CD-Liste Komponisten ABC... Giovanni Gabrieli (Um 1557
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Daniela Schillaci
IN COLLABORAZIONE Non ci fermeremo mai! con il patrocinio Non deporremo mai la nostra cetra. La nostra voce si alzerà pura e soave per cantare la nostra umanità. Saremo testimoni di bellezza per un sentimento di vera rinascita Premio Lirico e il nostro canto entrerà nei cuori dei buoni Internazionale e farà breccia in quelli di pietra. MARCELLA I nostri giorni saranno cantare e danzare l’amicizia tra i popoli. POBBE Insieme vedremo l’aurora di un nuovo tempo 2020 lasciando nell’aria il profumo della vita. Young Opera Project 2020 CON IL SOSTEGNO Daniela Schillaci Teatro Olimpico di Vicenza Sabato 19 Settembre 2020 ore 21.00 Daniela Schillaci, diplomata in canto al Conservatorio Gioacchino Premio Lirico Internazionale Rossini di Pesaro con il massimo dei voti, vince quale Migliore giovane can- tante il concorso Giuseppe Di Stefano di Trapani nel 1998. MARCELLA POBBE 2020 Inizia immediatamente una brillante carriera che la vede debuttare in Così Gala fan tutte (Despina) all’Opera Giocosa di Savona; Werther (Sophie) a Spoleto; Un ballo in maschera (Oscar) a Venezia e Catania; La sonnambula (Lisa) a Roma, Messina e Palermo; Il cappello di paglia di Firenze (Elena) a Messina e Comitato d’Onore all’Opéra de Lausanne; Turandot (Liù) a Seoul; I Lombardi alla prima crocia- Concert ta al Maggio Musicale Fiorentino; Ariane et Barbe-bleu, Thaïs e Peter Grimes Francesco Rucco a Torino, Elektra e Die Frau ohne schatten al Maggio Musicale Fiorentino; Il Sindaco di Vicenza Silvia Bonino telefono di Menotti (Lucy) a Catania; Carmen all’Opera di Roma, all’Arena di Verona e ad Ascoli Piceno; La serva padrona (Serpina) a Firenze e Roma. -
JOHN RELYEA Four Villains... Four
spring 2012 | volume 19 | number 3 Catherine Malfitano Born into the right trunk! John relyea Four Villains... Four signatures alan held a DouBle Bill oF sun anD shaDow happy BirthDay Myth Manifest enseMble CirCle Zhang huan’s Semele A MESSAge From THe generAl DireCTor aleXander neef spring into opera Photo: Rider Dyce Opera is such a collaborative business great Canadian bass-baritone Gary A gift to our friends that great artists make very specific Relyea, performed many times with Editorial Board: decisions about who they want to work the COC over the years. I am very robert lamb, with and where they want to work. As proud to have the Relyeas join Louis Managing Director roberto mauro, more of the world’s best artists choose and Gino Quilico, and Victor and Artistic Administrator us, you, the audience, are the ultimate Russell Braun as COC father-son Jeremy elbourne, beneficiary; the better the artists, opera stars. Director of Marketing the better the art on stage. Is it any Claudine Domingue, Director of Public Relations wonder why welcoming new artists to Opera is a synthesis of many art forms, and a huge part of its presentation is Christie Darville, our company is a particular pleasure Director of Development the theatrical and visual aspect. Zhang of mine? Editors: Huan, our Semele director, is a visual suzanne vanstone, This spring it is our privilege to have artist of great renown and his ability Senior Communications Manager, Editorial the legendary Catherine Malfitano to merge art forms is second nature. gianna Wichelow, join us to direct our new double bill – Zhang has placed this production of Senior Communications Manager, Creative Zemlinsky’s A Florentine Tragedy Handel’s Baroque masterpiece within Editors E-mail: [email protected] and Puccini’s Gianni Schicchi. -
2013·2014Eview Season Pr a MESSAGE from GENERAL DIRECTOR ALEXANDER NEEF Be Part of the Experience!
winter 2013 | volume 20 | number 2 The SellArS/violA World of TrisTan und isolde divided loyAlTieS Mozart’s la clemenza di TiTo WelCoMeS ANd fAreWellS tHE CoC BOARD ShooTiNg starS MiCHaEl CoopEr's 30 yEars as CoC proDuCtion pHotograpHEr ial spEC 2013·2014EviEw Season pr A MESSAGe FROM GENERAl DIRECTOR ALEXANDER NEEF Be PArT of The eXPerieNCe! or better or worse, we live in an age when virtually any form of Fentertainment can be downloaded directly onto your computer, beamed into your television or your local cinema, or experienced on your smartphone as you are walking down the street; an age that has drastically altered how quickly and easily we can consume culture. And, as convenient as that is, the sheer ease of it serves to remind us how vital it is to be an active participant in culture and the arts. Because, in the end, it is the electric exchange between artists and the audience that makes the art come alive. There is simply nothing like being A gift to our friends in a great opera house and hearing a phenomenal singer live; you get goose Editorial Board: robert lamb, bumps, you are moved in body and soul Speaking of relationships, I am very Managing Director by the immediate, emotional core of the pleased and proud that Johannes’s contract roberto mauro, work. The very fact that you share the has been extended through the 2016/2017 Artistic Administrator space with the artists makes you become season. He brings such energy, talent and Jeremy elbourne, Director of Marketing part of the action, part of the work, leadership to our company, there is no limit Claudine Domingue, and finally, part of the art itself. -
Ambur Braid Soprano 2017
Ambur Braid soprano 2017 – 2018 Season Columbia Artists Vocal LLC 1790 Broadway | New York, NY 10019 telephone: (212) 841-9685 | fax: (212) 841-9557 www.cami.com Personal Direction: Damon Bristo, Vice President [email protected] Updated August 2017 Please destroy all previous press materials Columbia Artists Management LLC 1790 Broadway, New York, NY 10019-1412 The Creative Source for the Performing Arts (212) 841-9500 • Fax (212) 841-9744 • www.cami.com Ambur Braid soprano Ambur Braid has been praised as a “powerful soprano” by the New York Times and “a class unto herself” (Frankfurter Allgemeine), delivering her portrayals with an “unhinged intensity.” In the 2017-2018 season, Ambur will sing her first performances of Puccini’s iconic Tosca in a return to the Calgary Opera and will debut with the National Arts Centre Orchestra in Ottawa singing Beethoven’s Symphony No. 9. She recently appeared as The Queen in a new production of Křenek’s Das geheime Königreich at Oper Frankfurt, a thrilling performance the Frankfurter Allgemeine called “a mixture of Zerbinetta, Kundry, and Lady Macbeth.” In the 2018-2019 season, Ambur will join the ensemble at Oper Frankfurt singing leading roles of her repertoire in exciting new productions. Recently, Ambur returned to the Canadian Opera Company as the Queen of the Night in Die Zauberflöte conducted by Bernard Labadie and a highly-acclaimed portrayal of Dalinda in Richard Jones’s production of Ariodante conducted by Johannes Debus. She made her UK debut as a formidable Queen of the Night in Simon McBurney's production of The Magic Flute at the English National Opera, a role she also sang for Calgary Opera and her German debut at Oper Frankfurt. -
Louis Riel Tosca
LOUIS RIEL TOSCA PROGRAM SPRING 2017 CONTENTS A MESSAGE FROM GENERAL DIRECTOR 4 WHAT’S PLAYING: ALEXANDER NEEF LOUIS RIEL 12 HONOURING INDIGENEITY NEW EXPERIENCES, IN LOUIS RIEL NEW INITIATIVES 14 COMPOSER HARRY SOMERS This spring we celebrate the return ADOPTS A MODERN TONE IN of an iconic Canadian opera, Harry LOUIS RIEL Somers’ Louis Riel. 15 THE NISGA’A HISTORY OF THE “KUYAS” ARIA The fact that 50 years ago Somers and Moore made the bold decision 16 A CANADIANIZED RIEL: to focus their work on the struggles MAKING SPACE FOR MÉTIS of Riel and the Métis Nation against TO SPEAK Canada’s colonial government serves as a challenge for present and future WHAT’S PLAYING: TOSCA Great opera 18 understandings of our country. In Canada’s sesquicentennial year, these 24 A PASSION FOR PUCCINI: CONDUCTOR KERI-LYNN challenges remain at the forefront of WILSON our country’s conversations, particularly as part of the ongoing Truth and lives here. 28 GET TO KNOW ADRIANNE Reconciliation process. PIECZONKA With this new production of Louis 32 BACKSTAGE AND BEYOND Riel, we have taken the opportunity to expand our base of creative knowledge with not-for-profit arts groups, 34 BIOGRAPHIES: LOUIS RIEL and perspectives to include musical community partners, and social and performance practices that service organizations in Ontario BIOGRAPHIES: TOSCA 42 wouldn’t have been a part of the artistic to offer more than 1,000 people conversation in 1967. the opportunity to experience our EVERY NOTE COUNTS 45 mainstage programming free of 46 MEET A BOARD MEMBER: Building broader awareness of the charge. -
Lps-Vocal Recitals All Just About 1-2 Unless Otherwise Described
LPs-Vocal Recitals All just about 1-2 unless otherwise described. Single LPs unless otherwise indicated. Original printed matter with sets should be included. 4208. LUCINE AMARA [s]. RECITAL. With David Benedict [pno]. Music of Donaudy, De- bussy, de Falla, Szulc, Turina, Schu- mann, Brahms, etc. Cambridge Stereo CRS 1704. $8.00. 4229. AGNES BALTSA [ms]. OPERA RECITAL. From Cenerentola, Il Barbiere di Siviglia, La Favorita, La Clemenza di Tito , etc. Digital stereo 067-64-563 . Cover signed by Baltza . $10.00. 4209. ROLF BJÖRLING [t]. SONGS [In Swedish]. Music of Widéem, Peterson-Berger, Nord- qvist, Sjögren, etc. The vocal timbre is quite similar to that of Papa. Odeon PMES 552. $7.00. 3727. GRACE BUMBRY [ms]. OPERA ARIAS. From Camen, Sappho, Samson et Dalila, Dr. Frieder Weissmann and Don Carlos, Cavalleria Rustican a, etc. Sylvia Willink-Quiel, 1981 Deut. Gram. Stereo SLPM 138 826. Sealed . $7.00. 4213. MONTSERAAT CABALLÉ [s]. ROSSINI RARITIES. Orch. dir. Carlo Felice Cillario. From Armida, Tancredi, Otello, Stabat Mater, etc. Rear cover signed by Caballé . RCA Victor LSC-3015. $12.00. 4211. FRANCO CORELLI [t] SINGS “GRANADA” AND OTHER ROMANTIC SONGS. Orch. dir Raffaele Mingardo. Capitol Stereo SP 8661. Cover signed by Corelli . $15.00. 4212. PHYLLLIS CURTIN [s]. CANTIGAS Y CANCIONES OF LATIN AMERICA. With Ryan Edwards [pno]. Music of Villa-Lobos, Tavares, Ginastera, etc. Rear cover signed by Curtin. Vanguard Stereolab VSD-71125. $10.00. 4222. EILEEN FARRELL [s]. SINGS FRENCH AND ITALIAN SONGS. Music of Respighi, Castelnuovo-Tedesco, Debussy. Piano acc. George Trovillo. Columbia Stereo MS- 6524. Factory sealed. $6.00. -
Otello Otello Con El Apoyo De: El Apoyo Con Otello - Giuseppe Verdi
Otello GIUSEPPE VERDI Temporada 2020-2021 Temporada Con el apoyo de: Otello - Giuseppe Verdi Volver al índice Patronato de la Fundación del Gran Teatre del Liceu Comisión ejecutiva de la Fundación del Gran Teatre del Liceu Presidente de honor Presidente President de la Generalitat de Catalunya Salvador Alemany Mas Presidente del patronato Vocales representantes de la Generalitat de Catalunya Salvador Alemany Mas Àngels Ponsa Roca, Lluís Baulenas Cases Vicepresidenta primera Vocales representantes del Ministerio de Cultura y Deporte Àngels Ponsa Roca Amaya de Miguel Toral, Antonio Garde Herce Vicepresidente segundo Vocales representantes del Ayuntamiento de Barcelona Andrea Gavela Llopis Joan Subirats Humet, Marta Clarí Padrós Vicepresidente tercero Vocal representant de la Diputació de Barcelona Joan Subirats Humet Joan Carles Garcia Cañizares Vicepresidenta cuarta Vocales representantes de la Societat del Gran Teatre del Liceu Núria Marín Martínez Javier Coll Olalla, Manuel Busquet Arrufat Vocales representantes de la Generalitat de Catalunya Vocales representantes del Consejo de Mecenazgo Lluis Baulenas Cases, Irene Rigau Oliver, Rosa Tubau LLorià, Luis Herrero Borque, Elisa Durán Montolío Angels Barbara Fondevila Secretario Vocales representantes del Ministerio de Cultura y Deporte Joaquim Badia Armengol Javier García Fernández, Amaya de Miguel Toral, Joan Francesc Director General Marco Conchillo, Santiago de Torres Sanahuja Valentí Oviedo Cornejo Vocales representantes del Ayuntamiento de Barcelona Marta Clari Padrós, Josep Maria -
2016/2017 Annual Report
2016/2017 ANNUAL REPORT “The Canadian Opera Company has been doing attention-grabbing work.” The New York Times 2016/2017 SEASON AT A GLANCE 142,572 598 Total attendance and reach combining the Number of performances, community COC’s mainstage programming (99,296), concerts, and events showcasing the Education and Outreach events (31,807), transformative power of operatic and Free Concert Series in the Richard theatre. Bradshaw Amphitheatre (11,469). 10 YEARS 22,705 KM Our 16/17 season marked 10 years since The distance travelled by COC sets the opening of the Four Seasons Centre and costumes in the past season, as for the Performing Arts, a decade of our work reached destinations like unprecedented artistic momentum and Amsterdam, Barcelona, and Chicago. accomplishment. 2 CENTURIES 6 CONTINENTS From Handel’s Ariodante to Harry Somers’ We had visitors from all 13 provinces and Louis Riel, we presented a range of operatic territories in Canada, 36 American states repertoire spanning 232 years of human and territories, as well as 36 countries creativity. representing six continents. ACTIVITY HUB The Four Seasons Centre for the Performing Arts and the Joey and Toby Tanenbaum Opera Centre host diverse activities featuring performing arts companies, non-profit organizations, and a range of marquee events, making the COC a key facilitator for Toronto’s rich cultural and civic life. Our 16/17 partners include: Against the Grain Theatre George Brown College Singing with Parkinson’s Atelier Lyrique de l’Opéra Jeunes Ambassadeurs Lyrique Stratford -
ANNICK MASSIS Soprano
ANNICK MASSIS Soprano Acclaimed worldwide as one of the greatest sopranos and one of the most versatile singers of our time, Annick Massis has appeared in celebrated productions in the most prestigious opera houses in Europe, including Barcelona’s Gran Teatre del Liceu, Madrid’s Teatro Real, Switzerland’s Grand Théâtre de Genève and Opernhaus Zürich, the famed Wiener Staatsoper in Vienna, Berlin’s Deutsche Oper and Philarmonie, Brussels’ La Monnaie, and Concertgebow in Amsteram. In the United States, Miss Massis has sung at the illustrious Metropolian Opera and in Avery Fisher Hall in New York, at the Pittsburgh Opera, and in Washington, D.C. In her native France, she has taken part in triumphant performances in all of the most important houses, including the Opéra Bastille, the Palais Garnier, and the Théâtre des Champs-Elysées in Paris; the Capitole de Toulouse the Opéras of Marseille, Montpellier,Monte-Carlo and Nice. Miss Massis has also appeared on many of the most influential Italian stages, including those of Milan’s Teatro alla Scala, Venice’s Teatro Malibran and Teatro de la Fenice, Florence’s Teatro Comunale, Turin’s Teatro Regio, and in prominent houses in Rome, Naples, Trieste, and Cagliari. In addition to singing in Europe’s greatest opera houses, Miss Massis has also appeared at many of Europe’s most important and artistically-rewarding festivals, including Britain’s Glyndebourne Festival, the long-celebrated Maggio Musicale Fiorentino (Florence), the renowned Salzburg Festival, the Rossini Opera Festival at Pesaro, and most recently at the Arena di Verona and the bath of Caracalla . -
Bartók Gergely: „A Török Itáliában…”
„A török Itáliában…” Leyla Gencer portréja Nagyapám, Papp Jenő Imre emlékére Bartók Gergely 2016 „Nem nagyon sok idő telik el, s nemcsak neved és személyed feledi el tökéletesen és maradéktalanul a világ, nemcsak műved emlékét lepi be a feledés pora, hanem műved anyaga is elporlad, a könyvek papírja és vászonkötése elillan a semmiségben, a képek, melyeket festettél, nem láthatók többé sehol a világon, s a márványszobrokat, alkotásaidat, finom porrá morzsolta az idő. Mindez egészen biztosan bekövetkezik, s az idő óráján csak másodpercek teltek el, míg te, s minden, amit jelentettél a világban, tökéletesen és maradék nélkül megsemmisül…” /Márai Sándor/ Gina Cigna, Iris Adami Corradetti, Maria Caniglia, Carla Gavazzi, Clara Petrella, Marcella Pobbe, Gigliola Frazzoni, Antonietta Stella, Rosanna Carteri, Anita Cerquetti… Csak néhány név – a teljesség igénye nélkül – a háború előtti és az azt szorosan követő évtizedek legendás, olasz énekes generációinak szopráncsillagai közül. Egykor ünnepelt, briliáns tehetségű énekművészek, „istennők”, „prima donna assoluták” voltak, kiknek lábai előtt hevert koruk zeneértő és -rajongó közönsége, aztán mintha homokba íródtak volna ezek a nevek, úgy vesztek el szépen lassan a feledés homályában. Művészek fényben és árnyékban… Köztudott, hogy a háború után a szinte tömeghisztériává duzzasztott „sztárcsinálás” éppen akkoriban élte reneszánszát, s olyan ikonokat nevelt ki, mint például az „angyali hangú” Renata Tebaldi vagy a „tigrisasszony” Maria Callas, kiknek neve s művészete, mint egyfajta cégér mind a mai napig garancia a legtökéletesebb minőségre. Az utókor a helyes megítélés tekintetében viszont sok esetben hálátlannak és felettébb méltánytalannak bizonyul, hiszen a „sztárok” árnyékában működött „másod-élvonalbelieknek” bélyegzett énekesnők sokszor éppen akkora tömegeket vonzottak, mint nagyobb celebritással bíró kolléganőik. -
Quand L'orchestre S'emmêle
Saison 2014/2015 www.orchestre-avignon.com Constitué à la fin du XVIIIe siècle, l’Orchestre Régional Avignon Provence appartient à ces orchestres qui, depuis longtemps, structurent la vie musicale française et accomplissent les missions de service public. Il est une vitrine culturelle incontournable de la Ville d’Avignon, de la Communauté d’Agglomération du Grand Avignon, du Département de Vaucluse comme de la Région Provence-Alpes-Côte-d’Azur. CONSEIL D’ADMINISTRATION Présidente RENÉE PANABIÈRE Membre associé, représentant l’Etat Secrétaire ANDRÉ CARBOULET Membre associé, représentant le Conseil Régional Provence-Alpes-Côte d’Azur Trésorier JEAN-MICHEL AMBROSINO Membre associé, représentant la Ville d’Avignon Membres de droit YANNICK BLANC Préfet de Vaucluse MICHEL VAUZELLE Président du Conseil Régional Provence-Alpes-Côte d’Azur CLAUDE HAUT Président du Conseil Général de Vaucluse JEAN-MARC ROUBAUD Président de la Communauté d’Agglomération du Grand Avignon CÉCILE HELLE Maire de la Ville d’Avignon DENIS LOUCHE Directeur Régional des Affaires Culturelles représentant le Ministère de la Culture et de la Communication JACQUES MONTAIGNAC Membre élu représentant la Communauté d’Agglomération du Grand Avignon CATHERINE BUGEON Adjoint au Maire d’Avignon représentant la Ville d’Avignon Membre associé PATRICK CANAC Membre associé, représentant le Conseil Général de Vaucluse Remerciements : FRANÇOIS GRANJON DE LEPINEY Textes : Pascal Huyhn Membre associé, représentant la Communauté d’Agglomération du Grand Avignon Crédits photos : Stephan Caso (photos p.2), Mary-Laetitia Gerval (photo p.8) et Cédric Delestrade (photo p.11) 4 5 EDITO Eclectique, la saison mise en place par Philippe Grison, Directeur Général, et son équipe, propose à ses fidèles et aux nouveaux spectateurs, de plus en plus nombreux, de partager avec les musiciens des moments privilégiés que procure la musique vivante. -
Livret Abt 1 Mise En Page 1.Qxd
livret abt 1:Mise en page 1 18/04/2012 18:07 Page 1 12 13 OPÉRA DE MASSY THÉÂTRE DE LONGJUMEAU direction Jack-Henri Soumère PROGRAMME D’ABONNEMENT [SAISON 2012 2013] lyrique humour récital danse jazz livret abt 1:Mise en page 1 18/04/2012 18:07 Page 2 2 MODE D’EMPLOI COMMENT S’ABONNER ? 1 Je découvre la programmation 2 Je choisis ma formule 3 Je complète le formulaire 4 J’envoie ma demande uniquement par courrier LES AVANTAGES Réduction de 10% à 30% (hors Coupe-File, Liberté et Tonus) Les places sont non nominatives Vous pouvez régler en 3 fois sans frais ou 10 fois avec frais BESOIN D’AIDE ? par téléphone ou sur place du mardi au vendredi de 9h30 à 12h30 et de 14h à 18h30 le samedi de 9h30 à 12h30 Opéra de Massy : 01 60 13 13 13 Théâtre de Longjumeau : 01 69 09 09 09 Fermeture estivale du 21 juillet au 22 août OUVERTURE DE LA BILLETTERIE Vous êtes abonné et désirez des places supplémentaires ? Opéra de Massy : le 31 août pour les massicois, le 18 septembre pour tout le monde Théâtre de Longjumeau : le 31 août pour les longjumellois, le 11 septembre pour les habitants de Ballainvillers, Champlan et La Ville du Bois, le 18 septembre pour tout le monde. livret abt 1:Mise en page 1 18/04/2012 18:07 Page 3 3 SOMMAIRE LA PROGRAMMATION Spectacles à l’Opéra de Massy pages 6 à 15 Spectacles au Théâtre de Longjumeau pages 35 à 45 LES FORMULES Formules “Opéra de Massy” pages 17 à 32 Formules “Théâtre de Longjumeau” pages 47 à 55 Formules “Paris Sud” pages 57 à 63 LE CALENDRIER Le calendrier de la saison pages 64 à 65 livret abt 1:Mise en page 1 18/04/2012 18:07 Page 4 4 LES CARTES JOKER* NE PERDEZ PLUS VOS PLACES ! LA CARTE JOKER : 20€ par abonné et par salle 4 fois dans la saison, vous pouvez obtenir le rembour- sement ou d’autres places si disponibles.