *• Street payable to THE PLAYHOUSE '-LITTLE 'ii'fli.' ‘_J going to open up a downtowi i already such stars and 11:45 p.m. Stage shows: 12:25, Washington, o. c.. Please enclose inspired as -- ....... self-addressed branch. This will be the Water Basil Rathbone, Eve Arden, Luise 3:00, 5:40, 8:20 and 11:00 p.m.