Together Magazine and Art – We Miss Her Very Much
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Download the Dior: from Paris to the World Program Guide
PROGRAM GUIDE Since his debut collection, art gallerist turned legendary couturier Christian Dior has generated an epic movement in fashion history. With lavish embroidery, luxurious fabrics, and elegant silhouettes, his designs were a revolutionary celebration of modern femininity when they emerged in Paris after World War II. Today, Dior’s global influence is as enduring and iconic as ever. Dior: From Paris to the World surveys more than 70 years of the House of Dior’s legacy, featuring a dynamic selection of almost 200 haute couture dresses, as well as accessories, photographs, original sketches, runway videos, and other archival material. MAY Free Youth and Student Sundays The Heart of Neiman Marcus Foundation will sponsor a day Exhibition Talk: Dior on June 2 to allow youth and students (with valid ID) free Thursday, May 23, 7:00 p.m. access to Dior: From Paris to the World. Students under 16 must be $10 public, $5 DMA Members accompanied by an adult with a paid ticket. Exhibition tickets and students with valid ID are timed with capacity restrictions. A second day will occur before the exhibition closes. Fashion historian Amber Butchart will talk about the ways in which fashion designers past and present have taken inspira- tion from the world around them. Drawing on fashion history, art, nature, and pop culture, Butchart will explore the nature of innovation and reveal threads that connect decades of fash- ion design. JUNE Toddler Art: Fabric Frenzy June 4, 7, or 14, 11:00 a.m.–noon Open Studio Art Making $8 public, $5 DMA Members June 1, 2, 15, & 16, noon–4:00 p.m. -
Amity Synergy Card Offers</Center>
<h3><center>Amity Synergy Card Offers</center></h3> <table cellspacing="0" rules="all" border="1" id="dgOfExport" style="border-coll apse:collapse;"> <tr> <td>Sr-No</td><td>Category Name</td><td>Outlet Name</td><td>Offe rs</td> </tr><tr> <td> 1 </td><td> Food and Beverages </td><td> Flavors </td><td> 10% discount on food & beverage, excluding take- away. </td> </tr><tr> <td> 2 </td><td> Food and Beverages </td><td> Shack </td><td> 15% discount on Food & Beverage. </td> </tr><tr> <td> 3 </td><td> Food and Beverages </td><td> Curry Leaf </td><td> 15% discount on Food & Beverage. </td> </tr><tr> <td> 4 </td><td> Food and Beverages </td><td> Punjabi Galiyara </td><td> 20% discount on Lunch hours. 15% discount on Dinner hours. </td> </tr><tr> <td> 5 </td><td> Food and Beverages </td><td> Stone </td><td> 15% discount on food & Beverage. </td> </tr><tr> <td> 6 </td><td> Food and Beverages </td><td> Sushi </td><td> 15% discount on food & Beverage. </td> </tr><tr> <td> 7 </td><td> Food and Beverages </td><td> Chonas </td><td> 15% Discount on Food & Beverage. </td> </tr><tr> <td> 8 </td><td> Food and Beverages </td><td> Earth </td><td> 15% discount on Food & Beverage. </td> </tr><tr> <td> 9 </td><td> Food and Beverages </td><td> Cookie Man </td><td> 15% Discount. </td> </tr><tr> <td> 10 </td><td> Food and Beverages </td><td> Mandarintrail- authentic chinese cuisine </td><td> 20% discount on food, beverage and liquor (IMFL only). </td> </tr><tr> <td> 11 </td><td> Food and Beverages </td><td> Moets </td><td> 15% discount on food & Beverage. -
A Stylistic Analysis of 2Pac Shakur's Rap Lyrics: in the Perpspective of Paul Grice's Theory of Implicature
California State University, San Bernardino CSUSB ScholarWorks Theses Digitization Project John M. Pfau Library 2002 A stylistic analysis of 2pac Shakur's rap lyrics: In the perpspective of Paul Grice's theory of implicature Christopher Darnell Campbell Follow this and additional works at: https://scholarworks.lib.csusb.edu/etd-project Part of the Rhetoric Commons Recommended Citation Campbell, Christopher Darnell, "A stylistic analysis of 2pac Shakur's rap lyrics: In the perpspective of Paul Grice's theory of implicature" (2002). Theses Digitization Project. 2130. https://scholarworks.lib.csusb.edu/etd-project/2130 This Thesis is brought to you for free and open access by the John M. Pfau Library at CSUSB ScholarWorks. It has been accepted for inclusion in Theses Digitization Project by an authorized administrator of CSUSB ScholarWorks. For more information, please contact [email protected]. A STYLISTIC ANALYSIS OF 2PAC SHAKUR'S RAP LYRICS: IN THE PERSPECTIVE OF PAUL GRICE'S THEORY OF IMPLICATURE A Thesis Presented to the Faculty of California State University, San Bernardino In Partial Fulfillment of the Requirements for the Degree Master of Arts in English: English Composition by Christopher Darnell Campbell September 2002 A STYLISTIC ANALYSIS OF 2PAC SHAKUR'S RAP LYRICS: IN THE PERSPECTIVE OF PAUL GRICE'S THEORY OF IMPLICATURE A Thesis Presented to the Faculty of California State University, San Bernardino by Christopher Darnell Campbell September 2002 Approved.by: 7=12 Date Bruce Golden, English ABSTRACT 2pac Shakur (a.k.a Makaveli) was a prolific rapper, poet, revolutionary, and thug. His lyrics were bold, unconventional, truthful, controversial, metaphorical and vulgar. -
AFH-Dissertation Last Edits
Narratives and Sensemaking in the New Corporate University: The Socialization of First Year Communication Faculty by Andrew F. Herrmann A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy Department of Communication College of Arts and Sciences University of South Florida Major Professor: Arthur P. Bochner, Ph.D. Eric M. Eisenberg, Ph.D. Carolyn Ellis, Ph.D. Charles Guignon, Ph.D. Date of Approval: June 16, 2008 Keywords: academic capitalism, discourse, ethnography, Foucault, identity, interactive interview, storytelling, strategic ambiguity, Weick © Copyright 2008, Andrew F. Herrmann Dedication To my advisor, mentor, teacher and friend, Dr. Arthur P. Bochner. Thank you for the critiques, guidance, support and wisdom. And patience. To my committee members, Dr. Eric Eisenberg, Dr. Carolyn Ellis, and Dr. Charles Guignon. Thank you for your insights and encouragement. To my dissertating comrades – Dr. Tony Adams, Dr. Cara Mackie and Robyn Boylorn – for providing me feedback and keeping me grounded. To Dr. Bob Krizek for taking a chance on an adult student. To Mom: this is the culmination of all the “bad parenting.” To Charlie, Fred and Jim for consistently being there and never doubting. To my nephew Garrett, for reminding me to play. To the CB from the EB. To the brave participants who opened their lives to me, showing me the future. Table of Contents Abstract iii Chapter 1: The Agenda – Studying Organizational Socialization in the University 1 Chapter 2: The Construction of Social -
The War and Fashion
F a s h i o n , S o c i e t y , a n d t h e First World War i ii Fashion, Society, and the First World War International Perspectives E d i t e d b y M a u d e B a s s - K r u e g e r , H a y l e y E d w a r d s - D u j a r d i n , a n d S o p h i e K u r k d j i a n iii BLOOMSBURY VISUAL ARTS Bloomsbury Publishing Plc 50 Bedford Square, London, WC1B 3DP, UK 1385 Broadway, New York, NY 10018, USA 29 Earlsfort Terrace, Dublin 2, Ireland BLOOMSBURY, BLOOMSBURY VISUAL ARTS and the Diana logo are trademarks of Bloomsbury Publishing Plc First published in Great Britain 2021 Selection, editorial matter, Introduction © Maude Bass-Krueger, Hayley Edwards-Dujardin, and Sophie Kurkdjian, 2021 Individual chapters © their Authors, 2021 Maude Bass-Krueger, Hayley Edwards-Dujardin, and Sophie Kurkdjian have asserted their right under the Copyright, Designs and Patents Act, 1988, to be identifi ed as Editors of this work. For legal purposes the Acknowledgments on p. xiii constitute an extension of this copyright page. Cover design by Adriana Brioso Cover image: Two women wearing a Poiret military coat, c.1915. Postcard from authors’ personal collection. This work is published subject to a Creative Commons Attribution Non-commercial No Derivatives Licence. You may share this work for non-commercial purposes only, provided you give attribution to the copyright holder and the publisher Bloomsbury Publishing Plc does not have any control over, or responsibility for, any third- party websites referred to or in this book. -
800 228340 Via Isidoro La Lumia 27A Tel. 091.580180
Salvo Ioco personal Stylist di Mattia Briga Dal 1986 Isi & Company rappresenta il punto di riferimento per l’uomo che vuole al mondo del su misura, personale tecnico qualificato a soddisfare tutte le vostre distinguersi. Eleganza, unicità, qualità sartoriale tipica del Made in Italy sono le basi esigenze. La scelta dei tessuti che vi verrà proposta è costituita dai marchi più presti-- sullesulle qualiquali sisi fonda la filosofia dell’azienda. Isi & Company realizza su misura abiti, giosi quali E. Zegna, Loro Piana, Cerruti 1881, Draper’s, Vitale Barberis Canonico, soprabiti,soprabiti, camiciecamicie e cravatte, impreziosite da finiture di livello e accessori orientati Bottoli, Larusmiani e tanti altri. Potrete inoltre usufruire di un servizio dedicato a chi versoverso il top della qualità (fodere puro Bemberg, filati Gutermann, interni in pelo non ha il tempo o la voglia di recarsi in negozio. È possibile infatti rilevare le misure di cammello, crine di cavallo, bottoni in corozo, in vero corno, in madreperla, in e scegliere il modello e il tessuto presso la vostra abitazione o il vostro posto di lavo-- gioiello, etc). Abiti confezionati per chi desidera indossare un capo unico, fuori dai ro, Dove e Quando desiderate. Tutte le fase della lavorazione sono rigorosamente canoni tradizionali e rappresentativo del proprio stile. Stile garantito dall’estro e eseguite in Italia, all’interno dei nostri laboratori, seguendo un’unica filiera produt-- dalla maestria dello stilista Salvo Ioco, giovane ma ricco di esperienza e passione. tiva che permette di offrire capi di assoluta qualità contraddistinti dada unun rapportorapporto Salvo Ioco, col suo intuito, propone abiti che rispettano la tradizione, interpretan- qualità-prezzo competitivo e da uno stile unico e inimitabile. -
November 2020: Alumni English 100 Class Oracle
Issue 1 November 5, 2020 Onward Odyssey ORACLE English 100 Writers’ Journal Contents Why We Write .............. 2 Educational Journeys .. 13 Kevin Mullen, Odyssey Co-Director, English 100 Instructor [email protected] 608-572-6730 Emily Auerbach, Odyssey Co-Director [email protected] 608-712-6321 www.odyssey.wisc.edu Odyssey Oracle 11-5-2020 Why We Write If I had a chance to really look back wanted and not worry about the backlash. I could at my life, I can say that writing explore my feelings with words instead of keeping saved it. From the early years of them bottled up. It didn’t take me long to fill my me writing love letters to the guys journal up after figuring out that I had something who probably didn’t know I existed to say. I started to use my subject journals to jot to writing papers and poetry for down things in school, at family events, and even my Odyssey class, putting a pen to in church. It turned out that I did have something paper gave me the space to express myself freely to say! Instead of holding on to the mean things I and unafraid. I knew that my silent power could thought about myself at the time, I got them out. I take me into a world where what I said mattered was able to clear my mind while giving it space to and was appreciated. recreate how I felt about myself. In other words, I’d struck gold. Outside of my notebooks I was a gentle giant. -
FY 2020 Results Presentation Milan, March 10Th 2021 Agenda Patrizio Bertelli – CEO Business Update
FY 2020 Results Presentation Milan, March 10th 2021 Agenda Patrizio Bertelli – CEO Business update Alessandra Cozzani – CFO FY-2020 Financial Review Lorenzo Bertelli – Head of Marketing and Head of CSR Marketing and Communication update Carlo Mazzi – Chairman Outlook Q&A Session FY 2020 Results Presentation March 10th 2021 2 Agenda Patrizio Bertelli – CEO Business update Alessandra Cozzani – CFO FY 2020 Financial Review Lorenzo Bertelli – Head of Marketing and Head of CSR Marketing and Communication update Carlo Mazzi – Chairman Outlook Q&A Session FY 2020 Results Presentation March 10th 2021 3 Good execution in a challenging environment H2 performance returning to pre-Covid levels Prada Group proved to be very resilient in this unprecedented crisis Ensured safe environment for employees and customers in different phases of lockdown worldwide Sequential improvement in Retail trend throughout the year Efficient cost containment plan Active and flexible management of supply chain, avoiding excess inventory Capex restricted to strategic projects Sharp improvement in EBIT in H2, enough to fully offset the operating losses of H1 Strong operating Cash flow generation Significant improvement in the Net Financial Position FY 2020 Results Presentation March 10th 2021 4 Focus on retail and brands.com Effective retail distribution network and focus on local clientele Continued brand elevation supported by strategic decisions • Discount termination • Wholesale rationalisation continued Improvement in Retail trends seen across all geographies despite -
Designs of the Year 2015: Nominees Announced
DESIGNS OF THE YEAR 2015: NOMINEES ANNOUNCED 76 NOMINATED PROJECTS INCLUDE AN OFF-GRID ECO TOILET, MICROCHIPS THAT MIMIC HUMAN ORGANS, A CAMPAIGN PROMOTING UGLY VEGETABLES AND A BOOK PRINTED WITHOUT INK 2015’s Designs of the Year nominees, announced today by London’s Design Museum, represent the global breadth of design talent, featuring some of the industry’s biggest names alongside rising stars and little-known practices. Google’s self-driving car, Frank Gehry’s Fondation Louis Vuitton and Asif Kahn’s Sochi Olympic Megafaces are just some of the high-profile projects to be represented in the exhibition of nominees which opens at the Design Museum on 25 March. Now in its eighth year, Designs of the Year celebrates design that promotes or delivers change, enables access, extends design practice or captures the spirit of the year. The international awards and exhibition showcase projects from the previous year, across six categories: Architecture, Digital, Fashion, Product, Graphics, and Transport. Design experts, practitioners and academics from across the world are asked by the Design Museum to suggest potential projects, from which the museum has selected 76 for nomination and display in the exhibition. A specially selected jury chooses a winner for each category and an overall winner. Designs of the Year’s wide-ranging scope provides a snapshot of the contemporary concerns of the design world, with nominees coming from over thirty countries across five continents. A strong theme for 2015 is the desire to harness new technologies to solve long-standing problems, as seen in projects as diverse as the world’s first lab for 3D printing prosthetic limbs, and the Moocall sensor which is connected to a cow’s tail and texts the farmer when calving is imminent. -
Australian Superfine Wool Growers Association Inc
AustrAliAn superfine Wool Growers’ Association inc. AustrAliAn superfine Wool Growers Association inc. AnnuAl 2015-2016 www.aswga.com 1 | Annual 2015/2016 Australian Wool Innovation On-farm tools for woolgrowers Get involved in key initiatives such as: • Join an AWI-funded Lifetime Ewe Management group to lift production - www.wool.com/ltem • Join your state’s AWI extension network - www.wool.com/networks • Benchmark your genetic progress with MERINOSELECT - www.wool.com/merinoselect • Reducing wild dog predation through coordinated action - www.wool.com/wilddogs • Training shearers and woolhandlers - www.wool.com/shearertraining • Enhanced worm control through planning - www.wool.com/wormboss • Getting up to scratch with lice control - www.wool.com/lice • Flystrike protection and prevention - www.wool.com/fl ystrike VR2224295 www.wool.com | AWI Helpline 1800 070 099 Disclaimer: Whilst Australian Wool Innovation Limited and its employees, offi cers and contractors and any contributor to this material (“us” or “we”) have used reasonable efforts to ensure that the information contained in this material is correct and current at the time of its publication, it is your responsibility to confi rm its accuracy, reliability, suitability, currency and completeness for use for your purposes. To the extent permitted by law, we exclude all conditions, warranties, guarantees, terms and obligations expressed, implied or imposed by law or otherwise relating to the information contained in this material or your use of it and will have no liability to you, however arising and under any cause of action or theory of liability, in respect of any loss or damage (including indirect, special or consequential loss or damage, loss of profi t or loss of business opportunity), arising out of or in connection with this material or your use of it. -
UNITED STATES DISTRICT COURT WESTERN DISTRICT of NEW YORK ------X PAUL D
UNITED STATES DISTRICT COURT WESTERN DISTRICT OF NEW YORK - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - x PAUL D. CEGLIA, : : Plaintiff, : : Civil Action No. 1:10-cv-00569- v. : RJA : MARK ELLIOT ZUCKERBERG and : FACEBOOK, INC., : : Defendants. x - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - MEMORANDUM OF LAW IN SUPPORT OF DEFENDANTS’ MOTION TO DISMISS Thomas H. Dupree, Jr. Orin Snyder GIBSON, DUNN & CRUTCHER LLP Alexander H. Southwell 1050 Connecticut Avenue, NW GIBSON, DUNN & CRUTCHER LLP Washington, DC 20036 200 Park Avenue, 47th Floor (202) 955-8500 New York, NY 10166-0193 (212) 351-4000 Terrance P. Flynn HARRIS BEACH PLLC 726 Exchange Street Suite 1000 Buffalo, NY 14210 (716) 200-5120 March 26, 2012 TABLE OF CONTENTS Page PRELIMINARY STATEMENT .................................................................................................... 1 BACKGROUND .......................................................................................................................... 10 ARGUMENT ................................................................................................................................ 20 I. THIS COURT HAS THE INHERENT POWER TO DISMISS THIS LAWSUIT ................................................................................................... 20 A. Dismissal Is The Proper Remedy When The Plaintiff Has Perpetrated A Fraud On The Court ........................................................... 20 B. Dismissal Is Warranted When The Plaintiff Has Destroyed -
10 of TOMORROW Meet 10 Emerging figures in Design, JAN
10 OF TOMORROW Meet 10 emerging figures in design, JAN. beauty, retail, business 2017 No. 2 and technology with the potential to lead their respective fields. Features, p. 39 Fashion. Beauty. Business. COUTURE IN BLOOM MARIA GRAZIA CHIURI said it with flowers — and a garden set — for her couture debut at DIOR. US $9.99 JAPAN ¥1500 CANADA $13 CHINA ¥80 UK £ 8 HONG KONG HK100 EUROPE € 11 INDIA 800 CONGRATULATIONS TO THE TEN OF TOMORROW WINNERS PRESENTED BY COMING SOON Discover the Seaport of Tomorrow SeaportDistrict.nyc The Miles Socha EDITOR IN CHIEF James Fallon Features EDITOR Pete Born EXECUTIVE EDITOR, BEAUTY Bridget Foley Ten of Tomorrow EXECUTIVE EDITOR Arthur Zaczkiewicz 39 WWD’s annual special EXECUTIVE EDITOR, STRATEGIC CONTENT DEVELOPMENT report looks at 10 emerging Nick Mrozowski CREATIVE DIRECTOR figures in design, beauty, retail, John B. Fairchild business and technology who 1927 — 2015 have the potential to lead their MANAGING EDITOR Peter Sadera MANAGING EDITOR, Dianne M. Pogoda respective fields. FASHION/SPECIAL REPORTS DEPUTY MANAGING EDITOR Evan Clark NEWS DIRECTOR Lisa Lockwood STYLE DIRECTOR Alex Badia Couture SENIOR EDITOR, RETAIL David Moin SENIOR EDITOR, SPECIAL PROJECTS, Arthur Friedman 60 The spring couture season TEXTILES & TRADE SENIOR EDITOR, FINANCIAL Vicki M. Young BUREAU CHIEF, LONDON Samantha Conti is under way in Paris, with a BUREAU CHIEF, PARIS Joelle Diderich BUREAU CHIEF, MILAN Luisa Zargani flurry of fantasy and some BUREAU CHIEF, LOS ANGELES Marcy Medina ASIAN EDITOR Amanda Kaiser much-anticipated debuts. BUREAU CHIEF, WASHINGTON Kristi Ellis ASSOCIATE EDITOR Jenny B. Fine SENIOR EDITOR, SPECIALTY RETAIL Sharon Edelson SENIOR FASHION FEATURES EDITOR Jessica Iredale ACCESSORIES MARKET DIRECTOR Roxanne Robinson FASHION MARKET DIRECTOR Mayte Allende ASSOCIATE EYE EDITOR Kristen Tauer MEN’S SENIOR EDITOR Jean E.