Svenskt Tenn Introduces Works by Five Contemporary Swedish Designers

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Press Release Stockholm, October 2, 2014 Svenskt Tenn introduces works by five contemporary Swedish designers Svenskt Tenn continues its collaboration with leading contemporary designers, just like company founder Estrid Ericson did in her time. The new exhibition introduces products exclusively made for Svenskt Tenn by no less than five Swedish designers. Svenskt Tenn has previously collaborated with Ingegerd Råman, Monica Förster and Sebastian Schildt, while Gustaf Nordenskiöld and Jonas Bohlin are new designer partnerships. “Estrid Ericson gave assignments to Uno Åhrén, Björn Trägårdh and other designers to create products for Svenskt Tenn, many of which have become classic items that are still in our range today,” said Thommy Bindefeld, Marketing Director at Svenskt Tenn. “While the future will tell which of the products we now introduce that will achieve such status, I do believe they all possess the requisite qualities of design, handicraft and materials.” Monica Förster (1966) has created what she calls a “Jewelry Bird” of pewter and brass. This comes in two shapes, Swan and Hummingbird. Sebastian Schildt (1964), mostly known as a jewelry designer, has shaped a wine cooler using pewter, brass and glass. Ingegerd Råman (1943) has drawn a series of four glass pieces; Champagne glass, Wine glass and two Seltzer glasses, handcrafted by the Skruf glassworks. Jonas Bohlin (1953) has designed an ash dinner table on an iron base, with wound leather details and brass feet. Brass is also used for the wall hanger “Knopp” by Gustaf Nordenskiöld (1966). This is available in three variants to hang your dressing gown, bag or coat, or just for being there. Gustaf Nordenskiöld has also designed a drinking glass handcrafted by the Skruf glassworks. All the new items are showcased in the table setting exhibition which runs at the Svenskt Tenn store in Stockholm through November 3. They are also available for sale, except for the Jewelry Bird which arrives November 6, and Knopp, in the store by November 14. For further information please contact: Vicky Nordh, Marketing Assistant: +46 8-670 16 23 or [email protected] Thommy Bindefeld, Marketing Director: +46 8 670 16 02 or [email protected] Image bank: www.svenskttennpress.se User name: Press Password: Tenn Svenskt Tenn was founded in 1924 by designer and drawing teacher Estrid Ericson (1894-1981). In 1934, she began her lifelong collaboration with Josef Frank, already an internationally well-known architect, urban planner and designer, who had recently left Austria to take up residence in Sweden. Together, the two laid the foundations for the interior design philosophy that Svenskt Tenn has since come to represent, combining Estrid Ericson's artistic talent and entrepreneurial spirit with Josef Frank's inspired and timeless designs to form what was soon to become a highly successful concept. Svenskt Tenn is owned by the Kjell and Märta Beijer Foundation. .

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The Other Modern Dwelling: Josef Frank and Haus & Garten Christopher Long School of Architecture University of Texas at Austin January 1999 Working Paper 98-2 ©1999 by the Center for Austrian Studies (CAS). Permission to reproduce must generally be obtained from CAS. Copying is permitted in accordance with the fair use guidelines of the U.S. Copyright Act of 1976. CAS permits the following additional educational uses without permission or payment of fees: academic libraries may place copies of CAS Working Papers on reserve (in photocopied or electronically retrievable form) for students enrolled in specific courses; teachers may reproduce or have reproduced multiple copies (in photocopied or electronic form) for students in their courses. Those wishing to reproduce Center for Austrian Studies Working Papers for any other purpose (general distribution, advertising or promo- tion, creating new collective works, resale, etc.) must obtain permission from the Center for Austrian Studies, University of Minnesota, 314 Social Sciences Building, 267 19th Avenue S., Minneapolis MN 55455. Tel: 612-624-9811; fax: 612-626-9004; e-mail: [email protected] A direct link to the CAS e-mail address cannot be included on this page, because it has been reproduced in Adobe Portable Documrnt Format (pdf) rather than html. We have done this because of the many high-quality images embedded in the paper. 1 In an article published in Der Architekt in 1921, the year when the economic and political fortunes of Austria finally began to revive, Josef Frank took time out to reflect on what the new realities of the postwar era would mean for the future of the arts and crafts in Vienna.
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Sweden Celebrates 85 Years with Josef Frank
The Frank 85 exhibition is open from September 21th to October 28th, 2018 Sep 21, 2018 13:42 GMT Sweden celebrates 85 years with Josef Frank This year marks 85 years since one of Sweden’s most renowned designers came and enriched his new homeland with colourful prints and timeless interiors. To commemorate this, Svenskt Tenn has created an exhibition presenting a mix of newly produced and classic designs, as well as objects from the archives – all created by Josef Frank. Josef and Anna Frank left their homeland, Austria, in December 1933 due to the rise of anti-Semitism. In January 1934, Josef Frank began a lifelong collaboration with Svenskt Tenn’s founder Estrid Ericson. “With this tribute exhibition we want to show the breadth of Josef Frank’s creativity and how much his designs have contributed to Swedish design history and the present,” says Thommy Bindefeld, marketing manager and creative director. This autumn’s big fabric news is Josef Frank’s Baranquilla, which is now being launched with a black base. There will also be a number of new launches from the archives: Cabinet 2215 is a classic piece of furniture that will return to Svenskt Tenn’s range in 2018, together with a sideboard, a stool a classic captain’s chair and a round dining table. “Estrid Ericson felt that a round dining table with room for eight people was the most suitable for serving dinner, so all of the dinner guests could see and hear each other. Our customers have also been asking for a large, round dining table and subsequently, table 1020 has returned to our range,” says Bindefeld.
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To Mexico in Estrid Ericson's Footsteps – New Exhibition at Svenskt Tenn
Jun 10, 2014 09:30 GMT To Mexico in Estrid Ericson’s footsteps – new exhibition at Svenskt Tenn Svenskt Tenn’s founder Estrid Ericson travelled to Mexico in 1939. She brought 70 boxes of objects back to create an exhibition in the store in Stockholm. Today a new exhibition opens, showing products purchased during a trip in Estrid Ericson’s footsteps in 2013. ’’The world is a book and he who stays at home reads only one page was one of Estrid Ericson’s favorite quotations, which she had engraved on a pewter matchbox. Travel was one of her main sources of inspiration and she was constantly looking for new items for Svenskt Tenn, preferably things that could not be found elsewhere in Sweden’’, says Thommy Bindefeld, Marketing Director at Svenskt Tenn. Ericson’s purchasing journeys took her to many countries and in the spring of 1939 she traveled with her friend Ragnhild Lundberg to Mexico. She looked up producers and placed orders with them directly. A few months later, boatloads of Mexican objects arrived, filling the store on Strandvägen in Stockholm. The show became one of the most appreciated events in the company’s history that far. Today a new exhibition opens, displaying the handpicked items purchased during a trip to Mexico in Estrid Ericson’s footsteps. All items are for sale. ’’It has been very exciting to follow in Estrid Ericson’s footsteps. We have rediscovered some of the items she selected during her trip, and we have also found many other beautiful crafted products that we simply could not resist,’’ says Thommy Bindefeld.
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Estrid Ericson Biography
Estrid Ericson (1884-1981) was a Swedish artist, designer and accomplished entrepreneur responsible for both the establishment and longevity of Svenskt Tenn (Swedish Pewter), a Swedish interior design company for which she served as managing director for 56 years. Together with Nils Fougstedt, Ericson developed Svenskt Tenn into a most influential enterprise involved in manufacturing and design, imports, exports, retail sales and consulting services. Ericson was born in 1894 and raised in Hjo in Vastergotland. In the early 1920s, she trained as a drawing teacher at the Technical School in Stockholm. Thereafter she worked for several years as an art teacher, a pewter artist and interior design consultant at Svenskt Hemslöjd and Willman and Wiklund. In 1924, together with fellow pewter artist Nils Fougstedt, Ericson opened a small pewter workshop, and later in the same year they founded Svenskt Tenn in Stockholm. Initially, Svengst Tenn produced and sold creative modern designs in pewter, which were recognized for their wonderful quality of craftsmanship. In the 1930s, the focus of Svenskt Tenn shifted away from pewter and onto interior design and architect-designed furniture. In 1934, Ericson offered the Austrian architect Josef Frank a position within the firm, which proved to be an important driving collaboration for Svenskt Tenn. Ericson and Frank developed an iconic style that while adopting some of the tenets of functionalism, maintained a warmth, 51 E 10th ST • NEW YORK, NY 10003 phone 212 343 0471 • fax 212 343 0472 51 E 10th ST • NEW YORK, NY 10003 [email protected] • hostlerburrows.com phone 212 343 0471 • fax 212 343 0472 [email protected] • hostlerburrows.com sophistication and elegance particular to the Svenskt Tenn brand.
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La Seduzione Dell'invisibile
Christina Kruml La seduzione dell’INvisibile Compendio: Josef Frank (1885-1967) La seduzione dell’INvisibile Compendio: Josef Frank (1885-1967) L’architettura “rappresenta una parte importante della nostra vita. Possiamo goderla senza sforzo, la s’incontra per strada e da là essa parla agli uomini come facevano un tempo i filosofi, ed è considerata necessaria da chiunque. Tutti hanno la sensazione di potervi collaborare poiché essa deriva, più di qualsiasi altra arte, da una volontà e da un’attività comuni” (J.Frank, Architettura come simbolo, 1931) UNIVERSITÀ DEGLI STUDI DI TRIESTE Sede Amministrativa del Dottorato di Ricerca Scuola di dottorato di ricerca in scienze dell’uomo, della società, del territorio XXII ciclo - a.a. 2009/2010 Settore scientifico disciplinare Icar 14 progettazione architettonica e urbana dottoranda: arch. Christina Kruml responsabile del dottorato di ricerca: prof. Giovanni Fraziano relatore: prof.Giovanni Fraziano Università degli Studi di Trieste © 2011 Christina Kruml, Trieste 10 Introduzione dalla piaga alla piega: considerazioni sull’ABITARE 26 Rannichiarsi negli spazi amati 36 Il gioco e l’ornamento Sommario 52 Parodia del cadavere screziato 64 Ri-vestimento e seduzione 90 L’intonaco bianco come camicia 96 Glossario architessile Compendio: Josef Frank (18 85-1967) c 010 Formazione a Vienna c 024 Berlino c 038 Primi incarichi c 044 Kunstgewerbeschule c 050 Siedlungen o Höfe? c 064 Haus & Garten La seduzione dell’INvisibile. c 072 Werkbund e primi CIAM Note a margine nell’opera di Josef Frank c 092 Stoccolma
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Estrid Ericson's Classic Elephant Design Now Available As Wallpaper
Apr 03, 2013 10:01 GMT Estrid Ericson’s classic elephant design now available as wallpaper One of the most beloved Svenskt Tenn textile prints – ‘’Elefant’’ by Estrid Ericson – is now available as wallpaper in three different colour combinations with white elephants on a base of midnight blue, elephant grey or raspberry. Estrid Ericson, founder of Svenskt Tenn, often found her ideas while travelling around the world. It was in a market in the south of France that she found a piece of batik fabric from the Belgian Congo, and was inspired to create the now well-known elephant print. It was printed on textile in the late 1930s. Now for the first time it is available on wallpaper. All of Svenskt Tenn’s wallpapers are made in Sweden on non-chlorine bleached paper using water-based colours. The wallpapers are washable and withstand well to exposure to sunlight. Prices: SEK 750 per roll. Each roll gives four print matched lengths 2.5 meters high. The Elefant wallpaper is available from April 5th. In addition, the exhibition Primavera, Textile inspiration-Inspiring textile, will be shown in the store on Strandvägen in Stockholm from April 5th until May 19th. Svenskt Tenn was founded in 1924 by designer and drawing teacher Estrid Ericson (1894-1981). In 1934, she began her lifelong collaboration with Josef Frank, already an internationally well-known architect, urban planner and designer, who had recently left Austria to take up residence in Sweden. Together, the two laid the foundations for the interior design philosophy that Svenskt Tenn has since come to represent, combining Estrid Ericson's artistic talent and entrepreneurial spirit with Josef Frank's inspired and timeless designs to form what was soon to become a highly successful concept.
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Town Walk Through Hjo D
Foto: Anhede Jesper Foto: Town walk through Hjo D C E G J F H K I L B i M A Tavlans plats i Turistbyrån Town walk through Hjo - a wooden town on the shore of A Ånabacken H Hamngatan, Estridplatsen Lake Vättern B Hantverksgatan I Hamngatan, Norrbro Welcome to your town walk through Hjo. During the walk, C Sjögatan J Hertig Johans brygga you will have the chance to discover our beautiful wooden town, at your own pace. D Skolbryggan K Hamnen EF Torget 1 L Bellevueterrassen At each stop, you will learn more about Hjo’s history, spanning over 600 years. Your walk will take you EF Torget 2 M Floragatan along charming cobbled streets, past leafy gardens and verandas showcasing their expert carpentry. G Hamngatan A warm welcome to Hjo - the wooden town on Lake Vättern! A Ånabacken B Hantverksgatan Here, at the start of Ånabacken, we’re standing in the middle of the In the early 1800s there was no industry to speak of, but there were ‘Hjoåns dalgång’ [Hjo river valley nature reserve] – a 2.5 km long walk- many skilled craftsmen. The majority of the craftsmen were to the ing route that divides the town into a northern and southern section. west of the square, except the dyers and tanners who needed access to A unique stretch of wilderness in the middle of a town. The river and its ample amounts of water and therefore naturally chose the lake shore or valley have been hugely significant to the town’s development through the banks of the Hjo river for their business.
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Download a Booklet to Read More About the Exhibition
DIVERSITY AND HARMONY I N OU R GLOBAL HOME text by Anders Wall MY RELATIONSHIP WITH Svenskt Tenn of my engagement and responsibility for it came about that in 1975, Estrid Ericson dates back to the beginning of the 1950s, her life’s work, Svenskt Tenn. sold her life’s work, Svenskt Tenn, to the when I was a student at the Stock- Our friendship deepened over time. Kjell and Märta Beijer Foundation, of holm School of Economics. On the During one of our lunches in her apart- which I was chairman. way to my rented room on Grevgatan, ment on Strandvägen, she confided I am among those who consider it I often passed the Svenskt Tenn shop on in me that she was thinking of selling a great privilege for individuals and Strandvägen with its attractive window Svenskt Tenn and that she had no short- organisations with financial resour- displays. I occasionally popped into the age of prospective buyers. However, she ces to be able to contribute to societal shop to admire the beautiful products was frightened at the thought of her crea- development. My old mentor Kjell Beijer and their detail. tion being bought by someone who would was of the same opinion and through On one such occasion, Estrid Ericson not take care of it and of her interior his donations he laid the cornerstone for came up to me and said that they had design concept becoming just one of a foundation supporting research within noticed that I often visited the shop but many in a large department store.
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Ask the Experts Leaders of the Pack
Setting up shop The mall-maker The concept store trailblazer Carlos Jereissati Filho Carla Sozzani Iguatemi Group, São Paulo — For the 10 Corso Como, Milan — Since defining a new approach to retail in the early 1990s, Ask the experts man behind this Brazilian empire, success Carla Sozzani has continued to place an emphasis on shopping as an experience Leaders of the pack comes from catering to the community. and applied the concept to cities around the world. You’d be hard-pressed to deny The Jereissati Filho family practically invented Carla Sozzani is an Italian former fashion editor into English as “concept store”. It became a way that retail has been in flux of high-end shopping centres in Brazil and the man and founder of 10 Corso Como (10cc) in Milan, to describe places of a certain atmosphere – a mar- late. But it’s not all doom and at the helm today is second-generation scion widely regarded as the world’s first concept store. keting tool. Carlos Jereissati Filho. As ceo of the Iguatemi It was a revelation when it opened in an undesir- gloom, as the snappiest brands Group he leads a team of 2,700 people and con- able area of the city in 1991, selling clothing along- Yours was the first shop to ofer experiential and most successful players prove. trols three commercial towers, two premium out- side books, art and homeware, and adding a café retail. Do you think this idea is still as impor- Whether it’s understanding how lets and 16 malls in four Brazilian states.
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I’m from Sweden! An Analysis of How Swedish Domestic Design is connected to Constructions of National Culture and Identity A Master’s Thesis for the Degree “Master of Arts” (Two Years) in Visual Culture Jiang Weiwei May 2010 Grader: Kassandra Wellendorf Faculty of Humanities Department of Arts and Cultural Studies University of Copenhagen I’m from Sweden! An Analysis of How Swedish Domestic Design is connected to Constructions of National Culture and Identity Division of Art History Lund University Jiang Weiwei May, 2010 This thesis provides an analysis about the issue that how national identity is constructed and approached by Swedish domestic design works. The case studies mainly focus on the products from two companies in Sweden. They are the porcelain of Gustavsberg AB and the domestic design of Svenskt Tenn AB. Majority of the empirical material was collected by the author through the visit of these two companies. Primarily inspired by the cultural study theory of Bronislaw Malinowski, the author tries to explore the potential relationship between climate condition, human basic needs and domestic designs. Moreover, the design democratic ideal is also analyzed as the social influence of Swedish design. Based on the double experiences of both Swedish culture and Chinese culture, the author addresses her analysis to the design interaction between these two countries. Besides, some of the new trends are also discussed as the contemporary development of Swedish design, such as the feminist inspiration and the challenge of functionalism. The author attempts to find a model of proper interpretation and advisable approach of national culture and identity through studying the examples of Swedish domestic design work.
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Modern Furniture 5
Antikvariat ANTIQUA Kommendörsgatan 22 S-114 41 Stockholm Sweden Telefon & fax Telephone & fax 08 - 10 09 96 46 - 8 - 10 09 96 Öppettider Open hours Mändag – fredag Monday – Friday 13.00 –18.00 13.00–18.00 [email protected] www. antiqua.se VAT reg. no. SE 451124051901 Postgiro: 4 65 44 - 3 Bankgiro: 420 - 8500 The measures of books are given in cm Prices are net in Swedish Kronor Shipping charges are extra Antiqua 17 20th Century Furniture Summer 2010 Catalogued by Johan Dahlberg This catalogue presents publications on furniture from Art Nouveau to Postmodernism. Several of the books – and most of the trade catalogues – derive from the library and collection of Lena Larsson (1919-2000), the important protagonist of modern Swedish furniture and interior design. In an introduction to the catalogue, the design historian and critic Monica Boman gives her personal view on Lena Larsson’s life and career. Modern Furniture 5 Trade Catalogues and Monographs on Furniture Companies 40 NK and Triva Furniture * 60 Svenskt Tenn and Josef Frank * 68 Artek and Alvar Aalto * 73 Light Fixtures 76 Radio and TV Sets * 87 Lena Larsson * 88 Books on Individual Designers and Craftsmen 92 Books on Modern Design including but not restricted to Furniture 116 * arranged in chronological order 1 Lena Larsson – pioneer, rebel and romantic Lena Larsson – who was she, young people of today will ask. Was she the one who wanted to ”wear and tear and throw away”? It is so unfair, that this slogan – often misunderstood – is the remaining memory of one of the most influential interior designers of the 20th century, that her versatile and humanistic message and her intrepid, creative personality have been confined to a mere cliché! Lena Larsson (1919-2000) was an interior decorator and furniture designer, a teacher at the Konstfack National College of Art and Design, a popular educator, an exhibition architect and glass designer, a debater and well-known radio personality, a jazz enthusiast.
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Cabinet on Stand "Flora" Designed by Josef Frank for Svenskt Tenn
Cabinet on stand "Flora" designed by Josef Frank for peacefulness and get rid of the disturbing aspect of pure Christoph Thun-Hohenstein, Herman Czech and Svenskt Tenn, functional form." Sebastian Hackenschmidt, Josef Frank: Against Design, Sweden. 1930's. A perfect example of this ideology is the presented Flora The Architect's Anti-Formalist Oeuvre, exh. cat., cabinet. For this project, Frank used hand-coloured Vienna, 2015, p. 310 botanical paper prints from Carl Lindman's book 'Bilder Cia Wedin, "Florabyrå Linné", Stockholm 2007, p. Mahogany, oak and hand coloured paper. ur Nordens Flora', which he then delicately applied onto 44-45. the mahogany front of the piece. The contrast between Kristina Wängberg-Eriksson, Jan Christer Eriksson, H: 143 cm/ 4' 8 1/2" the delicate floral motifs and heavy wooden form instils "Josef Frank Möbelformgivaren", Talinn 2014, K71. W: 117 cm/ 3' 10" the cabinet with a light, playful and organic sense. Drawing dated 1938. D: 42,5 cm/ 16 1/2" Contrasting materials evoke an echo of the past, but Cia Wedin, "Florabyrå Linné", Stockholm 2007, p. create an indisputably modern piece. 44-45. Together with Estrid Ericson and her furnishing Kristina Wängberg-Eriksson, Jan Christer Eriksson, company, Svenskt Tenn, Josef Frank developed his Literature: "Josef Frank Möbelformgivaren", Talinn 2014, K71. highly personal style with elements of Viennese elegance Nina Stritzler-Levine, ed., Josef Frank, Architect and Drawing dated 1938. and Swedish functionalism. He wanted to incorporate Designer: An Alternate Vision of the Modern Home, natural forms and colours into his interiors, so that the exh. cat., New Haven, 1996, p.
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