Norway Now 2017
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Coda 2017 Program Katalog Lett
1 Thank you For tickets and registration CODA festivalen takker alle bidragsytere, samarbeidspartnere, medarbeidere og alle våre www.codadancefest.no frivillige som har vært med på å løfte #codafestival frem årets festival. Takk! CODA Oslo International Dance Festival The CODA festival wishes to thank our patrons, collaborating partners, colleagues and volunteers, KOLOFON - COLOPHON Vulkan 1, 0182 Oslo all of whom have contributed to making this year’s festival happen. [email protected] Thank you! Greetings from the CODA team CODA OSLO INTERNATIONAL DANCE FESTIVAL BIDRAGSYTERE / CONTRIBUTORS VULKAN 1 KULTURRÅDET N-0182 OSLO OSLO KOMMUNE WWW.CODADANCEFEST.NO DEN NORSKE AMBASSADE LONDON CODA OSLO INTERNATIONAL DANCE FESTIVAL 2002 – 2017 DEN NORSKE AMBASSADE PARIS GRUNNLEGGERE / FOUNDERS ODD JOHAN FRITZØE & LISE NORDAL OSLO KOMMUNE DANSENS HUS, RIKSSCENEN, PRODA / ROM FOR DANS, STYRET / MEMBERS OF THE BOARD INSTITUT FRANCAIS NORVÈGE VULKAN 1, OSLO, SCHOUS KULTURBRYGGERI, MARSTRANDGATA 8, OSLO, TORGER ØDEGAARD, STYRELEDER/ PAVILION DANCE SOUTH WEST WWW.DANSENSHUS.COM TRONDHEIMSVEIEN 2, OSLO, WWW.PRODA.NO CHAIRMAN OF THE BOARD FRITT ORD TRAM 11, 12, 13 TO SCHOUS PLASS, BUS 54, WWW.RIKSSCENEN.NO WWW.ROMFORDANS.NO HELGE SKANSEN, NESTLEDER/ 34 TO MØLLERVEIEN TRAM 11, 12, 13 TO SCHOUS PLASS TRAM 11, 12, 13 TO BIRKELUNDEN. BUS TO DEPUTY CHAIRMAN BILKOLLEKTIVET DÆLENGA. BUS 20, 21, TO KØBENHAVNGATA LARS JACOB HOLM DB SCHENKER VIGDIS LIAN PS HOTELL BÆRUM KULTURHUS, BLACK BOX TEATER, KULTURHUSET I OSLO, PERNILLE BØNKAN COMFORT HOTEL BØRSPARKEN CLAUDE MONETS ALLE 27, 1307 SANDVIKA, MARSTRANDGATA 8, OSLO, YOUNGS GATE 6, OSLO, WWW.BLACKBOX.NO WWW.BAERUMKULTURHUS.NO WWW.KULTURHUSETIOSLO.NO KUNSTNERISK LEDELSE / ARTISTIC CURATOR CODA 2017 LISE NORDAL DOCUMENTATION TRAIN R10, R11, L1 & L12 FROM OSLO CEN- TRAM 11, 12, 13 TO BIRKELUNDEN. -
Pianist, Komponist, Arrangør, Orkesterleder Mm Han Har Studert Musikk V/Univers
Sverre Indris Joner (f. 19. juli 1963 i Oslo) Pianist, komponist, arrangør, orkesterleder m.m. Han har studert musikk v/Universitetet i Oslo, men har reist mye i Latinamerika for å studere lokale musikkformer. Har flere studioopphold bak seg på Cuba, Argentina, Peru og Brasil. i Norge regnes han som en ekspert på Latinamerikansk musikk. Har stiftet en rekke orkestre/band. De fleste med tilknyning til latinamerika. (Hovedøen Social Club, Electrocutango, La Descarga, Tango for 3, m.fl.) Har komponert/arrangert for og produsert en rekke CDer med egne band, samt for andre artister. Flere har blitt Spellmannprisnominert. For Electrocutango og stykket ”Tanghost” vant han TONOS ”Edvard-pris” 2005. Vant utmerkelsen Kardemommestipendet fra NOPA 2001. Har mottatt utmerkelsen ”Academico Correspondiente” og opptatt i det argentinske nasjonale tango-akademi under ledelse av nasjonalpoet Horacio Ferrer i forbindelse med releaseturne i Argenitina av Electrocutangos CD ”Adrenalina”. Har vært solist og jobbet med prestisjetunge orkestre som BBC Symphony Orchestra, Munchner Rundfunk Orchester, Deutsche KammerPhilharmonie, Dresden Symphony Orchestra, Junge Philharmonie Salzburg & Komische Oper (Berlin ). Konsertopptak av hans banebrytende arrangementer av klassiske stykker i salsautgave for symfoniorkester er mye sett på YouTube og er utgitt i Latinamerika på Sony Music Mexico. Har arrangert en rekke konsertrepertoir for symfoniorkestre i inn- og utland. Programmene med symfonisk tango og ”classics a la Cuba” er blant de mest kjente. Komponerer ellers mye for orkester og kammerensembler, for teater, dans og film. Har komponert musikk for en rekke teaterstykker og danseforestillinger (Tanghost, @lice, Joner&Joner&Joner, Et par tre herrer med bart, Mater Nexus, m.fl.) Har med den brasilianske cellisten Gustavo Tavares en duo med et klassisk latinsk repertoir som har vært på turneer for Rikskonertene og gjort egne recitals. -
Sverre Indris Joner 19/7 1963 CV - Selected Production/Education/Misc
Sverre Indris Joner 19/7 1963 CV - selected production/education/misc. PRODUCTION Compositions (see also other categories CD, Theatre, Film, Ballet) - Impressions from Brasil – Piece in brasilian style for symphonic band and saxophone. Commisioned by Rolf-Erik Nystrøm. 2017. - A bailar y gozar con la sinfonica – Guajira for symphony orchestra . Premiered by Bærum symphony orchestra june 2017. - Four Seasonings (Quattro Formaggi) - commisioned by Gustavo Tavares. Concerto for cello, strings and basso continuo. spring 2016. - ”Julie” - piece for symphony orchestra by KORK – premiered by Norwegian Broadcasting Orchestra KORK january 2016. - ”Who killed the tango?” – crossdicipline project for Elecotrocutango, dancers, video. Work in progress. - ”Homo Ludens” – suite for SISU percussion-ensemble – Work in progress. - ”Con cierto toque de tango” – violin concert for Hugo Ticciati & oModernt Festival (Stockholm) First performed 9. of june 2013. Recorded by Henning Kraggerud & KORK 2016. - ”Mil vias” – string-serenade for chamberorchestra, premiere by Oslo Camerata sept 2012. - ”Concordancia de cuerdas” for guitar and violin commisioned by A Corda duo, may 2011. - ”Millenum Tango” - Music for danceshow composed in collaboration with choreographer Pablo Veron, Buenos Aires, jan 2012, premiere TBA. - ”San Pedro en la milonga” for Harp and Bandoneon commisioned by the Rokseth siblings. nov 2009. - ”Concerto Grosso” for tango-quartet and orchestra. First performed with Kristiansand Symphony Orchestra under Rolf Gupta 12. of March 2009. - ”Vino y se fue” – contemporary tango commisioned by Tangueros del Norte. Recorded on their first CD “Inspiracion”. Dec. 2008. - ”Valserita” for cello and piano for duo with Gustavo Tavares 2007. - Composed the whole repertoir for the live-band Electrocutango (see CD). “Dysfunctional dancemusic for unemployed academics” for cello & piano. -
Nordic Countries
2017 THE NORDIC COUNTRIES MADE IN 2017 NO BORDERS We in the arts can take centre stage and show that the ability to collaborate is one of the finest things in humanity, and is crucial for our survival. The Nordic countries have a long-standing tradition of working together, and the MADE IN project, its catalogue and website, is a small yet great example of that. Artists, leaders and promoters in the performing arts from five countries have come together to jointly present their information on what they are all doing right now and in the near future. This is the fifth edition, and for the first time, we’ve decided not to list the catalogue by country, as we chose to fully commit to our manifesto for no borders between Nordic performing arts organisations. You are all welcome to start your communication with any of us, as in front of you is a network of fearless artists not unlike their Viking ancestors. ÅSA EDGREN Editor in Chief, MADE IN the Nordic Countries 2017 3 CONTENT MADE IN 2017 - No Borders 3 CONTENT 4 - 5 THE NORDIC COUNTRIES & CITIES 6 MAP 7 ABOUT MADEIN-THEWEB.COM 8 - 9 ARTISTS, COMPANIES & PROJECTS 10 - 121 Aaben Dans 10 Andersson Dance/Örjan Andersson 12 Arja Tiili Dance Company 14 Art of Spectra 16 Björn Säfsten 18 Black Box Dance Company 20 Byström Källblad 22 Carte Blanche 24 Charlotta Öfverholm/Age on Stage 26 Charlotte Engelkes Production 28 Christina Tingskog/Relative Dance Production 30 Cinnober Teater 32 Cirka Teater 34 Cirkus Cirkör 36 4 CONTENT ARTISTS, COMPANIES & PROJECTS cont. -
Line Tørmoen Cv Engelsk-Kopi
CV LINE TØRMOEN Born: 20.10.1971 Kristine Bonnevies vei 0592 Oslo, Norway E-mail: [email protected] Mobil: 951 17 158 http://skuda.no/kunstnerkatalog/dansere/item/644-line-tormoen Foto: John Andresen Education: 1990-1993 Oslo National Academy of Arts (BA -Dance) 1987-1990 Fagerborg videregående skole Selected work as a dancer: zero visibility corp.: Choreographer Ina Christel Johannessen 2018 Who told you this room exists, premiere November 2018 , Dansens Hus 2017 Frozen Songs, Hålogaland teater Piano Piano tour Germany, Switzerland 2016 …it's only a rehearsal, Wiesbaden, Germany Future, Dansens Hus, Oslo The Guest, Theatre Silvia Monfort Paris 2015 The Guest, Dansens Hus, Oslo Piano Piano, Stadtsteatern Stockholm 2014 …it's only a rehearsal played at Sadler's Wells, UK 2012-2014 Terra 0 Motel, Again, and Leave2House the performances have been played in Norway, Sweden, Denmark, Finland, Germany, Belgium, France, England, Czech Republic, Italy. 2011-2014 (im)possible has been played at The Cultural Rucksack for lower secondary schools 2010 Now she knows 2009 Thief-after-clip 0 (zero) 2008 It was November 2008 37, 5 the opening of Dansens Hus 2006 (but) that night I found her very alluring 2006 I have a secret to tell you (please) leave with me 2004 The terror of identification 2003 ...it ś only a rehearsal Has been played close to 200 times on Norwegian tour with "Riksteatret", Swedish tour with "Dansnettet”, played in the whole of Europe, in Sydney Opera House, Australia, New York, USA, and Toronto, Canada 2001 Confession time 2000 Suppose this time, I see what he saw Jo Strømgren Kompani 2018 The road is just a surface, Anja Garbarek/Jo Strømgren kompani 2013-2014 Artistic performance talk with the showing of "Naboen" Touring in the Cultural Rucksack for lower secondary schools 2009 ”Naboen” the dance film In 2010 the film received Rose d'or in Switzerland, Arts Documentary and Performing arts. -
WEEKEND SUGGESTIONS Week 3
INTERNATIONAL NETWORK OF NORWAY Oslo Chamber of Commerce WEEKEND SUGGESTIONS Week 3 HI EVERYBODY! Fast-paced fun in the snow! When the city is covered with snow and the sun is shining, what can be better than going sledding? Here is a list of some sledding areas in Oslo, so that you easily find your way: • Akebanen, Midtstulia The sledding Association in Oslo has at its disposal a natural ice course located by the old ski jump at Midtstuen, in addition to Korektrekkeren. Midtstulia meets the demands of an international competition course. • Unnarennet, Holmenkollbakken Is it legal, still? Has it ever been there? Unnarennet was used with great delight in the old days: great fun and very, very steep! • Korketrekkeren Korketrekkeren or Korken, as it is called, reigns over all the other sledding courses. Take the metro to Frognerseteren and sled down to Midstuen. From here, take the metro up again and repeat until you can’t any more! Photo: pixabay.com Other sledding locations in Oslo: Tøyenparken (below Tøyenbadet / above the Munch Museum): Steep and fun course. St.Hanshaugen: From Tårnbassenget down it is very steep, and there is often some running water suitable for sledding when it is icy. You may either sled right on your bottom, or with a black plastic bag. You may also sled on the way down to the lake with a steering sled. Uranienborgparken: Short hill suitable for younger children. Torshovdalen Ola Narr, Carl Berners Plass:Nice sledding course for the whole family. Vellabakken, Kjelsås: Small sledding course with stairs for the little ones by Grefsen Terrassehus. -
M O N T E V E R
MONTEVERDI Music is the servant of the words 2012 LET US INNOVATE by Simone Kotva FROM IMITATION OF NATURE MONTEVERDI’S REVERSAL TO NATURAL IMITATION At the turn of the sixteenth century, the cusp of Monteverdi christened his musical aesthetics the We should see what are the rhythms of a self- The sentence immediately preceding Plato’s antici - what historians have since called “the modern era,” seconda prattica , or Second Practice. Its purpose disciplined and courageous life, and after looking at pation of Monteverdi’s motto is a discussion of the Claudio Monteverdi poses the perennial question was to oppose the establishment, what he called those, make meter and melody conform to the leitmotif of Classical philosophy, namely the “self- of every artist: how do my compositions relate to the First Practice of music theory. Monteverdi speech of someone like that. We won’t make disciplined and courageous life,” or human nature. those of past masters? How does innovation characterised the First Practice (whether justly or speech conform to rhythm and melody . Plato’s belief (which was also Aristotle’s) was that relate to imitation? not), as concerned exclusively with the rules of (Republic 400a; my emphasis) human nature was formed through a life-long pro - “pure” harmony stripped of any relation to text, cess of cultivating good habits. These good habits For Monteverdi, living in a time of vitriolic polemics rhythm and melody. It philosophical foundations The final sentence mirrors the emphatic declara - would eventually lead to good virtues, -
Archiv Bregenzer Frühling 1988
Bregenzer Frühling | Archiv 2019 2018 2017 Zero Visibility Corp. Kibbutz Contemporary Dance Israel Galvan FLA.CO.MEN FROZEN SONGS VON INA CHRISTEL Company JOHANNESSEN (ÖEA) Nederlands Dans Theater 2 HORSES IN THE SKY VON RAMI BE’ER (ÖEA) Compagnie DCA THE GREY VON IMRE & MARNE VAN OPSTAL (ÖEA) ImPerfect Dancer FEELINGS VON SHARON EYAL & GAI BEHAR (ÖEA) NOUVELLES PIÈCES COURTES VON PHILIPPE HAMLET VON WALTER MATTEINI & INA DECOUFLÉ (ÖEA) MIDNIGHT RAGA VON MARCO GOECKE (ÖEA) BROECKX Wang Ramirez SH-BOOM! VON SOL LEON/PAUL LIGHTFOOT (ÖEA) Helena Waldmann EVERYNESS VON HONJI WANG UND SÉBASTIEN Michèle Anne De Mey / Jaco RAMIREZ (ÖEA) GOOD PASSPORTS, BAD PASSPORTS Van Dormael National Dance Company of Motionhouse COLLECTIF KISS & CRY Wales CHARGE VON KEVIN FINNAN (ÖEA) COLD BLOOD (ÖEA) TUNDRA VON MARCOS MORAU Silvia Salzmann (Österreich) Richard Siegal / Ballet of THEY SEEK TO FIND THE HAPPINESS VON LEE Difference (USA) JOHNSTON MUSCHLN NUSCHLN BEIM KUSCHLN (UA) MY GENERATION MIT DEN CHOREOGRAFIEN: FOLK VON CAROLINE FINN Yui Kawaguchi BOD (ÖEA) Silvia Salzmann DA CAPO (WELTPREMIERE) EXCERPTS OF A FUTURE WORK ON THE MORE – IMMER MEHR UND MEHR aktionstheater ensemble SUBJECTS OF CHELSEA MANNING (ÖEA) Francesca Harper POP HD (ÖEA) UNAPOLOGETIC BODY DIE WUNDERBARE ZERSTÖRUNG DES MANNES Akram Khan Company (UA) aktionstheater ensemble UNTIL THE LIONS VON AKRAM KHAN (ÖEA) WIE GEHT’S WEITER (UA) aktionstheater ensemble ICH GLAUBE (UA) 2016 2015 2014 Compañía María Pagés Cloud Gate Dance Theatre of Akram Khan Company Yo, Carmen (ÖE) Taiwan DESH Ultima Vez | Wim LIN HWAI-MIN HOFESH SHECHTER COMPANY Vandekeybus Wayne McGregor | Random POLITICAL MOTHER SPEAK LOW IF YOU SPEAK LOVE… Dance Eastman | Sidi Larbi Cherkaoui KVS | Les ballets C de la B | ATOMOS 4 D Cullberg Ballet Nederlands Dans Theater 2 A.M. -
D an S E in Fo Rmasjo N En
Siri & Snelle Produksjoner SEANSE Dansens Hus i april og mai Foto Elinor Ström DANSE A INFORMASJONEN I 2011 er det 20 år siden Siri Jøntvedt og Snelle Hall startet sitt pågående prosjekt, en særegen form for dansekunst på god vei til å bli en anerkjent signatur. NR 02 2011 INFORMASJONEN Redaksjon: DANSE 2, 0182 Oslo Møllerveien T 23 70 94 40 F 41 M [email protected] W www.danseinfo.no ÆRESPRISEN 2011 OG FORSLAG TIL 2011 DANSEINFORMASJONEN ANBEFALER NODAS KOR HILSEN FRA I skrivende stund skal ærespriskomiteen samles og vurdere kandidater for NoDas kursgruppe har startet kor med oppstart 17. mars, men tar fremdeles tildeling av Danseinformasjonens ærespris for 2011. For første gang har vi åpnet imot nye, glade sangere. Det øves hver torsdag fra kl 1900 - 2100 i Øvingshotellet DANSEINFORMASJONEN for eksterne forslag til mottager av prisen, og innen fristens utløp hadde 20 på Schous plass i Oslo. Du lærer grunnleggende sangteknikk og stemmebruk, personer sendt inn forslag på til sammen 12 navn, som skal vurderes på lik linje og koret bygger opp et repertoar og avslutter kan hende vårsesongen med en KONTORRESIDENS HOS DANSEINFORMASJONEN med komiteens egne forslag. I komiteen sitter: konsert. Dirigent er Ingrid Støylen Runde. Marte Sæther, tidligere solist i Nasjonalballetten og tidligere rektor ved Se www.norskedansekunstnere.no Vi har en ledig kontorplass i biblioteket og åpner i mai og juni for at Statens Balletthøgskole dansekunstnere, produsenter eller andre frilansere som jobber med dans, Terje Tjøme Mossige, koreograf og danser kan benytte seg av plassen i en måned av gangen. Vi tilbyr trådløst nettverk, Hilde Rustad, koreograf og danser stasjonær mac, gratis felles lunsj med Danseinformasjonens ansatte, tilgang Kristine Karåla Øren, koreograf og danser til redigeringsutstyr for video, samt bruk av våre øvrige ressurser som bibliotek Magnus Myhr, danser og kinosal. -
Shay Kuebler Radical System Art 18
VANCOUVER SHAY KUEBLER RADICAL SYSTEM ART 18. 19. 20. 21. 22 AVRIL 2017 – Cinquième Salle TELEMETRY Shay Kuebler Lexi Vanda, Tyler Layton Olson. Tyler Lexi Vanda, Dancers Interprètes / PARTENAIRE PARTENAIRE DE LA SÉRIE CRÉATEURS DE SAISON #ShayKuebler PARTNER CREATORS SERIES Durée / Length 1 h © David Cooper. © David Cooper. 21 AVRIL : Rencontre avec les artistes après le spectacle / Meet the artists after the show Photo PARTENAIRES CULTURELS PARTENAIRE MÉDIA PARTENAIRE CULTURAL PARTNERS MEDIA PARTNER DU MOUVEMENT PARTENAIRE / PARTNER PARTENAIRES PUBLICS PARCOURS DES JEUNES SPECTATEURS PUBLIC PARTNERS . © Julie Artacho MOT DE SHAY KUEBLER © Albert Nichols Photo CHORÉGRAPHE ET INTERPRÈTE Photo Quand j’ai entendu parler de la science de la télémétrie et de la transmission des données télémétriques, l’idée du corps humain comme télémètre s’est tout de suite imposée à moi. Le corps est un dispositif – un outil – qui traduit, relaie et communique des processus intangibles et invisibles. La danse MOT DE LA DIRECTION est un exemple tout à fait clair de transmission de données télémétriques, où le corps traduit ARTISTIQUE une forme sonore en forme visuelle. C’est pour cette raison que le spectacle accorde une grande Caroline Ohrt et Pierre Des Marais, Danse Danse importance à l’interaction entre le son créé en direct, l’éclairage et les performances physiques. Au cours de mes recherches pour ce projet, j’ai continuellement été en quête d’idées sur comment Shay Kuebler nous a fascinés d’emblée. le corps humain peut être relié à la science des ondes et au concept de poste de monitorage. Il possède une personnalité tout à fait singulière, On pourrait considérer le corps comme un réservoir de mémoires et d’expériences qui sont incomparable. -
ENGLISH 09.00–09.45 Morning Dance with Andreea! Thon Hotel Førde 50 11.30 – 13.30 Cuban Salsa (Intermediate Level)
4mm 4mm 150mm 4mm 4mm 150mm 4mm 4mm 150mm 4mm 4mm Festival Pass concerts are outlined in yellow Discount sponsorship La Porteña Tango Trio Thanks to collaborative agreements with the Norwegian Trekking Association (DNT), Bergens tidende, Firda Ticket information og BOB, we can offer discounts during the festival. Festivalguide Information: fordefestival.no. You can purchase all your concert tickets, and Questions about tickets or the program? reduced-price festival pass tickets, and enrol in Ring +47.46905010 or send an e-mail to How to read the price guide TIME: FESTIVAL PASS PRICE: all festival courses at TicketCo.no, and have them [email protected] for any program- or ticket questions. July 5-9 Festival Pass - Adult 960 Price w/festival pass sent to your e-mail address or your mobile. NB! You will find full ticket information at fordefestival.no Angelite July 5-9 Festival Pass – Youth/Student 470 270/170/50 Remember to exchange your festival pass tickets for a festival July 5-9 Festival Pass - Child 200 wrist band at the festival office at Førdehuset. Price w/child/ July 8 Day Pass Saturday 800 Price, ordinary ticket The festival pass is non-transferrable. youth/student pass Kouame Sereba Mamadou Diabaté Here are the festival pass alternatives: Wednesday 5. July ARENA: Ord./Fpass/USpass, Barn 09.00-09.30 Rise and shine! Solsida kindergarten, avd. Haugum Free entry 16.00–19.00 In the great outdoors Halbrendstølen 170/110/50 17.30–18.00 Maja Birkeland: “Our common things” - Opening! S&Fj Kunstmuseum Free entry 18.30–20.10 Festival Film: Virgin Mountain Lisjesalen, Førdehuset 100 (Reception. -
On Empty and Filled Landscapes Who Deserves Punishment? School on Wheels Goes Abroad Life of Aarne and Arja © HELI REKULA HELI
26 . 2005 vol. 8 On Empty and Filled Landscapes Who Deserves Punishment? School on Wheels goes abroad Life of Aarne and Arja © HELI REKULA 2 Kiasma Heli Rekula: Landscape no. 7 Jesus & Mariana, 1989 LEENA MARKKANEN/CAA Heli Rekula: Altarpiece on the Theme of Pilgrimage, 1996 Thoughts and Notes – Conversations with Heli Rekula 15 and 26 October 2004. Excerpts from an interview by Kati Kivinen On Empty and Filled Landscapes In the past few years you have been photo- the landscape itself. I’m mostly interested in the graphing landscapes instead of people. They distance between myself and the people in these tend to be quiet and anonymous, unburdened pictures. by unnecessary meanings. What made you shift from people to landscapes? As a subject, the landscape gives me a moment of respite. I live in a city where I am surrounded I have always photographed landscapes, ever since by a massive amount of information all the time. I first began taking pictures. I first exhibited land- I find that the feeling of presence and my own scapes as independent works in 1998. Earlier on existence is somehow strengthened in the silence I had always presented them as part of some other of the landscape, it clarifies my thoughts. work, such as in the triptych Pilgrimage (1996). You have called your landscapes ”experiential Making constructed and staged photos of people notes”. Are all your works memos of experiences is quite hard work. There are so many things one or does this only apply to the landscapes? must keep track of. I always feel I am holding a great responsibility, both for the work process and To me, the landscapes are evidence of something the finished work itself.