Table of Contents Perspectives on Anarchist Theory
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GRASSROOTS RUN DEEP Table of Contents Accessibiltiy Accessibility Statement
NASCO Cooperative Education and Training Institute 2008 cooperating in the struggle for land rights GRASSROOTS RUN DEEP table of contents Accessibiltiy Accessibility Statement..... 2 Making the Most e aim to avoid replicating the barriers in so- of Institute. 3 Wciety which exclude and marginalize people. We strive to create an event which is totally acces- Spotlight on sible for all who wish to participate. Friday........ 4 Spotlight on We have taken these steps to ensure that Institute Saturday...... 5 is accessible: Skill Share + Building and maintaining an environment with Schedule...... 6 zero-tolerance policy for racist, sexist, classist, Friday homophobic and/or other oppressive behaviors. Schedule...... 7 + Providing a gender neutral restroom (on the Saturday 3rd floor of the Union, just to the left of the eleva- Schedule...... 8 tors) Sunday Schedule...... 9 + Making affordable childcare available Caucuses + Housing participants in co-ops where they will and Working feel safe and comfortable Groups........ 10 + Assuring the building is wheelchair accessible Course Track Listing....... 11 + Providing ingredient lists for all meals Course Block + Asking that participants refrain from wearing One...........13 strong smelling perfumes or lotions Course Block + Requesting that all presenters speak loudly and Two...........16 clearly, respecting the needs of those who have Course Block hearing problems Three.........19 Course Block Much of the power to foster a safe and respectful Four..........23 atmosphere rests on you, the participants. Course Block All of our attempts to equalize access are made Five.......... 26 within the limits of current resources and there- Faculty Bios. 29 fore may not be perfect. We welcome suggestions Mentorship....35 for improvement and will do our best to imple- Thank You.....38 ment them. -
Interface-2-2-Pp.23-41-Askanius-And- Gustafsson1.Pdf Total Number of Authors: 2
Mainstreaming the Alternative: the Changing Media Practices of Protest Movements Askanius, Tina; Gustafsson, Nils Published in: Interface: a journal for and about social movements 2010 Link to publication Citation for published version (APA): Askanius, T., & Gustafsson, N. (2010). Mainstreaming the Alternative: the Changing Media Practices of Protest Movements. Interface: a journal for and about social movements, 2(2), 23-41. http://interfacejournal.nuim.ie/wordpress/wp-content/uploads/2010/12/Interface-2-2-pp.23-41-Askanius-and- Gustafsson1.pdf Total number of authors: 2 General rights Unless other specific re-use rights are stated the following general rights apply: Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. • Users may download and print one copy of any publication from the public portal for the purpose of private study or research. • You may not further distribute the material or use it for any profit-making activity or commercial gain • You may freely distribute the URL identifying the publication in the public portal Read more about Creative commons licenses: https://creativecommons.org/licenses/ Take down policy If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. LUND UNIVERSITY PO Box 117 221 00 Lund +46 46-222 00 00 Download date: 01. Oct. 2021 Interface: a journal for and about social movements Article Volume 2(2): 23 - 41 (November 2010) Askanius and Gustafsson, Mainstreaming the alternative Mainstreaming the Alternative: The Changing Media Practices of Protest Movements Tina Askanius, Nils Gustafsson Abstract The article argues that contemporary protest movements are facing a convergence of what has traditionally been coined as mainstream and alternative media. -
The Direct Action Politics of US Punk Collectives
DIY Democracy 23 DIY Democracy: The Direct Action Politics of U.S. Punk Collectives Dawson Barrett Somewhere between the distanced slogans and abstract calls to arms, we . discovered through Gilman a way to give our politics some application in our actual lives. Mike K., 924 Gilman Street One of the ideas behind ABC is breaking down the barriers between bands and people and making everyone equal. There is no Us and Them. Chris Boarts-Larson, ABC No Rio Kurt Cobain once told an interviewer, “punk rock should mean freedom.”1 The Nirvana singer was arguing that punk, as an idea, had the potential to tran- scend the boundaries of any particular sound or style, allowing musicians an enormous degree of artistic autonomy. But while punk music has often served as a platform for creative expression and symbolic protest, its libratory potential stems from a more fundamental source. Punk, at its core, is a form of direct action. Instead of petitioning the powerful for inclusion, the punk movement has built its own elaborate network of counter-institutions, including music venues, media, record labels, and distributors. These structures have operated most notably as cultural and economic alternatives to the corporate entertainment industry, and, as such, they should also be understood as sites of resistance to the privatizing 0026-3079/2013/5202-023$2.50/0 American Studies, 52:2 (2013): 23-42 23 24 Dawson Barrett agenda of neo-liberalism. For although certain elements of punk have occasion- ally proven marketable on a large scale, the movement itself has been an intense thirty-year struggle to maintain autonomous cultural spaces.2 When punk emerged in the mid-1970s, it quickly became a subject of in- terest to activists and scholars who saw in it the potential seeds of a new social movement. -
Danziger, Edmund Jefferson Indians and Bureaucrats ENG 1974 University of Illinois Press Daris & Al
1 Catalogue des livres de la bibliothèque anarchiste DIRA Mai 2011 [email protected] bibliothequedira.wordpress.com 514-843-2018 2035 Blv Saint-Laurent, Montréal Bibliothèque DIRA, Mai 2011. 2 Présentation ................................................................................................................................................................. 3 -A- ................................................................................................................................................................................. 5 -B- ................................................................................................................................................................................. 8 -C- ............................................................................................................................................................................... 13 -D- ............................................................................................................................................................................... 20 -E- ............................................................................................................................................................................... 23 -F- ................................................................................................................................................................................ 24 -G- .............................................................................................................................................................................. -
D E Tr O It Future Media
DETROIT FUTURE MEDIA GUIDE TO DIGITAL LITERACY ALLIED MEDIA PROJECTS MEDI RE A TU U F T I O R T E D DETROIT FUTURE MEDIA GUIDE DIGITAL TO LITERACY DESIGN: THE WORK DEPARTMENT / theworkdept.com guide to digital literacy Reflections and resources from three years of media-based organizing for community revitalization in Detroit illustration by triana kazaleh sirdenis DETROIT FUTURE MEDIA guide to digital literacy Reflections and resources from three years of media-based organizing for community revitalization in Detroit making our own media is a process of speaking and listening as a community, through which we transform ourselves and our world. DETROIT FUTURE MEDIA 7 contents 7 acknowledgements 9 introduction: digital literacy for community revitalization 13 background 17 foundations 25 structure 37 outcomes 45 curriculum samples 61 appendix 8 ALLIED MEDIA PROJECTS program credits Diana J. Nucera DFM Program Director DFM1 / DFM2 / DFM3 Mike Medow Director of Communications and Finance DFM1 / DFM2 / DFM3 Jeanette Lee Executive Director / Media-Based Organizing Instructor DFM1 / DFM2 / DFM3 Joe Namy Program Coordinator DFM1 / DFM2 / DFM3 Joshua Breitbart Program Advisor / Digital Stewards Instructor DFM1 / DFM2 / DFM3 Janel Yamashiro Program Coordinator / Web Instructor DFM1 / DFM2 / DFM3 Imad Hassan Program Coordinator / Video Instructor DFM1 / DFM2 / DFM3 Ora Wise Curriculum Consultant DFM1 / DFM2 / DFM3 Ron Watters Entrepreneurship and Graphics Instructor DFM2 / DFM3 Anderson Walworth IT Coordinator/ Digital Stewards Instructor DFM1 / -
Nonlinearity, Autonomy and Resistant Law
Draft - in Webb, T. and Wheatley, S. (Eds.) Complexity Theory & Law: Mapping an Emergent Jurisprudence, Law, Science and Society Series (Routledge, Forthcoming) 11 Nonlinearity, autonomy and resistant law Lucy Finchett-Maddock* It can be a little difficult to plot a timeline of social centres when you’re dealing outside of linear time. – Interviewee from rampART collective, 2009 in Finchett-Maddock (2016, p. 168) This chapter argues that informal and communal forms of law, such as that of social centres, occupy and enact a form of spatio-temporal ‘nonlinear informality’, as opposed to a reified linearity of state law that occurs as a result of institutionalising processes of private property. Complexity theory argues the existence of both linear and nonlinear systems, whether they be regarding time, networks or otherwise. Working in an understanding of complexity theory framework to describe the spatio-temporality of law, all forms of law are argued as nonlinear, dependent on the role of uncertainty within supposedly linear and nonlinear systems and the processes of entropy in the emergence of law. ‘Supposedly’ linear, as in order for state law to assert its authority, it must become institutionalised, crystallising material architectures, customs and symbols that we know and recognise to be law. Its appearance is argued as linear as a result of institutionalisation, enabled by the elixir of individual private property and linear time as the congenital basis of its authority. But linear institutionalisation does not account for the role of uncertainty (resistance or resistant laws) within the shaping of law and demonstrates state law’s violent totalitarianism through institutionalising absolute time. -
The Unreal Estate Guide to Detroit
The Unreal Estate Guide to Detroit Digitalculturebooks, an imprint of the University of Michigan Press, is dedicated to publishing work in new media studies and the emerging field of digital humanities. The Unreal Estate Guide to Detroit Andrew Herscher The University of Michigan Press Ann Arbor Copyright © by Andrew Herscher 2012 Some rights reserved This work is licensed under the Creative Commons Attribution-Noncommercial- No Derivative Works 3.0 United States License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-nd/3.0/ or send a letter to Creative Commons, 171 Second Street, Suite 300, San Francisco, California, 94105, USA. Published in the United States of America by The University of Michigan Press Manufactured in the United States of America c Printed on acid-free paper 2015 2014 2013 2012 4 3 2 1 A CIP catalog record for this book is available from the British Library. ISBN 978-0-472-03521-2 (pbk. : alk. paper) ISBN 978-0-472-02917-4 (e-book) “Precisely because physical devastation on such a huge scale boggles the mind, it also frees the imagination … to perceive reality anew; to see vacant lots not as eyesores but as empty spaces inviting the viewer to fill them in with other forms, other structures that presage a new kind of city which will embody and nurture new life-affirming values in sharp contrast to the values of materialism, individualism and competition that have brought us to this denouement.” —Grace Lee Boggs, The Next American Revolution “The world of capitalist culture, economy, -
Making Space
Alternative radical histories and campaigns continuing today. Sam Burgum November 2018 Property ownership is not a given, but a social and legal construction, with a specific history. Magna Carta (1215) established a legal precedent for protecting property owners from arbitrary possession by the state. ‘For a man’s home is his ASS Archives ASS castle, and each man’s home is his safest refuge’ - Edward Coke, 1604 Charter of the Forest (1217) asserted the rights of the ‘commons’ (i.e. propertyless) to access the 143 royal forests enclosed since 1066. Enclosure Acts (1760-1870) enclosed 7million acres of commons through 4000 acts of parliament. My land – a squatter fable A man is out walking on a hillside when suddenly John Locke (1632-1704) Squatting & Trespass Context in Trespass & Squatting the owner appears. argued that enclosure could ‘Get off my land’, he yells. only be justified if: ‘Who says it’s your land?’ demands the intruder. • ‘As much and as good’ ‘I do, and I’ve got the deeds to prove it.’ was left to others; ‘Well, where did you get it from?’ ‘From my father.’ • Unused property could be ‘And where did he get it from?’ forfeited for better use. ‘From his father. He was the seventeenth Earl. The estate originally belonged to the first Earl.’ This logic was used to ‘And how did he get it?’ dispossess indigenous people ‘He fought for it in the War of the Roses.’ of land, which appeared Right – then I’ll fight you for it!’ ‘unused’ to European settlers. 1 ‘England is not a Free people till the poor that have no land… live as Comfortably as the landlords that live in their inclosures.’ Many post-Civil war movements and sects saw the execution of King Charles as ending a centuries-long Norman oppression. -
University of Florida Thesis Or Dissertation Formatting
THIS COULD ONLY BE HAPPENING HERE: PLACE AND IDENTITY IN GAINESVILLE’S ZINE COMMUNITY By FIONA E STEWART-TAYLOR A THESIS PRESENTED TO THE GRADUATE SCHOOL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS UNIVERSITY OF FLORIDA 2019 © 2019 Fiona E. Stewart-Taylor To the Civic Media Center and all the people in it ACKNOWLEDGMENTS I thank, first, my committee, Dr. Margaret Galvan and Dr. Anastasia Ulanowicz. Dr. Galvan has been a critical reader, engaged teacher, and generous with her expertise, feedback, reading lists, and time. This thesis has very much developed out of discussions with her about the state of the field, the interventions possible, and her many insights into how and why to write about zines in an academic context have guided and shaped this project from the start. Dr. Ulanowicz is also a generous listener and a valuable reader, and her willingness to enter this committee at a late stage in the project was deeply kind. I would also like to thank Milo and Chris at the Queer Zine Archive Project for an incredible residency during which, reading Minneapolis zines reviewing drag revues, I began to articulate some of my ideas about the importance of zines to build community in physical space, zines as living interventions into community as well as archival memory. Chris and Milo were unfailingly welcoming, friendly, and generous with their time, expertise, and long memories, as well as their vegan sloppy joes. QZAP remains an inspiration for my own work with the Civic Media Center. -
Anarcha-Feminism.Pdf
mL?1 P 000 a 9 Hc k~ Q 0 \u .s - (Dm act @ 0" r. rr] 0 r 1'3 0 :' c3 cr c+e*10 $ 9 TABLE OF CONTENTS Introduction.... 1 Anarcha-Feminism: what it is and why it's important.... 4 Anarchism. Feminism. and the Affinity Group.... 10 Anarcha-Feminist Practices and Organizing .... 16 Global Women's Movements Through an anarchist Lens ..22 A Brief History of Anarchist Feminism.... 23 Voltairine de Cleyre - An Overview .... 26 Emma Goldman and the benefits of fulfillment.... 29 Anarcha-Feminist Resources.... 33 Conclusion .... 38 INTRODUCTION This zine was compiled at the completion of a quarters worth of course work by three students looking to further their understanding of anarchism, feminism, and social justice. It is meant to disseminate what we have deemed important information throughout our studies. This information may be used as a tool for all people, women in particular, who wish to dismantle the oppressions they face externally, and within their own lives. We are two men and one woman attempting to grasp at how we can deconstruct the patriarchal foundations upon which we perceive an unjust society has been built. We hope that at least some component of this work will be found useful to a variety of readers. This Zine is meant to be an introduction into anarcha-feminism, its origins, applications, and potentials. Buen provecho! We acknowledge that anarcha-feminism has historically been a western theory; thus, unfortunately, much of this ziners content reflects this limitation. However, we have included some information and analysis on worldwide anarcha-feminists as well as global women's struggles which don't necessarily identify as anarchist. -
PLAYNOTES Season: 43 Issue: 05
PLAYNOTES SEASON: 43 ISSUE: 05 BACKGROUND INFORMATION PORTLANDSTAGE The Theater of Maine INTERVIEWS & COMMENTARY AUTHOR BIOGRAPHY Discussion Series The Artistic Perspective, hosted by Artistic Director Anita Stewart, is an opportunity for audience members to delve deeper into the themes of the show through conversation with special guests. A different scholar, visiting artist, playwright, or other expert will join the discussion each time. The Artistic Perspective discussions are held after the first Sunday matinee performance. Page to Stage discussions are presented in partnership with the Portland Public Library. These discussions, led by Portland Stage artistic staff, actors, directors, and designers answer questions, share stories and explore the challenges of bringing a particular play to the stage. Page to Stage occurs at noon on the Tuesday after a show opens at the Portland Public Library’s Main Branch. Feel free to bring your lunch! Curtain Call discussions offer a rare opportunity for audience members to talk about the production with the performers. Through this forum, the audience and cast explore topics that range from the process of rehearsing and producing the text to character development to issues raised by the work Curtain Call discussions are held after the second Sunday matinee performance. All discussions are free and open to the public. Show attendance is not required. To subscribe to a discussion series performance, please call the Box Office at 207.774.0465. By Johnathan Tollins Portland Stage Company Educational Programs are generously supported through the annual donations of hundreds of individuals and businesses, as well as special funding from: The Davis Family Foundation Funded in part by a grant from our Educational Partner, the Maine Arts Commission, an independent state agency supported by the National Endowment for the Arts. -
Sisyphus and the Labour of Imagination: Autonomy, Cultural Production, and the Antinomies of Worker Self-Management
Sisyphus and the Labour of Imagination: Autonomy, Cultural Production, and the Antinomies of Worker Self-Management Stevphen Shukaitis1 Abstract Is there any radical potential left in the notion and practices of worker self-management? What I want do in this essay is to try and see if it is possible to distill something of a radical kernel from the many difficulties and complications that confront it, particularly within fields of cultural production. How can self- management contribute to what Jacques Ranciere describes as a movement not of slaves filled with ressentiment, but of people living and embodying a new time of sociability and cooperation, creating resources and skills that can spread out from this, rather than being caught and contained by the conditions of is own creation? Drawing from my own experiences working in Ever Reviled Records, a worker owned and run record label, I want to ferret out--conducting something akin to an organizational autoethnography--hints as to whether or not self-management could be useful for radical social struggles today. Introduction Let us imagine, for a change, an association of free men working with the means of production held in common, and expending their many different forms of labour-power in full self-awareness as one single social labour force…. The total product of our imagined association is a social product…. This, however, requires that society possess a material foundation, or a series of material conditions of existence, which in their turn are the natural and spontaneous product