Struggles for Utøya Survivors
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1 Undergrund Rutetabell & Linjerutekart
1 undergrund rutetabell & linjekart Bergkrystallen Vis I Nettsidemodus 1 undergrund Linjen Bergkrystallen har 5 ruter. For vanlige ukedager, er operasjonstidene deres 1 Bergkrystallen 05:53 - 18:12 2 Frognerseteren 00:00 - 23:30 3 Helsfyr 05:23 - 23:27 4 Holmenkollen 04:54 - 13:32 5 Ryen 00:12 - 23:57 Bruk Moovitappen for å ƒnne nærmeste 1 undergrund stasjon i nærheten av deg og ƒnn ut når neste 1 undergrund ankommer. Retning: Bergkrystallen 1 undergrund Rutetabell 34 stopp Bergkrystallen Rutetidtabell VIS LINJERUTETABELL mandag 05:53 - 18:12 tirsdag 05:53 - 18:12 Frognerseteren onsdag 05:53 - 18:12 Voksenkollen torsdag 05:53 - 18:12 Lillevann fredag 05:53 - 18:12 Lillevannsveien, Oslo lørdag 08:42 - 18:12 Skogen Lillevannsveien 63A, Oslo søndag Opererer Ikke Voksenlia Lillevannsveien 35B, Oslo Holmenkollen 1 undergrund Info Oberst Angells Vei 4, Oslo Retning: Bergkrystallen Stopp: 34 Besserud Reisevarighet: 56 min Ankerveien, Oslo Linjeoppsummering: Frognerseteren, Voksenkollen, Lillevann, Skogen, Voksenlia, Holmenkollen, Midtstuen Besserud, Midtstuen, Skådalen, Vettakollen, Sigbjørn Obstfelders Vei 23, Oslo Gråkammen, Slemdal, Ris, Gaustad, Vinderen, Steinerud, Frøen, Majorstuen, Nationaltheatret, Skådalen Stortinget, Jernbanetorget, Grønland, Tøyen, Ensjø, Skådalsveien 31, Oslo Helsfyr, Brynseng, Høyenhall, Manglerud, Ryen, Brattlikollen, Karlsrud, Lambertseter, Munkelia, Vettakollen Bergkrystallen Skogryggveien 39, Oslo Gråkammen Tennisveien 30, Oslo Slemdal Risalléen 41, Oslo Ris Risveien 2, Oslo Gaustad Ris skolevei 29, Oslo Vinderen -
Interface-2-2-Pp.23-41-Askanius-And- Gustafsson1.Pdf Total Number of Authors: 2
Mainstreaming the Alternative: the Changing Media Practices of Protest Movements Askanius, Tina; Gustafsson, Nils Published in: Interface: a journal for and about social movements 2010 Link to publication Citation for published version (APA): Askanius, T., & Gustafsson, N. (2010). Mainstreaming the Alternative: the Changing Media Practices of Protest Movements. Interface: a journal for and about social movements, 2(2), 23-41. http://interfacejournal.nuim.ie/wordpress/wp-content/uploads/2010/12/Interface-2-2-pp.23-41-Askanius-and- Gustafsson1.pdf Total number of authors: 2 General rights Unless other specific re-use rights are stated the following general rights apply: Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. • Users may download and print one copy of any publication from the public portal for the purpose of private study or research. • You may not further distribute the material or use it for any profit-making activity or commercial gain • You may freely distribute the URL identifying the publication in the public portal Read more about Creative commons licenses: https://creativecommons.org/licenses/ Take down policy If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. LUND UNIVERSITY PO Box 117 221 00 Lund +46 46-222 00 00 Download date: 01. Oct. 2021 Interface: a journal for and about social movements Article Volume 2(2): 23 - 41 (November 2010) Askanius and Gustafsson, Mainstreaming the alternative Mainstreaming the Alternative: The Changing Media Practices of Protest Movements Tina Askanius, Nils Gustafsson Abstract The article argues that contemporary protest movements are facing a convergence of what has traditionally been coined as mainstream and alternative media. -
The Direct Action Politics of US Punk Collectives
DIY Democracy 23 DIY Democracy: The Direct Action Politics of U.S. Punk Collectives Dawson Barrett Somewhere between the distanced slogans and abstract calls to arms, we . discovered through Gilman a way to give our politics some application in our actual lives. Mike K., 924 Gilman Street One of the ideas behind ABC is breaking down the barriers between bands and people and making everyone equal. There is no Us and Them. Chris Boarts-Larson, ABC No Rio Kurt Cobain once told an interviewer, “punk rock should mean freedom.”1 The Nirvana singer was arguing that punk, as an idea, had the potential to tran- scend the boundaries of any particular sound or style, allowing musicians an enormous degree of artistic autonomy. But while punk music has often served as a platform for creative expression and symbolic protest, its libratory potential stems from a more fundamental source. Punk, at its core, is a form of direct action. Instead of petitioning the powerful for inclusion, the punk movement has built its own elaborate network of counter-institutions, including music venues, media, record labels, and distributors. These structures have operated most notably as cultural and economic alternatives to the corporate entertainment industry, and, as such, they should also be understood as sites of resistance to the privatizing 0026-3079/2013/5202-023$2.50/0 American Studies, 52:2 (2013): 23-42 23 24 Dawson Barrett agenda of neo-liberalism. For although certain elements of punk have occasion- ally proven marketable on a large scale, the movement itself has been an intense thirty-year struggle to maintain autonomous cultural spaces.2 When punk emerged in the mid-1970s, it quickly became a subject of in- terest to activists and scholars who saw in it the potential seeds of a new social movement. -
Årsmelding 2010 Copyright © 2011 by Norsk Kulturråd All Rights Reserved Utgitt Av Norsk Kulturråd I Kommisjon Hos Fagbokforlaget
NORSK KULTURRÅD Årsmelding 2010 Copyright © 2011 by Norsk kulturråd All rights reserved Utgitt av Norsk kulturråd i kommisjon hos Fagbokforlaget Grafisk produksjon: John Grieg AS, Bergen Omslagsdesign ved forlaget Forsidebilde: Fra Vegard Vinge og Ida Müllers oppsetning av Vildanden. Foto: Magnus Skrede. Sideombrekking: Laboremus Sandefjord AS Redaksjon: Janne Stang Dahl og Mari Johansen Sekretariatfunksjonen til Fond for lyd og bilde og Statens kunstnerstipend er administrativt tilknyttet og samlokalisert med Norsk kulturråd. Fond for lyd og bilde og Statens kunstnerstipend har egne styrende organ og gir ut egne årsmeldinger. Norsk kulturråd Grev Wedels plass 1 Postboks 8052 Dep N-0031 Oslo Tlf: +47 22 47 83 30 Faks: +47 22 33 40 42 www.kulturrad.no Innhold Innledning .............................................. 5 Tildelinger og innkjøp ........................... 26 Allmenne kulturformål ............................. 26 Kunst og publikum ................................. 6 Rom for kunst .......................................... 27 Barne- og ungdomskultur ......................... 29 Råd og utvalg ......................................... 7 Andre formål ............................................ 34 Billedkunst og kunsthåndverk................... 37 Administrasjonen .................................. 11 Musikk ..................................................... 49 Scenekunst................................................ 80 Kommunikasjonsvirksomhet ................ 13 Litteratur ................................................. -
1973-Iceland.Pdf
-----=ca=rn=-.....z:-c, wrn=-:- --. n ===N::ll:-cI - .. • ~ en Place I Monday, June 18 I Tuesday, June 19 I Wednesday, Ju'!e 20 I I Thursday, June 21 I Friday, June 22 I Saturday, June 23 1 Sunday, June 24 10.00--12.00 10.00-12.00 10.00-12.00 Hotel General Assembly General Assembly General Assembly Loftleidir (if necessary) 14.00- 16.00 14.00-16.00 General Assembly General Assembly 12.00 Lvric Arts Trio Charpentier: --- The Symphony --- Nordic 17.00 17.00 22.00 House Norwegian Wood- Harpans Kraft Nonvegian jazz Wind Quintet from Sweden Bibalo, Berge, Salmenhaara, W elin, Mortensen, Nordheim - - -·- [_____ - 20.30 20.00 17.00 14.00 14.00 14.00 Miklatun Reception Tenidis, Kopelent TapeMusic Tape Music Tape Music Tape Music T6masson, Hall- Gilboa, Schurink grlmsson, Leifs Lambrecht, 20.00 20.00 17.00 Benhamou, Kim, Lyric Arts Trio German Trio Gaudeamus Tokunaga, Ishii, Doh!, Quartet Thommesen Zender, de Leeuw I Zimmermann, Raxach I Karkoschka, I Lutoslawski Haubenstock- Ramati, Hoffmann I I ---- --- -- - ' Exhibition of scores sent in by sections daily, at Miklatun --- - ISCM --- --- -- Hask6\abi6 21.00 Iceland Symphony Orchestra ThorarinssQn, Mallnes, Stevens, Endres, Gentilucci, Lachenmann, Krauze - - - - - -- -- -- ~ -- - State 17.00 Radio Icelandic Music on Tape - - - --- - --- -- Arnes Recital: Aitken/ Haraldsson I The President of the ISCM The President of the Icelandic Section In whatever way the 1973 Music Day may enter the history of It is a great pleasure for the Icelandic Section of the ISCM the ISCM, surely it will be remembered as the most Northern to receive the delegates of the sister organisations to the General point ever reached by the Society. -
Rebuilding Efforts to Take Years News Officials Estimate All Schools in Oslo Were Evacu- Ated Oct
(Periodicals postage paid in Seattle, WA) TIME-DATED MATERIAL — DO NOT DELAY News In Your Neighborhood A Midwest Celebrating 25 welcome Se opp for dem som bare vil years of Leif leve sitt liv i fred. to the U.S. De skyr intet middel. Erikson Hall Read more on page 3 – Claes Andersson Read more on page 13 Norwegian American Weekly Vol. 122 No. 38 October 21, 2011 Established May 17, 1889 • Formerly Western Viking and Nordisk Tidende $1.50 per copy Norway.com News Find more at www.norway.com Rebuilding efforts to take years News Officials estimate All schools in Oslo were evacu- ated Oct. 12 closed due to it could take five danger of explosion in school years and NOK 6 fire extinguishers. “There has been a manufacturing defect billion to rebuild discovered in a series of fire extinguishers used in schools government in Oslo. As far as I know there buildings have not been any accidents be- cause of this,” says Ron Skaug at the Fire and Rescue Service KELSEY LARSON in Oslo. Schools in Oslo were Copy Editor either closed or had revised schedules the following day. (blog.norway.com/category/ Government officials estimate news) that it may take five years and cost NOK 6 billion (approximately Culture USD 1 billion) to rebuild the gov- American rapper Snoop Dogg ernment buildings destroyed in the was held at the Norwegian bor- aftermath of the July 22 terrorist der for having “too much cash.” attacks in Oslo. He was headed to an autograph Rigmor Aasrud, a member of signing at an Adidas store on the Labor Party and Minister of Oct. -
Cultural Intimacy in an Age of Terrorism
October 2011 – vol 27 – no 5 A darker shade of pale: Cultural every two months print ISSN 0268-540X online ISSN 1467-8322 intimacy in an age of terrorism available online at www.wileyonlinelibrary.com/journal/anth anthropologyat Guest Editorial by Thomas Hylland Eriksen today Aleksandar Bošković 1 NARRATIVE Oslo, 5 August 2011: It was a grim and rainy day as I made my Ratko Mladić: Relativism, myth and Alberto Corsín Jiménez and way to the harbour to catch the local ferry to Nesodden, a com- reality munity which had lost two of its brightest stars – Bano Rashid, Adolfo Estalella 19 18, and Diderik Aamodt Olsen, 19 – in the terrorist attack of Julie McBrien 3 #spanishrevolution 22 July, in which right-wing extremist Anders Behring Breivik Leaving for work, leaving in fear Lucia Volk 24 detonated a bomb in Oslo, killing eight people, and shot dead Michał Murawski 5 R.I.P. Paul the Octopus 69 more at a Young Labour (AUF) summer camp on the small Inappropriate object: Warsaw and the island of Utøya. On this Friday alone, more than 30 memorial COMMENT Stalin-era Palace of Culture after the services for Utøya victims were taking place across the country, and I had been asked to speak at Diderik’s service. I had met Smolensk disaster Janet Marstine, Elizabeth Greenspan, Michael Pickering, Paul H. Williams him once, this spring, when I gave a talk on nationalism and Stefan Leins 11 minorities to AUF members, and I remembered his sensible and Chip Colwell-Chanthaphonh 28 Pricing the revolution: Financial analysts and critical contributions to the subsequent discussion. -
Bakgrunnsmateriale Nøtteknekkeren. Av Mads Bones, Olve Løseth, Kyrre Havdal Og Matilde Holdhus Trøndelag Teater, Hovedscenen Premiere 15
Bakgrunnsmateriale Nøtteknekkeren. Av Mads Bones, Olve Løseth, Kyrre Havdal og Matilde Holdhus Trøndelag Teater, Hovedscenen Premiere 15. november 2013 Historien om Nøtteknekkeren er noe mange assosierer med jul. Tsjajkovskijs Nøtteknekkersuite og tilhørende ballett er en fast juletradisjon på blant annet Den Norske Opera og Ballett hvor forestillingen spilles hvert eneste år. Men historien om Nøtteknekkeren er ikke noe Tsjajkovskij og koreografen Petipa originalt sto bak. Nøtteknekkeren så først dagens lys som et kunsteventyr skrevet Hoffman, men også blant annet Alexandre Dumas har gjort en versjon av den. Dessuten finnes det flere filmatiseringer og etter hvert også flere ballettversjoner. Når Trøndelag Teater skulle lage musikal av Nøtteknekkeren falt det derfor på sin egen rimelighet at vi laget en helt ny versjon. Hovedkarakterene, Marie og Nøtteknekkeren, er de samme, men historien de tar oss med på og musikken er helt ny. Handlingsreferat I denne versjonen av Nøtteknekkeren møter vi Marie som bor sammen med sin far, sin stemor og sin lillebror. De har også tjenere i dette huset og en litt sjefete hovmester. Lille julaften får Marie en gave av sin litt rare onkel Seniljusen. Det er en gammel nøtteknekker. Onkel Seniljusen forteller samtidig et eventyr om nøtteknekkeren. Et eventyr om et fantastisk land som heter Lekeland, hvor alle leker kommer fra. Men Lekeland er blitt invadert av den onde Rottekongen, som har stengt julenissen ute, og nå står julen i fare. Men Nøtteknekkeren klarer, sammen med ei lita jente å redde Lekeland, men hvordan forteller onkelen ikke. Det er blitt sent og Marie må legge seg. Når Marie skal sove får hun øye på tre rotter som piler ned i kloakken. -
Table of Contents Perspectives on Anarchist Theory
Table of Contents Introduction 2 Maia Ramnath Atmospheric Dialectics 8 Javier Sethness The Climate Crisis or the Crisis of Climate Politics? 26 perspectives Andre Pusey & Bertie Russell All Power to the People 48 on anarchist Lara Messersmith-Glavin theory Movements for Climate Action 56 Brian Tokar v.12 n.2 What We’re Reading 76 fall 2010 Cindy Crabb, John Duda, & Joshua Stevens Editorial Collective: Lara Messersmith-Glavin, Paul About the Illustrations 80 Messersmith-Glavin, and Maia Call for Submissions 81 Ramnath. Anarchist Interventions 82 Layout & Cover Design: Josh About the IAS 84 MacPhee. Perspectives on Anarchist Theoryis a publication of the Institute for Anarchist Studies (IAS). The views expressed here do not necessarily re- flect the IAS. Contact us at perspectivesmagazine@ Special Thanks: Josh MacPhee, the googlegroups.com. New articles, many artists from Justseeds, Jon Keller, not contained in our print edition, are David Combs, Cindy Crabb, John continually posted on line at our website. Duda, Joshua Stevens, AK Press, and You can see them at Anarchiststudies.org, Charles at Eberhardt Press. just look under “Perspectives.” “The non-sustainability and bankruptcy of the ruling world order is fully evident. The need for alternatives has never been stronger....As we face the double closure of spaces by corporate globalisation and militarised police states, by economic fascism aided by po- litical fascism, our challenge is to reclaim our freedoms and the freedoms of our fellow beings.... At the heart of building alternatives and localising economic and political systems is the recovery of the commons and the reclaiming of community. Rights to natural resources are natural rights. -
Skjønnlitteratur
Høsten 2010 - skjønnlitteratur Norsk skjønnlitteratur Romaner Lars Saabye Christensen: Bernhard Hvals forsnakkelser En vill og ustyrlig roman om vennskap, kjærlighet og mye galskap Legen Bernhard Hval er den beste i sitt kull, men på grunn av visse uvaner som spytting, tvangshandlinger og ufin språkbruk, ender han til slutt opp som obdusent i likkjelleren. Han var best med de døde, som det ble sagt. Historien er fortalt i 1979, da Bernhard Hval nesten åtti år gammel ser tilbake på et helt århundre, gjennom et par ekstremt spesielle briller, og gir oss trekanthistorien mellom ham selv, kona Sigrid og kappgangeren Notto Fipp. Er utkommet Utgis også som lydbok. Vigdis Hjorth: Snakk til meg Om en kvinnes forhold til seg selv, sin fortid og til de myndigheter hun så langt i sitt liv har vært lojal mot. Til en elsker. Og ikke minst til en sønn En forsiktig middelaldrende kvinne reiser til Cuba og overrasker seg selv. Er det kjærlighet hun opplever? Møtet med kontrastenes Cuba, skjønnheten, fattigdommen, varmen mellom menneskene, rokker ved hennes verdensbilde. Hun reiser hjem, og starter prosessen med å få den cubanske mannen inn i Norge. Snakk til meg handler om å justere kurs midt i livet, og ta noen uforferdete valg. 3. september. Utgis også som lydbok. Gro Dahle: Blomsterhandlersken Gro Dahles andre roman for voksne handler om en utbrent kvinnes sammenbrudd En blomsterhandlerske, som kjenner at mannen begynner å gli fra henne lurer på om det er kroppen hennes eller forholdet til mannen det er noe i veien med. For noe er galt. Det handler om å stå både midt inne i sitt eget liv og samtidig helt utenfor, ganske maktesløs og tilsidesatt. -
Christian Terror in Europe? the Bible in Anders Behring Breivik's Manifesto
J Bible Recept 2017; 4(1): 147–169 Hannah Strømmen* Christian Terror in Europe? The Bible in Anders Behring Breivik’s Manifesto DOI 10.1515/jbr-2017-2006 Abstract: In the attempts to understand the ideology underpinning the terror attack in Norway 22nd July 2011, and the growth of far-right extremism in Europe more generally, Christianity and the uses of the Bible are a largely neglected feature. In this article, I examine the way in which the Bible is used in Anders Behring Breivik’s manifesto, arguing that this provides an important example of the role of Christianity in far-right discourse. I show that the Bible functions as a legitimating device, glossing violence as defense of a Christian Europe; as a motivational instrument, positing God as a fellow fighter; and, as an origin for Europe. The Bible is situated in a pre-modern state where its signifying powers are policed. At the same time, it is wrenched out of this solidified framework, cut up and pasted into the manifesto hypertext in order to serve as a contemporary ally to an anti-Muslim and anti-multicultural cause. Keywords: Terror; Bible; Christianity; far right; Breivik; Europe. 1 Introduction On 22nd July 2011, Anders Behring Breivik dressed in a fake police uniform, drove to the Government Headquarters (the government office buildings), in Oslo (Regjeringskvartalet) and planted a bomb, which detonated shortly thereafter. He then gained entry to the island of Utøya, where the Norwegian Labour party’s youth organization [Arbeidernes Ungdomsfylking (AUF)] held their annual political summer camp, and shot indiscriminately at the young people there. -
Calamus Gladio Fortior: El Manifest Terrorista
CALAMUS GLADIO FORTIOR: EL MANIFEST TERRORISTA Kaczynski, Breivik i Tarrant TREBALL FINAL DE GRAU Autor: Iván Quintana Fernández Tutor: Dr. Mario Toboso Buezo 2020 NIUB: 16875434 Grau de Seguretat Universitat de Barcelona Institut de Seguretat Pública de Catalunya “La paraula en mans d'algú hàbil pot fer més mal que l’arma en mans d'un guerrer.” Buda Gautama (col·lecció dels discursos llargs) Calamus Gladio Fortior: la ploma és més forta que l’espasa. Agraïments: Al meu tutor, el Dr. Mario Toboso, que és l’exemple del que és ser un molt bon professor. A en Christian Pachón i l’Anna Marín, que m’han impedit saber que se sent al realitzar un grau sense la millor companyia possible. A les meves tietes, a l’Antonio, a l’Alba i a l’Albert. Calamus Gladio Fortior: El manifest terrorista. Taula de continguts 1. Abstracte ...................................................................................................... 1 2. Paraules Clau .............................................................................................. 1 3. Introducció ................................................................................................... 2 3.1 Introducció al problema ......................................................................... 2 3.2 Motivacions ........................................................................................... 3 3.3 Preguntes d’investigació ....................................................................... 5 3.4 Hipòtesis ..............................................................................................