Svenskt Tenn Exhibits Summery Interiors Inspired by Estrid Ericson and Josef Frank

Total Page:16

File Type:pdf, Size:1020Kb

Svenskt Tenn Exhibits Summery Interiors Inspired by Estrid Ericson and Josef Frank Apr 13, 2013 09:54 GMT Svenskt Tenn exhibits summery interiors inspired by Estrid Ericson and Josef Frank When Svenskt Tenn’s interior architects do public offices and private homes today, their work build on ideas developed by Estrid Ericson and Josef Frank back in the 1930’s. These ideas are now visualized in an exhibition in the store at Strandvägen 5 in Stockholm. ‘’Our interior design idea is practical and open-minded. It shows how to give your home a personal style by mixing colors, fabrics, different types of wood and items that carry memories,’ said Thommy Bindefeld, Marketing Director at Svenskt Tenn. Svenskt Tenn’s interior architects take on both small and large scale projects, which can include everything from a living room to an entire home, both in Sweden and internationally. It does not mean using products from Svenskt Tenn only. ‘’We mix furniture, lamps and textiles from many suppliers with selected Svenskt Tenn objects. All interiors that we do are unique, just like the people they are tailored for,’’ said Katarina Abrahamsson, interior architect at Svenskt Tenn. The images show rooms decorated by Svenskt Tenn’s interior architects in a contemporary summer house from the Swedish company Sommarnöjen. Lightweight furniture that can be moved out onto the terrace contributes to extinguishing the boundaries between indoors and outside. The walls are neutral while furniture and fabrics of different patterns add color. The exhibition is displayed in the store on Strandvägen 5 in Stockholm between April 19 and May 26. Svenskt Tenn was founded in 1924 by designer and drawing teacher Estrid Ericson (1894-1981). In 1934, she began her lifelong collaboration with Josef Frank, already an internationally well-known architect, urban planner and designer, who had recently left Austria to take up residence in Sweden. Together, the two laid the foundations for the interior design philosophy that Svenskt Tenn has since come to represent, combining Estrid Ericson's artistic talent and entrepreneurial spirit with Josef Frank's inspired and timeless designs to form what was soon to become a highly successful concept. Svenskt Tenn is owned by the Kjell and Märta Beijer Foundation. Contacts Elin Lervik Press Contact Presschef/PR Manager Pressfrågor [email protected] +46760128800.
Recommended publications
  • WP982.Pdf (1.640Mb Application/Pdf)
    The Other Modern Dwelling: Josef Frank and Haus & Garten Christopher Long School of Architecture University of Texas at Austin January 1999 Working Paper 98-2 ©1999 by the Center for Austrian Studies (CAS). Permission to reproduce must generally be obtained from CAS. Copying is permitted in accordance with the fair use guidelines of the U.S. Copyright Act of 1976. CAS permits the following additional educational uses without permission or payment of fees: academic libraries may place copies of CAS Working Papers on reserve (in photocopied or electronically retrievable form) for students enrolled in specific courses; teachers may reproduce or have reproduced multiple copies (in photocopied or electronic form) for students in their courses. Those wishing to reproduce Center for Austrian Studies Working Papers for any other purpose (general distribution, advertising or promo- tion, creating new collective works, resale, etc.) must obtain permission from the Center for Austrian Studies, University of Minnesota, 314 Social Sciences Building, 267 19th Avenue S., Minneapolis MN 55455. Tel: 612-624-9811; fax: 612-626-9004; e-mail: [email protected] A direct link to the CAS e-mail address cannot be included on this page, because it has been reproduced in Adobe Portable Documrnt Format (pdf) rather than html. We have done this because of the many high-quality images embedded in the paper. 1 In an article published in Der Architekt in 1921, the year when the economic and political fortunes of Austria finally began to revive, Josef Frank took time out to reflect on what the new realities of the postwar era would mean for the future of the arts and crafts in Vienna.
    [Show full text]
  • Sweden Celebrates 85 Years with Josef Frank
    The Frank 85 exhibition is open from September 21th to October 28th, 2018 Sep 21, 2018 13:42 GMT Sweden celebrates 85 years with Josef Frank This year marks 85 years since one of Sweden’s most renowned designers came and enriched his new homeland with colourful prints and timeless interiors. To commemorate this, Svenskt Tenn has created an exhibition presenting a mix of newly produced and classic designs, as well as objects from the archives – all created by Josef Frank. Josef and Anna Frank left their homeland, Austria, in December 1933 due to the rise of anti-Semitism. In January 1934, Josef Frank began a lifelong collaboration with Svenskt Tenn’s founder Estrid Ericson. “With this tribute exhibition we want to show the breadth of Josef Frank’s creativity and how much his designs have contributed to Swedish design history and the present,” says Thommy Bindefeld, marketing manager and creative director. This autumn’s big fabric news is Josef Frank’s Baranquilla, which is now being launched with a black base. There will also be a number of new launches from the archives: Cabinet 2215 is a classic piece of furniture that will return to Svenskt Tenn’s range in 2018, together with a sideboard, a stool a classic captain’s chair and a round dining table. “Estrid Ericson felt that a round dining table with room for eight people was the most suitable for serving dinner, so all of the dinner guests could see and hear each other. Our customers have also been asking for a large, round dining table and subsequently, table 1020 has returned to our range,” says Bindefeld.
    [Show full text]
  • To Mexico in Estrid Ericson's Footsteps – New Exhibition at Svenskt Tenn
    Jun 10, 2014 09:30 GMT To Mexico in Estrid Ericson’s footsteps – new exhibition at Svenskt Tenn Svenskt Tenn’s founder Estrid Ericson travelled to Mexico in 1939. She brought 70 boxes of objects back to create an exhibition in the store in Stockholm. Today a new exhibition opens, showing products purchased during a trip in Estrid Ericson’s footsteps in 2013. ’’The world is a book and he who stays at home reads only one page was one of Estrid Ericson’s favorite quotations, which she had engraved on a pewter matchbox. Travel was one of her main sources of inspiration and she was constantly looking for new items for Svenskt Tenn, preferably things that could not be found elsewhere in Sweden’’, says Thommy Bindefeld, Marketing Director at Svenskt Tenn. Ericson’s purchasing journeys took her to many countries and in the spring of 1939 she traveled with her friend Ragnhild Lundberg to Mexico. She looked up producers and placed orders with them directly. A few months later, boatloads of Mexican objects arrived, filling the store on Strandvägen in Stockholm. The show became one of the most appreciated events in the company’s history that far. Today a new exhibition opens, displaying the handpicked items purchased during a trip to Mexico in Estrid Ericson’s footsteps. All items are for sale. ’’It has been very exciting to follow in Estrid Ericson’s footsteps. We have rediscovered some of the items she selected during her trip, and we have also found many other beautiful crafted products that we simply could not resist,’’ says Thommy Bindefeld.
    [Show full text]
  • JOSEF FRANK: Against Design
    Press Release JOSEF FRANK: Against Design Press Conference Tuesday, 15 December 2015, 10:30 a.m. Opening Tuesday, 15 December 2015, 7 p.m. Exhibition Venue MAK Exhibition Hall MAK, Stubenring 5, 1010 Vienna Exhibition Dates 16 December 2015 – 12 June 2016 Opening Hours Tue 10 a.m.–10 p.m., Wed–Sun 10 a.m.–6 p.m. Free admission on Tuesdays from 6–10 p.m. “One can use everything that can be used,” proclaimed Josef Frank, one of the most important Austrian architects and designers of modernity, who, with this undogmatic, anti-formalist design approach, was far ahead of his time. More and more, Frank’s architectural sensibility, which placed serviceability and comfort above form and rules of form, counts as trend-setting. The exhibition JOSEF FRANK: Against Design gives a comprehensive overview of the multi-layered oeuvre of this extraordinary architect and designer, while being much more than a survey of his work. This MAK solo exhibition delves into Frank’s complex intellectual and creative strategies, which today are once again highly topical. The exhibition title Against Design encapsulates this undogmatic stance. Frank, who as an architect grappled with all of the themes having to do with architecture and living environments, was also highly productive as a “designer” and developed a plethora of furniture and textiles. Within the international avant-garde, however, he adopted a very critical position. He expressly declared himself opposed to the idea of the Gesamtkunstwerk, standardized furnishings, and innovative forms for their own sake. He could not really warm up to either the individual-artistic paradigms of the Wiener Werkstätte or to functional, mechanized production deriving from the Bauhaus.
    [Show full text]
  • Estrid Ericson Biography
    Estrid Ericson (1884-1981) was a Swedish artist, designer and accomplished entrepreneur responsible for both the establishment and longevity of Svenskt Tenn (Swedish Pewter), a Swedish interior design company for which she served as managing director for 56 years. Together with Nils Fougstedt, Ericson developed Svenskt Tenn into a most influential enterprise involved in manufacturing and design, imports, exports, retail sales and consulting services. Ericson was born in 1894 and raised in Hjo in Vastergotland. In the early 1920s, she trained as a drawing teacher at the Technical School in Stockholm. Thereafter she worked for several years as an art teacher, a pewter artist and interior design consultant at Svenskt Hemslöjd and Willman and Wiklund. In 1924, together with fellow pewter artist Nils Fougstedt, Ericson opened a small pewter workshop, and later in the same year they founded Svenskt Tenn in Stockholm. Initially, Svengst Tenn produced and sold creative modern designs in pewter, which were recognized for their wonderful quality of craftsmanship. In the 1930s, the focus of Svenskt Tenn shifted away from pewter and onto interior design and architect-designed furniture. In 1934, Ericson offered the Austrian architect Josef Frank a position within the firm, which proved to be an important driving collaboration for Svenskt Tenn. Ericson and Frank developed an iconic style that while adopting some of the tenets of functionalism, maintained a warmth, 51 E 10th ST • NEW YORK, NY 10003 phone 212 343 0471 • fax 212 343 0472 51 E 10th ST • NEW YORK, NY 10003 [email protected] • hostlerburrows.com phone 212 343 0471 • fax 212 343 0472 [email protected] • hostlerburrows.com sophistication and elegance particular to the Svenskt Tenn brand.
    [Show full text]
  • International Symposium “Designing Transformation: Jews and Cultural Identity in Central European Modernism”
    INTERNATIONAL SYMPOSIUM “DESIGNING TRANSFORMATION: JEWS AND CULTURAL IDENTITY IN CENTRAL EUROPEAN MODERNISM” UNIVERSITY OF APPLIED ARTS VIENNA, MAY 16–17, 2019 INTERNATIONAL SYMPOSIUM “DESIGNING TRANSFORMATION: JEWS AND CULTURAL IDENTITY IN CENTRAL EUROPEAN MODERNISM” UNIVERSITY OF APPLIED ARTS VIENNA, MAY 16–17, 2019 The International Symposium, “Designing Transforma- CONCEPT AND ORGANIZATION: Dr. Elana Shapira tion: Jews and Cultural Identity in Central European DATES: May 16–17, 2019 Modernism,” offers a contemporary scholarly perspec- VENUE: University of Applied Arts Vienna, tive on the role of Jews in shaping and coproducing Vordere Zollamtsstraße 7, 1030 Vienna, Auditorium public and private, as well as commercial and social- COOPERATION PARTNERS: University of Brighton ly-oriented, architecture and design in Central Europe Design Archives, The Hebrew University of Jerusalem from the 1920s to the 1940s, and in the respective coun- and MAK – Austrian Museum of Applied Arts / tries in which they settled after their forced emigration Contemporary Art starting in the 1930s. It examines how modern identities evolved in the context of cultural transfers and migra- Organized as part of the FWF (Austrian Science Fund) tions, commercial and professional networks, and in research project “Visionary Vienna: relation to confl icts between nationalist ideologies and Design and Society 1918–1934” international aspirations in Central Europe and beyond. This symposium sheds new light on the importance of integrating Jews into Central European design and aesthetic history by asking symposium participants, including architectural historians and art historians, curators, archivists, and architects, to use their analyses to “design” – in the sense of reconfi gure or reconstruct – the past and push forward a transformation in the historical consciousness of Central Europe.
    [Show full text]
  • Christopher Long
    Christopher Long ¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶ University Distinguished Teaching Professor School of Architecture 310 Inner Campus Drive, B7500 University of Texas at Austin Austin, TX 78712-1009 tel: (512) 232-4084 e-mail: [email protected] EDUCATION University of Texas at Austin Ph.D., History, 1993 Dissertation: “Josef Frank and the Crisis of Modern Architecture” M.A., History, 1982 Universität Wien, Vienna, Austria, 1985–87 Ludwig-Maximilians-Universität, Munich, Germany, 1980–81 Karl-Franzens-Universität, Institut für südosteuropäische Geschichte, Graz, Austria, 1977–78 University of Texas at San Antonio B.A., Summa cum laude, History, 1978 SELECTED 2016-2017 ACSA Distinguished Professor Award, Association of Collegiate School of FELLOWSHIPS Architecture, 2016 AND AWARDS Book Subvention Award, for The New Space: Movement and Experience in Viennese Architecture, Office of the Vice President for Research, University of Texas at Austin, 2015 Outstanding Scholarship Award, School of Architecture, University of Texas at Austin, 2015 Faculty Research Assignment, University of Texas at Austin, 2015 Fulbright Grant, Vienna, 2014-15 (declined) Kjell och Märta Beijers Stiftelse, Stockholm, publication grant for Josef Frank: Gesammelte Schriften/Complete Writings, 2012 Architectural Research Support Grant, School of Architecture, University of Texas at Austin, 2012 Texas Institute of Letters, Best Scholarly Book Award, 2011 (for The Looshaus) Harwell Hamilton
    [Show full text]
  • La Seduzione Dell'invisibile
    Christina Kruml La seduzione dell’INvisibile Compendio: Josef Frank (1885-1967) La seduzione dell’INvisibile Compendio: Josef Frank (1885-1967) L’architettura “rappresenta una parte importante della nostra vita. Possiamo goderla senza sforzo, la s’incontra per strada e da là essa parla agli uomini come facevano un tempo i filosofi, ed è considerata necessaria da chiunque. Tutti hanno la sensazione di potervi collaborare poiché essa deriva, più di qualsiasi altra arte, da una volontà e da un’attività comuni” (J.Frank, Architettura come simbolo, 1931) UNIVERSITÀ DEGLI STUDI DI TRIESTE Sede Amministrativa del Dottorato di Ricerca Scuola di dottorato di ricerca in scienze dell’uomo, della società, del territorio XXII ciclo - a.a. 2009/2010 Settore scientifico disciplinare Icar 14 progettazione architettonica e urbana dottoranda: arch. Christina Kruml responsabile del dottorato di ricerca: prof. Giovanni Fraziano relatore: prof.Giovanni Fraziano Università degli Studi di Trieste © 2011 Christina Kruml, Trieste 10 Introduzione dalla piaga alla piega: considerazioni sull’ABITARE 26 Rannichiarsi negli spazi amati 36 Il gioco e l’ornamento Sommario 52 Parodia del cadavere screziato 64 Ri-vestimento e seduzione 90 L’intonaco bianco come camicia 96 Glossario architessile Compendio: Josef Frank (18 85-1967) c 010 Formazione a Vienna c 024 Berlino c 038 Primi incarichi c 044 Kunstgewerbeschule c 050 Siedlungen o Höfe? c 064 Haus & Garten La seduzione dell’INvisibile. c 072 Werkbund e primi CIAM Note a margine nell’opera di Josef Frank c 092 Stoccolma
    [Show full text]
  • International Symposium “Designing
    INTERNATIONAL SYMPOSIUM “DESIGNING TRANSFORMATION: JEWS AND CULTURAL IDENTITY IN CENTRAL EUROPEAN MODERNISM” UNIVERSITY OF APPLIED ARTS VIENNA, MAY 16–17, 2019 INTERNATIONAL SYMPOSIUM “DESIGNING TRANSFORMATION: JEWS AND CULTURAL IDENTITY IN CENTRAL EUROPEAN MODERNISM” UNIVERSITY OF APPLIED ARTS VIENNA, MAY 16–17, 2019 The International Symposium, “Designing Transforma- CONCEPT AND ORGANIZATION: Dr. Elana Shapira tion: Jews and Cultural Identity in Central European DATES: May 16–17, 2019 Modernism,” offers a contemporary scholarly perspec- VENUE: University of Applied Arts Vienna, tive on the role of Jews in shaping and coproducing Vordere Zollamtsstraße 7, 1030 Vienna, Auditorium public and private, as well as commercial and social- COOPERATION PARTNERS: University of Brighton ly-oriented, architecture and design in Central Europe Design Archives, The Hebrew University of Jerusalem from the 1920s to the 1940s, and in the respective coun- and MAK – Austrian Museum of Applied Arts / tries in which they settled after their forced emigration Contemporary Art starting in the 1930s. It examines how modern identities evolved in the context of cultural transfers and migra- Organized as part of the FWF (Austrian Science Fund) tions, commercial and professional networks, and in research project “Visionary Vienna: relation to confl icts between nationalist ideologies and Design and Society 1918–1934” international aspirations in Central Europe and beyond. This symposium sheds new light on the importance of integrating Jews into Central European design and aesthetic history by asking symposium participants, including architectural historians and art historians, curators, archivists, and architects, to use their analyses to “design” – in the sense of reconfi gure or reconstruct – the past and push forward a transformation in the historical consciousness of Central Europe.
    [Show full text]
  • Sid 1 (24) SVEA HOVRÄTT Patent- Och Marknadsöverdomstolen Rotel
    Sid 1 (24) SVEA HOVRÄTT DOM Mål nr Patent- och 2020-03-16 PMT 3491-16 marknadsöverdomstolen Stockholm Rotel 020107 ÖVERKLAGAT AVGÖRANDE Stockholms tingsrätts dom 2016-03-22 i mål nr T 14506-13, se bilaga A PARTER Klagande 1. Textilis Ltd 1 Highfield Drive, Fulwood Preston, Lancashire PR2 9SD Storbritannien 2. O.K. Motpart Svenskt Tenn Aktiebolag, 556032-0375 Box 5478 114 84 Stockholm Ombud Jur.kand. B.E. och jur.kand. M.J. Zacco Sweden AB Box 5581 114 85 Stockholm SAKEN Varumärkes- och upphovsrättsintrång ___________________ DOMSLUT Se nästa sida. Dok.Id 1354612 Postadress Besöksadress Telefon Telefax Expeditionstid Box 2290 Birger Jarls Torg 16 08-561 670 00 08-561 675 09 måndag – fredag 103 17 Stockholm 08-561 675 00 09:00–15:00 E-post: [email protected] www.patentochmarknadsoverdomstolen.se Sid 2 SVEA HOVRÄTT DOM PMT 3491-16 Patent- och marknadsöverdomstolen DOMSLUT 1. Patent- och marknadsöverdomstolen avvisar Textilis Ltd:s och O.K.s yrkande om hävning av registreringen av EU-varumärket JOSEF FRANK i figur (nr 011858313). 2. Patent- och marknadsöverdomstolen fastställer punkterna 2, 3, 6–8 i tingsrättens domslut och ändrar tingsrättens domslut på så sätt att förbudet i punkten 4 ska ha följande lydelse. Envar av Textilis Ltd och O.K. förbjuds a) att, vid vite om 200 000 kr för varje trettiodagarsperiod under vilken förbudet inte har följts, i Sverige bjuda ut till försäljning eller på annat sätt till allmän- heten sprida alster som framgår av bilaga 3 till tingsrättens dom, b) att, vid vite om 200 000 kr för varje trettiodagarsperiod under vilken förbudet inte har följts, i Sverige använda kännetecknet JOSEF FRANK (nr 000227355) för tyger, kuddar och möbler och c) att, vid vite om 200 000 kr för varje trettiodagarsperiod under vilken förbudet inte har följts, i Sverige använda kännetecknet MANHATTAN (nr 010540268) för tyger, kuddar och möbler.
    [Show full text]
  • Estrid Ericson's Classic Elephant Design Now Available As Wallpaper
    Apr 03, 2013 10:01 GMT Estrid Ericson’s classic elephant design now available as wallpaper One of the most beloved Svenskt Tenn textile prints – ‘’Elefant’’ by Estrid Ericson – is now available as wallpaper in three different colour combinations with white elephants on a base of midnight blue, elephant grey or raspberry. Estrid Ericson, founder of Svenskt Tenn, often found her ideas while travelling around the world. It was in a market in the south of France that she found a piece of batik fabric from the Belgian Congo, and was inspired to create the now well-known elephant print. It was printed on textile in the late 1930s. Now for the first time it is available on wallpaper. All of Svenskt Tenn’s wallpapers are made in Sweden on non-chlorine bleached paper using water-based colours. The wallpapers are washable and withstand well to exposure to sunlight. Prices: SEK 750 per roll. Each roll gives four print matched lengths 2.5 meters high. The Elefant wallpaper is available from April 5th. In addition, the exhibition Primavera, Textile inspiration-Inspiring textile, will be shown in the store on Strandvägen in Stockholm from April 5th until May 19th. Svenskt Tenn was founded in 1924 by designer and drawing teacher Estrid Ericson (1894-1981). In 1934, she began her lifelong collaboration with Josef Frank, already an internationally well-known architect, urban planner and designer, who had recently left Austria to take up residence in Sweden. Together, the two laid the foundations for the interior design philosophy that Svenskt Tenn has since come to represent, combining Estrid Ericson's artistic talent and entrepreneurial spirit with Josef Frank's inspired and timeless designs to form what was soon to become a highly successful concept.
    [Show full text]
  • Town Walk Through Hjo D
    Foto: Anhede Jesper Foto: Town walk through Hjo D C E G J F H K I L B i M A Tavlans plats i Turistbyrån Town walk through Hjo - a wooden town on the shore of A Ånabacken H Hamngatan, Estridplatsen Lake Vättern B Hantverksgatan I Hamngatan, Norrbro Welcome to your town walk through Hjo. During the walk, C Sjögatan J Hertig Johans brygga you will have the chance to discover our beautiful wooden town, at your own pace. D Skolbryggan K Hamnen EF Torget 1 L Bellevueterrassen At each stop, you will learn more about Hjo’s history, spanning over 600 years. Your walk will take you EF Torget 2 M Floragatan along charming cobbled streets, past leafy gardens and verandas showcasing their expert carpentry. G Hamngatan A warm welcome to Hjo - the wooden town on Lake Vättern! A Ånabacken B Hantverksgatan Here, at the start of Ånabacken, we’re standing in the middle of the In the early 1800s there was no industry to speak of, but there were ‘Hjoåns dalgång’ [Hjo river valley nature reserve] – a 2.5 km long walk- many skilled craftsmen. The majority of the craftsmen were to the ing route that divides the town into a northern and southern section. west of the square, except the dyers and tanners who needed access to A unique stretch of wilderness in the middle of a town. The river and its ample amounts of water and therefore naturally chose the lake shore or valley have been hugely significant to the town’s development through the banks of the Hjo river for their business.
    [Show full text]