WEEKEND SUGGESTIONS Week 3
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Pianist, Komponist, Arrangør, Orkesterleder Mm Han Har Studert Musikk V/Univers
Sverre Indris Joner (f. 19. juli 1963 i Oslo) Pianist, komponist, arrangør, orkesterleder m.m. Han har studert musikk v/Universitetet i Oslo, men har reist mye i Latinamerika for å studere lokale musikkformer. Har flere studioopphold bak seg på Cuba, Argentina, Peru og Brasil. i Norge regnes han som en ekspert på Latinamerikansk musikk. Har stiftet en rekke orkestre/band. De fleste med tilknyning til latinamerika. (Hovedøen Social Club, Electrocutango, La Descarga, Tango for 3, m.fl.) Har komponert/arrangert for og produsert en rekke CDer med egne band, samt for andre artister. Flere har blitt Spellmannprisnominert. For Electrocutango og stykket ”Tanghost” vant han TONOS ”Edvard-pris” 2005. Vant utmerkelsen Kardemommestipendet fra NOPA 2001. Har mottatt utmerkelsen ”Academico Correspondiente” og opptatt i det argentinske nasjonale tango-akademi under ledelse av nasjonalpoet Horacio Ferrer i forbindelse med releaseturne i Argenitina av Electrocutangos CD ”Adrenalina”. Har vært solist og jobbet med prestisjetunge orkestre som BBC Symphony Orchestra, Munchner Rundfunk Orchester, Deutsche KammerPhilharmonie, Dresden Symphony Orchestra, Junge Philharmonie Salzburg & Komische Oper (Berlin ). Konsertopptak av hans banebrytende arrangementer av klassiske stykker i salsautgave for symfoniorkester er mye sett på YouTube og er utgitt i Latinamerika på Sony Music Mexico. Har arrangert en rekke konsertrepertoir for symfoniorkestre i inn- og utland. Programmene med symfonisk tango og ”classics a la Cuba” er blant de mest kjente. Komponerer ellers mye for orkester og kammerensembler, for teater, dans og film. Har komponert musikk for en rekke teaterstykker og danseforestillinger (Tanghost, @lice, Joner&Joner&Joner, Et par tre herrer med bart, Mater Nexus, m.fl.) Har med den brasilianske cellisten Gustavo Tavares en duo med et klassisk latinsk repertoir som har vært på turneer for Rikskonertene og gjort egne recitals. -
Sverre Indris Joner 19/7 1963 CV - Selected Production/Education/Misc
Sverre Indris Joner 19/7 1963 CV - selected production/education/misc. PRODUCTION Compositions (see also other categories CD, Theatre, Film, Ballet) - Impressions from Brasil – Piece in brasilian style for symphonic band and saxophone. Commisioned by Rolf-Erik Nystrøm. 2017. - A bailar y gozar con la sinfonica – Guajira for symphony orchestra . Premiered by Bærum symphony orchestra june 2017. - Four Seasonings (Quattro Formaggi) - commisioned by Gustavo Tavares. Concerto for cello, strings and basso continuo. spring 2016. - ”Julie” - piece for symphony orchestra by KORK – premiered by Norwegian Broadcasting Orchestra KORK january 2016. - ”Who killed the tango?” – crossdicipline project for Elecotrocutango, dancers, video. Work in progress. - ”Homo Ludens” – suite for SISU percussion-ensemble – Work in progress. - ”Con cierto toque de tango” – violin concert for Hugo Ticciati & oModernt Festival (Stockholm) First performed 9. of june 2013. Recorded by Henning Kraggerud & KORK 2016. - ”Mil vias” – string-serenade for chamberorchestra, premiere by Oslo Camerata sept 2012. - ”Concordancia de cuerdas” for guitar and violin commisioned by A Corda duo, may 2011. - ”Millenum Tango” - Music for danceshow composed in collaboration with choreographer Pablo Veron, Buenos Aires, jan 2012, premiere TBA. - ”San Pedro en la milonga” for Harp and Bandoneon commisioned by the Rokseth siblings. nov 2009. - ”Concerto Grosso” for tango-quartet and orchestra. First performed with Kristiansand Symphony Orchestra under Rolf Gupta 12. of March 2009. - ”Vino y se fue” – contemporary tango commisioned by Tangueros del Norte. Recorded on their first CD “Inspiracion”. Dec. 2008. - ”Valserita” for cello and piano for duo with Gustavo Tavares 2007. - Composed the whole repertoir for the live-band Electrocutango (see CD). “Dysfunctional dancemusic for unemployed academics” for cello & piano. -
Who's Who in Pop Record Production (1995)
WHO'S WHO IN POP RECORD PRODUCTION (1995) The following is a list of PRODUCERS credited on at least one album or one single in the Top Pop 100 Charts or that has been picked in our "Next On The Charts" section so far this year. (Please note that due to computer restraints, PRODUCERS are NOT credited on records that have more than 5 PRODUCERS listed) This listing includes the PRODUCER'S NAME (S= # singles) (LP= # Albums) - "Record Title"- ARTIST-/ and OTHER PRODUCERS on the record. 20 Fingers(S = 3)- "Fat Boy"- Max-A-MillionV 'Mr. Personality"- Gillette-/ "Lick It"- Ftoula-/ Cyrus EstebanfS = 1)- "I'll Be Around"- Rappin' 4-Tay & The SpinnersVFranky J Bryan Adams(S = 1)- "Have You Ever Really Loved A Woman?"-Bryan Adams-/Robert John 'Mutt' Lange Emilto EstefanfS = 2)- "Everlasting Love'-Gloria Estefan-/ Jorge Casas Lawrence Dermer "It's Too Walter Afanasieff (S = 4)- "Always And Forever'-Luther Vandross-/ Luther Vandross "All I Want ForLate'-Gloria Estefan-/ Jorge Casas Clay Ostwald Christmas'-Mariah Carey-/ Mariah Carey "Going In Circles'-Luther Vandross-/ "Wherever Would iMeliasa Etheridge(S= 1)- "If I Wanted To/Like The Way I Do'-Melissa EtheridgeVHugh Padgham Be"-Dusty Springfield & Daryl Hall-/ Tom Sh Face To Face(S = 1)- "Disconnected"- Face To Face-/Thom Wilson Matt Aitken(S = 1)- "Total Eclipse Of The Heart"-Nicki FrenchVJohn Springate Mike Stock (|_P= 1)- "Big Choice"- Face To FaceVThom Wilson Derek Allen(S = 1)- "Let's Do It Again"- Blackgirt-/ Bruce Fairbairn(S = 2)- "Don't Tell Me What Love Can Do"- Van Halen-/ "Can't Stop -
The Formal and Contextual Relation of Typographic and Visual Elements of Pj Harvey Album Covers
THE FORMAL AND CONTEXTUAL RELATION OF TYPOGRAPHIC AND VISUAL ELEMENTS OF PJ HARVEY ALBUM COVERS Cinla Seker The aim of this research is to determine 21st century’s formal and contextual design solutions with the guidance of graphic design principles by analyzing design products. Twenty-nine times nominated and six times winner for the international worldwide music awards Pj Harvey’s eight alternative rock studio album covers have chosen; Dry (1992), Rid of Me (1993), To Bring You My Love (1995), Is this Desire?(1998), Stories from the City, Stories from the Sea (2000), Uh Huh Her (2004), White Chalk (2007), Let England Shake (2011).Graphic design as a design discipline in special means determining the formals of a 2d before production process according to the context. Album covers are one of the many graphic design products of 21st century. With the help of an album cover the artist reflects an audial expression visually. For a successful visualization some graphic design principles should have been considered by the designers. Design principles are the guides of organizing elements like visuals, typography and color. In this research five design principles are looked for; unity/harmony, balance, hierarchy, scale/proportion, dominance/emphasis and, similarity and contrast. On Pj Harvey’s album covers it is determined that every five of these principles were considered by the graphic designer during the design process as outlined. INTRODUCTION ............................................................................................ 750 I. ALBUM COVERS AS A GRAPHIC DESIGN PRODUCT................................... 751 A. Analysis of Pj Harvey Album Covers........................................ 752 CONCLUSION ............................................................................................... 757 INTRODUCTION Formal and functional features determination process called the design. -
M O N T E V E R
MONTEVERDI Music is the servant of the words 2012 LET US INNOVATE by Simone Kotva FROM IMITATION OF NATURE MONTEVERDI’S REVERSAL TO NATURAL IMITATION At the turn of the sixteenth century, the cusp of Monteverdi christened his musical aesthetics the We should see what are the rhythms of a self- The sentence immediately preceding Plato’s antici - what historians have since called “the modern era,” seconda prattica , or Second Practice. Its purpose disciplined and courageous life, and after looking at pation of Monteverdi’s motto is a discussion of the Claudio Monteverdi poses the perennial question was to oppose the establishment, what he called those, make meter and melody conform to the leitmotif of Classical philosophy, namely the “self- of every artist: how do my compositions relate to the First Practice of music theory. Monteverdi speech of someone like that. We won’t make disciplined and courageous life,” or human nature. those of past masters? How does innovation characterised the First Practice (whether justly or speech conform to rhythm and melody . Plato’s belief (which was also Aristotle’s) was that relate to imitation? not), as concerned exclusively with the rules of (Republic 400a; my emphasis) human nature was formed through a life-long pro - “pure” harmony stripped of any relation to text, cess of cultivating good habits. These good habits For Monteverdi, living in a time of vitriolic polemics rhythm and melody. It philosophical foundations The final sentence mirrors the emphatic declara - would eventually lead to good virtues, -
Album Top 1000 2021
2021 2020 ARTIEST ALBUM JAAR ? 9 Arc%c Monkeys Whatever People Say I Am, That's What I'm Not 2006 ? 12 Editors An end has a start 2007 ? 5 Metallica Metallica (The Black Album) 1991 ? 4 Muse Origin of Symmetry 2001 ? 2 Nirvana Nevermind 1992 ? 7 Oasis (What's the Story) Morning Glory? 1995 ? 1 Pearl Jam Ten 1992 ? 6 Queens Of The Stone Age Songs for the Deaf 2002 ? 3 Radiohead OK Computer 1997 ? 8 Rage Against The Machine Rage Against The Machine 1993 11 10 Green Day Dookie 1995 12 17 R.E.M. Automa%c for the People 1992 13 13 Linkin' Park Hybrid Theory 2001 14 19 Pink floyd Dark side of the moon 1973 15 11 System of a Down Toxicity 2001 16 15 Red Hot Chili Peppers Californica%on 2000 17 18 Smashing Pumpkins Mellon Collie and the Infinite Sadness 1995 18 28 U2 The Joshua Tree 1987 19 23 Rammstein Muaer 2001 20 22 Live Throwing Copper 1995 21 27 The Black Keys El Camino 2012 22 25 Soundgarden Superunknown 1994 23 26 Guns N' Roses Appe%te for Destruc%on 1989 24 20 Muse Black Holes and Revela%ons 2006 25 46 Alanis Morisseae Jagged Liale Pill 1996 26 21 Metallica Master of Puppets 1986 27 34 The Killers Hot Fuss 2004 28 16 Foo Fighters The Colour and the Shape 1997 29 14 Alice in Chains Dirt 1992 30 42 Arc%c Monkeys AM 2014 31 29 Tool Aenima 1996 32 32 Nirvana MTV Unplugged in New York 1994 33 31 Johan Pergola 2001 34 37 Joy Division Unknown Pleasures 1979 35 36 Green Day American idiot 2005 36 58 Arcade Fire Funeral 2005 37 43 Jeff Buckley Grace 1994 38 41 Eddie Vedder Into the Wild 2007 39 54 Audioslave Audioslave 2002 40 35 The Beatles Sgt. -
University of Southampton Research Repository Eprints Soton
University of Southampton Research Repository ePrints Soton Copyright © and Moral Rights for this thesis are retained by the author and/or other copyright owners. A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the copyright holder/s. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the copyright holders. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given e.g. AUTHOR (year of submission) "Full thesis title", University of Southampton, name of the University School or Department, PhD Thesis, pagination http://eprints.soton.ac.uk UNIVERSITY OF SOUTHAMPTON FACULTY OF HUMANITIES Music Volume 1 of 2 Phono-somatics: gender, embodiment and voice in the recorded music of Tori Amos, Björk and PJ Harvey by Sarah Boak Thesis for the degree of Doctor of Philosophy October 2015 UNIVERSITY OF SOUTHAMPTON ABSTRACT FACULTY OF HUMANITIES Music Thesis for the degree of Doctor of Philosophy PHONO-SOMATICS: GENDER, EMBODIMENT AND VOICE IN THE RECORDED MUSIC OF TORI AMOS, BJÖRK AND PJ HARVEY Sarah Boak This thesis is a feminist enquiry into the relationship between gender, embodiment and voice in recorded popular music post-1990. In particular, the study focuses on the term ‘embodiment’ and defines this term in a way that moves forward from a simple understanding of representing the body in music. -
The History of Rock Music - the Nineties
The History of Rock Music - The Nineties The History of Rock Music 1989-1994 Raves, grunge, post-rock History of Rock Music | 1955-66 | 1967-69 | 1970-75 | 1976-89 | The early 1990s | The late 1990s | The 2000s | Alpha index Musicians of 1955-66 | 1967-69 | 1970-76 | 1977-89 | 1990s in the US | 1990s outside the US | 2000s Back to the main Music page (Copyright © 2002 Piero Scaruffi) Female Rock (These are excerpts from my book "A History of Rock and Dance Music") Psychedelic feminism, 1989-92 TM, ®, Copyright © 2005 Piero Scaruffi All rights reserved. The early 1990s marked a dramatic change in the gender balance. Not only did many female singer-songwriters emerge, but their artistic achievements generally ranked higher than those of the men. The emergence of the female auteur was partly a consequence of the riot-grrrls movement and partly a sign of a changing social and psychological landscape. The ladies had their own styles (plural). First of all, at the turn of the decade, an eccentric figure of lo-fi psychedelic storytellers emerged out of New York's underground lofts. Multi-instrumentalist Azalia Snail (12) devoted her career to enigmatic and arcane reconstructions of the hippie era. Snailbait (? 1988/?1989 - ? 1989) featured a parade of folk-psychedelic vocal impersonations as well as erratic guitar playing with no rhythm section, and peaked with a 23- minute collage of singing, distorted tapes, found noises and assorted turbulence, So Much More To Go. Burnt Sienna (? ? - ? 1992) indulged in psychedelic effects, amid distorted vocals and dissonant music, leading to the chaotic Fumarole Rising (? 1993 - ? 1993), the culmination of her program of disintegration of the pop song. -
ENGLISH 09.00–09.45 Morning Dance with Andreea! Thon Hotel Førde 50 11.30 – 13.30 Cuban Salsa (Intermediate Level)
4mm 4mm 150mm 4mm 4mm 150mm 4mm 4mm 150mm 4mm 4mm Festival Pass concerts are outlined in yellow Discount sponsorship La Porteña Tango Trio Thanks to collaborative agreements with the Norwegian Trekking Association (DNT), Bergens tidende, Firda Ticket information og BOB, we can offer discounts during the festival. Festivalguide Information: fordefestival.no. You can purchase all your concert tickets, and Questions about tickets or the program? reduced-price festival pass tickets, and enrol in Ring +47.46905010 or send an e-mail to How to read the price guide TIME: FESTIVAL PASS PRICE: all festival courses at TicketCo.no, and have them [email protected] for any program- or ticket questions. July 5-9 Festival Pass - Adult 960 Price w/festival pass sent to your e-mail address or your mobile. NB! You will find full ticket information at fordefestival.no Angelite July 5-9 Festival Pass – Youth/Student 470 270/170/50 Remember to exchange your festival pass tickets for a festival July 5-9 Festival Pass - Child 200 wrist band at the festival office at Førdehuset. Price w/child/ July 8 Day Pass Saturday 800 Price, ordinary ticket The festival pass is non-transferrable. youth/student pass Kouame Sereba Mamadou Diabaté Here are the festival pass alternatives: Wednesday 5. July ARENA: Ord./Fpass/USpass, Barn 09.00-09.30 Rise and shine! Solsida kindergarten, avd. Haugum Free entry 16.00–19.00 In the great outdoors Halbrendstølen 170/110/50 17.30–18.00 Maja Birkeland: “Our common things” - Opening! S&Fj Kunstmuseum Free entry 18.30–20.10 Festival Film: Virgin Mountain Lisjesalen, Førdehuset 100 (Reception. -
Music Recommenation Tutorial
Music Recommendation Tutorial Òscar Celma Paul Lamere ISMIR 2007 September 23, 2007 ismir2007 // music recommendation tutorial // paul lamere & òscar celma // 2 introduction • Speaker Introductions Òscar Celma – Music Technology Group Paul Lamere – Sun Labs • Goals for the tutorial ismir2007 // music recommendation tutorial // paul lamere & òscar celma // 3 outline ● Introduction ● Formalization of the recommendation problem ● Recommendation algorithms ● Problems with recommenders ● Recommender examples ● Evaluation of recommenders ● Conclusions / Future ismir2007 // music recommendation tutorial // paul lamere & òscar celma // 4 introduction:: what's the problem? • Today ● iTunes: 6M tracks ● iTunes: 3B Sales ● P2P: 15B tracks ● 53% buy music on line • Tomorrow ● All music will be on line ● Billions of tracks Photo by oh snap ● Millions more arriving every week • Finding new, relevant music is hard! ismir2007 // music recommendation tutorial // paul lamere & òscar celma // 5 introduction:: why music rec is important? • Long Tail Rules ● Make everything available ● Help me find it • How do we find it? ● Experts ● Friends ● Content ismir2007 // music recommendation tutorial // paul lamere & òscar celma // 6 introduction:: who is recommendation for? • Different types of users • Different types of recommendation 7% Savants Hype Machine 21% Enthusiasts Last.fm 32% Casuals Pandora 40% Indifferents Clear Channel ismir2007 // music recommendation tutorial // paul lamere & òscar celma // 7 introduction:: savants Savants • 7% of the 16-45 age -
Wigmore Hall Summer Brochure 2015
!"# APRIL – JULY 2015 Welcome Keith Saunders John Butt and the Dunedin Consort shed fresh light on Bach’s St John Passion in their revelatory recording, hailed by Gramophone for its ‘naturalness and emotional honesty’. They bring their vision of the work to Wigmore Hall for a special Holy Week performance, projecting the vivid drama of Christ’s betrayal and suffering, and the profound humanity of Bach’s response to it. Andreas Scholl has inspired countless new listeners to fall in love with lesser-known works. His artistry reveals the timeless qualities of great music from the distant past, restoring the rhetorical power and emotional impact of pieces conceived for star performers of eighteenth-century Europe. Scholl’s latest Wigmore Hall programme explores the vitality of Italian cantatas by three masters of the genre and frames their work with the seductive songs of Venetian gondoliers. Formed 70 years ago, soon after the Second World War, the Borodin Quartet has become synonymous with the works of Shostakovich and Beethoven. The ensemble’s latest Wigmore Hall series offers a complete cycle of the two composers’ string quartets, works deeply inscribed in the group’s collective DNA. Our season-long Paul Lewis: A Celebration continues when the much-loved English pianist partners Allan Clayton in a work of timeless musical beauty and artistic truth. Schubert’s Die schöne Müllerin, which was first performed at Wigmore Hall in 1903, explores a young man’s love, despair, contemplation of death and ultimate recognition of impermanence. Benjamin Ealovega Body and soul are united in Martin Fröst’s intensely focused approach Philippe Herreweghe and his Collegium Vocale Gent became pioneers of to making music. -
Producer John Parish Signs to Blue Raincoat Music Publishing/Reservoir
Producer John Parish Signs to Blue Raincoat Music Publishing/Reservoir July 8, 2021 New Talent Roster Grows With Elanor Moss and HighSchool LONDON, July 08, 2021 (GLOBE NEWSWIRE) -- Renowned producer, composer and artist John Parish has signed a global deal with Blue Raincoat Music Publishing/Reservoir encompassing all of John’s multi-dimensional work across an incredible 25-year career. Since the mid-90s John has worked with a range of artists, while also writing for film, stage and TV. He collaborated on five PJ Harvey albums, co-producing and featuring on the Mercury Award-winning Let England Shake and Mercury-nominated To Bring You My Love, and also co-writing and performing on Dance Hall At Louse Point and A Woman A Man Walked By. Most recently, John produced London band Dry Cleaning’s debut album, New Long Leg, which topped the UK Independent Albums chart. Other productions include Aldous Harding, Sparklehorse, Tracy Chapman, Giant Sand, This Is The Kit and the Eels’ Souljacker, on which he also co-wrote. Under his own name John released four albums with feted Thrill Jockey label and 2018’s Bird Dog Dante. He has created award-winning scores for many independent movies including Patrice Toye’s Rosie and Little Black Spiders, Ursula Meier’s L’Enfant D’en Haut, and Nathalie Teirlinck’s Le Passé Devant Nous. Blue Raincoat Music Publishing/Reservoir have also welcomed two fantastic emerging artists to their roster: Elanor Moss and HighSchool. Elanor Moss, born in Lincolnshire and living in Leeds, is an exciting new artist armed with insightful, truthful, and powerful song-writing.