DOCSLIB.ORG

Coda 2017 Program Katalog Lett

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Coda 2017 Program Katalog Lett 1 Thank you For tickets and registration CODA festivalen takker alle bidragsytere, samarbeidspartnere, medarbeidere og alle våre www.codadancefest.no frivillige som har vært med på å løfte #codafestival frem årets festival. Takk! CODA Oslo International Dance Festival The CODA festival wishes to thank our patrons, collaborating partners, colleagues and volunteers, KOLOFON - COLOPHON Vulkan 1, 0182 Oslo all of whom have contributed to making this year’s festival happen. [email protected] Thank you! Greetings from the CODA team CODA OSLO INTERNATIONAL DANCE FESTIVAL BIDRAGSYTERE / CONTRIBUTORS VULKAN 1 KULTURRÅDET N-0182 OSLO OSLO KOMMUNE WWW.CODADANCEFEST.NO DEN NORSKE AMBASSADE LONDON CODA OSLO INTERNATIONAL DANCE FESTIVAL 2002 – 2017 DEN NORSKE AMBASSADE PARIS GRUNNLEGGERE / FOUNDERS ODD JOHAN FRITZØE & LISE NORDAL OSLO KOMMUNE DANSENS HUS, RIKSSCENEN, PRODA / ROM FOR DANS, STYRET / MEMBERS OF THE BOARD INSTITUT FRANCAIS NORVÈGE VULKAN 1, OSLO, SCHOUS KULTURBRYGGERI, MARSTRANDGATA 8, OSLO, TORGER ØDEGAARD, STYRELEDER/ PAVILION DANCE SOUTH WEST WWW.DANSENSHUS.COM TRONDHEIMSVEIEN 2, OSLO, WWW.PRODA.NO CHAIRMAN OF THE BOARD FRITT ORD TRAM 11, 12, 13 TO SCHOUS PLASS, BUS 54, WWW.RIKSSCENEN.NO WWW.ROMFORDANS.NO HELGE SKANSEN, NESTLEDER/ 34 TO MØLLERVEIEN TRAM 11, 12, 13 TO SCHOUS PLASS TRAM 11, 12, 13 TO BIRKELUNDEN. BUS TO DEPUTY CHAIRMAN BILKOLLEKTIVET DÆLENGA. BUS 20, 21, TO KØBENHAVNGATA LARS JACOB HOLM DB SCHENKER VIGDIS LIAN PS HOTELL BÆRUM KULTURHUS, BLACK BOX TEATER, KULTURHUSET I OSLO, PERNILLE BØNKAN COMFORT HOTEL BØRSPARKEN CLAUDE MONETS ALLE 27, 1307 SANDVIKA, MARSTRANDGATA 8, OSLO, YOUNGS GATE 6, OSLO, WWW.BLACKBOX.NO WWW.BAERUMKULTURHUS.NO WWW.KULTURHUSETIOSLO.NO KUNSTNERISK LEDELSE / ARTISTIC CURATOR CODA 2017 LISE NORDAL DOCUMENTATION TRAIN R10, R11, L1 & L12 FROM OSLO CEN- TRAM 11, 12, 13 TO BIRKELUNDEN. BUS T TRAM 11, 12, 13, BUS 54, 34 TO YOUNGS GATE ASSOCIATE ARTISTIC CURATOR CODA 2017 ECKHARD THIEMANN ARTICLE 19/NEIL NISBET TRAL STATION TO SANDVIKA DÆLENGA. BUS 20, 21 TO KØBENHAVNGATA (FROM GRÜNERLØKKA) FESTIVALDIREKTØR & KUNSTNERISK LEDER / WEB & PRESSE/PRESS CEO & ARTISTIC DIRECTOR KULTURBYRÅET MESÉN OPERAEN, HENIE ONSTAD KUNSTSENTER, TRIKKEHALLEN KULTUR- OG UNGDOMSHUS, STINE NILSEN KIRSTEN FLAGSTADS PLASS 1, OSLO, SONJA HENIES VEI 31, 1311 HØVIKODDEN, MIDTODDVEIEN 12 PÅ KJELSÅS, OSLO, ADMINISTRASJONSSJEF/ WEB REDAKTØR / EDITOR WWW.OPERAEN.NO WWW.HENIEONSTAD.NO WWW.TRIKKEHALLEN.NO HEAD OF ADMINISTRATION ELISABETH DE LANGE TRAM 11, 12, 13 FROM SCHOUS PLASS - BUS 160 FROM HAMMERSBORGVEIEN TO TRAM 11, 12, BUS 54 TO KJELSÅS LIVE ROSENVINGE JACKSON BUS 54, 34 FROM MØLLERVEIEN - HØVIKODDEN TO OSLO CENTRAL STATION MARKEDSSJEF / HEAD OF MARKETING ANSVARLIG UTGIVER / EXECUTIVE PUBLISHER ELISABETH DE LANGE CODA OSLO INTERNATIONAL DANCE FESTIVAL PRODUSENT/PRODUCER GRETHE BRÆKKAN REDAKTØR / EDITOR MARKEDSFØRINGSASSISTENT / MARKETING ASSISTANT KRISTIN VALLA MIRIAM GJERSTAD LOGISTIKK – OG FRIVILLIGKOORDINATOR / LOGISTICS AND VOLUNTEER COORDINATOR I REDAKSJONEN / EDITORIAL STAFF INGEBORG HUSBYN AARSAND KRISTIN VALLA TEKNISK SJEF / TECHNICAL DIRECTOR LISE NORDAL STEFAN DOMBEK ELISABETH DE LANGE TEKNISK STAB / TECHNICAL CREW SHOWLAB REDAKSJONELLE BIDRAG KIM GUNNAR HELSVIG SAMARBEIDSPARTNERE / COLLABORATORS FABRIZIO MASSINI DANSENS HUS BÆRUM KULTURHUS DESIGN DEN NORSKE OPERA & BALLETT ELLEN LORENZEN RIKSSCENEN BLACK BOX TEATER OVERSETTELSE / TRANSLATION HENIE ONSTAD KUNSTSENTER DIANE OATLEY KULTURHUSET I OSLO DANSEKOLLEKTIVET KORREKTUR / PROOF TRIKKEHALLEN KULTUR – OG UNGDOMSHUS, KJELSÅS INGEBORG HUSBYN AARSAND KYRRE TEXNÆS STUDIO PRODA PROFESJONELL DANSETRENING FORSIDEFOTO / COVER PHOTO SKUESPILLER- OG DANSERALLIANSEN PABLO GUIDALI PURO YOGA WESTERDALS OSLO SCHOOL OF ARTS, COMMUNICATION & TECHNOLOGY TRYKK / PRINT HERO KOMPETANSE INTERFACE MEDIA AS ALDERS- OG DEMENSVENNLIG BYDEL Bærum 2 3 «Du glemmer å puste og blunke.» – DAGBLADET INNHOLD / CONTENTS 2 ARENAER, BILLETTER, KART / VENUES, TICKETS, MAP TRIPLE BILL CIE JOZSEF TREFELI / ÅDNE KOLBJØRNSHUS & VETLE SPRINGGARD JINX / DØGENIKTENES DEBATT / CREATURE 40 3 KOLOFON / COLOPHON ANTONY HAMILTON & ALISDAIR MACINDOE MEETING 43 7 VELKOMMEN FRA STYRELEDER MICHèLE NOIRET RADIOSCOPIES 44 9 KJÆRE PUBLIKUM / DEAR AUDIENCE LISE NORDAL TILBAKE TIL DANSEN / BACK TO DANCE 46 10 TIME & SHARING CODA 2002 – 2017 52 11 CODA 2002 - 2017 GLIMPSES CODA SEMINAR NORDIC CIRCLE OF ARTISTIC MANAGEMENT FUTURE AUDIENCES 56 HILSEN KULTURRÅDSDIREKTØR / 12 GREETINGS FROM DIRECTOROF ART COUNCIL CODA SEMINAR SHOWCASE OR EXCHANGE? FESTIVAL CURATION FOR NEW TIMES 57 14 ROCíO MOLINA CAíDA DEL CIELO CODA SEMINAR ARTIST TALK - TRIPLE BILL JINX 103 / 15 CCN-BALLET DE LORRAINE UNKNOWN PLEASURES DØGENIKTENES DEBATT / CREATURE 57 16 GRENSESPRENGEREN / THE GROUNDBREAKER CODA SEMINAR NORWEGIAN DAY OF DANCE HISTORY 58 INGUN BJØRNSGAARD PROSJEKT NOTES ON FRAILTY & KJERSTI KRAMM ENGEBRIGSTEN REISEN – PART OF 20 PERFORMANCE-PROJECT IN THE FOYER NORWEGIAN DAY OF DANCE HISTORY 59 22 GU JIANI EXIT CODA WORKSHOP DAVID ROCHE - ASHTANGA VINYASA YOGA 62 23 YABIN WANG THE MOON OPERA CODA WORKSHOP JAMIE WATTON CONTEMPORARY CLASS 62 24 CHINESE CONTEMPORARY DANCE CODA WORKSHOP CHRIS HARING CHOREOGRAPHIC INTENSIVE WORKSHOP 63 28 LIQUID LOFT SHINY, SHINY … IMPLODING PORTRAITS INEVITABLE CODA WORKSHOP STELLA ZANNOU CONTEMPORARY CLASS 63 30 CLAIRE CUNNINGHAM GIVE ME A REASON TO LIVE CODA WORKSHOP DOMINIQUE DUSZYNSKI / MICHèLE NOIRET KYLIÁN: WORKSHOP DANCE THEATRE AND MORE 64 32 PROGRAM 17 – 28 OCTOBER BREAKFASTCLUBBIN 64 34 MARLENE MONTEIRO FREITAS GUINTCHE CODA WORKSHOP DAVID ZAMBRANO WORKSHOP FLYING LOW & BLACK & WHITE 35 MARLENE MONTEIRO FREITAS OF IVORY & FLESH SOLO SHARING MY FIRE IS STILL BURNING FOR YOU 65 DOUBLE BILL ØYVIND JØRGENSEN & TERJE TJØME MOSSIGE CODA WORKSHOP JóZSEF TREFELI & GáBOR VARGA Opplev Nasjonalballetten på sitt beste i dans av koreografl egenden Jiří Kylián. 36 OVERSTÅTT ELLER NÆR FORESTÅENDE / VED SIDEN AV CONTEMPORARY DANCE WORKSHOP AND BODY PERCUSSION 65 ZERO VISIBILITY CORP. / INA CHRISTEL JOHANNESSEN CODA CLUB VIN&VALSEN 66 37 FROZEN SONGS CODA IMPRO DANCE IMPROVISATION ON THE 38 BELINDA BRAZA SURVIVAL ROOF OF THE OSLO OPERA HOUSE 67 2.—15. NOVEMBER / HOVEDSCENEN 39 INGRID BERGER MYHRE BLANKS CODA IMPRO DANCE IMPROVISATION AT THE VULKAN AREA 67 Foto: Erik Berg 4 5 DET HYGGELIGE NABOLAGSHOTELLET FOR KULTURNÆRINGENE LANGS AKERSELVA. Det er med stor glede og forventning at vi It is with great joy and anticipation that går inn i årets festival! CODA er et unikt we step into this year’s festival! CODA is a VELKOMMEN møtepunkt mellom kunstnere og publikum unique meetings point between artists and fra inn- og utland. Med høstens allsidige audiences from near and far. With the di- Midt i den pulserende og kreative nye bydelen program gjør CODA-festivalen Osloregionen verse program of this year’s edition, CODA på Vulkan, bare 10 minutters gange fra til en danserisk metropol, og gjennom 12 lifts the Greater Oslo region to a dancing fra dager får vi oppleve mange slike møtepunk- metropolis, and through 12 days of festival Karl Johan og Grünerløkka, med Mathallen, ter. Som tidligere byråd for kultur og utdan- program we will experience many such me- DOGA og Dansens Hus vegg i vegg. ning i Oslo har jeg fulgt CODA gjennom eting points. As previous city councillor for mange år. Jeg har latt meg begeistre over at the arts and education in Oslo I have fol- styreleder Norge har en festival av en slik størrelse og lowed CODA through many years. I have pshotell.no kunstnerisk kaliber i hovedstaden. Det er become thrilled that Norway has a festival med stor takknemlighet at vi takker av fes- of such size and artistic quality in the capital tivaldirektør / kunstnerisk leder Lise Nordal city. It is with gratitude that we bid farewell og ønsker Stine Nilsen velkommen som fes- to CEO/Artistic Director Lise Nordal and tivalens nye leder. welcome Stine Nilsen as the new director of the festival. Med ønsker om en inspirerende og spen- nende festival til alle våre publikummere, To all our audiences, artists and collabora- kunstnere og samarbeidspartnere! tors, we wish you an inspiring and exciting festival period! På vegne av styret i CODA On behalf of the CODA board Torger Ødegaard Styreleder Torger Ødegaard Chairman of the board 6 7 Kjære publikum Dear audience Det er med stor glede at jeg kan ønske dere I am very excited to K.Hendnes/ Dansens Hus Tale Photo: velkommen til årets festival. Som ny kunst- welcome you all to this nerisk leder og festivaldirektør er dette min year’s festival. As new første festival, og Lise Nordals siste. Ser vi CEO/ Artistic Director oss tilbake i tid var Merce Cunningham ett it is my first festival, and av de første kompaniene Lise presenterte i Lise Nordal’s last one. åpningsfestivalen i 2002, et ambisiøst grep Looking back, the Merce som tydelig plasserte CODA på kartet som Cunningham Compa- en festival av internasjonal størrelse. ny was one of the main companies that Lise pro- Det samme året, 2002, inviterte Merce grammed for the first fes- Cunningham 12 barn til å ta del i hans tival in 2002, an ambitio- profesjonelle arbeid med spørsmålet ”skal us move that put CODA vi danse?” (Shall we dance?) Den mest tref- firmly on the map as a fende tilbakemeldingen fra en av barna var festival of an internatio- ”han lar oss vise alt hva vi er”. Er ikke dette nal standing. hva vi alle søker etter, å ta del i aktiviteter som tillater oss å uttrykke oss selv og som That same year, 2002, gir lyst til å utrette mer? For noen er det å Merce Cunningham in- danse, for noen er det å se dans. vited 12 children
Load more

Recommended publications
  • Finnish Dance in Focus 2017–2018 Editorial Contents Finnish Dance in Focus 2017–2018 P 3
    P 2 FINNISH DANCE IN FOCUS 2017–2018 EDITORIAL CONTENTS FINNISH DANCE IN FOCUS 2017–2018 P 3 Lighting and sound designers Aino on equal terms with other Huovio artists and creatives. Jani-Matti 22–27 FINNISH DANCE IN FOCUS \ 2017–2018 VOLUME EIGHTEEN CAN WE TACKLE Salo \ Mandelin Publisher: Dance Info Finland 28–32 Tallberginkatu 1 C/93, 00180 Helsinki SOCIETY’S PROBLEMS combines styles Tel. +358 (0)9 6121 812 \ from circus [email protected] acrobatics to www.danceinfo.fi THROUGH DANCE? contemporary Editor-in-chief: Sanna Rekola dance. [email protected] Editor: Sanna Kangasluoma In today’s global climate, many feel that we live in a precarious and unsafe world, Ilpo [email protected] and this is also reflected in dance art. Art and artists are taking the opportunity to Vainionpää Editorial board: Sanna Kangasluoma, speak out in defence of empathy, trust, honesty and love. Collaboration is the working Katarina Lindholm, Sanna Rekola method du jour, and individual artistic geniuses and stars have been replaced by work that embraces collective creation between artists from different spheres. 12–19 Writers: Olli Ahlroos, Niko Hallikainen, Jenny Body language and dance can be more effective than mere words when it comes Jägerhorn-Tabermann, Sanna Kangasluoma, to initiating all-encompassing human encounters. Breakdance workshops are being Maija Karhunen, Raisa Rauhamaa, used to prevent and resolve bullying problems involving young people, and a dance Inka Reijonen video made by a church in Helsinki and published on YouTube touched many with English translation: Claire Dickenson, its comforting message. \ Fleur Jeremiah, Lola Rogers Joint performances by a Finnish dance artist and an Iranian musician who applied What means can for asylum in Finland are leaving many in tears, and audience discussions on the topic Graphic design & layout: Inka Kosonen of immigration have become an integral part of the piece.
    [Show full text]
  • Dialogues Between a Violin and a Body
    Kurs: AA1022 Examensarbete master, folkmusik 30 hp 2021 Konstnärlig masterexamen i musik Institutionen för folkmusik Handlare: Olof Misgeld Coline Genet Dialogues between a violin and a body How to be a dancing musician on stage ? Skriftlig reflektion inom självständigt arbete Inspelning av det självständiga, konstnärliga arbetet finns dokumenterat i det tryckta exemplaret av denna text på KMH:s bibliotek . Contents Abstract . .3 PREFACE . .4 1 Introduction . .5 2 Background and concepts . .6 2.1 Performances . .6 2.2 Master and doctoral thesis in artistic research . .7 2.3 Other inspiring artists . .7 2.4 Scientific works . .8 2.5 Concepts . .9 3 Chapter 1: Discovery, dialogue . 14 3.1 Material - The French bourrée ..................... 14 3.2 Construction of the performance . 15 3.3 Space and creativity . 16 4 Chapter 2: Freedom, improvisation . 17 4.1 Upstream work for dance improvisation . 17 4.2 Construction of the performance . 19 4.3 Borders of folk dance and music . 20 5 Chapter 3: Technique, precision, understanding . 21 5.1 Dance meter vs. musical meter . 21 5.1.1 Method . 21 5.1.2 Waltz styles . 22 5.1.3 Polyrhythmic layers: The case of the bourrée . 24 5.2 Dancing and playing at the same time . 26 5.2.1 Common posture . 27 5.2.2 Tune the different meters up . 28 5.2.3 Exercises . 29 5.3 Results . 30 Conclusion . 31 Bibliography 32 References . 33 Appendices . 34 1 The Dancing Musicians - John. B. Vallely 2 Acknowledgement I would like to thank Olof Misgeld and Ellika Frisell for supervising this project, inspiring and supporting
    [Show full text]
  • EMPTY Movesinnhold [PARTS/Conte I &Nt II]
    PAST PRESENT AGEEMPTY IN DANCE MOVES [PARTS I & II] 10–23 OCTOBER www.codadancefest.no CODA Oslo International Dance Festival Odd Johan Fritzøe Admininstrasjon/Administration Besøksadresse: Møllervn. 2 Lars Jacob Holm Sylvia M. Bjerkelund Box 513 Sentrum N-0105 Oslo Vigdis Lian Mona Walderhaug T: +47 464 12 150 [email protected] Varamedlemmer/Deputy members Regnskapsfører/Accountant www.codadancefest.no Eivind Bryne Anne Hilde Ødegård Anne-Berit Haavind Festivaldirektør & kunstnerisk leder/ Denise Ringnes Teknisk sjef/Technical Director CEO & Artistic Director Stefan Dombek Lise Nordal Kunstnerisk råd/Artistic adviser Pernille Bønkan CODAFilm Magne Antonsen Styret/Members of the Board CODAUng Anne-Berit Haavind/Rachael Brand Grethe Fjeld Heltne styreleder/Chairman of the Board Informasjonsansvarlig/Information Manager CODAKlubb Carl-Nilssen Love Helge Skansen nestleder/Assistant Chairman Magne Antonsen EMPTY MOVESINNHOLD [PARTS/CONTE I &NT II] HILSEN FRA KULTURMINISTEREN 4 PAST PRESENT AGE IN DANCE 5 BALLET PRELJOCAJ EMPTY MOVES [PARTS I & II] 7 YVONNE RAINER TRIO A PRESSURED 8 DEBORAH HAY LIGHTENING 9 TSUUMI DANCE COMPANY MAHTI – MIGHTY 10 MOUVOIR / STEPHANIE THIERSCH AS IF (WE WOULD BE) 11 LISE FERNER MIN OLDEMORS GRØNNE KORSETT 12 BATSHEVA DANCE COMPANY HORRA 13 DANSDESIGN FILM - DANCE TO BE MURDERED BY 14 INGUN BJØRNSGAARD PROSJEKT OMEGA AND THE DEER 15 SUSANNE LINKE SOLOS 16 GUNHILD BJØRNSGAARD / COMPANY B. VALIENTE THOUSAND Rooms – wITH UNEXPECTED CHANGES 17 ANTONIA BAEHR LATTER (LACHEN) 18 ERVI SIRÉN VIITA 19 CARTE BLANCHE CORPS
    [Show full text]
  • International Dance Day 2020 Brochure in English, Double Pages
    International Dance Day 2020 International Dance Day 2020 Message Author Gregory Vuyani MAQOMA Dancer, choreographer South Africa Online Celebration www.international-dance-day.org InternationalInternational Dance Day 2020 Dance DayMessage Author: Gregory 2020 Vuyani MAQOMA Editorial – Let‘s Celebrate International Dance Day 2020 And this intention is even more important during the time of social distancing. We need to encourage. We need to keep our passion alive. That is the reason the members and friends of dance are continuing to celebrate International Dance Day in 2020 online: www.iti-worldwide.org is showing initiatives of encouragement and support and www.international-dance-day.org is presenting actions concerning the celebration of the Day and translations of the message. For 2020 the Executive Council of ITI in alignment with the Dance Committee of ITI and World Dance Alliance selected Gregory Vuyani Maqoma, the eminent dancer, choreographer and dance educator from South Africa, to share his inspiring thoughts about dance, peace and mutual understanding. Please celebrate dance on 29 April 2020. Let‘s be thankful to those who take care of individuals who are ill. Let´s be thankful to those who help to soothe the pains of those who are old and need special care. And let´s be grateful of those who are guiding us with In times of in Covid-19 virus-related “confinement”, health and encouragement and makes us aware of what is important for now well-being are of utmost importance, even if we have to change and for the future of mankind. our habits and routines.
    [Show full text]
  • 「城市當代舞蹈達人」 City Contemporary Dance Laureate
    CITY CONTEMPORARY DANCE COMPANY 2018 / 2019 ANNUAL REPORT 目錄 TABLE OF CONTENTS 02 願景 Vision 03 主席報告 Chairman’s Report 04-07 董事會 Board of Directors 08-10 活動回顧 Review of Activities 11-22 使命一 Mission I 23-36 使命二 Mission II 37-40 使命三 Mission III 41-48 使命四 Mission IV 49-54 財務報告 Financial Report 55 藝術部門 Artistic Department 56-57 舞團架構 Company Structure 58-60 鳴謝 Acknowledgements CITY CONTEMPORARY DANCE COMPANY VISION CHAIRMAN’S REPORT 2018 / 2019 ANNUAL REPORT 願景 主席報告 VISION CHAIRMAN’S REPORT 城市當代舞蹈團貫徹「立足香港，匯聚華人菁英，創造當代中國舞蹈」的願景，繼續履行香港主要演藝團體的使命，在原創節目、海外演出、 立足香港，匯聚華人菁英，創造當代中國舞蹈 教育與外展活動以及「中國舞蹈發展計劃」四大方向竭盡所能，成績斐然。 CCDC is a Hong Kong-based professional 在原創節目方面，舞團展現亞洲舞蹈創作精英，呈獻多元化的創作，於報告年度獲香港舞蹈年獎多項提名——憑伍宇烈的《香 ‧ 夭》奪得 dance company that rallies the best of 「傑出編舞」及「傑出大型場地舞蹈製作」獎項，並憑金在德的《跌宕》奪得「傑出配樂設計獎」。此外，「跳格國際舞蹈影像節」選展 Chinese talent to create dance in the 的海內外作品，亦得到各界熱烈迴響。 contemporary context of China 教育與外展活動方面，舞團位於黃大仙的 CCDC 舞蹈中心恆常舉辦豐富多樣的課程，持續廣受市民歡迎，報名人數屢創新高。中心亦透過 舞蹈培訓獎學金計劃、學校現代舞培訓計劃、學校文化日等項目推廣及拓展觀眾網絡，使中心成為香港舞蹈愛好者的首選熱點。此外，賽 城市當代舞蹈團 馬會舞蹈小劇場提供的演出設施鼓勵年青編舞家發表創作。舞團並透過夥伴計劃廣泛為本地藝術家拓展優質創作空間。承蒙香港賽馬會慈 City Contemporary Dance Company (CCDC) 善信託基金慷慨捐助，舞團順利開展為期三年的「賽馬會當代舞『賞‧ 識』計劃」，透過嶄新設計的學校互動巡演、舞台導賞及體驗工作坊， 提昇中小學生對當代舞的興趣及基本藝術鑑賞能力。 城市當代舞蹈團是香港首個全職專業現代舞團，於 1979 年由曹誠淵創立，以體現香港當代文化及推動現代舞蹈發展 作為香港的文化大使，舞團先後代表香港在北京、布里斯本、達爾文、及吉隆坡演出新作及經典舞碼，在國際舞壇上展示卓越藝術成就， 為宗旨。四十年來，舞團保留了超過二百齣本土編舞家的完整舞碼，包括曹誠淵、黎海寧、梅卓燕、潘少輝及伍宇烈 獲得各方高度評價。此外，舞團亦透過「HOTPOT 東亞舞蹈平台」，積極與日本及韓國的舞蹈節主辦單位推動區內文化交流合作；而舞團 等作品，也經常與其他媒介藝術家合作，展現多元化的香港文化特色。每年演出逾六十多場，參與人數超過五萬人次。 的「中國舞蹈發展計劃」，去年亦帶領多位香港舞蹈家到「北京舞蹈雙週」作交流演出。 自 1980 年以來，舞團開展頻密的國際文化交流活動，先後代表香港在美洲、歐洲、澳洲及亞洲共三十多個主要城市， 今年正值城市當代舞蹈團慶祝四十周年，董事會誠摯感謝歷年來慷慨協助我們實現願景和使命的各界支持者及觀眾朋友，並向舞團同寅的 包括紐約、洛杉磯、華盛頓、三藩市、蒙特利爾、倫敦、巴黎、里昂、羅馬、佛羅倫斯、羅韋雷托、奧斯陸、柏林、 努力投入衷心致謝，祝願舞團未來再創高峰。 慕尼黑、斯圖加特、哥本哈根、布拉格、悉尼、布里斯本、達爾文、東京、新潟、首爾、釜山、大邱、新加坡、馬尼 Our amazing team at CCDC strives to carry out the time-honoured mission “to rally the best of Chinese talent to create dance in the contemporary 拉、吉隆坡、北京、上海、烏魯木齊、西寧、台北、孟買、德里、卡米爾、特拉維夫、聖彼德堡及莫斯科等進行了 context of China”.
    [Show full text]
  • Nordic Countries
    2017 THE NORDIC COUNTRIES MADE IN 2017 NO BORDERS We in the arts can take centre stage and show that the ability to collaborate is one of the finest things in humanity, and is crucial for our survival. The Nordic countries have a long-standing tradition of working together, and the MADE IN project, its catalogue and website, is a small yet great example of that. Artists, leaders and promoters in the performing arts from five countries have come together to jointly present their information on what they are all doing right now and in the near future. This is the fifth edition, and for the first time, we’ve decided not to list the catalogue by country, as we chose to fully commit to our manifesto for no borders between Nordic performing arts organisations. You are all welcome to start your communication with any of us, as in front of you is a network of fearless artists not unlike their Viking ancestors. ÅSA EDGREN Editor in Chief, MADE IN the Nordic Countries 2017 3 CONTENT MADE IN 2017 - No Borders 3 CONTENT 4 - 5 THE NORDIC COUNTRIES & CITIES 6 MAP 7 ABOUT MADEIN-THEWEB.COM 8 - 9 ARTISTS, COMPANIES & PROJECTS 10 - 121 Aaben Dans 10 Andersson Dance/Örjan Andersson 12 Arja Tiili Dance Company 14 Art of Spectra 16 Björn Säfsten 18 Black Box Dance Company 20 Byström Källblad 22 Carte Blanche 24 Charlotta Öfverholm/Age on Stage 26 Charlotte Engelkes Production 28 Christina Tingskog/Relative Dance Production 30 Cinnober Teater 32 Cirka Teater 34 Cirkus Cirkör 36 4 CONTENT ARTISTS, COMPANIES & PROJECTS cont.
    [Show full text]
  • Line Tørmoen Cv Engelsk-Kopi
    CV LINE TØRMOEN Born: 20.10.1971 Kristine Bonnevies vei 0592 Oslo, Norway E-mail: [email protected] Mobil: 951 17 158 http://skuda.no/kunstnerkatalog/dansere/item/644-line-tormoen Foto: John Andresen Education: 1990-1993 Oslo National Academy of Arts (BA -Dance) 1987-1990 Fagerborg videregående skole Selected work as a dancer: zero visibility corp.: Choreographer Ina Christel Johannessen 2018 Who told you this room exists, premiere November 2018 , Dansens Hus 2017 Frozen Songs, Hålogaland teater Piano Piano tour Germany, Switzerland 2016 …it's only a rehearsal, Wiesbaden, Germany Future, Dansens Hus, Oslo The Guest, Theatre Silvia Monfort Paris 2015 The Guest, Dansens Hus, Oslo Piano Piano, Stadtsteatern Stockholm 2014 …it's only a rehearsal played at Sadler's Wells, UK 2012-2014 Terra 0 Motel, Again, and Leave2House the performances have been played in Norway, Sweden, Denmark, Finland, Germany, Belgium, France, England, Czech Republic, Italy. 2011-2014 (im)possible has been played at The Cultural Rucksack for lower secondary schools 2010 Now she knows 2009 Thief-after-clip 0 (zero) 2008 It was November 2008 37, 5 the opening of Dansens Hus 2006 (but) that night I found her very alluring 2006 I have a secret to tell you (please) leave with me 2004 The terror of identification 2003 ...it ś only a rehearsal Has been played close to 200 times on Norwegian tour with "Riksteatret", Swedish tour with "Dansnettet”, played in the whole of Europe, in Sydney Opera House, Australia, New York, USA, and Toronto, Canada 2001 Confession time 2000 Suppose this time, I see what he saw Jo Strømgren Kompani 2018 The road is just a surface, Anja Garbarek/Jo Strømgren kompani 2013-2014 Artistic performance talk with the showing of "Naboen" Touring in the Cultural Rucksack for lower secondary schools 2009 ”Naboen” the dance film In 2010 the film received Rose d'or in Switzerland, Arts Documentary and Performing arts.
    [Show full text]
  • About the Workshops and Contributors
    Workshops You can participate in one or two workshops depending on the length on the workshop(s). There are 3 hours available for workshops in total. Apply to workhops in the registration form. Please read guide thoroughly before applying. Samuli Nordberg & Tiina Syrjä (3 hours) Xtreme - Pedagogical practises for understanding personal and performative boundaries. What is an extreme experience for the performer and on the other hand for the spectator? During this workshop, we will discuss how a performer can become aware of his/her boundaries. What can be considered extreme in the body/public space/community and which extreme actions and situations chosen by this particular group we would like to try out? We will approach the concept of extreme through various exercises, and we will explore the experiences from both the observer’s and the author's point of view. We'll seek together a physical breakpoint, learn how to scream safely and exchange with each other actions which feel personally extreme. The work is based on experiences from Xtreme workshops for actors on bachelor level. Anne Södergren (1,5 hour) Changing Perspective The workshop is based on a method developed by Anne, using three different ”rooms” where the students focus on and develop singing technique, performing and reflection respectively. In the Craft Room the student trains in different singing skills and exercises for a sustainable voice. In the Laboratory Room the students explore improvisation, text and acting skills transferred according to voice. In the Reflection Room the students have the possibility to reflect and work with an awareness of personal and artistic choices in relation to critical perspectives such as gender and other norm issues and discuss this according to the singing voice.
    [Show full text]
  • Web Publications 2005:6
    WEB PUBLICATIONS 2005:6 Writers Arts and Culture in Helsinki City of Helsinki Urban Facts, Web publications 2005:6 Aarniokoski Riitta ● Finnish National Gallery, Kiasma Theatre Editorial group ● Askelo Sini City of Helsinki Urban Facts, Statistics and Information Services Chairman: Leila Lankinen, Acting Information Manager Berndtson Maija ● Helsinki City Library Sini Askelo, Senior Statistician; Timo Cantell, Senior Researcher; Marianna Kajantie, Director, City of Helsinki Cultural Office; Vesa Keskinen, Researcher; Cantell Timo ● City of Helsinki Urban Facts, Urban Research Päivi Selander, Project Researcher; Timo Äikäs, Researcher Fontell Klas ● Helsinki City Art Museum Hahtomaa Kikka ● City of Helsinki Cultural Office, Annantalo Arts Centre Graphic design: Olli Turunen | Tovia Design Oy Heimonen Leila ● City of Helsinki Cultural Office, Annantalo Arts Centre Statistics: Sirkka Koski and Annikki Järvinen Hellman Tuomas ● Bachelor of Arts Liaison with printers: Tarja Sundström ● Helminen Martti City of Helsinki Urban Facts, Helsinki City Archives Translation: Magnus Gräsbäck Ilonen Pia ● Talli Architects Language revision: Roger Munn, Bachelor of Arts (hons.) Karjalainen Marketta ● Helsingin Uutiset Enquiries Keskinen Vesa ● City of Helsinki Urban Facts, Urban Research City of Helsinki Urban Facts, Statistics and Information Service Kulonpalo Jussi ● University of Helsinki, Department of Social Policy Address: Aleksanterinkatu 16 –18, 00170 Helsinki P.O. Box 5520 , FIN-00099 City of Helsinki ● Laita Piia Finnish National Gallery, Kiasma Timo Äikäs, + tel. 358 9 169 3184, [email protected]. Lankinen Leila ● City of Helsinki Urban Facts, Statistics and Information Services Sini Askelo, tel. + 358 9 169 3180, [email protected]. Leila Lankinen, tel. + 358 9169 3190, [email protected] Lehtonen Kimmo ● Lasipalatsi Media Centre Lindstedt Johanna ● City of Helsinki Cultural Office, Annantalo Arts Centre Orders Niemi Irmeli ● City of Helsinki Cultural Office, Malmi House Tel.
    [Show full text]
  • UNIVERSITY of CALIFORNIA Los Angeles Dancing Cross-Cultural Misunderstandings
    UNIVERSITY OF CALIFORNIA Los Angeles Dancing Cross-cultural Misunderstandings: The American Dance Festival in China’s New Era A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Culture and Performance by Fangfei Miao 2019 © Copyright by Fangfei Miao 2019 ABSTRACT OF THE DISSERTATION Dancing Cross-cultural Misunderstandings: The American Dance Festival in China’s New Era by Fangfei Miao Doctor of Philosophy in Culture and Performance University of California, Los Angeles, 2019 Professor Susan Leigh Foster, Chair This dissertation explores the embodiment of cross-cultural misunderstandings in a key transitional period in modern China—the late 1980s, during the country’s economic reformation and cultural opening to the West after the Cultural Revolution (1966–1976). From 1987 to 1991, teachers from the American Dance Festival (ADF), at the invitation of the Guangdong (Canton) Dance School, trained the first group of professional modern dancers in China, known as the “Guangdong Modern Dance Experimental Program,” profoundly altering the history of Chinese modern dance in the New Era (1978–). Based on this program, China established its first modern dance company in 1992—the Guangdong Modern Dance Company. Under the guidance of ADF teachers, Chinese students created two new genres of Chinese modern dance that differed from the previous realism style. Some of ii the students later became internationally acclaimed artists—Shen Wei, Jin Xing, and Wang Mei. Contesting existing accounts of the Guangdong program as a complete success in America’s and China’s dance histories, this dissertation instead argues that misunderstandings and miscommunications repeatedly occurred in both directions throughout this corporeal exchange.
    [Show full text]
  • Advance Program Notes
    Advance Program Notes BeijingDance/LDTX Saturday, November 15, 2014, 7:30 PM These Advance Program Notes are provided online for our patrons who like to read about performances ahead of time. Printed programs will be provided to patrons at the performances. Programs are subject to change. BeijingDance/LDTX Willy Tsao, artistic director LI Han-zhong, deputy artistic director Choreographers: LI Han-zhong, MA Bo, SANG Ji-jia, SONG Ting-Ting, LIU Bing, and XU Yi-ming Dancers: MA Bo, XU Yi-Ming, QIAN Kun, ADIYA, GAO Yang, LIU Xue-Fang, DU Yan- Hao, TANG Ting-Ting, LIU Yin-Tao, XIE Xin, GONG Xing-Xing, LI Ke-Hua, and FAN Lu GAO-Jie, lighting designer ZHANG Meng, stage manager YIN Peng, tour manager Standing Before Darkness 40 minutes Intermission (15 minutes) October 6 minutes Waiting Alone 9 minutes Treading on Grass 30 minutes North American Representation Rena Shagan Associates, Inc. 16 A West 88 Street, New York City, NY 10024 [email protected] | www.shaganarts.com Program Notes STANDING BEFORE DARKNESS Choreography: SANG Ji-Jia Music: Dickson Dee Lighting: GAO-Jie Costume: WANG Yan Dancers: XU Yi-Ming, QIAN Kun, ADIYA, GAO Yang, LIU Xue-Fang, DU Yan- Hao, TANG Ting-Ting, LIU Yin-Tao, XIE Xin, GONG Xing-Xing, LI Ke-Hua, and FAN Lu “How much can we know about those around us...” Standing Before Darkness is the second work created for BeijingDance/LDTX by the company’s resident choreographer, SANG Ji-Jia. This work demonstrates the artist’s unique style, in which he ruminates on the capacity of dancers’ bodies and combines their technical and pedestrian movements to evoke extreme psychological tension.
    [Show full text]
  • Archiv Bregenzer Frühling 1988
    Bregenzer Frühling | Archiv 2019 2018 2017 Zero Visibility Corp. Kibbutz Contemporary Dance Israel Galvan FLA.CO.MEN FROZEN SONGS VON INA CHRISTEL Company JOHANNESSEN (ÖEA) Nederlands Dans Theater 2 HORSES IN THE SKY VON RAMI BE’ER (ÖEA) Compagnie DCA THE GREY VON IMRE & MARNE VAN OPSTAL (ÖEA) ImPerfect Dancer FEELINGS VON SHARON EYAL & GAI BEHAR (ÖEA) NOUVELLES PIÈCES COURTES VON PHILIPPE HAMLET VON WALTER MATTEINI & INA DECOUFLÉ (ÖEA) MIDNIGHT RAGA VON MARCO GOECKE (ÖEA) BROECKX Wang Ramirez SH-BOOM! VON SOL LEON/PAUL LIGHTFOOT (ÖEA) Helena Waldmann EVERYNESS VON HONJI WANG UND SÉBASTIEN Michèle Anne De Mey / Jaco RAMIREZ (ÖEA) GOOD PASSPORTS, BAD PASSPORTS Van Dormael National Dance Company of Motionhouse COLLECTIF KISS & CRY Wales CHARGE VON KEVIN FINNAN (ÖEA) COLD BLOOD (ÖEA) TUNDRA VON MARCOS MORAU Silvia Salzmann (Österreich) Richard Siegal / Ballet of THEY SEEK TO FIND THE HAPPINESS VON LEE Difference (USA) JOHNSTON MUSCHLN NUSCHLN BEIM KUSCHLN (UA) MY GENERATION MIT DEN CHOREOGRAFIEN: FOLK VON CAROLINE FINN Yui Kawaguchi BOD (ÖEA) Silvia Salzmann DA CAPO (WELTPREMIERE) EXCERPTS OF A FUTURE WORK ON THE MORE – IMMER MEHR UND MEHR aktionstheater ensemble SUBJECTS OF CHELSEA MANNING (ÖEA) Francesca Harper POP HD (ÖEA) UNAPOLOGETIC BODY DIE WUNDERBARE ZERSTÖRUNG DES MANNES Akram Khan Company (UA) aktionstheater ensemble UNTIL THE LIONS VON AKRAM KHAN (ÖEA) WIE GEHT’S WEITER (UA) aktionstheater ensemble ICH GLAUBE (UA) 2016 2015 2014 Compañía María Pagés Cloud Gate Dance Theatre of Akram Khan Company Yo, Carmen (ÖE) Taiwan DESH Ultima Vez | Wim LIN HWAI-MIN HOFESH SHECHTER COMPANY Vandekeybus Wayne McGregor | Random POLITICAL MOTHER SPEAK LOW IF YOU SPEAK LOVE… Dance Eastman | Sidi Larbi Cherkaoui KVS | Les ballets C de la B | ATOMOS 4 D Cullberg Ballet Nederlands Dans Theater 2 A.M.
    [Show full text]