Aleksandr Polovets Papers
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Russian, Jewish Or Human? Jewish Mystical Thought in the Poetry of Bulat Shalvovich Okudzhava
RUSSIAN, JEWISH OR HUMAN? JEWISH MYSTICAL THOUGHT IN THE POETRY OF BULAT SHALVOVICH OKUDZHAVA Katarzyna anna KornacKa-Sareło1 (Adam Mickiewicz University in Poznań) Keywords: Bulat Shalvovich Okudzhava, poetry, imagology, Jewish mysticism, Jewish philosophy of dialogue Słowa kluczowe: Bułat Okudżawa, poezja, imagologia, mistycyzm żydowski, żydowska filozofia dialogu Abstract: Katarzyna Anna Kornacka-Sareło, RUSSIAN, JEWISH OR HUMAN? JEWISH MYSTI- CAL THOUGHT IN THE POETRY OF BULAT SHALVOVICH OKUDZHAVA. “PORÓWNA- NIA” 2 (21), 2017, P. 197–214. ISSN 1733-165X. While looking at the literary output of Bulat Shal- vovich Okudzhava from the perspective of imagology, one can see that the image of “the Other” in the poems of the Russian bard was created, paradoxically, just by this “Other”, and it was not constructed by the images (imagines) intrinsically present in the consciousness of the ethnocentric “Self” or “The Same”. In other words, in the case of Okudzhava’s poetry, the image of “the Other” stands on the basis of some ideas of Jewish mystics and the ones of Jewish philosophers of dia- logue (Martin Buber, Franz Rosenzweig and Emmanuel Lévinas). Therefore, the aim of this article was to present the motifs stemming from Jewish mysticism in the poems-songs by Okudzhava which, as it seems, influenced theological, anthropological and ethical views of the bard. The distinctive feature of Okudzhava’s philosophical approach is perceiving every person, regardless of their ethnic or cultural origin, as a being responsible for themselves in the process of constitut- ing themselves in their humanity. The same person is also responsible for other people, for the world of nature, and even for an impersonal and non-anthropomorphic godhead who does not intervene in human affairs. -
Meat: a Novel
University of New Hampshire University of New Hampshire Scholars' Repository Faculty Publications 2019 Meat: A Novel Sergey Belyaev Boris Pilnyak Ronald D. LeBlanc University of New Hampshire, [email protected] Follow this and additional works at: https://scholars.unh.edu/faculty_pubs Recommended Citation Belyaev, Sergey; Pilnyak, Boris; and LeBlanc, Ronald D., "Meat: A Novel" (2019). Faculty Publications. 650. https://scholars.unh.edu/faculty_pubs/650 This Book is brought to you for free and open access by University of New Hampshire Scholars' Repository. It has been accepted for inclusion in Faculty Publications by an authorized administrator of University of New Hampshire Scholars' Repository. For more information, please contact [email protected]. Sergey Belyaev and Boris Pilnyak Meat: A Novel Translated by Ronald D. LeBlanc Table of Contents Acknowledgments . III Note on Translation & Transliteration . IV Meat: A Novel: Text and Context . V Meat: A Novel: Part I . 1 Meat: A Novel: Part II . 56 Meat: A Novel: Part III . 98 Memorandum from the Authors . 157 II Acknowledgments I wish to thank the several friends and colleagues who provided me with assistance, advice, and support during the course of my work on this translation project, especially those who helped me to identify some of the exotic culinary items that are mentioned in the opening section of Part I. They include Lynn Visson, Darra Goldstein, Joyce Toomre, and Viktor Konstantinovich Lanchikov. Valuable translation help with tricky grammatical constructions and idiomatic expressions was provided by Dwight and Liya Roesch, both while they were in Moscow serving as interpreters for the State Department and since their return stateside. -
New Frontiers for Museum Management
New Frontiers for Museum Management Audience outreach Rinske Hordijk Art tube MUSEUMS AS MULTIMEDIA PRODUCERS A collaborative videoplatform for art lovers and education Rinske Hordijk Project Manager ARTtube Video platform since 2012 Collaboration of 25 art museums High quality museum video / Dynamic archive / free and accessible / Educational value first / International audience Why a collaborative platform? • Hundreds of stories about museums, artists and artworks: collected and connected • Exchange of audiences • Collaborative series and stories that expand the individual museum • Audiences know what’s on in the main art museums of Belgium and the Netherlands • Inspiration and elaboration at any time and place Over 700 videos about art and design ARTtube museums 25 museums in The Netherlands and Belgium Contemporary Art Modern Art Design Old Masters Photography Film Artists Jeff Wall, Anton Corbijn, Mondriaan, Marlene Dumas, Jeroen Bosch, Van Eyck, Panamarenko, Daan Roosegaarde Audience 300.000 unique online visitors a year Broadcasts on National TV, Vimeo and Youtube From school students to young art lovers and a 50+ museum audience International audience 20 % Museums as producers Collaboration external: filmmakers & broadcasters Collaboration internal: editorial teams new roles, expertise and policy in communication, education & documentation For education Primary education Secondary education Co-creation with peer-educators Blikopeners Stedelijk Museum (eye- openers) visit designer Marcel Wanders in his studio Video assigments by artists Partnering with National TV Well-known presenter (TV shows) Peer-educators discuss art related questions Different art professionals Educational material > activate students inside classroom and museum Co-design with schools & students “wat de VAKman”: starting from the perspective of secondary school students. -
I Was First Assigned to the American Embassy in Moscow in 1961
Remembering Vasya Aksyonov With Bella Akhmadulina and Vasily Aksyonov Photo by Rebecca Matlock I was first assigned to the American Embassy in Moscow in 1961. This was when the “Generation of the Sixties” (шестидесятники) was beginning to rise in prominence. It was an exciting development for those of us who admired Russian literature and were appalled at the crushing of creativity brought on by Stalin’s enforced “socialist realism.” I read Vasya’s Starry Ticket with great interest, particularly since it seemed to deal with the same theme as the American writer J.D. Salinger did in his The Catcher in the Rye—a disaffected adolescent who runs away from humdrum reality to what he imagines will be a more glamorous life elsewhere. I then began to follow the stories Vasya published in Yunost’. “Oranges from Morocco” was one that impressed me. Much later, he told me that the story was inspired by an experience while he was in school in Magadan. The original title had been “Oranges from Israel.” He was instructed to replace Israel with Morocco in the title after the Soviet Union broke relations with Israel following the 1967 war. Although I was a young diplomat not much older than Vasya, my academic specialty had been Russian literature and I was eager to meet as many Soviet writers as possible. In fact, one of the reasons I entered the American Foreign Service was because it seemed, while Stalin was still alive, one of the few ways an American could live for a time in the Soviet Union and thus have direct contact with Russian culture. -
Western Europe
Western Europe Great Britain National Affairs JL HE DOMINANT EVENT of 1983 was the general election in June, which gave the Conservatives an overall majority of 144 seats. The election results led to the immediate eclipse of Michael Foot as Labor leader and Roy Jenkins as head of the Liberal-Social Democratic alliance; Neil Kinnock took over as Labor head and David Owen as leader of the Social Democrats. The Conservative victory was attributable in part to a fall in the inflation rate; in May it stood at 3.7 per cent, the lowest figure in 15 years. The "Falklands factor" also contributed to the Conserva- tive win, in that the government of Prime Minister Margaret Thatcher appeared resolute in the pursuit of its aims. Finally, the Conservative victory owed something to disunity in Labor's ranks. The extreme right-wing parties fielded about 66 per cent fewer candidates in 1983 than in 1979; there were 59 National Front (NF) candidates, 53 British National party candidates (this party had broken away from the NF in 1980), and 14 can- didates belonging to other right-wing groups. The extreme-left Workers' Revolu- tionary party fielded 21 candidates. In October Home Secretary Leon Brittan announced plans to raise the electoral deposit to an "acceptable minimum," thus making it more difficult for extremist candidates to run for office. A report issued in October by the national advisory committee of the Young Conservatives maintained that "extreme and racialist forces are at work inside the Conservative party." Despite this, however, Jacob Gewirtz, director of the Board of Deputies of British Jews' defense and group relations department, indicated in December that in recent years the focus of antisemitism in Britain had shifted dramatically from the extreme right to the extreme left. -
Religious Believers and the New Soviet Emigration
78 Chronicle for his views on Gorbachev's policy the other people. Yet propaganda of glasnost' and replied with the expounds only one truth. This is following words: detrimental to the cause. I there It seems to me that thinking is fore believe that full and truthful either right or wrong. If it is wrong information is very important. then it assesses reality incorrectly, Through truth we reach mutual and if it is right, it understands understanding. From there it is not what reaUty actually is . When so far to universal peace. one people is dealing with another it must know the whole truth about MALCOLM WALKER Religious Believers and the New Soviet Emigration The figures for Jewish emigration The moving sight of Anatoli Shchar from the Soviet Union are widely ansky kissing the Western Wall in regarded, especially among the im Jerusalem is not repeated by every portant Jewish lobby in the United Jewish emigrant. However, last year States, as a yardstick of current there were a number of Hebrew Soviet attitudes to human rights teachers and religious activists questions. Jewish emigration in 1987 amorig the emigrants, some of them, has been higher than in any year since such as Yulian Edelshtein, formerly the late 1970s. But almost unnoticed, imprisoned for their religious activ emigration of ethnic Germans to ity, for whom the dream of being West Germany has jumped, and has allowed to go to the Promised Land now for the first time overtaken has been fulfilled after years of the Jewish figure. Even Armenian campaigning. There was universal emigration has recently increased, joy among the Moscow Jewish com passing the 6,000 mark last year. -
Vivre En Russe
Georges NIVAT (1935 - ) historien des idées et slavisant, professeur honoraire, Université de Genève. (2007) VIVRE EN RUSSE Un document produit en version numérique par Pierre Patenaude, bénévole, Professeur de français à la retraite et écrivain Chambord, Lac—St-Jean. Courriel: [email protected] Page web dans Les Classiques des sciences sociales. Dans le cadre de la bibliothèque numérique: "Les classiques des sciences sociales" Site web: http://www.uqac.ca/Classiques_des_sciences_sociales/ Une bibliothèque développée en collaboration avec la Bibliothèque Paul-Émile-Boulet de l'Université du Québec à Chicoutimi Site web: http://bibliotheque.uqac.uquebec.ca/index.htm Georges NIVAT, VIVRE EN RUSSE. (2007) 2 Politique d'utilisation de la bibliothèque des Classiques Toute reproduction et rediffusion de nos fichiers est interdite, même avec la mention de leur provenance, sans l’autorisation for- melle, écrite, du fondateur des Classiques des sciences sociales, Jean-Marie Tremblay, sociologue. Les fichiers des Classiques des sciences sociales ne peuvent sans autorisation formelle: - être hébergés (en fichier ou page web, en totalité ou en partie) sur un serveur autre que celui des Classiques. - servir de base de travail à un autre fichier modifié ensuite par tout autre moyen (couleur, police, mise en page, extraits, support, etc...), Les fichiers (.html, .doc, .pdf, .rtf, .jpg, .gif) disponibles sur le site Les Classiques des sciences sociales sont la propriété des Classi- ques des sciences sociales, un organisme à but non lucratif com- posé exclusivement de bénévoles. Ils sont disponibles pour une utilisation intellectuelle et personnel- le et, en aucun cas, commerciale. Toute utilisation à des fins com- merciales des fichiers sur ce site est strictement interdite et toute rediffusion est également strictement interdite. -
Soviet Jewry (8) Box: 24
Ronald Reagan Presidential Library Digital Library Collections This is a PDF of a folder from our textual collections. Collection: Green, Max: Files Folder Title: Soviet Jewry (8) Box: 24 To see more digitized collections visit: https://reaganlibrary.gov/archives/digital-library To see all Ronald Reagan Presidential Library inventories visit: https://reaganlibrary.gov/document-collection Contact a reference archivist at: [email protected] Citation Guidelines: https://reaganlibrary.gov/citing National Archives Catalogue: https://catalog.archives.gov/ Page 3 PmBOMBR.S OP CONSCIBNCB J YLADDllll UPSIDTZ ARRESTED: January 8, 1986 CHARGE: Anti-Soviet Slander DATE OF TRIAL: March 19, 1986 SENTENCE: 3 Years Labor Camp PRISON: ALBXBI KAGAllIIC ARRESTED: March 14, 1986 CHARGE: Illegal Possession of Drugs DATE OF TRIAL: SENTENCE: PRISON: UCHR P. O. 123/1 Tbltsi Georgian, SSR, USSR ALEXEI llUR.ZHBNICO (RE)ARRBSTBD: June 1, 1985 (Imprisoned 1970-1984) CHARGE: Parole Violations DA TB OF TRIAL: SENTENCE: PRISON: URP 10 4, 45/183 Ulitza Parkomienko 13 Kiev 50, USSR KAR.IC NBPOllNIASHCHY .ARRESTED: October 12, 1984 CHARGE: Defaming the Soviet State DA TB OF TRIAL: January 31, 1985 SENTENCE: 3 Years Labor Camp PRISON: 04-8578 2/22, Simferopol 333000, Krimskaya Oblast, USSR BETZALBL SHALOLASHVILLI ARRESTED: March 14, 1986 CHARGE: Evading Mllltary Service DA TE OF TRIAL: SENTENCE: PRISON: L ~ f UNION OF COUNCILS FOR SOVIET JEWS 1'411 K STREET, NW • SUITE '402 • WASHINGTON, DC 2<XX>5 • (202)393-44117 Page 4 PIUSONB'R.S OP CONSCIBNCB LBV SHBPBR ARRESTED: -
SOVIET YOUTH FILMS UNDER BREZHNEV: WATCHING BETWEEN the LINES by Olga Klimova Specialist Degree, Belarusian State University
SOVIET YOUTH FILMS UNDER BREZHNEV: WATCHING BETWEEN THE LINES by Olga Klimova Specialist degree, Belarusian State University, 2001 Master of Arts, Brock University, 2005 Master of Arts, University of Pittsburgh, 2007 Submitted to the Graduate Faculty of The Kenneth P. Dietrich School of Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2013 UNIVERSITY OF PITTSBURGH THE KENNETH P. DIETRICH SCHOOL OF ARTS AND SCIENCES This dissertation was presented by Olga Klimova It was defended on May 06, 2013 and approved by David J. Birnbaum, Professor, Department of Slavic Languages and Literatures, University of Pittsburgh Lucy Fischer, Distinguished Professor, Department of English, University of Pittsburgh Vladimir Padunov, Associate Professor, Department of Slavic Languages and Literatures, University of Pittsburgh Aleksandr Prokhorov, Associate Professor, Department of Modern Languages and Literatures, College of William and Mary, Virginia Dissertation Advisor: Nancy Condee, Professor, Department of Slavic Languages and Literatures, University of Pittsburgh ii Copyright © by Olga Klimova 2013 iii SOVIET YOUTH FILMS UNDER BREZHNEV: WATCHING BETWEEN THE LINES Olga Klimova, PhD University of Pittsburgh, 2013 The central argument of my dissertation emerges from the idea that genre cinema, exemplified by youth films, became a safe outlet for Soviet filmmakers’ creative energy during the period of so-called “developed socialism.” A growing interest in youth culture and cinema at the time was ignited by a need to express dissatisfaction with the political and social order in the country under the condition of intensified censorship. I analyze different visual and narrative strategies developed by the directors of youth cinema during the Brezhnev period as mechanisms for circumventing ideological control over cultural production. -
Human Rights House Network
HUMAN RIGHTS HOUSE NETWORK Annual Report 2002 OSLO MOSCOW WARSAW SARAJEVO BERGEN ZAGREB NAIROBI MINSK ISTANBUL TIRANA Map of the Human Rights House Network OSLO WARSAW MOSCOW SARAJEVO BERGEN The Norwegian Human Helsinki Foundation Russian Research The Human Rights The Rafto Human Rights House for Human Rights Center for Human Rights House in Sarajevo Rights House Urtegata 50, 0187 Oslo, 00-028 Warsaw, 4 Louchnikov Lane, Ante Fijamenga 14b, Menneskerettighetenes Norway ul. Bracka 18m. 62, doorway 3, suite 5, 71000 Sarajevo, plass 1, [email protected] Poland 103982 Moscow, Russia Bosnia and 5007 Bergen , Norway Tel: +47 23 30 11 00 tel/fax +48 22 8281008, tel +7 095 206-0923 Herzegovina Tel: +47 55 21 09 30 Fax: +47 23 30 11 01 8286996, 8269875, fax +7 095 206-8853 tel/fax: Fax: +47 55 21 09 39 e-mail: 8269650 e-mail: [email protected] + 387 33 230 267 / e-mail: [email protected] e-mail: Website: 387 33 230 811 [email protected] [email protected] http://www.rhrcenter.org Helsinki Foundation The Bureau of Amnesty International Norwegian Helsinki Soldiers' Mothers for Human Rights of the Western Norway Committee Committee Human Rights Serb Civic Council Section Independent Union Norwegian Tibet Helsinki Committee Human Rights in Poland of Professional NORDPAS Committee Network Group Journalists International Society Young Journalists' Non-violence Coalition of NGO's Norwegian for Health and Association International in BH Afghanistan Human Rights "POLIS" "IZLAZ" Committee Helsinki Committee for Polish-Tibetan Moscow -
Babel' in Context a Study in Cultural Identity B O R D E R L I N E S : R U S S I a N А N D E a S T E U R O P E a N J E W I S H S T U D I E S
Babel' in Context A Study in Cultural Identity B o r d e r l i n e s : r u s s i a n а n d e a s t e u r o p e a n J e w i s h s t u d i e s Series Editor: Harriet Murav—University of Illinois, Urbana-Champaign Editorial board: Mikhail KrutiKov—University of Michigan alice NakhiMovsKy—Colgate University David Shneer—University of Colorado, Boulder anna ShterNsHis—University of Toronto Babel' in Context A Study in Cultural Identity Ef r a i m Sic hEr BOSTON / 2012 Library of Congress Cataloging-in-Publication Data: A catalog record for this book as available from the Library of Congress. Copyright © 2012 Academic Studies Press All rights reserved Effective July 29, 2016, this book will be subject to a CC-BY-NC license. To view a copy of this license, visit https://creativecommons.org/licenses/by-nc/4.0/. Other than as provided by these licenses, no part of this book may be reproduced, transmitted, or displayed by any electronic or mechanical means without permission from the publisher or as permitted by law. ISBN 978-1-936235-95-7 Cloth ISBN 978-1-61811-145-6 Electronic Book design by Ivan Grave Published by Academic Studies Press in 2012 28 Montfern Avenue Brighton, MA 02135, USA [email protected] www.academicstudiespress.com C o n t e n t s Note on References and Translations 8 Acknowledgments 9 Introduction 11 1 / Isaak Babelʹ: A Brief Life 29 2 / Reference and Interference 85 3 / Babelʹ, Bialik, and Others 108 4 / Midrash and History: A Key to the Babelesque Imagination 129 5 / A Russian Maupassant 151 6 / Babelʹ’s Civil War 170 7 / A Voyeur on a Collective Farm 208 Bibliography of Works by Babelʹ and Recommended Reading 228 Notes 252 Index 289 Illustrations Babelʹ with his father, Nikolaev 1904 32 Babelʹ with his schoolmates 33 Benia Krik (still from the film, Benia Krik, 1926) 37 S. -
Iuliia Kysla
Rethinking the Postwar Era: Soviet Ukrainian Writers Under Late Stalinism, 1945-1949 by Iuliia Kysla A thesis submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in History Department of History and Classics University of Alberta © Iuliia Kysla, 2018 Abstract This dissertation advances the study of late Stalinism, which has until recently been regarded as a bizarre appendage to Stalin’s rule, and aims to answer the question of whether late Stalinism was a rupture with or continuation of its prewar precursor. I analyze the reintegration of Ukrainian writers into the postwar Soviet polity and their adaptation to the new realities following the dramatic upheavals of war. Focusing on two parallel case studies, Lviv and Kyiv, this study explores how the Soviet regime worked with members of the intelligentsia in these two cities after 1945, at a time when both sides were engaged in “identification games.” This dissertation demonstrates that, despite the regime’s obsession with control, there was some room for independent action on the part of Ukrainian writers and other intellectuals. Authors exploited gaps in Soviet discourse to reclaim agency, which they used as a vehicle to promote their own cultural agendas. Unlike the 1930s, when all official writers had to internalize the tropes of Soviet culture, in the postwar years there was some flexibility in an author’s ability to accept or reject the Soviet system. Moreover, this dissertation suggests that Stalin’s postwar cultural policy—unlike the strategies of the 1930s, which relied predominantly on coercive tactics—was defined mainly by discipline by humiliation, which often involved bullying and threatening members of the creative intelligentsia.