Designs of the Year 2015: Nominees Announced
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Design Museum Annual Review 2017-2018
annual review 2017–18 designmuseum.org Annual Review 2017–18 Contents 3 Chairman’s Introduction 5 2017–18 Exhibitions 19 Designers in Residence 21 Learning 23 Research and Collection 25 The Global Museum 29 Building Partnerships 31 Engaging Audiences 33 Financial Review 35 Supporters Interior view of the Design Museum Chairman’s Introduction The Design Museum has now been open in its new Kensington home for 18 months and in this period it has welcomed more than 1m visitors, taught more than 60,000 learners in specific programmes, staged a series of critically acclaimed exhibitions, and run a provocative and engaging public programme. More recently the museum has won the European Museum of the Year award, further building upon these successes. We are proud of this achievement. In 2017–18 the museum sold a record 160,000 exhibition tickets and raised over £10m in income from admissions, commercial activities and fundraising efforts, doubling in scale from previous years at our former home in Shad Thames. This transformational achievement is the product of the imagination, continued commitment and generosity of our founder, Sir Terence Conran, the support of our donors and funders, an enterprising approach to running the museum and the sustained effort of our staff, volunteers and trustees. We have demonstrated that design is as much a part of the cultural landscape as contemporary art, music or theatre. The Design Museum’s purpose is to make the impact of design visible to the public, to policymakers, to educators, to industry and to entrepreneurs. We are a significant cultural institution with national and international stature that measures itself against the intellectual ambition of peers the world over. -
Download the Dior: from Paris to the World Program Guide
PROGRAM GUIDE Since his debut collection, art gallerist turned legendary couturier Christian Dior has generated an epic movement in fashion history. With lavish embroidery, luxurious fabrics, and elegant silhouettes, his designs were a revolutionary celebration of modern femininity when they emerged in Paris after World War II. Today, Dior’s global influence is as enduring and iconic as ever. Dior: From Paris to the World surveys more than 70 years of the House of Dior’s legacy, featuring a dynamic selection of almost 200 haute couture dresses, as well as accessories, photographs, original sketches, runway videos, and other archival material. MAY Free Youth and Student Sundays The Heart of Neiman Marcus Foundation will sponsor a day Exhibition Talk: Dior on June 2 to allow youth and students (with valid ID) free Thursday, May 23, 7:00 p.m. access to Dior: From Paris to the World. Students under 16 must be $10 public, $5 DMA Members accompanied by an adult with a paid ticket. Exhibition tickets and students with valid ID are timed with capacity restrictions. A second day will occur before the exhibition closes. Fashion historian Amber Butchart will talk about the ways in which fashion designers past and present have taken inspira- tion from the world around them. Drawing on fashion history, art, nature, and pop culture, Butchart will explore the nature of innovation and reveal threads that connect decades of fash- ion design. JUNE Toddler Art: Fabric Frenzy June 4, 7, or 14, 11:00 a.m.–noon Open Studio Art Making $8 public, $5 DMA Members June 1, 2, 15, & 16, noon–4:00 p.m. -
Azzedine Alaïa: the Couturier Tour Proposal
Azzedine Alaïa: The Couturier Tour proposal © GILLES BENSIMON / TRUNK ARCHIVE 2 Contents Exhibition overview 4 The themes 6 What are they saying 7 Exhibition details 8 Terms and conditions 9 Contact 10 The Design Museum Touring Programme The Design Museum Touring Exhibitions Programme was set up in 2002 with an aim to bring design exhibitions to audiences around the UK and internationally. Since then, the Museum has toured more than 100 exhibitions to 96 venues in 26 countries worldwide. In May 2018, The Design Museum was awarded the title of European Museum of the Year and commended by the panel for its effort in developing ‘an important democratic and multi-layered intercultural dialogue, with a significant social impact in the community’. The Design Museum touring exhibitions range in size from 150 to 1000 square metres and cover all areas of design – architecture, fashion, furniture, graphics, product, and more. EXHIBITION VIEW, ‘REVOLUTIONARY SKINS’. CREDIT: MARK BLOWER. 3 Exhibition overview EXHIBITION VIEW, ‘EXPLORING VOLUME’. CREDIT: MARK BLOWER. The first UK exhibition to present the outstanding work and creative talent of the Tunisian born Parisian fashion designer, Azzedine Alaïa: The Couturier was developed by the Design Museum in close collaboration with the designer and his team at Maison Alaïa. Azzedine Alaïa is known as one of the fashion industry’s free spirits, revered by stars and designers. Before his untimely passing last year, Alaïa produced a significant and highly influential body of work, from early made-to-measure garments for private clients such as Arletty and Greta Garbo to successful ready-to-wear collections in the 1980s which established his reputation in Europe and the US for his ‘second skin dressing’. -
Design Field Dice
DESIGN ACTIVITY (6–12 GRADE) Design Field Dice Learners will create several concepts ideas using randomly selected categories. There are up to 216 combinations! Learners will... • Name the seven design fields along with a real world example of each field • Critique their own or a partner’s designs • Design 3-5 concepts within their selected design field DESIGN ACTIVITY (6–12 GRADE) Instructions Instruct them to choose their top two ideas to present to you 1 Before starting, print out and build the attached dice, or 7 follow this link to a digital randomizer for those without or a partner. Ask them to prepare a short presentation about printers or looking to save paper. their designs, including a section that addresses why their designs would benefit their audience. 2 Start by having a conversation about the design fields (use the definitions on page 3). Make sure to ask your learner to 8 Between each presentation, give your learner feedback on name an example of each field in their own daily lives. their design, phrased in questions. Examples: This is great! Looking at it now, what would you change? Can this be used by several people at once? How do you think we Hand your learner a drawing surface and utensil. Think 3 could build this? Who should we ask more information from? pencils, markers, paint, tablets, paper, whiteboards. 9 Repeat this cycle as many time as you’d like! 4 Have your learner roll each die (in person or digitally) and write down their results. 10 Debrief with them. Ask them about their experience and which field most closely aligns with their interest. -
FY 2020 Results Presentation Milan, March 10Th 2021 Agenda Patrizio Bertelli – CEO Business Update
FY 2020 Results Presentation Milan, March 10th 2021 Agenda Patrizio Bertelli – CEO Business update Alessandra Cozzani – CFO FY-2020 Financial Review Lorenzo Bertelli – Head of Marketing and Head of CSR Marketing and Communication update Carlo Mazzi – Chairman Outlook Q&A Session FY 2020 Results Presentation March 10th 2021 2 Agenda Patrizio Bertelli – CEO Business update Alessandra Cozzani – CFO FY 2020 Financial Review Lorenzo Bertelli – Head of Marketing and Head of CSR Marketing and Communication update Carlo Mazzi – Chairman Outlook Q&A Session FY 2020 Results Presentation March 10th 2021 3 Good execution in a challenging environment H2 performance returning to pre-Covid levels Prada Group proved to be very resilient in this unprecedented crisis Ensured safe environment for employees and customers in different phases of lockdown worldwide Sequential improvement in Retail trend throughout the year Efficient cost containment plan Active and flexible management of supply chain, avoiding excess inventory Capex restricted to strategic projects Sharp improvement in EBIT in H2, enough to fully offset the operating losses of H1 Strong operating Cash flow generation Significant improvement in the Net Financial Position FY 2020 Results Presentation March 10th 2021 4 Focus on retail and brands.com Effective retail distribution network and focus on local clientele Continued brand elevation supported by strategic decisions • Discount termination • Wholesale rationalisation continued Improvement in Retail trends seen across all geographies despite -
HIGHSNOBIETY ISSUE 16 the “AWAKENING" ISSUE ISSUE 15 / FALL/WINTER 2017 Print Run: 50,000 Copies Pass on Readership: 3.2 ABOUT
HIGHSNOBIETY ISSUE 16 THE “AWAKENING" ISSUE ISSUE 15 / FALL/WINTER 2017 Print Run: 50,000 copies Pass on Readership: 3.2 ABOUT Highsnobiety has steadily built a strong brand in the online fashion and lifestyle world. Today the blog/magazine sits among the most visited global sources for inspiration in the fields of fashion, sneakers, music, art and lifestyle in general. Innovation, progression and always being several steps ahead of everybody else are only some of the core values of Highsnobiety. In Summer 2010 the first print issue was born, after having been online for over 5 years. The drive that has made the online magazine to what it is today, is the very same that also makes the print issue stand out. Highsnobiety shares all these values with it‘s readers, which are young influencers and trendsetters from around the globe. The success of the first print issue, which has been widely picked up as a collectors item during Berlin fashion week, has lead to the on-going creation of a Highsnobiety magazine. The power of the online magazine (6 Million monthly visitors, 42 Million page views) allows the Highsnobiety team to spread the word about the magazine, as well as share the content of the magazine across physical borders of stores, galleries and events, creating the perfect fusion of the two. The next print issue will be released in April 2018. AUDIENCE GENDER 78% male 22% female LOCATION 42% USA 25% UK 23% EU 10% ASIA TARGET GROUP Fashion Impresarios / Brand owners & PR specialists / Influencers & Early Adopters / Trendsetters & Forecasters / Collectors / Individuals reluctant to mainstream / HS15_Mag_Final.indd 106-107 20/8/17 5:34 pm SYNOPSIS Highsnobiety Issue 16 will explore the theme of "awakening" with an aim to "wake" the culture from a state of stagnation and answer the question: does culture exist without context? To do so we'll look back in history and highlight key creatives who laid the groundwork upon which today's trends, movements and cultures thrive. -
Designer-Authored Histories: Graphic Design at the Goldstein Museum of Design Steven Mccarthy
Designer-Authored Histories: Graphic Design at the Goldstein Museum of Design Steven McCarthy This paper is based on a presentation made The idea that graphic designers could, and would, create their own in 2005 at the New Views: Repositioning histories through their writing, designing, and publishing can be Graphic Design History conference held at the found throughout the twentieth century. Whether documentary, London College of Communication. reflective, expressive, critical, self-promotional, comparative, or visionary, designers have harnessed the means of production to 1 For further reading on design authorship: state their views in print—a concept and a practice that parallels Anne Burdick, ed., Emigre 35 and 36: Clamor over Design and Writing (Sacramento, CA: most of the discipline’s growth and maturity. Jan Tschichold’s Emigre, Inc., 1995, 1996). influential New Typography, published in 1928, Eric Gill’s polemical Steven McCarthy, “What is Self-Authored book, An Essay on Typography, from 1931, and Willem Sandberg’s Graphic Design Anyway?” Design as Author: Voices and Visions poster/catalog Experimenta Typografica books, begun in the 1940s, are just a few early (Highland Heights, KY: Department of Art, examples that illustrate how graphic designers and typographers 1996). have advanced their ideas through self-authorship. Cristina de Almeida, “Voices and/or Visions” Design as Author: Voices and Visions On the intellectual heels of deconstruction, semiotics, poster/catalog (Highland Heights, KY: conceptual art, and postmodernism, and enabled by new Department of Art, 1996). technologies for the creation, production, and distribution of Michael Rock, “The Designer as Author” Eye, no. 20 (London: Emap Construct, 1996). -
Nodem 2014 Conference & Expo
ENGAGING SPACES Interpretation, Design and Digital Strategies Proceedings Editors Halina Gottlieb Marcin Szeląg NODEM 2014 CONFERENCE & EXPO ENGAGING SPACES Interpretation, Design and Digital Strategies December 1-3, 2014 Warsaw, Poland Proceedings Editors Halina Gottlieb Marcin Szeląg Welcome to the NODEM 2014 Conference We are delighted to give a warm welcome to the NODEM 2014 conference participants who have responded to our invitation, and we hope that you will find the conference informative and worthwhile. We are gratified that many participants from our previous NODEM conferences continue to engage in our interdisciplinary effort to address challenges and opportunities facing museums and cultural heritage institutions. We are proud that participation at NODEM conferences is becoming more global in reach involving culture heritage professionals from South America, Asia and USA. Our highest priority is to provide the most stimulating sessions and exhibitions for sharing know-how, generat- ing ideas and starting collaborations. The primary goal of the NODEM conference Engaging Spaces is to bring together heritage professionals, museum researchers as well as ICT experts from around the world in an open dialogue to discuss the issues facing newly built or renovated museums and other culture-historical institu- tions to stay competitive in engaging today’s visitors. We hope that our diverse and dynamic group of keynote and special session speakers and exhibitors provide new insight about practical tools, engagement models and methods for heritage institutions to become more effective in the on-going development efforts of involving visitors through interpretative content and design and digital strategies. On behalf of NODEM 2014 conference organizers and partners we would like to thank you for choosing to at- tend the NODEM 2014 conference. -
David Adjaye: Making Memory 02 February – 05 May 2019 the Design Museum
Smithsonian National Museum of African American History and Culture, Credit: Alan Karchmer David Adjaye: Making Memory 02 February – 05 May 2019 the Design Museum #MakingMemory @DesignMuseum The Design Museum presents a new exhibition that explores the role of monuments and memorials in the 21st century, through seven projects by celebrated British–Ghanaian architect, Sir David Adjaye OBE. The exhibition features projects such as the Smithsonian National Museum of African American History and Culture in Washington D.C, the new National Cathedral of Ghana in Accra and the UK Holocaust Memorial and Learning Centre1 in London. Highlights include a full-scale section of the Sclera Pavilion for London Design Festival 2008, a replica library area from the Gwangju River Reading Room in South Korea, as well as inspiration materials including a sculpture by the early 20th-century Yoruba artist Olowe of Ise. In this exhibition, celebrated architect Sir David Adjaye OBE will examine the idea of the monument and present his thinking on how architecture and form are used as storytelling devices. Monuments are a record of who we are and are deeply ingrained in our psyche as a way of memorialising our 1 Led by Adjaye Associates, with Ron Arad Architects as Memorial Architect, and Gustafson Porter + Bowman as Landscape Architect. 1 triumphs and failures. However, the form that monuments take, and the way they are experienced, is constantly changing. This exhibition shows that contemporary monuments are no longer static objects in a field – plaques, statues or neo-classical sculptures – but are dynamic and complex spaces that serve a wider purpose. -
Annual Report 2019
Annual Report 2019 PRADA spa (Hong Kong Stock code: 1913) Annual Report 2019_14apr_2020.indd 1 14/04/20 16:03 ANNUAL REPORT 2019 Annual Report 2019_14apr_2020.indd 2 14/04/20 16:03 Annual Report 2019_14apr_2020.indd 3 14/04/20 16:03 TABLE OF CONTENTS The PRADA Group 3 Financial Review 57 Directors and Senior Management 83 Directors’ Report 99 Corporate Governance 121 Consolidated Financial Statements 141 PRADA spa Separate Financial Statements 147 Notes to the Consolidated Financial Statements 153 Independent Auditors’ Reports 237 Annual Report 2019_14apr_2020.indd 1 14/04/20 16:03 The first Prada store Galleria Vittorio Emanuele II, Milan THE PRADA GROUP PRADA Group Annual Report 2019 - The PRADA Group 3 Annual Report 2019_14apr_2020.indd 3 14/04/20 16:04 Miuccia Prada and Patrizio Bertelli PRESENTATION Pioneer of a vision that transcends fashion, the Prada Group inquisitively observes contemporary society and its interactions with very diverse and apparently distant cultural spheres. A fluid perspective that becomes the Group’s manifesto, suggesting a unique approach to doing business by placing at the core of ethical and action principles essential values such as freedom of creative expression, reinterpretation of what already exists, preservation of know-how and enhancement of people’s work. The Prada Group is a contemporary interpreter of changing scenarios. In a three- dimensional temporal dialogue that combines the identity heritage of the past with demands and dynamics of the present and future perspectives, creativity molds ideas that transcend the boundaries of the ordinary and create an innovative vision of tomorrow. “Keen observation and curiosity for the world around us have always been at the heart of the creativity and modernity of the Prada Group. -
Christian Dior
Héritage collection,Paris.(Composite scan:Katerina Jebb) jacketand black pleated wool crepeskirt.HauteCouture Spring–Summer 1947, Christian Dior (French,1905–1957). Bar suit, afternoonensemble with anecru natural shantung Corolle line.Dior The Brooklyn Museum to Present Major Retrospective of the House of Dior in September 2021 The New York premiere of the exhibition Christian Dior: Designer of Dreams traces the groundbreaking history and legacy of the House of Dior and features unique pieces drawn primarily from the Dior archives Timed tickets available for purchase starting June 17, 2021 Christian Dior: Designer of Dreams explores the more than seventy-year history of the House of Dior with over two hundred haute couture garments as well as photographs, archival videos, sketches, vintage perfume elements, accessories, and works from the Brooklyn Museum’s collection. Presented in the Museum’s magnificent 20,000-square- foot Beaux-Arts Court, designed by McKim, Mead & White in 1893, Christian Dior: Designer of Dreams is based on major exhibitions held at the Musée des Arts Décoratifs, Paris, in 2017, the Victoria and Albert Museum, London, in 2019, and the Long Museum West Bund, Shanghai, in 2020. The exhibition is curated by Dior scholar Florence Müller, Avenir Foundation Curator of Textile Art and Fashion, Denver Art Museum, in 200 Eastern Parkway, Brooklyn, NY 11238-6052 718.501.6354 [email protected] June 4, 2021 1 of 3 collaboration with Matthew Yokobosky, Senior Curator of Fashion and Material Culture, Brooklyn Museum, and will be on view from September 10, 2021, to February 20, 2022. New to the Brooklyn Museum presentation are works by leading American photographers such as Lillian Bassman, Cass Bird, Henry Clarke, Louise Dahl-Wolfe, William Helburn, Horst P. -
Fenty Beauty by Rihanna, the World's First Plastic-Free Shopping Aisle, and the Spacex Falcon Heavy Rocket: Design Museum Anno
Fenty Beauty by Rihanna, the world’s first plastic-free shopping aisle, and the SpaceX Falcon Heavy rocket: Design Museum announces Beazley Designs of the Year nominees 12 September 2018 – 6 January 2019 the Design Museum, London The Design Museum announces the 87 nominees for the eleventh Beazley Designs of the Year exhibition and awards – revealing the most innovate designs of the last year Nominees include a water bottle by Will and Jaden Smith, Nike’s crest for the Dutch women’s football team by Wieden+Kennedy and the LEGO House by Bjarke Ingels Group Concern over the environment is a major theme, as seen in Formafantasma’s recycled furniture, LADbible’s Trash Isles campaign and an animation illustrating the dangers of mounting space debris Nominations also include electronic self-healing and recyclable skin, the Louvre Abu Dhabi, Burberry’s rainbow check and Royal Ballet costumes designed by Erdem. 224-238 Kensington High Street London, W8 6AG T: 020 3862 5900 [email protected] The world’s first plastic-free shopping aisle, Marvel’s Black Panther costumes designed by Ruth E Carter and an eco-friendly water bottle designmuseum.org made by Will and Jaden Smith; the Design Museum in London announces the most international list of contenders to date for the eleventh BEAZLEY DESIGNS OF THE YEAR 2018 1 edition of Beazley Designs of the Year. The annual exhibition and awards, supported by specialist insurer Beazley, comprises of 87 nominations across six categories: Architecture, Digital, Fashion, Graphics, Product and Transport. Selected by a panel of distinguished international designers, curators and critics, the awards showcase the most original and impactful products, concepts and designers in the world today.